#中央社外文新聞中心FocusTaiwan徵才 Focus Taiwan
中央社外文新聞中心誠徵全職【英文編輯】和【英文改稿顧問】,歡迎對英文新聞有熱情的你,加入FocusTaiwan團隊!
履歷請寄:cnafnc2@gmail.com
薪資:4萬以上,面議
福利:比照勞基法規定
上班時段:日班/晚班/假日班,需輪班
上班地點:台北市中山區松江路209號7樓
其他:通過第一階段履歷篩選者,我們會以email通知筆試時間。
【徵才職位】
🔵英文編輯Writer
語言能力:精通中、英文,英文聽說讀寫能力近母語。
學歷要求:大學以上畢業,新聞系、外文科系尤佳。
工作經驗:具有英文新聞工作至少1年經驗者優先考慮。
工作內容:英文編輯需將中文新聞編譯成英文新聞,並撰寫圖說、替英文影音新聞過音、製作圖表,並協助管理FocusTaiwan網站後台及社群媒體平台。
工作要求:英文編輯須具備求證與求知的精神,除了編譯中文稿之外,也願意花心思查證新聞訊息,包括做電話採訪,或是上官方網站查詢數據或資料,以充實稿子內容。通訊社的發稿步調快速,英文編輯必須在短時間內掌握新聞重點,以外國讀者感興趣的角度撰寫文章。
🔵英文改稿顧問Copy Editor
語言能力:精通中、英文。以英語為母語的(外籍)人士,通曉中文,居住台灣者優先考慮。
學歷要求:大學以上畢業,新聞科系尤佳。
工作經驗:具有英文新聞工作至少3年經驗者優先考慮。
工作內容:英文改稿顧問主要負責編審英文編輯的稿件,包括檢查文法、拼字、標點符號和文章結構等。改稿顧問也需編審每日新聞頭條、圖說新聞和影音稿。
工作要求:英文改稿顧問需熟悉中央社英文新聞寫作體例和頭條寫作規則,確保文章使用正確的文法、拼字和標點符號,結構完整、內容詳實和平衡。
A. Writer Position:
Requirements:
-- Native or near native English and Chinese proficiency
-- A bachelor’s degree or higher in journalism, foreign languages or a related field
-- Experience writing English news stories
-- Willing to work night shifts and on weekends
-- Able to work in a fast-paced newsroom and meet tight deadlines.
The job:
The writer will be assigned Chinese news stories by the shift leaders and are required to rewrite the stories in English.
He/she will also be asked to write captions, do voiceovers for videos, create graphics, and manage the FocusTaiwan website’s backend and social media accounts.
The writer will specifically be expected to:
-- Ensure that all news stories have proper structure, content, clarity, accuracy and balance
-- Research and fact-check the information in the Chinese news stories by sometimes making calls, conducting interviews, or sifting through official information on government websites
B.Copy Editor Position:
Requirements:
-- A bachelor’s degree or higher in journalism or a related field
-- A background in English news writing and editing, preferably with some experience editing the work of non-native English writers.
-- Native English speaker; Chinese language proficiency a plus
-- Able to function efficiently under time and deadline pressure
-- Willing to work late night shifts and on some weekends
-- Flexible with regard to work hours and days off
-- Able to work as a team with shift leaders and other copy editors to ensure quality content
The job:
The editor will be required to edit news stories in the English language department, checking the grammar, punctuation, and structure and making other changes where necessary.
He/she will also be asked to write and edit headlines for the news stories, edit captions, and occasionally check video scripts.
The copy editor will specifically be expected to:
-- Become familiar with the style rules of CNA, as well as with the rules and restrictions associated with headline writing.
-- Ensure that all news stories have proper grammar, punctuation, structure, content, clarity, accuracy and balance.
-- Answer questions by writers and shift leaders about style, grammar and other aspects of English news writing.
