Meet Him in the Middle
“Immediately Jesus made the disciples get into the boat, and to go ahead of him to the other side, while he sent the multitudes away. After he had sent the multitudes away, he went up into the mountain by himself to pray. When evening had come, he was there alone. But the boat was now in the middle of the sea, distressed by the waves, for the wind was contrary. In the fourth watch of the night, Jesus came to them, walking on the sea. When the disciples saw him walking on the sea, they were troubled, saying, “It’s a ghost!” and they cried out for fear. But immediately Jesus spoke to them, saying, “Cheer up! It is I! Don’t be afraid.” Peter answered him and said, “Lord, if it is you, command me to come to you on the waters.” He said, “Come!” Peter stepped down from the boat, and walked on the waters to come to Jesus.” (Matthew 14:22-29 WEB)
There is a beautiful allusion to the Rapture in the passage above.
Jesus went up into the high mountain alone to pray, after sending the disciples ahead of Him.
This is like how He ascended to Heaven, and is now in God’s sanctuary in the heavenly Mount Zion, interceding for us before the Father.
On earth, we are sent by the Lord to share the Gospel. It is a stormy world tainted by sin and death.
Then, at a dark time in the world (fourth watch), Jesus will come for us, right before the worst (Great Tribulation) hits the earth.
He will come down from Heaven, to be in midair.
The archangel’s trumpet will sound, and at the final blast, the dead in Christ will be raised to life, and we (the saints) will all be transformed. Our mortal bodies will become immortal glorified bodies.
Then, we will be like Peter who went over to Jesus. Jesus will catch us up into the air, using the power by which He can subdue all things to Himself. We will meet Him in the middle—between Heaven and earth’s surface.
“For our citizenship is in heaven, from which we also eagerly wait for the Savior, the Lord Jesus Christ, who will transform our lowly body that it may be conformed to His glorious body, according to the working by which He is able even to subdue all things to Himself.” (Philippians 3:20-21 NKJV)
Instead of focusing on the wind and waves which will produce fear and anxiety, keep your eyes on Jesus in the Scriptures. His return is imminent, and every born-again believer will be going up!
See God’s heart of love and Grace for you in the 37 recorded miracles worked by our Lord Jesus Christ. Receive your own miraculous breakthroughs as you learn in “Messiah’s Miracles” about the power of having faith in the Lord: https://bit.ly/messiahs-miracles
同時也有30部Youtube影片,追蹤數超過5萬的網紅やわらか宇宙研究所,也在其Youtube影片中提到,PS2→YPbPr→OSSC→HDMI アナログ映像信号をHDMIに変換する安価なフレームマイスター的なコンバーター「OSSC [Open Source Scan Converter]」を使ってみる放送です。 SCARTケーブルが何故か認識しないっぽいので もしかしたらPS1専用?って事は無いと思う...
「alone in the dark 3」的推薦目錄:
- 關於alone in the dark 3 在 Milton Goh Blog and Sermon Notes Facebook 的最佳解答
- 關於alone in the dark 3 在 Facebook 的最佳貼文
- 關於alone in the dark 3 在 林郁晉- Yu Jun LIN Facebook 的精選貼文
- 關於alone in the dark 3 在 やわらか宇宙研究所 Youtube 的精選貼文
- 關於alone in the dark 3 在 Pixel Start Youtube 的精選貼文
- 關於alone in the dark 3 在 ROMI Youtube 的精選貼文
alone in the dark 3 在 Facebook 的最佳貼文
對於阿富汗我十分陌生,但對於一樣來自電影工作者的呼喊,我願意為他們發聲。
轉自 Weichen Chou
