🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
同時也有2部Youtube影片,追蹤數超過8萬的網紅Sunset Rollercoaster落日飛車,也在其Youtube影片中提到,【 輕舟已過萬重山 】落日飛車「出差」巡迴紀錄片 落日飛車2019年奔走世界各地近百場巡演的幕後紀實。 一趟看似沒有盡頭的出差之旅,啟動飛車無限迴圈的巡迴歷程。 第一集 check in (報到) 落日飛車聊起團員當初開始接觸音樂的起點,以及成團以來歷經的三個階段。 從單純的熱愛音樂、逐漸充滿想...
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Creativity involves breaking out of expected patterns in order to look at things in a different way. Let us marry our creative, trend-setting ideas with your unique offerings for the most captivating results!
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Attire The Wedding Gown MODE by Eddie Tam⠀
Celebrant service An Oath Celebrant Service 壹誓證婚服務
Decorations Free Concept Wedding Decoration
Desserts BOW Artisan Cakery by Lazy Baking
Emcee MC Infinity-Wedding MC Team 婚宴司儀團隊
婚禮達人Tim Lau-Wedding MC+Planner.大學婚禮講師.節目主持
Jewelries Les Nereides
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Stationary Design SANSTATION
design ideas ltd 在 Daphne H.C. Shen Facebook 的最佳貼文
If you always copy other people’s ideas, you are soulless and not cool at all. Here is my new commission portrait work.
新出爐的客製人像,這次委託的對象是香港客戶想客製作品送給長輩,其中一張照片是大家在餐廳吃飯的合影,我就順勢取材加了自己的一點想像畫了大家在餐桌前的溫馨樣子。
近期感想:
愛模仿別人的人最討厭了,不管是作品還是服裝,我最討厭別人學我。突然想起小學時,媽媽在菜市場買了一套衣服給我,鄰居媽媽看到馬上去買一套給她女兒,從此我厭惡穿那套衣服😒 處女座的龜毛不是假的。
Pinkoi Cowling & Wilcox Ltd.
客製作品:www.pinkoi.com/store/daphnehcshen
#art #love #blue #portrait #illustration #food #foodporn #happiness #artist #design #illustration #studio #family #home #london #interior #paper #bespoke #daphnehcshen #手繪 #似顏繪 #作品 #藝術家 #倫敦 #客製人像 #人像 #家人 #家 #手帳
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【 輕舟已過萬重山 】落日飛車「出差」巡迴紀錄片
落日飛車2019年奔走世界各地近百場巡演的幕後紀實。
一趟看似沒有盡頭的出差之旅,啟動飛車無限迴圈的巡迴歷程。
第一集 check in (報到)
落日飛車聊起團員當初開始接觸音樂的起點,以及成團以來歷經的三個階段。
從單純的熱愛音樂、逐漸充滿想法、到技術成熟,屢屢突破自我要求的落日飛車,一趟看似沒有盡頭的出差之旅,啟動無限迴圈的巡迴工作紀錄。
Roll, Roll, Roll Your Boat
Sunset Rollercoaster ‘Business Trip’ Tour Documentary
The true stories behind almost a hundred gigs of Sunset Rollercoaster’s 2019 World Tour.
Buckle up and enjoy this seemingly endless business trip on loop-the-loops.
ep. 1 ’Check In’
Each member of Sunset Rollercoaster talks about their musical roots and the three phases of the band after their formation. From the love of music, to the desire to achieve their musical ideas, they’ve trained themselves both on the chops and the sound-engineering knowledge, looking for breakthrough every single day. They set out to go on this seemingly endless tour and record the journey.