#國際影音串流平台徵才 6/28更新
文化部補助、中央社承辦的國際影音串流平台誠徵以下職位專業人才,有志者請依以下徵才內容需求附上所需資料與我們聯繫。
請注意:來函應徵時,請在電郵主旨欄註明應徵類別,例如「應徵D1 社群媒體內容製作人」、「應徵E3 網路平台技術主管」或「應徵E5 數據工程師」
履歷請寄: personnel-video@mail.cna.com.tw
薪資:4萬以上,面議
福利:均比照勞基法規定
【公司介紹】
Taiwan Plus (Taiwan+) 國際影音串流平台,是台灣第一個以全球為目標族群的全英語新聞、節目平台。
本平台希望在全球舞台上呈現台灣觀點與聲音,同時在國際社會中提升台灣的能見度與影響力。我們將提供與台灣相關,以及超越一般視野的新聞與節目。無論是與台灣相關議題或是區域情勢,以及台灣高舉的普世價值:民主、人權、開放、創新等等,我們都期待在該領域的全球對話中成為最具影響力媒體。
我們以全球為範圍尋覓專業人才,希望打造一支世界級水準的團隊。如果您是專長領域的頂尖人才,同時堅信台灣所代表的多重價值,希望促成改變,您將是Taiwan Plus需要的夥伴。
【徵才職位】
🔵 B1 節目製作人
工作內容:
網路影音節目企劃規劃統籌,能產製外國受眾感興趣的網路影音內容。
1. 節目預算規劃與成本管控。
2. 節目主題發想與設定、外部資源整合洽談。
3. 影音節目行銷及文字撰寫。
4. 透過數據分析及判讀,並與社群數據相關部門緊密合作
學歷要求:大學以上畢業,不限科系,大眾傳播相關科系尤佳。
工作經驗:具網路影音相關節目製作5年以上工作經驗,熟悉新媒體作業。
工作技能:Office文書軟體,了解後製剪接、轉檔、字幕、ES、音效、配樂、調色等工作流程。
語言能力:精通中、英文。
其他條件:1、對台灣題材具熱情,可協調完成節目前製、後製工作。
2、請提供先前製作之節目連結。
🔵 B2 編導人員
工作內容:
1、網路節目發想/拍攝/製作。
2、協助主視覺及鏡面效果包裝設計。
3、短片內容拍攝。
4、其他主管交辦事項。
學歷要求:大學以上畢業,大眾傳播相關科系尤佳。
工作經驗:具節目製作3年以上工作經驗、網路影片拍攝、非線性剪輯3年以上經驗。
工作技能:Office文書軟體、After Effect、Final Cut、Premiere,會3D軟體尤佳。
語言能力:精通國台語、英語中等以上。
其他條件:
1. 對台灣題材有興趣、可以獨立完成節目前製與後製工作。
2. 請提供3∼5分鐘自製的影音作品及連結。
🔵 B3 節目企畫
工作內容:
1. 影音節目相關版權及IP洽談業務
2. 影音節目採購標案撰寫、執行與驗收
3. 重製影音節目發想、洽談與流程管控
4. 自製網路影音節目發想、規劃與執行
5. 密切與社群部門溝通,以利節目內容產生有效的國際傳播
學歷要求:大專以上畢業,不限科系。
工作經驗: 具2年以上傳播行銷、節目授權、專案開發等相關工作經驗。
工作技能:Office文書軟體
語言能力:精通中、英文。
其他條件:熟悉著作權相關法律,具備採購專業人員基本資格或進階資格者尤佳
🔵 D1 社群媒體內容製作人
工作內容:
1. 經營Facebook、YouTube、Instagram、Twitter等社群平台,以及
Line、What’s App等等通訊軟體。負責所有社群活動,包括內容排程、社群管理,以及最佳化貼文使用者互動經驗與搜尋。
2. 發想與製作能夠引起高度共鳴的社群圖文,同時密切與內容產製部門合作,達成內容傳遞最佳效益,將台灣題材透過創意社群轉譯給國際觀眾。
3. 管理全站及跨平台數位內容產品,包括主網站與手機應用程式(APP),主責新聞推播與電子報策略。
4. 監測互動與流量表現,並提出內容策略建議。
學歷要求:大學以上畢業,不限科系
工作經驗:具3年以上實際社群經營經驗(請提供相關工作經驗與成功案例)。
工作技能:具備影片、圖片製作思維與能力;社群平台數據分析、Google Analytics分析能力。
語言能力:精通中、英文。
🔵 E3 網路平台技術主管 Platform Technology Manager
工作內容:
1. 帶領並管理技術團隊,以充分掌握技術並達成產品開發或專案交付目標。
2. 依據專案需求,主導或協助專案管理。包含直接或協助專案經理帶領與管理技術團隊,能有效解決專案技術相關問題,確保專案如期如質交付。
3. 依據公司發展需求,負責建立開發技術團隊。內容包含人員面試、考核、技術帶領與管理等。
4. 針對新技術導入與知識管理需求,建立技術評估、技術分享辦法,協助團隊提升技術能力。
5. 其他主管交辦事項。
學歷要求:大學以上畢業,資訊或理工相關科系畢。
工作經驗:具備7年以上開發團隊主管經驗,5年以上C#、Python紮實技術基礎與開發經驗,具大型網路服務系統規畫建置經驗。
工作技能:熟悉C#/.net or Python/Django任一開發技術,熟悉AWS、GCP等雲端平台。具影音串流經驗尤佳。
語言能力:具備中等以上英語聽說讀寫能力。
其他條件:良好的溝通、團隊合作能力。
🔵 E4 DevOp工程師 DevOps Engineer
工作內容:
