2020年參與的 #釜山雙年展 Busan Biennale : Words at an Exhibition 《열 장의 이야기와 다섯 편의 시》,由Gray Center for Arts and Inquiry策劃,5/22 - 6/14 在美國芝加哥大學的戶外Logan Center展出。
The Busan Biennale :
The Chicago Chapter presents: 11 Musicians for 11 Writers Outside at the University of Chicago's Logan Center for the Arts, May 22- June 14th, 2021.
~ Eleven musicians create discrete sound works responding to eleven texts~
Free and open daily.
Featuring original musical compositions from the 2020 Busan Biennale by Odæri, Say Sue Me, Kim Ildu, Choi Taehyun, Elias Bender Rønnenfelt, J-Tong and JinHah, Søren Kjærgaard, Astrid Sonne, 食品まつり a.k.a FOODMAN, Meuko! Meuko!, and a video work by Kim Gordon.
After premiering their first stanza on March 5 with a virtual conversation featuring artists Kim Gordon and Kim Heecheon, followed by the second stanza, a live-stream concert by Busan-based rock band Say Sue Me, the Busan Biennale: The Chicago Chapter presents 11 Musicians for 11 Writers Outside at the Logan Center for the Arts, an in-person series of eleven discrete sound works installed at the University of Chicago Logan Center for the Arts.
Displaced from its original site at the Busan Biennale, The Chicago Chapter brings eleven sound works to the Logan Center for the Arts to be enjoyed as one ambulates the grounds. Each musical piece was created in response to the city of Busan and commissioned text by authors also included in the biennale. 11 Musicians for 11 Writers Outside a hymnal of exchange between the two cities.
The Busan Biennale: Words at an Exhibition 《열 장의 이야기와 다섯 편의 시》 an exhibition in ten chapters and five poems was conceptualized and curated by Jacob Fabricius. The Chicago Chapter is organized by Stephanie Cristello, Curatorial Advisor to the 2020 Busan Biennale and the University of Chicago’s Richard and Mary L. Gray Center for Arts and Inquiry’s Zachary Cahill and Mike Schuh.
Presented by the Richard and Mary L. Gray Center for Arts and Inquiry at the University of Chicago, Busan Biennale, Kunsthal Aarhus, the Center for East Asian Studies, and The Empty Bottle. @busanbiennale @emptybottle KUNSTHAL AARHUS , UChicago Arts @ihouse_chicago @uchicagomusic @dova_uchi @porksaladpress @scristello 303 Gallery
同時也有1部Youtube影片,追蹤數超過147萬的網紅Kento Bento,也在其Youtube影片中提到,*Special Earth Day Discount: Get Nebula & CuriosityStream for 41% off! https://curiositystream.com/kentobento (includes my Nebula Exclusive show) O...
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Other videos you may like:
The Bizarre South Korean Bank Heist: https://youtu.be/8JclG3gZLQI
The Greatest Bank Heist in Chinese History: https://youtu.be/qW0uzPJEO10
The $1,000,000,000 North Korean Bank Heist: https://youtu.be/Usu9z0feHug
The Greatest Bank Heist in Japanese History: https://youtu.be/gbeN-2ErxBw
How North Korea Held the Greatest Pro Wrestling Event in History: https://youtu.be/U_ZkqfSpbg4
How The CIA's Ran a Secret Toy Operation in South Asia: https://youtu.be/ALf-jO5pyfY
Stock Media Footage:
Videoblocks: https://www.videoblocks.com
Music:
Epidemic Sound: http://epidemicsound.com
Channel Description:
Animated documentary-style videos on extraordinary Asian events.
Credits:
Kento Bento — Researcher, writer, narrator, audio editor, video editor, motion graphics & art director
Charlie Rodriguez — Illustrator
Isambard Dexter — Research assistant
Nina Bento — Cheerleader
Video Title: The Mysterious Chinese Art Heists Across Europe
"Stockholm, Sweden. 2010. Passersby on the streets of the capital were confused and scared. Several cars in and around the vicinity had lit up in flames, and no one had any idea why. Police soon arrived on scene but they too were baffled with what they saw. Now, several kilometers to the west, on the outskirts of the city, a small group of masked men made their way across the grounds of the Drottningholm Palace (the private residence of the Swedish Royal Family, as well as a UNESCO World Heritage Site). Their target was the royal pavilion situated in the southern part of the complex, which displayed countless works of historic art. Once there, the men forced their way in through the backdoors, and went right to work. They smashed the protective display cases, and grabbed whatever items they wanted. This immediately set off the alarm system, which alerted the Swedish police. Now, despite the alarm, the robbers remained calm, because they knew exactly where the police were. The burning cars were in fact a distraction for them set up by the robbers, and they had fallen right into the trap. Still, the police raced towards the crime scene, but by the time they reached the royal pavilion, the place was empty (the robbers were in and out in less than six minutes). Upon inspection, sculptures, chalices, plates and teapots - all invaluable items - were now missing from the permanent state collection of art and antiquities; and this wasn’t just a huge economic loss, but a cultural one as well. It was later found out that after fleeing the pavilion on mopeds, the robbers made their way to a nearby lake where they were then picked up by a white speedboat. Though from this point, the trail went cold...
*Note: The narrative of the implication of the Chinese government was made popular by Alex Palmer of GQ in 2018 (though these suspicions had existed long before).
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