黑霸雙語團購
BRUNO's Bilingual Shop
若美芙™男士護膚超值組
Lumière de Vie™ Homme Skincare Value Kit
包含潔膚凝膠、活力再現精華液及保濕蘆薈霜
Includes Cleansing Gel, Restoring Serum, and Hydrating Aloe Cream
若美芙™男士清爽潔膚凝膠
Lumière de Vie Hommes Cleansing Gel
能幫助清除肌膚污垢與多餘油脂,在刮鬍前潔淨肌膚。專為時尚型男所設計,綿密的泡沫可溫和清潔肌膚,使之後的刮鬍程序更加舒適,所含的小黃瓜萃取精華能清新、喚醒肌膚。使用若美芙™男士清爽潔膚凝膠,活力醒膚,散發男性魅力。
helps eliminates dirt and excess oil for clean, shave-ready skin. Designed for the modern man, the creamy lather gently cleanses and preps the skin for a comfortable shave, while cucumber extract awakens the senses. Refresh and invigorate skin with Lumière de Vie Hommes Cleansing Gel.
若美芙™男士活力再現精華液
Lumière de Vie Hommes Restoring Serum
幫助滋潤肌膚、均勻膚色,使肌膚呈現更健康的光采。質地輕盈的精華液能滲透至肌膚,維持肌膚彈性,賦予肌膚更光滑、均勻的膚質。讓若美芙™男士活力再現精華液助您一臂之力,保護肌膚、對抗肌膚老化。
helps moisturize and balance your complexion for a healthier skin tone. This lightweight serum penetrates deep, promoting elasticity and creating a smoother and more even appearance. Shield your skin from the effects of aging with Lumière de Vie® Hommes Restoring Serum.
若美芙™男士清新保濕蘆薈霜
Lumière de Vie Hommes Hydrating Aloe Cream
滋潤平滑,即使是極其粗糙的肌膚也有效。蘊含蘆薈的配方設計可深層滋潤並有助於維持肌膚彈性,還可舒緩剃鬚引起的不適現象,更含有玻尿酸成分,可舒緩肌膚乾燥狀況。使用若美芙™男士清新保濕蘆薈霜,舒緩、滋養您的肌膚。
smooths even the toughest skin. Formulated to deeply moisturize and help maintain elasticity, this aloe-packed cream reduces the appearance of redness caused by shaving, while hyaluronic acid improves dry skin. Soothe and condition your skin with Lumière de Vie Hommes Hydrating Aloe Cream.
實用單字
Vocabularies:
- Skincare 護膚
- Cleansing 清潔
- Gel 凝膠
- Restoring 修護/修復
- Serum 精華液
- Hydrating 保濕
- Aloe 蘆薈
- Cream 乳液/乳霜
網路購買原價
Original Price/unit:
TWD 2,900.-
黑霸團購優惠價
BRUNO'S special price:
TWD 2,500.-
有意購買者
請私訊 BRUNO 喔!
Please contact Bruno
if you would like to buy it.
產品形象影片
Brand Image Video:
https://youtu.be/NtRkw7pIB50
更多資訊
For more information:
https://tw.shop.com/BRUNOBLACK/%E8%8B%A5%E7%BE%8E%E8%8A%99+trade+%E7%94%B7%E5%A3%AB%E8%AD%B7%E8%86%9A%E8%B6%85%E5%80%BC%E7%B5%84-1841490253-p+.xhtml?credituser=C2638442
同時也有16部Youtube影片,追蹤數超過51萬的網紅Games Effect,也在其Youtube影片中提到,This time we are facing Leliel, the floating sphere! We are also collaborating with FX Creations. Their newest Evangelion Products look awesome! Feel ...
effects unit 在 喜劇演員 Facebook 的最佳解答
Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share
The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris
Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.
According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.
According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.
When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.
Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.
This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article
Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.
During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”
Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.
"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."
The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.
At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.
The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.
Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.
The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened
From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.
effects unit 在 Betty Apple 倍帝愛波 Facebook 的最佳解答
非常榮幸受 Cheng-Ta Yu邀請,在母校 關渡藝術節的 KdMoFA 關渡美術館 哺挫 BOOCHOA 展覽發表
擬酷液得LiqueeredX《超完美女友當機趴體 Fucking-Super-Girlfriend Crash Party》 !