1. 負責內外部系統發佈、部署、調優、監控、日誌等系統和流程的維護和優化,確保系統的高可用性。
2. 負責雲端系統執行環境的建置與維護。
3. 負責突發問題處理並進行定位和處理。
4. 探索新的運維技術方向。
5. 其它主管交辦事項。
學歷要求:大學以上畢業,理工相關科系畢。
工作經驗:3年以上系統、應用運維經驗。
工作技能:熟悉linux系統,瞭解網路基本技術,熟悉TCP/IP協定原理,具AWS、GCP等雲端平台與服務維運經驗。熟悉網路安全者佳。
其他條件:良好的溝通、團隊合作、獨立作業的能力。
🔵 E5 數據工程師 Data Engineer
工作內容:
1. 執行資料處理、資料分析以及data lake、data mart的建立與維護。
2. 使用BI工具建立報表分析及數據探勘。
3. 因應業務需求,持續優化資料平台架構。
學歷要求:大學以上畢業,資訊或理工相關科系畢。
工作經驗:具備專案管理經驗,熟悉Agile軟體開發流程者佳。
工作技能:熟悉Python 或 Java,熟悉 Power BI或其他BI軟體工具,熟悉SQL。具數據分析與統計經驗。熟悉GCP者佳。
語言能力:具備基本英語溝通能力。
其他條件:良好的溝通協調能力。
🔵 E6 資訊安全暨系統維護主管 Information Security & System Maintenance Manager
工作內容:
1. 統籌公司內部資訊相關系統整合、部署、營運及維護 。
2. 確保資訊設備的可用性,因應公司營運發展所需改善現有資訊系統並預先規劃所需資源。
3. 機房規畫及運營。
4. 規劃辦公室網路環境。
5. 訂立資訊體制,改善資訊安全規範,落實資訊安全控管機制。
6. 定期對資訊風險進行評估以合乎公司安全策略及必要法規(包含ISO),確保系統運營的持續性與可回復。
7. 協助主管其他資訊專案推動。
學歷要求:大學以上畢業,資訊或理工相關科系畢。
工作經驗:7年以上資訊領域工作經驗,具資安經驗者佳。
工作技能:具軟體或平台開發經驗。具備資安相關證照者佳,具有導入ISO經驗者佳。
語言能力:具備中等英語聽說讀寫能力。
其他條件:良好的溝通協調能力。
🔵 E7 資訊安全主管 Information Security Lead
工作內容:
1. 帶領資安團隊、規劃與推動整體資安之目標與計畫。
2. 規劃/制定/執行整體資安治理流程管理。
3. 認證、稽核協調與管理。
4. 資安情資收集與資安事件應變處理。
5. 服務平台資安檢測、諮詢,與規範,持續強化系統資訊安全強度。
6. 辦公室資訊安全防禦建置與監控。
7. 研究與採購建置資安產品。
8. 對內對外資訊安全教育訓練規劃與推動。
學歷要求:大學以上畢業,資訊或理工相關科系畢。
工作經驗:3年以上資安工作經驗,具資安主管經驗者佳。
工作技能:具有AWS、GCP 等雲端環境經驗。具備OSCP,CEH等資安相關證照者佳。具有導入 ISO 經驗者佳。
語言能力:具備中等英語聽說讀寫能力。
其他條件:良好的溝通協調能力。
🔵 E8 資安工程師 Information Security Engineer
工作內容:
1. 協助資訊安全專案執行與維護工作。
2. 資訊安全解決方案(資安系統)專案規劃及建置、維護。
3. 週期性確認相關紀錄(Log),確認相關控制措施有效。
4. 研究資訊安全技術,如重大系統漏洞或惡意程式。
學歷要求:專科或大學以上,理工相關科系畢。
工作經驗:2年以上系統、應用開發或運營經驗。
工作技能:熟悉linux、windows系統,瞭解網路基本技術。具AWS等雲端平台與服務經驗者佳。具備OSCP,CEH等資案相關證照者佳。
其他條件:良好的溝通能力。
🔵 E9 網路暨維護主管/工程師 Network & System Maintenance Lead / Engineer
工作內容:
1. 負責公司與IDC 網路之規劃、建置、管理及維護。
2. 網路設備安裝、設定、管理及維護等。
3. 與分析網路資料傳輸與網路安全架構等特性,以設計、發展及維護網際網路系統之正常運作。
4. 網路解決方案研究與導入。
5. 網路系統進行監控與告警處理。
6. 一般告警處理流程、重大網路障礙排除。工作內容:
7. 機房監控、管理與一般障礙排除與處理。
8. 協助公司其他單位,提供相關的系統操作與技術支援。包含一般員工以及影音編輯人員的電腦故障排除,軟體安裝、設定、系統操作等。
9. 對突發狀況的緊急應變處理。
學歷要求:專科或大學以上,理工相關科系畢。
工作經驗:網管工作2年以上相關經驗。
工作技能:熟悉linux、windows系統。了解OSI架構、HTTP、TCP/IP、DNS、SMTP、CDN。具備Load-balancer/ Firewall/ Switch操作
經驗。具備CCNA優先考慮。
其他條件:能配合公司輪班制度者優先考慮。
🔵 E10 產品管理師
工作內容:
1. 負責OTT影音平台相關的產品功能設計、UI/UX設計。
2. 內部使用單位訪談及需求分析,協助提供內容部門產品端的解決方案。
3. 撰寫商業需求文件及負責產品UAT,執行產品功能上線前驗收測試。
4. 持續優化平台功能與使用者體驗。
