關於 almost over you lyrics ，我們在網路上蒐集到這些相關的討論、資訊與評價

Feeling nostalgic... in my last Live session I pulled out a very old CD album that I bought almost 20yrs ago when I was living in Australia, Brian McKnight’s ‘From There to Here 1989-2002’, songs that I know very well but I’d always thought people don’t really know them in HK. To my surprise many viewers knew Brian and his songs well! A song that I played for a viewer was ‘ 6 8 12’. I hadn’t listened to it in ages, but once I sang along the lyrics and melody are in my head these past few rainy days... #nostalgia
—

Do you ever ask about me?
Do your friends still tell you what to do?
Every time the phone rings,
Do you wish it was me calling you?
Do you still feel the same?
Or has time put out the flame?
I miss you
Is everything okay?
It's been six months, eight days, twelve hours
Since you went away
I miss you so much and I don't know what to say
I should be over you
I should know better but it's just not the case
It's been six months, eight days, twelve hours
Since you went away

【天青色等煙雨，而我在等你】(English writing below)

我看著客人眼淚
滴滴答答的打在桌面上
筆記本
濕了
本子上的字
糊了

她的心酸
猶如洪泉遇到崩裂的堤壩
一波一浪的破牆而出

一個被愛情辜負的女子
看了真是心疼

我不由自覺的
想到了自己

你懂我的
像我這樣剛烈的女子
爲了愛情
我絕不退縮
祇是一個勇字
又豈能成事呢

童年
過得心驚膽顫
家裡常吵得
雞犬不寧

爸爸沒想要
把我生下
媽媽常說
要把我趕出去

我很努力讀書
我很努力做個乖孩子
我覺得我做得很好
人小小本事很大
但這些終究無法
讓我在美滿的家庭長大

多少個夜晚裡
我被媽媽打得
想奪門而出
永不再見
可是想到誰來照顧她
我又忍下來

我很恨
為何我命運不如人

第一次談戀愛時
我是多麼多麼的雀躍
內心裡的煙花
不斷地爆開
我終於等到了
不再是
沒人要的孩子了

我終於
值得有人愛了

初戀的絢麗
卻也如七彩美麗的煙花
一聲巨響後
就消失在漆黑的夜裡

他常常在我面前
提到他如何深愛著
他中學時的校花
她是如此的美好

有一次
這校花來我們的學校
他得知後
破課室的門而出
沒見到她
他哭了一整個星期

心中的不安
讓我常常與他吵架
三年零八個月裡
我不是一個好女友
服滿兵役後
他喜歡上大學迎新會
的一位混血兒

後來
我和一位校友打了幾次桌球
某夜
他在ICQ向我索吻
對他的印象
就一落千丈了
（你以為老娘在賤賣嗎？）
不久一位朋友告訴我
他約會的對象
不只我一個

我有一位
很好很好的朋友
我在新加坡時
他常陪我
深夜打桌球到清晨
聊佛法聊人生
一起上佛學班
一起學國標舞
從未有一個人
如此瞭解我的心
如此照顧著我

但無所不談的當兒
他也不斷告訴
這麼多年來
他如何愛念著
一個女孩
對她始終無法忘懷

我又輸給
活在記憶中的人了

我這一份單戀
長達兩年
很磨人很磨人很磨人
差一點走不出來

第二次談戀愛
他常在我面前提起
一個他追了半年追不到的女孩
他說
有一天一定要去問她
為什麼不選擇他

在家裡的毒打
並沒有隨著我成人
而停止

後來拜師學藝
卻因爲品德不良
被師父一句
「你不是我要找的人。」
斷然吃了閉門羹

那天我哭得痛徹心扉
覺得自己
好像是
個沒人要的孩子

方文山因爲
八百年前
宋徽宗皇帝御批的這句
「雨過天青雲破處」
而在周傑倫《青花瓷》裡
寫了『天青色等煙雨，而我在等你』

他說
愛情里最無力的無奈
就是「等待」
天青色得等待
不知何時會降的雨
雨停
積雲散去
朗朗晴空中
天青色才能顯現
如同我
只能被动而安静的
等待着
不知何时才会出现的妳。

慢慢的
我開始認為
我這輩子等不到了
月老應該沒幫我
綁上紅線

學佛多年後
忽然恍然大悟
一個道理
没有东西是必须拥有的
沒有它
也不代表自己的不足

愛情
是一個填不滿的慾望
所以愛情劇長紅

在2015年2月21日年初三，根本上師蓮生活佛在台灣中天綜合電視台的訪談中說：https://youtu.be/EPDxwSt6a5I （時間12:08）

「師尊本身的愛是這樣的。我既然愛她，就是要她幸福，不是要佔有她，這種愛不是佔有，其實愛不是佔有。如果愛是佔有的話，那就是屬於慾望。如果愛不是佔有，我是祝福她，雖然我愛她，她不愛我，她愛別人，我就祝福她。如果愛別人會比較幸福，我就祝福她。這種愛就不是佔有的愛。如果是佔有的愛，一定會產生痛苦。」