來自阿富汗女導演薩赫熱·卡里米Sahraa Karimi 的親筆信
A Letter From An Afghan Film Maker to Save Afghanistan from Taliban(The original English text is below)
致世界範圍內所有電影團體和熱愛電影的人們!我叫薩赫熱 · 卡里米Sahraa Karimi,是一名電影導演,目前是 「阿富汗電影」的總導演,這是於 1968 年成立的唯一一家國有電影公司。
我懷著一顆破碎的心給您寫下這封信,並且深深地希望您能夠與我一起保護我的可愛的同胞們,尤其是電影製作者們,不會遭受塔利班的侵害。在過去的數週時間裡,塔利班已經攫取了許多省份的控制權。他們屠殺我們的百姓,他們綁架許多孩子,他們將女孩賣給男人們當作童養媳,他們殺了一名婦女因為她的服飾穿著,他們測量一名婦女的眼睛(筆者猜測此處是指塔利班對穿著罩袍的女性進行測量,除了眼睛的其他身體部位不能暴露,以此判定女性穿著是否合規),他們折磨和殺害一位我們鍾愛的喜劇演員,他們謀殺一位我們的史詩學家,他們是扼殺政府中主管文化與媒體的一把手,他們一直在暗殺與政府有關聯的人,他們在大庭廣眾之下絞死我們的人,他們已經迫使成千上萬的家庭流離失所。
這些家庭從被塔利班佔領的省份逃離之後,目前居住在喀布爾(阿富汗首都)的難民營裡,他們處於不衛生的環境裡面。在難民營裡時有搶劫行為,同時出現嬰兒沒有牛奶喝而天折的情況。這是一場人道主義危機,然而世界對此嗓若寒蟬。我們已經習慣了這種沉默,然而我們清楚這不公平。我們知道,政府拋棄我們的人民的決定是錯誤的,倉促撤軍是對我們人民的背叛,是對阿富汗人為西方贏得冷戰時我們所做的一切的背叛。彼時我們的人民被遺忘,導致了塔利班的黑暗統治,而此刻,在我們國家中特別是年輕一代在隨後的 20 年裡取得巨大成就之後,一切都可能在這種拋棄中再次化為烏有。我們急需你的聲音。
媒體、政府和世界人道主義組織都在保持沉默,彷彿他們與塔利班的「和平協議」是合法的。這從來都不是合法的。塔利班認識到政府給了他們重新掌權上台的信心。在整個談判過程中,塔利班一直在殘忍地對待我們的百姓。我作為一名電影製作者,我在我的國家所努力創作的一切都將毀於一旦。假若塔利班上台,他們將嚴禁所有藝術。我和其他電影製作者們可能成為他們暗殺名單中的下一個人選。他們將會剝奪婦女的權利,我們將會被推到家庭的陰影之中,我們的聲音、我們的表達將被彈壓製到沉默之中。當塔利班掌權的時候,學校將不再會有女孩子。而此時,阿富汗有 900 多萬的女孩在上學。難以想像的是在剛剛陷入塔利班手中的赫拉特省,它是阿富汗第三大城市,在當地大學裡面有將近 50 %的女學生。全世界幾乎不知道這些難以置信的事實。就在這幾週之內,塔利班摧毀了多所學校,目前有 200 萬的女孩被迫輟學。
我不了解這個世界。我不明白這種沉默。我會留在阿富汗並為我的國家而戰鬥,但是我一個人獨木難支。我需要像你這樣的支持者。請幫助我們,讓這個世界關註一下發生在我們身上的遭遇。請幫助我們,告訴你們國家最重要的媒體此時此刻阿富汗的現狀。在阿富汗之外發出我們的聲音。
如果塔利班佔領喀布爾,我們可能無法上網,也無法進使用任何通訊工具。請讓你們的電影製作者和藝術家們支持我們,發出我們的聲音。這場戰爭不是內戰,這是一場傀儡戰爭,這是一場強加的戰爭,這是美國與塔利班靖和的結果。請盡可能多地在你的媒體上分享這一事實,並請在您的社交媒體上為我們寫些東西。世界不應該對我們置之不理。我們需要你們的支持,需要你們代表阿富汗的婦女、兒童、藝術家和電影製作者發聲。這種支持是我們目前最需要的幫助。
請幫助我們讓這個世界不要拋棄阿富汗。請在塔利班佔領喀布爾之前幫助我們。我們的時間所剩不多,也許幾天。十分感謝。我非常感激您純潔的心。
致上問候
薩赫熱 · 卡里米砂巴
原文:
To All the Film Communities in The World and Who Loves Film and Cinema!
My name is Sahraa Karimi, a film director and the current general director of Afghan Film, the only stated-owned film company established in 1968.
I write to you with a broken heart and a deep hope that you can join me in protecting my beautiful people, especially filmmakers from the Taliban. In the last few weeks, the Taliban have gained control of so many provinces. They have massacred our people, they kidnapped many children, they sold girls as child brides to their men, they murdered a woman for her attire, they gauged the eyes of a woman, they tortured and murdered one of our beloved comedians, they murdered one of our historian poets, they murdered the head of culture and media for the government, they have been assassinating people affiliated with the government, they hung some of our men publicly, they have displaced hundreds of thousands of families. The families are in camps in Kabul after fleeing these provinces, and they are in unsanitary condition. There is looting in the camps and babies dying because they don’t have milk. It is a humanitarian crisis, and yet the world is silent.
We have grown accustomed to this silence, yet we know it is not fair. We know that this decision to abandon our people is wrong, that this hasty troop withdrawal is a betrayal of our people and all that we did when Afghans won the Cold War for the west. Our people were forgotten then, leading up to the Taliban’s dark rule, and now, after twenty years of immense gains for our country and especially our younger generations, all could be lost again in this abandonment.
