關於 fast co design ，我們在網路上蒐集到這些相關的討論、資訊與評價

“Mukbang Roller” music video is out now 👀

"A virtual dinner party centred on companionship, cultural connection, and queer identity-making amidst a global pandemic"

Check the full piece with an interview between the directors, Jasmine, Curry and myself via NOWNESS ASIA .

--> www.nowness.asia/story/sonia-calico-mukbang-roller

感謝 NOWNESS ASIA 首播「Mukbang Roller」MV，寫這首歌的時候打算把吃播 ASMR 的聲音全部蒐集起來變成一個很資訊量超載的歌。
這支 MV 發想過程是要抒發疫情時代的疏離感，用食物連結人類，並在虛擬跟真實世界中穿梭，各種強烈感官的衝擊、無限超載，趕快來看看。
有興趣的也可以看 Nowness 這篇影片的介紹還有小訪問

傳送門 -->www.nowness.asia/story/sonia-calico-mukbang-roller

Directed by Jasmine Lin 林思穎 & Curry Tian 田思聰
Produced by Xixian Wang
Director of Photography & Colorist: Scott Smith
Co-producer & Assistant Director: Sarah Hyunji Park
Production Design by Mochii Mengqing Yuan 袁夢晴
Edited by Reggie Yijuan Zhao
Executive Producers: Dante Jiayu Liu 刘家雨 , Jesse Guzman, Rick Ramirez
Performers: Jaclyn Chu , Jenny Kwak , Jasmine Lin
Costume Designer & Stylist: Xiyu Lin 林熹雨
3D Artist & Additional Costume Designer: Nusi Quero
Gaffer & 1st AC: Siwei Li
Covid Compliance Officer: Dante Jiayu Liu
BTS Photographer: Ryan Kevin
Music Label: More Time
Catering by 睿雅妈咪小厨
Camera Support: Old Fast Glass
Location: Thrift Shop Studios
https://youtu.be/W5S0Jwen_tg

請人🐼💜 Recruitment 💜🐧
*Online Shop digital marketing sales*
RESPONSIBILITIES
*Operations*:
• Setup mulitple online webstores /platforms/ sites / blogs
• Manage day-to-day operations of web store, online platforms and other e-marketplace (e. g. Shopline, Instagram, Facebook, Amazon)
• Know well on IG and FB of tags, wordings, trends.
• SEO, Google Merchants 設定, Online Payment Gateway...
• Good sense on trends
• *Fast and punctual worker with quick decision making*
• Good communication and decision making (when boss is not around, the person is expected to manage the operation)
• Proficiency in basic computing. Creating website, marketplace accounts, social media pages for different sales items regionally
• Basic translation (mandarin Chinese to traditional Chinese, Chinese to English)
• Photo shooting arrangement / simple poster design

*Sales/marketing*:
• Implementing sales/marketing promotions to increase sales on various online platforms
• Category Assignment for local and overseas sales
• Provide online customer service and manage all communications with customers in respond to product and order inquiries, arrange product delivery
• Monitor e-marketplace performance, and prepare report and insight for impression and conversion improvement
• Co-ordinate with internal and external parties to ensure marketing campaigns are carried out effectively and in monitored manners, Conduct market research in the e-commerce industry
• Daily Reporting

Requirements
• 1 year eCommerce and digital experience
• Experience in the operating of an E-Commerce store (both brand site and marketplace)
• Experience in online shop platform (e.g. Shoplify) and analytical tool (e.g. Google Analytics) and data analysis
• Multi-tasking and good time management
• Proficiency in spoken and written Cantonese/Chinese
• Good Command in written English
• Organized, enthusiastic and willing to learn
• Proficient in MS Word, MS Excel and Chinese word processing is a MUST
• Immediately available is preferable

Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share

The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris

Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.

According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.

According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.

When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.

Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.

Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.

‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.

This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article

Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.

During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”

Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.

In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.

In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.

"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."

The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.

At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.

The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.

Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.

The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened

From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.

跟著一群好朋友 走到了不屬於自己的地方
順著安全感 順著潮流...卻忘了自己所愛.