原來我真正在等的
是自己
自己的智慧開了
心變闊達時
才不會讓他人決定
自己幾時可以幸福
可以幸福多久
命運在我手中
怎麼走本來就是我說了算

我輕輕的拿起桌上的紙巾，遞給女客人。她一把鼻涕，一把眼淚的向我道謝。

借了師父慣用的笑話，我柔聲細語的說：「別哭，新加坡缺水，要哭要到蓄水池哭，這樣我們可以少看馬來西亞的臉色做人。」

她破涕而笑。

我再說：「我看了妳的八字，現在又看到妳真人，勸你跟我講話老實一點，要不然我幫不到妳。妳明明一直做人家的小三，還敢跟我哭沒有男人要和妳結婚？妳不也偷偷拿了他不少錢嗎？我看妳明明就是一張愛錢的臉。」

奉勸各位大俠，在我面前，若要用眼淚爲武器，請三思，因爲虛偽的，我必定拆你面具。

..........................

I looked at the teardrops of my client, pitter patter onto the table top. My client's notebook got wet. The words got muddled.

All the pains in her heart were like the angry river crushing through a broken dam, tearing down the walls as the tears flowed.

To see a lady being let down by love was indeed heart-breaking.

I couldn't help but thought of myself.

You know me. An unyielding character like mine will not shrink like a coward in the name of love. Alas, there are things in life that can't be accomplished solely with courage.

My childhood was filled with a lot of fear. There were often quarrels at home.

My dad didn't want me to be born. My mum often said she wanted to chase me out of the house.

I studied very hard. I did my utmost to be an obedient kid, and I thought I did very well as young child but I was already very capable. However, all these were not enough for me to grow up in a complete family.

So many nights, I got beaten up so badly by my mum that I wanted to just break out of the door and never to see her again. But the mere thought of nobody looking after her pulled me back.

I hated so much. Why wasn't my destiny comparable to other people?

When I first fell in love, I was so elated. The fireworks in my heart exploded non-stop. I finally found someone. I was no longer that child which nobody wanted. I was finally worthy of someone's love.

The splendour of first love, however, was as temporal as the rainbow-coloured fireworks. After a loud explosion, it vanished into the darkness of night.

He would often tell me in my face, how much he pined for and loved his secondary school crush, apparently the prettiest and most perfect girl in school.

Once, this campus belle came to our school. When he got wind of the news, he dashed out of the classroom. Failing to see her, he cried for one whole week.

My insecurity caused me to quarrel with him often. In those 3 years and 8 months, I wasn't a great girlfriend. After his NS, he got together with a girl of mixed blood at his university's Orientation camp.

I played pool with a uni mate a few times. One night over ICQ, he teased me for a kiss. My impression of him dropped like hot cakes. Did I look like I was lelong-ing myself? Later, a girl pal told me that he was dating several girls at the same time.

I had a very good friend. Whenever I was in Singapore, he would accompany me to play pool till wee hours. We talked about Dharma, life, and we attended Buddhism and ballroom dancing classes together. I had never met a person who understood me and took care of me so well.

But among our endless conversations of everything and anything, he always told me how he still loved a girl from his school. He couldn't forget her.

Again, I lost to someone who lived in the memory of the guy I liked.

This one-sided love of mine burned for two years. It was very, very, very excruciating. I almost didn't make it out alive.

In my second relationship, the boyfriend would always tell me about a pretty girl whom he pursued for half a year, but failed to win her heart. He told me firmly that if he had the chance, he wanted to ask her why she did not choose him.

The abusive beating at home did not stop even after I grew up.

Later on, when I wanted to become Shifu's disciple, he turned me down flat because he didn't think I had good morals and values. He was blunt, "You are not the person I am looking for."

That night, I cried painfully hard. Suddenly, I felt like I was the kid from my childhood whom nobody wanted.

800 years ago, Emperor Huizong of Song Dynasty wrote in an imperial decree "雨過天青雲破處". It was this that inspired Vincent Fang (方文山) to write the lyrics 『天青色等煙雨，而我在等你』in Jay Chou's song 青花瓷 (Blue and white porcelain).

Vincent Fang said, the most powerless kind of helplessness in love was waiting.