這場展演計畫與開幕策劃受到今年出國展演的許多啟發,也在有限的經費內因為許多好友與新人力挺,從去年亞洲雙年展在Chim Pom作品上所聚的道上趴體,直到轉世花木蘭,此當機趴體絕對是本人歷年之創作新高峰。
免費入場,人數有限,
美什麼,藝術都不藝術了。
就為了讓你放下一切趴體投地。不管你的現實是幾點,在這場扮演開始都是即將凌晨的那點。
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”超完美女友當機趴體“表演計畫,透過一場派對讓不同表演者透過模擬網路情色直播與性愛機器女郎角色之展演形象介入現場,編織網路時代的螢幕中「完美女性」各種面向,延伸陰性書寫於後網路時代的實踐方法。表演穿越現場空間,進入到觀眾手機屏幕中,呈現多重視角的現場切片,再現屏幕框內框外之形象流變與慾望誘惑之展演姿態。將「當機」為現場身體展演文本指向「趴體」挪用Party的中文諧音,即「狂歡後」的身體狀態討論呈現科技父權面的「完美」架構之外的「錯誤」姿態。
《Fucking-Super-Girlfriend Crash Party》as a party, this project allows different performers to simulate the performance images of online pornographic live streaming and female sex robot, for onsite intervention, weaving the various aspects of a “perfect female” presented through the screen in the cyber age, and deriving the practical methods of feminine writing in the post-Internet age. Digital performers and audience engagement in live-streamed performances enable performances to transcend the onsite space and enter the phone screens of audience, presenting multi-perspective slicing of the live event, and re-enacting the performances of fluid images and lusts and temptations inside and beyond the frames. Using “crash” to refer the text of live performance to the discussion of “趴體 (lying down on belly), the Chinese transliteration of “party,” which is the physical state after “crazy partying,” this work presents the status of “error” beyond the “perfect” framework of the technological patriarchy.
l 《擬酷液得Liqueered》
昨晚我們才剛在這結束一場派對,你錯過了嗎?在23點47分那刻,愛波對著麥克風,造作地從塗抹豐厚唇蜜的雙唇間,發出意味不明的爆裂吼叫聲,瞬間的情緒波動差點讓為了掩蓋平頭的粉紅假髮掉落,左手仍沒落拍地同步效果器調轉至極限。後方手臂有刺青的場控男子應和著這份情緒,將各色燈光調至急速閃爍他其實不懂,但他知道這理當是一個高潮橋段。嗡太大的聲響導致我耳鳴,倚賴的雙瞳不斷地被重複曝光,認知像是幻燈影像般進入了流變的狀態。接著,現場被紅光全面籠罩,愛波瞬間溫柔地說:「我們現在都是女生。」,這個指令讓我頓時分不清現在是在線還是離線 ……
We just finished a party here last night. Did you miss it? At exactly 23:47 exploded into the microphone meaningless screams through her lips with thick, pretentiously applied layers of lip gloss; her instantaneous emotional shockwave almost made her pink wig that was intended to cover up her shaved head drop on the floor. Her left hand, without missing a beat, simultaneously turned the effects unit up to the max. The man with tattoos on his arm in charge of onsite control behind her played along with her emotion, and switched the lights in different colors to rapid gleaming…He really did not understand, but he knew this was inevitably a climax. Humm…the sound was too loud, it gave me tinnitus, and the pupils I relied on were being constantly re-exposed; like projections, cognition entered a rheological state. Then, the place was covered in red light, and, all of a sudden, A tenderly said: “We are all girls now.” This command suddenly made me confused with whether we were online, or offline….