EP [Nonstop] 中
代表⏸暫停鍵的 [ Pause 空白鍵 ]

習慣被線綁住的風箏，在潮流中，好像不被拉著往前，就忘了自己該有的模樣。我們常不自覺跟著社會盲從追尋，忙碌瞎闖，回過頭早忘記自己真正所愛。

[Nonstop]MV
01 Start it !
https://www.youtube.com/watch?v=SbrDsVrRgBE
02 Trial & Error 不好睡
https://www.youtube.com/watch?v=0M23OihyhxY
03 Fast Combo 速食全餐
https://www.youtube.com/watch?v=FLJ0I0K41Do
04 Pause 空白鍵
https://www.youtube.com/watch?v=SEN_HhVcSIU

[Nonstop]音樂串流 : https://www.soundscape.net/a/13369
--

[ Pause 空白鍵 ]

製作人 Producer：HAOR許書豪
詞 Lyrics：HAOR許書豪
曲 Composer：HAOR許書豪
編曲 Arranger：HAOR許書豪
吉他 Guitar: HAOR許書豪
貝斯 Bass：HAOR許書豪
混音師 Mixing Engineer：HAOR許書豪
混音室 Mixing Room：玩轉音樂工作室 TurnOn Music

製作公司 Production Company : 轉轉影像事業有限公司 SHIFT STUDIO .CO
監製 Executive Producer : 張活寧 Chang, Huo-Ning、邱亮 Liang Chiou
專案管理 Project Manager : 邱亮 Liang Chiou
導演 Director：薩禾豐 Leo Sa
執行導演 Executive Director : 陳昱廷 Eddie Stone
導演助理 Assistant to Director : 張智軒 Edison Chang、林子恩 Rogerlynn

製片 Producer ：曹新祐 Sou Shinyu
執行製片 Line Producer ：王琦凱 Kai
製片助理 Production Assistant：李孟鴻 Red Lee
美術 Art Director:楊宇碩 CaBe Yang
攝影師 Director of Photography : 陳昱廷 Eddie Stone
攝影大助 1st C.A. 王丞宇 Wang Cheng Yu
攝影二助 2nd C.A. 謝承羿 ChenEa Shie
燈光師 Gaffer : 尤泰偉 David YU
燈光大助 1st Best Boy : 洪峻逸 Jin-Yi,Hong
攝影器材Photographic Equipment｜妄想機攝影器材
燈光器材：上京影業 SUN GING

髮型師 Hairstylist：沈傳惟 Wayne Shen@O+ Studio
彩妝師 Makeup：邱紀幃 Chi-Wei Chiu
字體設計 Font Design：邱韹雅 Huangya Chiou

剪接 Editor : 薩禾豐 Leo Sa
調色 Colorist：薩禾豐 Leo Sa
後期 Post-production：薩禾豐 Leo Sa
Teaser：張智軒 Edison Chang
特別感謝 Special Thanks：車主王彥博、潛客讚DIVE INN潛水店


撐了太久
跑了過頭
空白鍵按下
暫停一下
好久沒有
逗留路口
被超越而過
淡淡放下

生命的5678
照著前人同樣步伐
當害怕脫隊被責罵
太多 想法 被驅散一旁

Don’t wanna be you anymore
你們都往那 不由愛左右

如果每個人都不斷追尋 for no reason
枉費了天空 星星這麼多

他把書包摔到地上
丟了朋友丟了方向
看到鏡子裡的模樣
把空白鍵按下 先放下

放下了5678
勉強算是大膽做法
當害怕脫隊被責罵
太多 想法 被驅散一旁

Don’t wanna be you anymore
你們都往那 不由愛左右
如果每個人都不斷追尋 for no reason
枉費了天空 星星這麼多

Don’t wanna be you anymore
我們都往那 不由愛左右
如果每個人都欺騙自己 for no reason
追趕著時間 不如停下

煞車就踩下 就一剎那
隨時在等你放假
等腦內爆炸瞬間趴下
發現原來現實才是假象

Don’t wanna be you anymore
我們都往那 不由愛左右
如果每個人都欺騙自己 for no reason
追趕著時間 不如停下

[Nonstop] EP裡的第三首歌 -
代表⏩快轉鍵的 [ Fast Combo 速食全餐 ]

以”速食全餐”象徵現代人嚮往的速食概念，從外送、網拍，甚至到愛情、事業等，就是要立馬得到滿足與成就，最好能一步登天。歌詞闡述著一對新鮮的熱戀情人，遊戲般的彼此較勁，還沒搞懂自己，一個瞬間就掉入愛情，又再下一秒拋頭就走。

[Nonstop]MV
01 Start it !
https://www.youtube.com/watch?v=SbrDsVrRgBE
02 Trial & Error 不好睡
https://www.youtube.com/watch?v=0M23OihyhxY
03 Fast Combo 速食全餐
https://www.youtube.com/watch?v=FLJ0I0K41Do
04 Pause 空白鍵
https://www.youtube.com/watch?v=SEN_HhVcSIU

[Nonstop]音樂串流 : https://www.soundscape.net/a/13369
--

[ Fast Combo 速食全餐 ]