The sky green colour had to wait for the rain, which it had no idea when it would arrive. After the rain stopped, the thick clouds dissipated, in the clear skies, the sky green colour would then be able to appear. This was just like how he could only passively and quietly wait, for his lady whom he had no idea when she would appear.

Gradually, I started thinking that in this lifetime, I would not be able to wait for that person to appear. Perhaps Yue Lao (the elderly celestial under the moon) did not tie the red string on me.

After many years of learning the Dharma, one day, I suddenly came to the realisation that nothing is a must to own.

Secular love is a black hole of desires. That is why romantic shows are evergreen.

On 21 February 2015, the 3rd day of the Lunar New Year, my Root Guru Living Buddha Lian-Sheng spoke in an interview with the Taiwan CTI Television Inc.: https://youtu.be/EPDxwSt6a5I （timestamp 12:08）

"My personal take on love is this. Since I love her, I will want her to be blissful, and not to possess her. Such love isn't possession. Actually love isn't possession. If love is possession, that belongs to desire. If love isn't desire, I will wish her well. Although I love her, she doesn't love me, but loves another person, so I will give her my best wishes. If loving another person brings her more happiness, I will wish her well. Such love isn't possessive love. If it is possessive love, there will surely be pain."

Then I realised, the one that I had been waiting all along for is myself. Waiting for my wisdom to develop, waiting for my heart to be more open, so that I would not place my happiness in the hands of another person, and let the person decide for me when I should be happy, for how long I can stay happy...

My destiny is in my hands. How it pans out is up to me to say.

I gently picked up a serviette from the table and passed it to my lady client. In a mush of mucus and tears, she thanked me.

Borrowing an old joke from Shifu, I gently told her, "Don't cry. Singapore lacks water. If you want to cry, you should cry at a nearby reservoir. This way, we don't have to see the colours of Malaysia in order to get more water."

She broke into a smile among her tears.

I continued, "After looking at your Bazi, and now that I have seen you in person, I advise you to be more honest with me, or else I will not be able to help you. You have all along been a mistress to other men, and you dare to come crying to me that no man wanted to marry you? Didn't you also stole some money from them? The way I see you, you obviously have a money grubber face."

My advice to all swordsmen: If you wish to use your tears as a weapon in front of me, think thrice. Because if you are a hypocrite, I will definitely rip your mask apart.

【キンコン西野、HYDE愛を語る】

今日は大切なお知らせが二つございます。

まず一つ目ですが、映画『えんとつ町のプペル』のオンラインムビチケの発売が開始しました。

コチラ→https://mvtk.jp/Film/070395

前売価格なので、若干お買い得になっていて、一般が１５００円。子供が８００円です。
でもって、オンラインムビチケ（前売券）の購入特典として、「特製スマホ壁紙」がプレゼントされます。

こちらは、初公開となる映画『えんとつ町のプペル』のメインビジュアルです。



個人的にメチャクチャお気に入りの一枚で、今日は、この絵のことを少しだけ説明させていただきます。

主人公のプペルとルビッチが煙突の上に座って、上を向いているのですが、「上を向く」というのが今作のテーマでもあるんですね。

劇中、高いところが苦手な煙突掃除屋の少年のルビッチ君が、ハシゴを登る時に下を見ちゃうシーンがあります。
下を見ると、体重が後ろにかかるもんですから、立てかけてあるハシゴが揺れるんですね。

それに対して、下で見守っていたルビッチ君のお父さんの「ブルーノ」さんが、「下を見るから揺れるんだ。上を見ろ」とアドバイスするわけですが、これはハシゴに引っ掛けた世の理で、僕らは上を向いている時は体力的に少々大変でも頑張れる。

それこそコロナなんて「来月終わります」と言ってもらえたら、その希望をオカズに１ヶ月ぐらいの貧乏は我慢できる。

だけど、コロナの場合は「いつ終わるか分からない」という、「希望が取り除かれた状態」だから、精神的にかなりグラついてしまう。ともすれば鬱っぽくなる。

そう考えると、「希望」というのは、僕らが生きていく上で必要なもので、「上を見る理由」を提供することは僕ら表現者の仕事の一つでもあるなぁと思いました。

　
映画『えんとつ町のプペル』は来年公開に延期する話も上がったのですが、「いやいや、今年公開しよう！」とワガママを言いました。
大変なのは百も承知で、だけど、だからこそ、皆と同じように大変な中で頑張って、頑張って頑張って結果を出す。

その姿を見せることができたら、「ああ、こんな中でも死ぬ気で努力すれば活路が見いだせるんだな」と思ってもらえて、誰かの規模になることができるなぁと思って、今年公開に踏み切りました。