We need your voice. The media, governments, and the world humanitarian organizations are conveniently silent as if this “Peace deal” with the Taliban was ever legitimate. It was never legitimate. Recognizing them gave them the confidence to come back to power. The
Taliban have been brutalizing our people throughout the entire process of the talks. Everything that I have worked so hard to build as a filmmaker in my country is at risk of falling. If the Taliban take over they will ban all art. I and other filmmakers could be next on their hit list. They will strip women’s rights, we will be pushed into the shadows of our homes and our voices, our expression will be stifled into silence. When the Taliban were in power, zero girls were in school. Since then there are over 9 million Afghan girls in school. This is incredible Herat, the third-largest city which just fell to the Taliban had nearly 50% women in its university. These are incredible gains that the world hardly knows about. Just in these few weeks, the Taliban have destroyed many schools and 2 million girls are forced now out of school again.
I do not understand this world. I do not understand this silence. I will stay and fight for my country, but I cannot do it alone. I need allies like you. Please help us get this world to care about what is happening to us. Please help us by informing your countries’ most important media what is going on here in Afghanistan. Be our voices outside Afghanistan. If the Taliban take over Kabul, we may not have access to the internet or any communication tool at all. Please engage your filmmakers, artists to support us to be our voice.
This war is not a civil war, this is a proxy war, this is an imposed war and it is the result of the US deal with the Taliban. Please as much as you can share this fact with your media and write about us on your social media.
The world should not turn its back on us. We need your support and your voice on behalf of Afghan women, children, artists, and filmmakers. This support would be the greatest help we need right now.
Please help us get this world to not abandon Afghanistan. Please help us before the Taliban take over Kabul. We have such little time, maybe days. Thank you so much. I appreciate your pure true heart so dearly.
With regard,
Sahraa Karimi
原始內容來源
https://mobile.twitter.com/sahraakarimi/status/1426161540818997250?fbclid=IwAR1ziip3P_pumPv1n6US82MxCNpe31RVStY0XELFxCeZa8xPJLdUtJ1fOAE
照片來自
Babak Taghvaee - Μπάπακ Τακβαίε - بابک تقوایی
alone in the dark 3 在 林郁晉- Yu Jun LIN Facebook 的精選貼文
《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
/
詳細資訊|https://reurl.cc/bXy09v
________________________________________________
A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
_____________________________
《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
alone in the dark 3 在 やわらか宇宙研究所 Youtube 的精選貼文
PS2→YPbPr→OSSC→HDMI
アナログ映像信号をHDMIに変換する安価なフレームマイスター的なコンバーター「OSSC [Open Source Scan Converter]」を使ってみる放送です。
SCARTケーブルが何故か認識しないっぽいので
もしかしたらPS1専用?って事は無いと思うけど、どうしてもPS2の信号をOSSCが認識してくれないので赤青緑のコンポーネントで繋ぎます。
【OSSC関連】https://qr.paps.jp/C2ZCN7
【現在のオススメ】https://qr.paps.jp/rbpDK
【RPG千本ノック!リスト】https://goo.gl/ed628U
【ゲームまとめ動画リスト】http://goo.gl/eQDBwk
【ゲーム入門系】https://goo.gl/JwjeFP
【比較動画リスト】http://goo.gl/PgDGy8
【チャンネルTOP】http://goo.gl/2bD2N9
00:00 準備と挨拶
01:35 ラブストーリー [ØSTORY]
15:45 フリップニック [Flipnic: Ultimate Pinball]
24:20 スター・ウォーズ フォース アンリーシュド [Star Wars: The Force Unleashed]
48:45 サルゲッチュ2 [Ape Escape2]
58:50 鉄拳5 [Tekken 5]
1:06:15 ブラック [Black]
1:23:45 攻殻機動隊 STAND ALONE COMPLEX [Ghost in the Shell: Standalone Complex]
1:36:30 名探偵エヴァンゲリオン [Detective Evangelion]
1:48:10 零 刺青の聲 [Fatal Frame III: The Tormented]
2:02:35 忍道 戒 [Shinobido : Way of the Ninja]
2:12:40 鉄1 電車でバトル![X-treme Express]
2:18:20 北斗の拳 審判の双蒼星 拳豪列伝 [Hokuto No Ken]
2:29:20 バルダーズゲート・ダークアライアンス [Baldur's Gate Dark Alliance]
2:49:25 アキラ サイコボール [Akira Psycho Ball]
3:05:05 ワンダと巨像 [Shadow of the Colossus]
3:31:40 セガプレスSP 2004年9月 [Sega Press SP 2004 September]
#OSSC #PS2 #StarWars
alone in the dark 3 在 Pixel Start Youtube 的精選貼文
Showcase of All Revolver Weapons, Reload Animations and Sounds
1975-2021
Gun Fight 1975
outlaw 1976
Sewer Sam 1983
High Noon 1984
Gun.Smoke 1985
War of the Dead 1987
Wild West World 1990
Dirty Harry 1990
The Lone Ranger 1991
alone in the dark 1992.