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Sunset Rollercoaster “2019 Business Trip” Tour
主唱/吉他 Vocal / Guitar :曾國宏 Kuo
貝斯 Bass:陳弘禮 Hung Li
鍵盤 Keyboard:王少軒 Gump
爵士鼓 Drums:羅尊龍 ZL
電子鼓/節奏樂器 Drum pads / Percussion:黃士瑋 Birdman
薩克斯風 Saxophone:黃浩庭 Haoting
客座鍵盤 Keyboard:顏世傑 JB
客座薩克斯風 Saxophone:謝明諺 Minyan Hsieh
演出製作 Production:夕陽音樂產業有限公司 Sunset Music Production Co.,Ltd
藝人/巡迴經紀 Artist Management:應佳霖 Mary Ying
歐美巡迴經紀Tour Management :嚴敏 Mia Min Yan
視覺統籌 Visual Coordination:張芳瑜 Joy Chang
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出品 Present
夕陽音樂產業有限公司 & 吉术斋
Sunset Music Productions Co.,Ltd & Geek Shoot Jack
監製 Executive Producer
應佳霖 Mary Ying
徐遠卓 Yuanzhuo Xu
張芳瑜 Joy Chang
導演 Director
郭松雲 Songyun Guo
攝影 Cameraman
王宇浩 Yuhao Wang, 周世偉 Shiwei Zhou, 尚登 Deng Shang, 賈思揚 Siyang Jia, 郭松雲 Songyun Guo, 黃士瑋 Birdman, Jay Cheng, Victoria Chen, 蘇柏瑋 Subway, 黃浩庭 Haoting, Siva Wasanruk, Bancha Sawangkasirl, Slwat Picksrl, Suradate Wongam, 詹曜維 Sam Chan
音響工程師F.O.H Mixing / Monitor Engineer:鄭凱元 Kai
舞監 Stage Manager:聞理 Fred
音響工程師 Monitor Engineer:蔡易達 Tsai,Yi-ta
燈光設計 Lighting Designer:鐘禮學 Chung, Li-hsueh
技師 Technician:江韋樺 Chiang, Wei-hua
視訊設計 Visual Design:張芳瑜 Joy Chang
剪輯 Editor
白勇剛 Yonggang Bai
調色 Colorist
王宇浩 Yuhao Wang
盧希 Xi Lu
包裝設計 Graphic Designer
大蒜糖 Garlicsugar Kung
後期製片Post-Production
蔣孜遠 Ziyuan Jiang
DIT
孫浩澤 Haoze Sun 張世恆 Shining Zhang
字幕 Subtitles
尹麗媛 Liyuan Yin
宣傳 Promotion
蔣賀家 Hejia Jiang
特別感謝 Special thanks to
曉峰音樂公社 Xiaofeng Music
design ideas ltd 在 一二三渡辺 Youtube 的最佳解答
滋賀からのお知り合いと初登場、
粋な星を腰に従え、来てくれました、
また遊びに来てね、
Shiga..acquainted..first..appearance..chic..star..waist..accompanied..
come.
Moreover, it comes to play and it sleeps.
Honda Motor Co., Ltd. is a motorcycle of displacement 599cc of the CBR series put on the market. HONDA and CBR600RR (Dablarl ..Shebearl furnace.. ..turning over..)
Founder
It was put on the market in February, 2003, and it appeared as a succession model of CBR600F4i the sports machine of 600cc class of HONDA. A lot of ideas and structures almost near motoGP racer RC211V developed at a simultaneous period are adopted. Especially, to be given is have a high kinematic performance by weighting distributed that is called 'Centralization of the mass' by the adoption of the same as RC211V structural frame and the central improvement muffler etc. and adopting the unit professional link suspension. The style is an image near RC211V.
Because the emphasis is put from CBR600F4i on running and the style as the racer replica as 'RR' of the name shows, the tightness of inclining forward of few in the storage space, poor gaits, and the getting on posture and maintenance, etc. are assumed to be a practical design.
The torque of the high rotation region is greatly squeezed by the self-imposed restraint of the manufacturer, and it is lowered from 117PS/13,000rpm by 51.0N・m/7,500rpm and max power respectively to 69PS/11,500rpm 65.8N・ m/11,000rpm in max torque from the foreign countries specification though it put on the market delaying a domestic specification, too.
The race base car to which the security parts are detached is sold for the race of the ST600 class. The engine of the race base car is an output similar to the foreign countries specification.
The CBR600F series is continuously sold in Europe and America.
The second generation
The first series was restyled in 2005. The feature is to lighten the link structure change of the unit professional link suspension similar to the adoption of the headstand fork of the CBR1000RR transfer and the radial mount caliper and RC211V and the chassis great. Moreover, the caul design was changed a little, and it became near the image of RC211V or more.
The third generation
Type CBR600RR was announced at the same time in Europe and North America in 2007 September 7, 2006, when everything like the engine and the body, etc. was reformed. It is thoroughly lightened, and the dry weight is the lightest 155kg in the class. The electronically controlled steering wheel damper and the radial pump type master cylinder, etc. are adopted, and handling that can enjoy not only the circuit but also the winding more than before has been achieved.
The model in 2007 for Europe is announced in HONDA motor Europe. It was released by the aluminum die cast wheel and the caul shape change, etc. in the new design as a quite new model from whom an epoch-making lightening of 155kg in dry weight was given the engine not only was made compact but also improving "Concentration on the mass" more. As a result, it is said that a high running will have been achieved as a compact, light machine. The sale in Japan is one announced May 24, 2007.
?It is necessary to exchange ECU(Engine Control Unit) especially for another parts because the full power making remodeling becomes difficult from the model in 2007 and it invites a storm of criticism from the consumer who bought it from the becoming it thing on the assumption of the full power making remodeling though remodeling that had been said in 2006 a full power being make to the model became popular.
Type CBR600RR in 2008 October 22, 2007, is announced. The main change becomes black anodized aluminum processing the swing arm that was black painting, and has improved feeling of quality. Moreover, a part of middle caul color of the color was changed. Moreover, CBR600RR special edition that gives team machine coloring of the KONICA MINOLTA Honda team entering MotoGP is announced at the same time as a model of the order production of limited time.
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