　
メインビジュアルは、そういう気持ちを全部込めて、「煙に覆われて、なかなか星が見つからない町の中で、それでも上を見続ける主人公達の横顔」にして見ました。
この絵が頑張る人のお守りになると嬉しいです。
オンラインムビチケをご購入いただけると、特典で付いてきますので、是非！



https://mvtk.jp/Film/070395

んでもって、大切なお知らせの二つ目です。

昨夜、YouTubeの生配信で喋ったのですが、HYDEさん愛が爆発してしまって１時間近く喋っちゃったので、あたらめて短くまとめます。

映画『えんとつ町のプペル』のオープニング主題歌「ハロウィンパーティ プペルver.」の配信が開始されました。

コチラ→https://hyde.lnk.to/hppoupelleTP

HYDEさんが子供達と歌っているのですが、これ、本当にビックリするぐらいカッコイイので、一度聴いてください。
僕は昨夜から、かれこれ２０回ぐらい聴いています。



こちらの楽曲は、もともと２０１２年頃に発表されていたんです。

それが、もう、とっても素敵で……まもなく、日本にもハロウィンが一つの文化として根付いて、その後、様々なハロウィンソングが世に出てきたのですが、僕個人的には、この楽曲を超える「ハロウィンソング」には出会わなかったんですね。

やっぱりブッちぎりだったんです。



映画『えんとつ町のプペル』のオープニングシーンの脚本を書くときも、後ろにずっとこの曲を流していて、この曲に引っ張られるようにオープニングを書いたんですね。

で、いよいよ「オープニング曲の制作をしよう」という段階に差し掛かった時に、「いや、ちょっと待てよ」と。

２０１２年から、HYDEさんの「ハロウィンパーティ」を超える曲が出てこなくて、んでもって、そもそも「ハロウィンパーティー」を流しながら、この曲に合うように本を書いてしまっている。
この条件で、「ハロウィンパーティーを超える曲なんて作れるんだっけ？」と思ったんですね。

というわけで、「一旦、ダメ元で、HYDEさんに、この曲を使わせていただけるか、お願いしてみよう」と。で、「ダメだったら、頑張って作ろう」ということで、話がまとまったんです。



やっぱり、「イイものはイイ」ので。

変にエゴをこじらせて、何でもかんでも「自分でやる」とするのではなくて、素晴らしいものにあやかれるのなら、あやかった方がイイ。
それが製作総指揮の仕事だなぁと思ったんです。

で、ダメ元で、HYDEさんにお願いしたところ、これが本当に本当にありがたいことに、なんとHYDEさんが、そもそも『えんとつ町のプペル』のファンでいてくださって、快く「オッケー」をくださったんです。

こんなにありがたいことはありません。

そして、もっとありがたいのはここからです。
ここから僕のHYDE愛が爆発するのですが……映画館で流すとなると規格も変わりますし、さらには前後の音楽とのバランスもあって、今回、「ハロウィンパーティー」を映画用にアレンジする必要があったんですね。


そこからのHYDEさんが本当に最高すぎたのですが、HYDEさんったら、楽曲を提供して終わりじゃないんです。

「えんとつ町」には、こういう音は鳴らない」とか「煙の中から聴こえてくる音は、こっちだ」といった感じで、映画用のアレンジを本当にトコトン付き合ってくださったんです。

テレビのインタビューだと「オッケー、オッケー」といった軽い感じで受けて、サクッとやりました感が出ていますが、どっこい、皆さんが思われている「トコトン付き合う」の５倍ぐらいトコトン付き合ってくださった。

歌詞も若干変わってるんです。

もともと歌詞の中に、「月明かり」というワードがあったのですが、「えんとつ町」は煙に覆われて空を知らない町なので、月も知らないので、「月明かり」が「薄明かり」になっていたり、その他にも、えんとつ町にあるハズがないものは歌詞から省いて、えんとつ町仕様に変えてくださったんです。

んで、また、子供の声との相性が抜群！
ロックミュージシャンと子供が、メチャクチャイイ感じに融合している。

　
一言でいうと、「HYDEさんが好きだ」ということです。



学生時代、僕はアルバイトで、ラルク・アン・シエルさんのコンサートスタッフをさせていただいたんです。

スタッフはステージに背を向けて、お客さんの方を見なきゃいけないのですが、両耳は全部ステージの方を向いていて、実は、その時のライブに、まだ出会う前の梶原君も来ていて、僕はスタッフとして、梶原君はお客さんとして、ラルクさんのライブに参加させていただいたんです。