Virtua Cop 2 1995
Powerslave 1996
Outlaws 1997
Resident Evil: Director's Cut 1997
half life 1998
metal gear solid 1998
Duke Nukem: Zero Hour 1999
Tomb Raider: Chronicles 2000
Counter-Strike 2000
Silent Hill 2 2001
Alone in the Dark: The New Nightmare 2001
serious sam the first encounter 2001
Resident Evil 0 2002
Die Hard: Vendetta 2002
medal of honor allied assault 2002
prohect o.g.i 2 covert strike 2003
XIII 2003
True Crime: Streets of LA 2003
Battlefield Vietnam 2004
Resident Evil: Outbreak 2004
Serious Sam Advance 2004
half life 2 2004
Red Dead Revolver 2004
Total Overdose 2005
Call of Duty 2 2005
Gun 2005
Call of Juarez 2005
The History Channel: Civil War - A Nation Divided 2006
Black 2006
Killzone: Liberation 2006
Tom Clancy's Rainbow Six: Vegas 2006
crossfire 2007
team fortress 2 2007
Soldier of Fortune: Payback 2007
Battlefield: Bad Company 2008
Far Cry 2 2008
The Royal Marines Commando 2008
Call of Duty: World at War 2008
fallout 3 2008
Killzone 2 2009
Call of Juarez: Bound in Blood 2009
killing floor 2009
borderlands 2 2009
call of duty modern of warfare 2 2009
Battlefield Bad Company 2 2010
fallout new vegas 2010
firearms source 2010
metro 2033 2010
Call of Duty: Black Ops 2010
Red Dead Redemption 2010
BioShock 2 2010
RAGE 2011
dead island 2011
Battlefield 3 2011
Rusty Hearts 2011
Dino D-Day 2011
Resistance 3 2011
call of duty modern of warfare 3 2011
Counter Strike Global 2012
Far Cry 3 2012
Max Payne 3 2012
black mesa 2012
Spec Ops: The Line 2012
Battlefield 4 2013
Shadow Warrior 2013
Metro: Last Light 2013
call of juarez gunslinger 2013
bioshock infinite 2013
Metro Redux 2014
destiny 2014
the evil within 2014
Alien: Isolation 2014
Far Cry 4 2014
Fallout 4 2015
Survarium 2015
Battlefield Hardline 2015
Rainbow Six Siege 2015
Dying Light 2015
ZULA 2016
Shadow Warrior 2 2016
battlefiled 1 2016
overwatch 2016
Titanfall 2 2016
ghost in the shell first assault 2006
Black Squad 2017
snirer elite 4 2017
pubg 2017
tannenberg 2017
Rising Storm 2: Vietnam 2017
Call of Duty Black Ops 4 2018
HUNT SHOWDOWN 2018
Red Dead Redemption II 2018
Ironsight 2018
Ion Fury 2018
Pathologic 2 2019
Call of Duty : Modern Warfare 2019
Metro Exodus 2019
The Outer Worlds 2019
control 2019
Zombie Army 4: Dead War 2020
The Last of Us Part 2 2020
Valorant 2020
Cyberpunk2077 2020
Enlisted 2021
Ready or Not 2021
Back 4 Blood 2021
Resident Evil Village 2021
Shadow Warrior 3 2021
Scorn 2021
👉 Don't Forget : Like 👍 , Share 💌 , Comment 💬
1975 0:08
1976 0:21
1983 0:28
1984 0:37
1985 0:46
1999 0:55
1991 01:06
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1995 01:25
1996 01:35
1997 01:48
1998 02:02
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alone in the dark 3 在 ROMI Youtube 的精選貼文
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Translation
Cannot escape from my destiny
So I pursue salvation
Where I’m alone in the dark
Seeing someone new
Accepting gift and not knowing what they truly are
It stays in the back of my head
Curiosity turns into regret
Why does it have to be me?
There’s the answer in front of you
Because you’re special, I gotta protect you
So I accept the salvation
We gotta escape from this suffering
Now I’m awake from this long dream I had
Far away you are, I think of you
Where the end of the light is
Someday I got out of this room
I have to see so I took a step
Repaint my anxiety. Don’t look back, keep moving
Not thinking of consequences of opening this door
Why is this happening?
Hello? Please someone answer me
Why are we getting hurt?
Open your eyes and grab my hand
From now on you’re not alone
Cannot resist from my destiny
Even I wish to change
I need a reason to live
Because you’re special, I gotta protect you
So I accept the salvation
We gotta escape from this suffering
Now I’m awake from this long dream I had
Far away you are, I think of you
Wipe the deep darkness in me
Where the end of the light is
Will you be there and waiting for me?