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【張家朗成為Dior時尚寵兒】
奧運憑著男子個人花劍奪金，成為香港之光的張家朗。人氣急升，IG已有超過41萬Followers，最近更踩入時尚界，獲Dior Men’s Artistic Director邀請穿著品牌服飾，展現帥氣的另一面！
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►下載App睇盡全港著數優惠，入嚟換埋現金券、獨家禮遇: http://bit.ly/ub_flashjetso
〖NSO開季音樂會(台北場)〗
生涯首次受邀為開季音樂會獨奏家備感榮幸!
感謝NSO,感謝富邦,更感謝前來支持我們的大家～
這陣子在台灣的日子太充實太美好,謝謝大家的陪伴跟鼓勵☺️我即將回美國演出(多虧疫情睽違一年半),期待年底台灣再見!
〖NSO Season Opening Concert〗
Impression from the concert with the new Artistic Director Jun Märkl and the Taiwan Philharmonic (National Symphony Orchestra).
PC: NSO國家交響樂團 Tat Keng Tey
街牌反攻時尚嘅聲勢從來冇停過，繼Virgil Abloh入主Louis Vuitton之後，#LVMH 於今日正式宣告 #NIGO 將入主#KENZO 成為品牌嘅Artistic Director！其實NIGO加盟大概早就有迹可循，Louis Vuitton x NIGO嘅LV Made食過返尋味就係人都知，其自家嘅Human Made虎紋與KENZO更加可以話係一脈相承，加上 #高田賢三 本尊同NIGO均同為日本人，喺今時今日街頭復辟之時，搵嚟NIGO入主KENZO可以話係名正言順，至於KENZO未來出品到底如何，還請大家拭目以待啦！
#esquire #esquirehk #esquirehongkong #hkig #hkigers #hkiger #esquirestyle
希望大家觀看影片欣賞音樂之餘，可以前往Facebook讚好本計劃的專頁❤️
www.facebook.com/cantonesemusiclab
有你的支持和鼓勵，我和團隊會繼續做好音樂??
「廣東音樂研究室」第一集
【新生代談廣東音樂：《娛樂昇平》】（上）
「廣東音樂研究室」是一個以演奏為本的研究計劃，目的是探討香港現存不同形態卻又統稱為「廣東音樂」或者「粵樂」的樂曲和樂種。年青人在學習老師和前人的演奏方法後，若能加以理解箇中的歷史原因和審美操作，或可演繹出屬於這個時代和地方的風格。本計劃邀請年青藝術家 TroVessional 伍人粵Band共同研習數首風格上不同的「廣東音樂」，並製作成一系列紀錄片。
藝術指導：余其偉教授
導演：Kessay Chan 陳君明
統籌：Keith Yeung、 Patrick Lam
製作：Jessica Fung 馮啟思
演奏：伍人粵BAND ——楊健平、林沛權、蕭俊賢、吳百燊、馮啟思
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“Cantonese Music Lab," Episode 1
A New Generation Discusses Cantonese Music: "Yu Le Shengping" (First Part)
The "Cantonese Music Lab" is a performance-based research project aimed at exploring different forms of music and genres that are collectively referred to as "Guangdong yinyue" (廣東音樂) or "Yue yue" (粵樂) in Hong Kong. After having learned the playing techniques from their teachers and predecessors, if young people are able to understand the historical reasons and aesthetic operations, they may be able to deduce the style that belongs to this era and place. In this project, young artists TroVessional Five-people Cantonese Band will be invited to jointly study several different styles of "Cantonese music" and produce a series of documentaries.
Artistic Director: Professor Yu Qi-wei
Video Director: Kessay 圍唱音樂 Wai Sing Music
Coordinators: Keith Yeung & Patrick Lam
Producer: Jessica Fung
Performers: www.facebook.com/trovessional
展期: 2020/8/21-2020/11/8
地點: 新竹241藝術空間
Date: August 21~November 8, 2020
Venue: Hsinchu 241 Art Space
本展以古今對照詮釋動物在形態、歷史、生態的流轉，並連結到當代生活，從藝術x科技x自然的連結打開認識「藝獸」的新視野。
This exhibition juxtaposes the ancient and modern to explore the changes in the form, history, and ecology of animals, and proceeds to link these to contemporary life using art, technology, and nature, thereby creating a new perspective by which viewers can appreciate artistic beasts.