ときどき梶原君と、その話になるのですが、あの日、あのライブを観て、ステージ上のラルクさんを観て感じたことは、僕も梶原君も全く同じで、僕らが目指したのは「お笑い」だったのですが、もうちょっと大きな枠として捉えた時に、「いつか、あっち側に行ってみたいな」と思ったんです。

なんか、本当にキラキラしていた。

コンサートの撤収でパイプ椅子とかを片付けながら、「あっち側に行きたい」と、ずっと思っていました。



なので、今回、こういった形でご一緒させていただくことになったのは、あの日の自分の希望でしかなくて、もしタイムマシン的なものがあれば、あの日に戻って「お前、メチャクチャ頑張ったら、いけるぞ」と彼に言ってやりたいです。



まぁ、とにかく、HYDEさんが映画『えんとつ町のプペル』用に作り直してくださった「ハロウィンパーティー」が本当に、本当に最高なので、是非、聴いてみてください。

　
あと、とはいえ「いただきっぱなし」は気持ちが悪いので、今回、お力を貸してくださったHYDEさんに対して、また、HYDEさんをずっと支えてくださったファンの皆様、スタッフの皆様に対して、僕なりの恩返しはさせていただきます。

そちらは１１月上旬に発表します。

そのアクションでもって、「あの日の僕の胸を熱くさせてくれたHYDEさんって、こんなにカッコイイだぜ」ということを、あらためて、世の中にお伝えします。

お楽しみに。



西野亮廣(キングコング)
　

▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino

▼Instagram版はコチラ↓
https://nishino73.thebase.in/items/25497065
[Xin Nishino, Hyde talks about love]

We have two important news today.

It's the first one, but the movie ′′ a no-′′ online bangabandhu is now on sale.

Here → https://mvtk.jp/Film/070395

It's an early bird price, so it's a bit of a bargain, and the general is 1500 yen. The child is 800 yen.
′′ Special Smartphone Wallpaper ′′ will be present as a special gift for the purchase of online bangabandhu (early bird tickets).

This is the main visual of the first movie ′′ a in town ′′ (in Japanese)



One of my personal favorites, and today, I'm going to explain a little bit about this painting.

The protagonist," and Ruby are sitting on the chimney, and they are on their way up, but it is also the theme of the creation of the creation.

In the play, there is a scene where the chimney cleaner boy, who is not good at high, is looking down when climbing the ladder.
When you look down, the weight is behind, so the propped ladders are swaying.

On the other hand, Levitch's father, Bruno, who was watching downstairs," is swaying because he looks down. Look up I advise you, but this is the understanding of the world that hook up to the ladders, and when we are on the way, we can do our best to be a bit hard.

If you say corona is ′′ it will end next month you can resist the poor for about 1 months in the wank.

But in the case of Corona, ′′ I don't know when it's going to end," it's a state of hope removed," so it's mentally quite a bit of a I feel depressed.

If you think so, ′′ hope ′′ is what we need to live, so I thought that providing ′′ the reason to see above ′′ is also one of the work of our expressions. I'm sorry.

　
The movie ′′ a town ′′ has risen to the public next year, but," no, no, let's publish this year!" I was selfish.
I know it's hard, but that's why I'm going to do my best in the middle of the day, and I'm going to do my best, and I'm going to do my

If you can show the appearance," oh, if you try to die in this way, you'll find a find," and you'll be able to become someone's scale, and you'll be able to publish this year. I went to the crossing.

　
The main visual is all about that feeling," I saw it in a town where I can't find a star, and I still keep looking up,"
I would be happy if this painting would be the amulet of the person who works hard.
If you can buy online bangabandhu, you'll be able to follow it with special benefits, so come on!



https://mvtk.jp/Film/070395

And it's the second one of the important announcement.

Last night, I talked about a live broadcast on Youtube, but Hyde's love exploded, and I talked about it for almost 1 hours, so I'm going to have a short summary of it.

The opening theme song ′′ Halloween party persie ver." for the movie ′′ a ′′ has started.

Here → https://hyde.lnk.to/hppoupelleTP

Hyde is singing with the kids, but this is really cool to be surprised, so please listen to it once.
I've been listening to it about 20 times since last night.



This song was originally announced around 2012

It's already very nice...... soon, Halloween will be rooted as one culture in Japan, and after that, various Halloween songs came out in the world, but I personally, over this song ′′ You didn't meet the Halloween song.

I knew it was a prude.



Even when I wrote the script of the opening scene of the movie ′′ a in town ′′ I've been playing this song for a long time, and I wrote the opening to be pulled by this song.

So, when I finally got to the stage of ′′ Let's make an opening song," no, wait a minute,"

Since 2012, I didn't have a song over Hyde's ′′ Halloween party ′′ and I wrote a book to fit this song while playing ′′ Halloween party ′′ in the first place.
In this condition," I thought I could make a song over Halloween party?"