More Information:
http://www.kdmofa.tnua.edu.tw/index.php?REQUEST_ID=bW9kPWV4JnBhZ2U9ZGV0YWlsJllZPTIwMTkmRUlEPTI3OA==
effects unit 在 Games Effect Youtube 的最佳解答
This time we are facing Leliel, the floating sphere! We are also collaborating with FX Creations. Their newest Evangelion Products look awesome! Feel free to purchase from our links below~
Mark.06系列:
多用途包 : https://fxcreations.com/EVANGELION/EVA76173-98?tracking=5d5e641a49197
拉鏈銀包: https://fxcreations.com/EVANGELION/EVAW76158-98?tracking=5d5e641a49197
多用途小包: https://fxcreations.com/EVANGELION/EVAW76157-98?tracking=5d5e641a49197
魔術貼銀包: https://fxcreations.com/EVANGELION/EVAW76156-98?tracking=
初號機腰包直身款: https://fxcreations.com/EVANGELION/EVA76171-01?tracking=5d5e641a49197
橫身款: https://fxcreations.com/EVANGELION/EVA76170-01?tracking=5d5e641a49197
BACKPACK 背包
初號機 Unit-01: https://fxcreations.com/EVANGELION/EVA76151AGS-01?tracking=5d5e641a49197
零號機 Unit-00: https://fxcreations.com/EVANGELION/EVA76150-81?tracking=5d5e641a49197
2號機 Unit-02: https://fxcreations.com/EVANGELION/EVA76152AGS-89?tracking=5d5e641a49197
SMALL BAG
初號機:https://fxcreations.com/EVANGELION/EVA76153-01?tracking=5d5e641a49197
橫身款:https://fxcreations.com/EVANGELION/EVA76154-01?tracking=5d5e641a49197
直身款:https://fxcreations.com/EVANGELION/EVA76155-01?tracking=5d5e641a49197
CARD WALLET RFID卡錢夾
初號機 Unit-01: https://fxcreations.com/EVANGELION/EVAW001-23?tracking=5d5e641a49197
零號機 Unit-00: https://fxcreations.com/EVANGELION/EVAW001-81?tracking=5d5e641a49197
2號機 Unit-02: https://fxcreations.com/EVANGELION/EVAW001-89?tracking=5d5e641a49197
UMBRELLA 8骨摺叠傘
初號機 Unit-01: https://fxcreations.com/EVANGELION/FXG203-23?tracking=5d5e641a49197
零號機 Unit-00: https://fxcreations.com/EVANGELION/FXG203-81?tracking=5d5e641a49197
2號機 Unit-02: https://fxcreations.com/EVANGELION/FXG203-89?tracking=5d5e641a49197
CUP 咖啡杯
初號機 Unit-01: https://fxcreations.com/EVANGELION/FXG204-23?tracking=5d5e641a49197
零號機 Unit-00: https://fxcreations.com/EVANGELION/FXG204-81?tracking=5d5e641a49197
2號機 Unit-02: https://fxcreations.com/EVANGELION/FXG204-89?tracking=5d5e641a49197
CUSHION 綉花攬枕
初號機 Unit-01: https://fxcreations.com/EVANGELION/FXG205-23?tracking=5d5e641a49197
零號機 Unit-00: https://fxcreations.com/EVANGELION/FXG205-81?tracking=5d5e641a49197
2號機 Unit-02: https://fxcreations.com/EVANGELION/FXG205-89?tracking=5d5e641a49197
#Evangelion #新世紀 #中二病 #Neon #Genesis #EVA #碇真嗣 #Shinji #綾波 #Rei #明日香 #Asuka #leliel #童年回憶 #Fight #Battle #War #LowBudget #LowCost #DIY #GamesEffect
►►► Facebook Page: http://www.facebook.com/gameseffect
►►►Twitter ツイッター: https://mobile.twitter.com/GamesEffect1
►►►Instagram インスタ: https://www.instagram.com/gameseffectofficial
Support us by LIKE and SUBSCRIBE!
effects unit 在 Games Effect Youtube 的精選貼文
The EVA Unit-02 has arrived, it’s time to go fishing!
系列嚟到EVA Unit-02嘅出場啦!