「藝想獸譜─故宮x新竹241新媒體藝術展」將首度展演故宮的「數位獸譜」，不但以新媒體藝術翻轉院藏書畫中的動物，本次更首度邀請新竹市立動物園的動物成員，一同打造古今x虛實的數位獸園。
This exhibition, Bestiarum Vocabulum: NPM x Hsinchu 241 New Media Art Exhibition, marks the debut of the “Digital Bestiary” created by the National Palace Museum, which employs new media art to provide a fresh perspective on the animals depicted in the painted scrolls of the Museum collections. In addition, this exhibition has also invited the Hsinchu Zoo for a first-time collaboration on a digital zoo that combines ancient, modern, real, and imaginary elements.
本展將透過「按圖索獸」、「藝獸誕生」、「藝想生態」三大主軸，探索故宮的動物圖像從古代的卷軸冊頁轉譯至當代的投影布幕，從畫筆變換至新媒體所累積的形態萬千，如何與當代視角連結，成為藝想天開的「獸譜」。「按圖索獸」以〈坤輿全圖〉為揭幕，一窺清宮對歐洲自然史和動物史知識的傳播與演繹，展出「南懷仁的坤輿世界」擴增實境，以17世紀時代視角的「異獸」，開啟本展序幕；該區特別以新竹市立動物園中的「現代動物」與院藏動物圖像中的「歷史動物」展開創意互動對照。
Through three primary themes, “Finding Beasts with the Aid of Drawings,” “The Birth of Artistic Beasts,” and “Ecosystems of Artistic Imagination,” this exhibition explores the process of how animal drawings on ancient painted scrolls and albums are transferred to modern screens, and how new media can replace paintbrushes to generate myriad creative effects that integrate with modern perspectives to produce a bestiary of phenomenal artistic imagination. “Finding Beasts with the Aid of Drawings” opens with the Kunyu Quantu (Great Universal Map), offering a glimpse of how knowledge of European natural history and zoological history spread in the Qing Court and how this information was interpreted. The augmented reality work, The Universal World of Ferdinand Verbiest, is displayed here, and presents the 17th century view of rare beasts as an opening prelude to this exhibition. This section also includes a collaboration with the Hsinchu Zoo to provide a creative interactive comparison of modern animals in the Zoo with the historical animals depicted in works from the Museum collections.
工作人員名單
國立故宮博物院 National Palace Museum
發行人 Issuer 院長 Director/吳密察Wu, Mi-Cha
專案指導Advisor
副院長 Deputy Director/余佩瑾 Yu, Pei-Chin
副院長 Deputy Director/黃永泰 Huang, Yung-Tai
策展團隊 Curatorial team
教育展資處 Department of Education, Exhibition and Information Services
處長 Chief Curator/ 徐孝德 Hsu, Hisao-Te
副處長 Deputy Chief Curator/ 謝俊科 Hsieh, Chun-Ko
科長 Section Chief/ 吳紹群 Wu, Shao-Chun
策展人Curator/賴志婷Lai, Chih-Ting
網站事務 Website Administrator/黃瀞萩、黃郁涵、陳曜瑋Huang Ching-Chiu, Huang Yu-Han
設計與施作 Design & Construction
西米創意設計有限公司Cmie Design
鳴謝 Acknowledgements
新竹市政府 Hsinchu City Government
Tears
Music: Lament- Balmorhea
Artistic director/ creative concept: PoLin
Film director: MGZHANG
Assistant director: Neo Lu
Co-dance conductors: I-Han Cheng|Chihhen Hsu
Choreography in collaboration with dancers:
PoLin| Chun-Hung Wang| Chia-Fen Yeh| Li-Heng Kuo| Jui-Ting Yu
Photographers: Hao-Ching Chang| Chin-Chieh Lee 
Stylist: Chun-chi Wang
Administrative Clerk: Tsun- Wei Chang