So," I'm going to ask Hyde to use this song once," So," if you don't do it, let's make it hard," the story was organised.



As expected," good things are good,"

It's better to be able to take a look at the ego, not to ′′ do it yourself ′′ but if you're going to be aya by something wonderful.
I thought it was the work of the production general command.

So, I asked Hyde for a bad time, and this is really a blessing, and Hyde was a fan of ′′ a town ′′ in the first place, and I was delighted to give you ′′ okay ′′

There's never been such a blessing.

And more thankful is from here.
My Hyde love is exploding from here, but...... when it comes to the movie theater, the standard changes, and even more, there is also a balance with the music before and after, and this time, I'm going to have a ′′ Halloween party ′′ for the movie You needed to arrange it.


Hyde from there was really the best, but Hyde-San, it's not the end of offering songs.

′′ a town ′′ doesn't sound like this or ′′ the sound of listening from the smoke is this way it's really a ton of place for the movie.

In a TV interview, I received a light feeling like ′′ okay, okay I feel like I'm going to have a quick time, but I'm going to have a good time, but I'm going to have a good time with the ′′ place dating ′′ that everyone is thinking about. Thank you for dating me.

The lyrics are slightly different.

There was originally a word ′′ Moonlight ′′ in the lyrics, but ′′ a town ′′ is a town that is covered in smoke and does not know the sky, so I don't even know the moon, so the ′′ Moonlight ′′ is ′′ thin ′′ It's been a light, and other things that are not in a town, I left it from the lyrics and changed it to a town specification.

And also great compatibility with children's voice!
Rock musician and kids are fused with a mess.

　
In One Word, it means ′′ I like Hyde,"



In my school days, I was a part-time job, and I was able to do a concert staff of ral ann.

The staff has to turn back on the stage and see the customer, but both ears are all looking for the stage, and actually, the live of the time, and the sugawara-kun before he still met. And I was a staff, and sugawara-kun was a customer, and I was able to participate in the live of Mr. Ral.

Sometimes it's going to be a story with sugawara-kun, but that day, I saw that live, and I saw Mr. Ral on stage, and I was also the same as sugawara-kun, and we aim for it ′′ It was a comedy, but when I captured it as a little bigger frame, I thought, ′′ someday, I'd like to go to the other side,"

It was really sparkling.

I've always thought that I want to go to the other side while cleaning up the pipe chair at the evacuation of the concert.



So, this time, I'm going to be with you in this form, and I'm going to have a good time with my hope that day, and if there's a time machine, I'll go back to that day ′′ you're so messed up I want to tell him that if you do your best, you'll be able to do it



Well, anyway, the ′′ Halloween party ′′ that Hyde recreated for the movie ′′ a no-in-town ′′ is really the best, so please listen to it.

　
Later, ′′ I'm left ′′ is disgusting, so I'm going to have a good time with Hyde, and I'm going to have a good time with Hyde, and I'm going to have a good time with all the fans who have been able to support Hyde for a long time, and I'm going to I will give back.

We will announce it in early November.

With the action, I will tell the world that Hyde, who made my chest hot that day, is so cool,"

Look forward to it.



Ryo Nishino (King Kong)
　

▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishino

▼ Instagram version is here ↓
https://nishino73.thebase.in/items/25497065Translated

Don't forget to turn on the bell icon for future uploads 🔔✔️
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____________________________________________________
Social Media:

▶ Download / Stream link : https://orcd.co/k391aurora

👑K-391
https://soundcloud.com/k-391​
http://facebook.com/k391army​
http://twitter.com/k391​
http://instagram.com/k391army

----------------------------------------------------------

Lyrics:

I've been looking through my memories
我正在記憶裡搜尋
I've been tryna see your face
想要看到你的臉龐
(I've been tryna see your face)
想要看到你的臉龐
But you're moving like mystery
而你卻不停遊走 像個謎題
And you look the other way
你正在看向別處
If you found me in the pouring rain
若你看我站在大雨當中
Would you let me in?
你是否會讓我靠近
Would you look into your memories?
你會不會將回憶翻起
Tell me where you've been
告訴我你去了哪裡

When the sun is going down
當太陽降落
I feel you comin' closer
我看你正在靠近
Counting in the dark, I feel at home (Home, home)
在黑暗裡倒數 我仿佛已經回到家裡