#Evangelion #新世紀 #中二病 #Neon #Genesis #EVA #Asuka #明日香 #童年回憶 #Fight #Battle #War #LowBudget #LowCost #DIY #GamesEffect
►►► Facebook Page: http://www.facebook.com/gameseffect
►►►Twitter ツイッター: https://mobile.twitter.com/GamesEffect1
►►►Instagram インスタ: https://www.instagram.com/gameseffectofficial
Support us by LIKE and SUBSCRIBE!
effects unit 在 竹渕慶 / Kei Takebuchi Youtube 的最佳貼文
5会場、8公演分のみんなで歌ったTorchの映像と外音を繋ぎ合わせてみました。
名古屋SPADE BOX
梅田amHALL
代官山UNIT
SHIBUYA PLEASURE PLEASURE Day1、Day2
青山月見ル君想フ 昼公演、夜公演、年越しライブ
-Torch Music Video https://youtu.be/y9ltZL5osBI
-Download and Stream “Torch” https://linkco.re/vYHNVsFs
みんな元気かなぁ、楽しかったなぁなんて、映像に映るみんなの顔を見ていろんな気持ちが込み上げる中編集しました。
笑顔、涙、夢、青春、悔しさ、言葉にできない感情、数えきれないたくさんの人の思い出が刻まれてきたライブハウスやイベント会場。
私たちを繋げてくれる場所に、一日でも早くまた音が戻る日が来ることを願って!
何度でも立ち上がれますように。
This video is dedicated to all the live venue staffs, who allow us to create and tighten the bonds through music.
In Japan, many live venues are being forced to close down, due to the effects of Covid -19. I edited the clips of Torch performed at five different venues in Japan into one video, and this was the way for me to show my gratitude for them. Hoping for a day when music would fill the floor again.
Torch your sky, and spread love!
【Stream and Download my songs!!】
TORCH ▶︎ https://linkco.re/vYHNVsFs
IN THIS BLANKET ▶︎ https://linkco.re/y4z3tt5V
LOVE ▶︎ https://linkco.re/0Ftr3g1N
Or download for free ▶︎https://www.dropbox.com/sh/z7b0yxh8kwk78ws/AAABtRgVbMwtE1dbLjLRZyjEa?dl=0
【MERCH】 https://keitakebuchi.booth.pm/
【竹渕慶 Kei Takebuchi】FOLLOW ME ON
Twitter ▶︎ https://twitter.com/keibambooty
Instagram ▶︎ https://www.instagram.com/keibamboo/
HP ▶︎ https://keitakebuchi.com/
【YAMO】 (クリエイティブパートナー/Creative Partner)
こうして見て/聴いてみると、どのTorchも違った歌、演奏、手拍子、合唱、空気感ですね!どこの会場にみんなで集まったか、どんな音響や照明だったか、というのに大きく影響され、それぞれの場所ならではの思い出になっているのではないでしょうか。大変な時かと思いますが、会える日まで頑張りたいと思います。
Each Torch has a different vibe to it, influenced by whose there, with what kind of feeling they share, and where they gathered. Until the day we can unite in a physical space again, keep on sharing love and positivity.
Twitter ▶︎ https://twitter.com/YAMO_wbsb
Instagram ▶︎ https://www.instagram.com/yamo_wabisabi/
【Other Recommended Videos】
Torch ▶︎ https://youtu.be/y9ltZL5osBI
Love ▶︎ https://youtu.be/Dxas9A47A64
In This Blanket ▶︎ https://youtu.be/s9MXv28fJsY
ASMR ▶︎ https://youtu.be/rJe4ebh2AFc
「天気の子」Mash Up ▶︎https://youtu.be/ZcT2UOmcwIo
オンラインコミュニティーPATREON ▶︎ https://www.patreon.com/KeiTakebuchiYAMO
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ファンレター送り先▼
〒107-6228
東京都港区赤坂9-7-1 ミッドタウン・タワー 28階
UUUM株式会社 竹渕慶 宛
effects unit 在 Best multi-effects pedals 2022 | Guitar World 的相關結果
Best multi-effects pedals 2022: top do-it-all guitar effects units · 1. Neural DSP Quad Cortex · 2. Line 6 Helix LT · 3. Boss GX-100 · 4. Boss GT- ... ... <看更多>
effects unit 在 Multi-effects Pedals | Sweetwater 的相關結果
Guitar and Vocal Multi-effect Unit with Amps, Cabs, Microphone Emulations, Amp/Effect Cloning, IR Loading, Wi-Fi, Bluetooth, ... ... <看更多>
effects unit 在 Effects unit - Wikipedia 的相關結果
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing ... ... <看更多>