很多人會羨慕我有一圈的落腮鬍,但其實有時候對我來說,是個需要費心思去打理的一個外表。
之前有時會任由鬍子自由生長,但後來發現有型帥氣跟頹廢沒神只有一線之隔XD所以定期刮鬍修鬍就變成是我的日常。但也是許多蓄鬍男子很困擾的一個麻煩。我有時也是這樣覺得!
尤其多數男生在刮鬍時,會選擇濃密的刮鬍泡,濃密的泡泡雖然增加了滑順感,但有時過於濃密的泡泡,反而會擋住想要刮出的鬍子線條,甚至一個不注意還會刮傷自己XD
推薦一個我覺得比泡沫好用的DEPOT NO.406 #透明刮鬍膠
沒有了濃密泡沫,使用過程中依舊滑順不卡,也不會因為刀片刮除雜毛而有卡頓的感覺,而透明膠感更能讓你塑造各種鬍型,刮出你想要的鬍子線條。刮完後皮膚依舊濕潤保濕!搭配電動刮鬍刀使用也很OK!
#鬍後保養
刮鬍完的最後步驟,我一定會鬍後保養,收斂刮鬍完的毛孔也保濕。
可以搭配DEPOT推出的 NO.407 #鬚後水
這罐跟市面上的凝膠或是乳霜類的鬍後保養品不一樣,它是噴霧型的,所以清爽的感覺明顯,不會有黏膩感,含有低量酒精成分可以收斂皮膚,除了鬍後收斂毛孔外,也可作為鬍後香水使用,淡淡的黑胡椒香味和經典的古龍水味,非常有英倫紳士的感覺。
10/15開始,新光三越周年慶活動,可以到A9 DEPOT櫃位看看,蓄鬍男子的好幫手-NO.406 透明刮鬍膠、NO.407#鬚後水!
在官網購買的話,可使用優惠代碼:JASON407
不限金額,當筆訂單 9折 優惠!
線上通路:
得軼官網(優惠代碼使用網站)
https://www.t-world.com.tw/
瑪黑家居購買網址
https://www.storemarais.com/items/brand/depot-italy
實體店面:
全台150家沙龍授權店
https://goo.gl/bVoHkR
DEPOT專櫃 : 台北信義區新光三越A9 2F
粉絲專⾴:
DEPOT Facebook專頁
https://www.facebook.com/depot.tw
DEPOT Instagram
https://www.instagram.com/depot_maletools_taiwan/?hl=zh-tw
#DEPOT #DEPOTTW #DEPOT義大利男士髮品 #DEPOT香氛
#DEPOT香水 #男士領導品牌 #男士髮型 #男士保養 #男士理容
#男士流行 #刮鬍刀 #洗髮精
Photo by Yin's Photo
depot italy 在 無神論者的巴別塔 Facebook 的最佳貼文
當年今日:坎尼會戰
Today in Military History: 2 August 216 BC - Hannibal Barca wins his greatest victory over the Romans at Cannae.
After the start of the Second Punic War, the Carthaginian general Hannibal boldly crossed the Alps and invaded Italy. Winning battles at Trebia (218 BC) and Lake Trasimene (217 BC), Hannibal moved south plundering the countryside and working to make Rome's allies defect to Carthage's side. In the spring of 216 BC, Hannibal seized the Roman supply depot at Cannae in southeast Italy. With Hannibal sitting astride Rome's supply lines, the Roman Senate called for action. Assembling a massive army of nearly 87,000 men, the Consuls Gaius Terentius Varro and Lucius Aemilius Paullus advanced to face the Carthaginians.
The two armies met along the banks of the Aufidus River on 31 July and began skirmishing. On 2 August, Varro and Paullus formed up their army for battle with their infantry densely packed in the center and the cavalry on the wings. The Consuls planned to use the infantry to quickly break the Carthaginian lines. Opposite, Hannibal placed his cavalry and most veteran infantry on the wings and his lighter infantry in the center. As the two sides advanced, Hannibal's center moved forward, causing their line to bow in a crescent shape. On the Hannibal's left, his cavalry charged forward and routed the Roman horse.
To the right, Hannibal's cavalry was engaged with that of Rome's allies. Having destroyed their opposite number on the left, the Carthaginian cavalry rode behind the Roman army and assaulted the allied cavalry from the rear. Under attack from two directions, the allied cavalry fled the field. As the infantry began to engage, Hannibal had his center slowly retreat, while ordering the infantry on the wings to hold their position. The tightly packed Roman infantry continued to advance after the retreating Carthaginians, unaware of the trap that was about to be sprung.
As the Romans were drawn in, Hannibal ordered the infantry on his wings to turn and attack the Roman flanks. This was coupled with a massive assault on the Roman rear by the Carthaginian cavalry, which completely surrounded the Consuls' army. Trapped, the Romans became so compressed that many did not have space to raise their weapons. To speed the victory, Hannibal ordered his men to cut the hamstrings of each Roman and then move on to the next, commenting that the lamed could be slaughtered later at the Carthaginian's leisure.
Various accounts of the Battle of Cannae show that numbers range from 50,000-70,000 casualties for the Romans, with 3,500-4,500 taken prisoner. It has also been said that approximately 14,000 were able to cut their way out and reach the town of Canusium. Hannibal's army suffered around 6,000 killed and 10,000 wounded.
It is regarded as one of the greatest tactical feats in military history and, in numbers killed, the second greatest defeat of Rome, after the Battle of Arausio.
Images: (Left) Hannibal counting the signet rings of the Roman knights killed during the battle, statue by Sébastien Slodtz, 1704, Louvre.
(Right) The Death of Aemilius Paulus by John Trumbull, 1773.