I see you light up the sky
我看到你將暗夜點亮
A dance in the night, aurora
在夜裡舞動 如同極光
I see the stars in your eyes
我看到你眼裡的繁星
Believe in your lies, aurora
我願相信你的謊言 如極光般美麗
Mine for a moment and then you're gone
這一刻你屬於我 而後你消失無蹤
'Cause I'm still holding on
而我依舊堅定地抓緊
To a light in the sky
抓緊那天空裡的光亮
A dance in the night, aurora
在夜裡舞動 如同極光

Feeling almost like a secret
感覺仿佛如同一個秘密
Hidden in an emerald sea
潛藏在翡翠色的海裡
And I'm drowning in your green eyes
我正在你碧綠的眼眸裡暢遊
Got that power over me
你的力量 遠勝於我
If I told you how I really feel
若我告訴你我真實的感受
Would you let me in?
你是否會願意讓我靠近
Could you tell me all your secrets?
你是否會告訴我你全部的秘密
Tell me where you've been
告訴我 你去了哪裡

When the sun is going down
當太陽降落
I feel you comin' closer
我看你正在靠近
Counting in the dark, I feel at home (Home, home)
在黑暗裡倒數 我仿佛已經回到家裡

I see you light up the sky
我看到你將暗夜點亮
A dance in the night, aurora
在夜裡舞動 如同極光
I see the stars in your eyes
我看到你眼裡的繁星
Believe in your lies, aurora
我願相信你的謊言 如極光般美麗
Mine for a moment and then you're gone
這一刻你屬於我 而後你消失無蹤
'Cause I'm still holding on
而我依舊堅定地抓緊
To a light in the sky
抓緊那天空裡的光亮
A dance in the night, aurora
在夜裡舞動 如同極光

I see you light up the sky
我看到你將暗夜點亮
A dance in the night, aurora
在夜裡舞動 如同極光
I see the stars in your eyes
我看到你眼裡的繁星
Believe in your lies, aurora
我願相信你的謊言 如極光般美麗
Mine for a moment and then you're gone
這一刻你屬於我 而後你消失無蹤
'Cause I'm still holding on
而我依舊堅定地抓緊
To a light in the sky
抓緊那天空裡的光亮
A dance in the night, aurora
在夜裡舞動 如同極光

歌詞翻譯:本尼托先生

#Aurora #RØRY​ #K391 #Lyrics #輕電音

提供：株式会社ワンダーシェアーソフトウェア
ダウンロードURL：https://bit.ly/2HF6unl

私は普段、頭の中にぽつりぽつりと出てきた言葉や、過去の自分に戻ってその時の心境を歌詞に起こすことが多いです。割と自分と空想との対話で、思い出したり心を特定の心情に持っていく作業なので、感情の波を作り出して操りながら書いています。なので人と会話をしながら一緒に歌詞を書いたりするとそのペースが上手く作れずに脳がストップしてしまうというか、自分の中からあまり言葉が出てこなくなってしまいがちなんですね。でもマインドマップを使いながらのブレインストームは、自分の言葉である一方で特定のルールや規則性によって生み出される言葉なので、どこか自分でない誰かとキャッチボールをしているようだなと感じます。それでいて自分のペースで考え進めることができて、場合によっては今回の動画のように誰かと共有しながら広げていくこともできる。あれ、私みたいな孤独は嫌だけど平行遊び大好き人間にちょうどいいのでは…？
なんにせよ宇宙に行きたいです。
研究結果は以上です。

When I write lyrics, I usually put down the words that popped into my head, or bring myself back to a certain point in the past in my mind and capture what I felt. I sometimes force myself to feel what I need to feel, creating and controlling the waves of emotions. So a deep conversation between myself and some imagination is what's most important for me, and for that I tend to struggle when I try to write lyrics with someone else. But when you brainstorm using a mind map, you follow a certain rule or pattern so although you're alone, it's almost as if you're brainstorming with a different being. Perfect way to dig out the words which you probably wouldn't have come up with naturally.
Anyway, thank you for watching the video and I wish I could travel to the universe one day.
I'm light years far from being my own master of my being.

[ 楽曲のDL/ストリーミングはこちら | Stream and Download my songs!! ]
あなたへ：https://big-up.style/Aw19PGLkxG
24 HOURS :https://big-up.style/TlXomKU1o4
IN THIS BLANKET : https://linkco.re/y4z3tt5V
TORCH : https://linkco.re/vYHNVsFs
LOVE : https://linkco.re/0Ftr3g1N
　　　
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[ 竹渕慶 | Kei Takebuchi ] FOLLOW ME ON]
Twitter : https://twitter.com/keibambooty
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[ YAMO (クリエイティブパートナー/Creative Partner）]
このエクセルのプログラム自体を開発されたのは Dylan Tallchief さんという方で、2週間かけて書いた1200行以上のVBAコードでこのエクセルドラムマシンを動かしているようです。そんな人もいるこの地球ですから、自分はいたって平凡だなーって思いますし、アイディアを尖らせていきたいですね。マインドマップ活用します。
Shout out to Dylan Tallchief who wrote the over 1200 lines in VBA to make this excel sheet bang beats. You're never too weird (in a good way) when there is a guy like him.