製作人 Producer：HAOR許書豪
詞 Lyrics：HAOR許書豪
曲 Composer：HAOR許書豪
編曲 Music Arranger：HAOR許書豪
貝斯 Bass：HAOR許書豪
混音師 Mixing Engineer：HAOR許書豪
混音室 Mixing Studio：TurnOn Music 玩轉音樂

製作公司 Production Company : 轉轉影像事業有限公司 SHIFT STUDIO .CO
監製 Executive Producer : 張活寧 Chang, Huo-Ning、邱亮 Liang Chiou
專案管理 Project Manager : 邱亮 Liang Chiou
導演 Director：薩禾豐 Leo Sa
執行導演 Executive Director : 陳昱廷 Eddie Stone
導演助理 Assistant to Director : 張智軒 Edison Chang、林子恩 Rogerlynn

製片 Producer :曹新祐 Sou Shinyu
美術 Art Director：楊宇碩 CaBe Yang
場務 Set Coordinator：陳弘鈞 Jerry Chen
攝影師 Director of Photography : 陳昱廷 Eddie Stone
攝影大助 1st C.A. 陳璿任 Xren chen
攝影二助 2nd C.A. 藍嘉祺 NA JIA QI
燈光師 Gaffer : 尤泰偉 David YU
燈光大助 1st Best Boy : 洪峻逸 Jin-Yi,Hong
攝影器材Photographic Equipment｜妄想機攝影器材
燈光器材：上京影業 SUN GING

髮型師 Hairstylist：Wayne Shen 沈傳惟@O+ Studio
彩妝師 Makeup：Cynthia Du 杜佳蓉 @小畫佳工作室
剪接 Editor : 林子恩 Rogerlynn、張智軒 Edison Chang
調色 Colorist : 林子恩 Rogerlynn、張智軒 Edison Chang
後期 Post-production：林子恩 Rogerlynn、張智軒 Edison Chang
字體設計 Font Design：邱韹雅 Huangya Chiou
特別感謝 Special Thanks : 上京影業、Amy、玩具人五五、方ㄍ
—
就看你 要得少 要得多
就看你 拿得少 拿得多
那不是 我的錯 你的錯
太早 被暈到 誰先跳 誰先倒

就怕你 傷得少 傷得多
遇到我 不好說
千金難買早知道
我開始很猶豫少了你
世界變得多無聊

我的餐點到底幾分熟
點了才問想不想要
拆開了不能放
心開了停了怎麼能夠

速食全餐 全年贊助
帶到山上 沙灘小屋
你只需要我 別管哪走
就算下了雨淋濕了頭

餐都訂滿 頂級贊助
帶到海上 森林小屋
當不需要我 剛好我走
反正下了雨淋濕了頭

下了雨淋濕了頭
下了雨淋濕了頭
下了雨淋濕了頭
下了雨我濕了透

這次沒太多的重量
我的袋子破了洞 呆子做了夢
you fight me at the moment
這不是誰 的錯
太早 被暈到 誰先跳 誰先倒

想辦法 愛得少 想得多
以為駕輕就熟
千金難買早知道
我開始很猶豫少了你
世界變得多無聊

我的餐點到底幾分熟
點了才問想不想要
拆開了不能放
心開了停了怎麼能夠

速食全餐 全年贊助
帶到山上 沙灘小屋
你只需要我 別管哪走
就算下了雨淋濕了頭

餐都訂滿 頂級贊助
帶到海上 森林小屋
當不需要我 剛好我走
反正下了雨淋濕了頭

還好我淋濕了頭
偷滴幾滴淚不用太追究
最不缺理由
誰對誰感到歉疚
不是說了嗎 Yeah
不是說了嗎 Wo
早就叫你不要煎得太熟
拆開了不能放
心開了停了怎麼能夠

速食全餐 全年贊助
帶到山上 沙灘小屋
你只需要我 別管哪走
就算下了雨淋濕了頭

餐都訂滿 頂級贊助
帶到海上 森林小屋
當不需要我 剛好我走
反正下了雨淋濕了頭

下了雨淋濕了頭
下了雨淋濕了頭
下了雨淋濕了頭
下了雨我 濕了透

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He’s been in business for over 20 years and his results are not typical.

Most people who watch his videos or enroll in his programs get the “how to” but never take action with the information. Dan is only sharing what has worked for him and his students.

Your results are dependent on many factors… including but not limited to your ability to work hard, commit yourself, and do whatever it takes.

Entering any business is going to involve a level of risk as well as massive commitment and action. If you're not willing to accept that, please DO NOT WATCH DAN’S VIDEOS OR SIGN UP FOR ONE OF HIS PROGRAMS.

This video is about How Workplace Design Affects Productivity And Creates Purpose
https://youtu.be/3Vy8XVvl06E
https://youtu.be/3Vy8XVvl06E