學歷要求:大學以上畢業。
工作經驗:具備3年以上網路服務或者to-c系統運營經驗,對產品設計流程和解決問題抱有高度熱情及興趣。
工作技能:熟悉Web、App開發流程。具備專案管理方法以及流程設計的經驗。具UX思維規劃功能,改善使用者體驗。
語言能力:具備基本英語溝通能力。
其他條件:良好的溝通協調能力,個性耐心且細心者為佳。
🔵 E11 軟體開發主管 Software Development Lead
工作內容:
1. 負責影音平台網站、後台與API等相關功能開發。
2. 負責優化與維護既有網站與後台功能。
學歷要求:大學或專科以上畢業,理工相關科系畢。
工作經驗:具備5年以上C#.NET or Python開發經驗。具人員管理經驗。
工作經驗:
1. 具備5年以上C#.NET or Python開發經驗。
2. 具人員管理經驗。
工作技能:
1. http://xn--pcu439a.net/.net core 或 Django、Flask framework。
2. 熟悉JavaScript/CSS/HTML5。
3. 熟悉mySQL、PostgreSQL與mongo DB。
4. 熟悉版控軟體,如Git。
5. 熟悉CI/DC流程。
6. 熟悉Vue.js或React者佳。
其他條件:工作認真仔細,具良好的溝通、團隊合作、獨立作業的能力。
🔵 E12 軟體開發工程師 Software Development Engineer
工作內容:
1. 負責影音平台網站、後台與會員中心等相關功能開發。
2. 負責優化與維護既有網站與後台功能。
學歷要求:大學或專科以上畢業,理工相關科系畢。
工作經驗:具備3年以上C#.NET or Python開發經驗。
工作技能:
1. http://xn--pcu439a.net/.net core 或 Django、Flask framework。
2. 熟悉JavaScript/CSS/HTML5。
3. 熟悉mySQL、PostgreSQL與mongo DB。
4. 熟悉Vue.js或React者佳。
其他條件:工作認真仔細,具良好的溝通、團隊合作、獨立作業的能力。
同時也有32部Youtube影片,追蹤數超過3,270的網紅Yunny Hou,也在其Youtube影片中提到,Hello! I'm finally back with another tutorial!💗 Sorry that I've been too busy that I haven't posted in a while. I've been trying to gather good footag...
「fast cut editing」的推薦目錄:
fast cut editing 在 點 Cook Guide Facebook 的最佳貼文
We are currently looking for :
Senior Video Editor(full time)
Job Description:
-Handle video editing and assisting in production
-Responsible for video shooting
-Communicating with other creatives in brainstorming and developing new ideas
-To assist in ad hoc assignments and projects
Requirements:
-Minimum 2+ years relative experience
-Solid experience with digital technology and editing software (e.g. Premiere, After Effects, Final Cut Pro, Photoshop, Illustrator)
-Ability to problem solve and multitask in a fast-paced environment
-A good team-player able to work independently under tight schedules
Interested candidates, please email full resume with 1.) EXPECTED SALARY 2.) ONLINE PORTFOLIO to [email protected]
fast cut editing 在 喜劇演員 Facebook 的最佳解答
Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share
The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris
Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.
According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.