Twitter : https://twitter.com/YAMO_wbsb
Instagram : https://www.instagram.com/yamo_wabisabi/

[ その他オススメのビデオ | Other Recommended Videos ]
あなたへ：https://youtu.be/uwquQdfB3mA
Torch : https://youtu.be/y9ltZL5osBI
In This Blanket : https://youtu.be/s9MXv28fJsY
ASMR : https://youtu.be/rJe4ebh2AFc
「天気の子」Mash Up : https://youtu.be/ZcT2UOmcwIo

[ オンラインコミュニティーPATREON ]
https://www.patreon.com/KeiTakebuchiYAMO

お仕事のご依頼、お問い合わせ等は下記、UUUM株式会社までお願いいたします
Business inquiries↓
https://www.uuum.co.jp/inquiry_promotion

ファンレター送り先｜Fan letters
〒107-6228
東京都港区赤坂9-7-1 ミッドタウン・タワー 28階
UUUM株式会社 竹渕慶 宛

Kei Takebuchi（UUUM）
〒107-6228
Midtown Tower 28F, 9-7-1, Akasaka, Minato-ku, Tokyo, Japan

打烏子 Bird Berries (Black Nightshade)
詞: 鍾永豐 Lyrics: Chung Yung Feng
曲: 林生祥 Music: Lin Sheng Xiang
ISRC TWBS32007111

林生祥 : 六弦月琴、主唱
大竹研 : 電吉他
早川徹 : 電貝斯
福島紀明 : 鼓
吳政君 : 邦哥鼓
黃博裕 : 嗩吶
Lin Sheng Xiang : 6-strings Moon Guitar & Vocals
Ken Ohtake: Electric Guitar
Toru Hayakawa: Electric Bass
Noriaki Fukushima: Drums
Alex Wu: Bongo
Huang Po Yu: Suona

(客語)
行南走北好泊好浪
泥肥泥瘦交春遰旺
我毋係雜草無名
也難得啊打橫搶光

打烏子〈客〉烏鬼仔菜〈閩〉
Tatokem〈阿美族〉白花菜〈廣東〉
喊我介名
我怕知汝奈耶來

作小冬摘菸犁番薯
我有果甜惜汝介苦
炒麻油煲粥雞春湯
我葉苦甘專汝來嘗

無定著啊汝離土離鄉
行南走北又泊又浪
時不時局勢壞遞
記得我呀苦苦介我

烏嘟子〈客〉烏甜仔〈閩〉
イヌホオズキ〈日〉Sanmchi〈排灣〉
喊我介名
我怕知汝奈耶來

(華語)
行南走北喜好浪蕩
地瘦地肥交春衍旺
我不是雜草無名
也難得打橫搶光

打烏子〈客〉烏鬼仔菜〈閩〉
Tatokem〈阿美族〉白花菜〈廣東〉
喊我的名
我可能猜出你從何處來

做小冬採菸犁番薯
我有果甜惜你心苦
炒麻油、煲粥、煮蛋湯
我葉苦甘任你來嘗

說不定啊你離土離鄉
行南走北漂泊浪蕩
時不時局勢壞透
記得我呀苦苦的我

烏嘟子〈客〉烏甜仔〈閩〉
イヌホオズキ〈日〉Sanmchi〈排灣〉
喊我的名
我可能猜出你從何處來

(英語)
I move south and run up north, I like to travel and roam
Whether the soil is fat or thin, when spring comes that's where I've grown
I'm not just any weed with no name of my own
And it's almost impossible to knock me over or cut me down

I'm a Bird berry in Hakka
a Ghostbird berry in Hoklo, Tatokem in Amis
Some call me Birdsweet, or white flower plum
Depending on what you call me, I know
I can guess what place you're from

In early winter when tobacco is picked and sweet potatoes placed in rows
I have berries to sweeten your woes
And fried in sesame oil, stewed in porridge, or cooked in egg soup
You'll have to stomach the bittersweet taste of my leaves in your food

But maybe when you leave the soil and your home
Move south and run up north, travel and roam
From time to time when it gets tough and things are as bad as they can be
That's when you'll remember me

Birdies in Hakka, Birdsweet in Hoklo,
Inu-hoozuki in Japan, Sanmchi in Payuan
Call out my name, I'm not dumb
I can guess where you're coming from