According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.
When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.
Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.
This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article
Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.
During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”
Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.
"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."
The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.
At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.
The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.
Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.
The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened
From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.
fast cut editing 在 Yunny Hou Youtube 的最佳貼文
Hello! I'm finally back with another tutorial!💗 Sorry that I've been too busy that I haven't posted in a while. I've been trying to gather good footage and testing out with this new app Prequel to see the best color pastel recipe for videos & instagram reels to share with you guys! The app is free and has so so many amazing filters and effects, I'm so in love with this app! This tutorial video is a bit fast because I edited it for Reels, so i did put the adjustment numbers on the side, so feel free to pause the video when watching
終於有剪輯好了新的教學影片了!🙏最近真的很忙到沒有很多時間剪輯發片,希望你們會喜歡這個教學。我最近一直測試新下載的Prequel App,然後最終測試出最好看的調色Recipe分享給大家收藏起來!最近很喜歡這種彩色很夏天的韓系粉彩風格的色調,希望你們也會喜歡!影片的速度是比較快的,所以需要的話可以暫停影片然後follow旁邊我有寫的數字跟著調色❤️
What App I Use:
- Prequel App
Download: https://www.prequel.app
What Fonts I Use:
- Next Southerland Serif
Download: https://www.dafont.com/next-southerland-serif.font
- Galano Grotesque
Download: https://www.dafontfree.io/galano-grotesque-font/
Connect with Me!
♡ Instagram | @x.yunny.x
♡ Instagram | @my.eatz
♡ Email | yunnyhou@gmail.com
Songs
Music by Lukey - Honeydream - https://thmatc.co/?l=178253EC
What I use:
♡ Camera | Canon G7X Mark ii
♡ Doodles | SketchBook iPad App
♡ Editing | Final Cut Pro x Adobe Premiere Pro
fast cut editing 在 暴力 Violencee 生活誌 Youtube 的最佳解答
終於一試真4K投影機的魅力了?
真的一試回不去⋯⋯
我的銀包在哀號了!
產品資料: ViewSonic PX701-4K
https://www.projector.com.hk/product/viewsonic-px701-4k-2/
原價:$9,999
現優惠價:$6,999跟機享受原廠三年保養
(首50部跟機送出EZCast 2無線投屏器一個)
。真實的 4K HDR/HLG 視覺體驗
。4.2ms Ultra-Fast Input 技術與 240Hz 高更新率,極致遊戲體驗
。自動垂直梯形修正功能與水平/垂直梯形修正功能
。曲面變形校正功能,Projector Warping Tool多點調整
。SuperColor™️ 技術顯示寬廣的色彩範圍
。使用者使用雲端色彩設定檔交流功能,可建立專屬的色彩設定檔並與他人共享
。3,200 ANSI 流明在任何環境下均能呈現明亮影像
。畫面尺寸更大,可達100吋
。內建 USB Type-A 電源輸出 (5V/1.5A) 可用於為 連接HDMI的設備供電
。節能省電 20,000 小時燈泡使用壽命
ViewSonic X10-4K產品專頁
https://www.projector.com.hk/product/viewsonic-x10-4k-2/
0:00 前言
0:37 要介紹的4K投影機
1:25 Subscribe我啦
1:42 買投影機前必須考慮的四點
2:19 投影距離與空間好重要
4:28 擺放位置都要考慮
6:12 投影機用途確定
6:48 240Hz更新率打機畫面實測
9:10 電影畫面實測
11:12 兩部4K投影機買邊部好?
#開燈也能用的投影機 #ViewSonicPX701-4K #ViewSonicX10-4K #投影機開箱
.
加入Discord吹水
https://discord.gg/wMESTAX
.
歡迎合作:vioveevee@gmail.com
.
BGM我都用Artlist.lo
如果你也剛好想訂閱Artlist 希望你可以用我的推薦碼
你會多兩個月的同時,我也能多兩個月!一舉兩得:)
https://artlist.io/artlist-70446/?artlist_aid=VeeVlog_1217&utm_source=affiliate_p&utm_medium=VeeVlog_1217&utm_campaign=VeeVlog_1217
如果你想用任何高質Footage 可以用Artgrid!
https://artgrid.io/Artgrid-114820/?artlist_aid=VeeVlog_1217&utm_source=affiliate_p&utm_medium=VeeVlog_1217&utm_campaign=VeeVlog_1217
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請大家也不要忘記Follow我其他平台啊!
Facebook:
https://www.facebook.com/veetravel/
暴力 Violencee 生活誌
Instagram:
vio_veevee
https://www.instagram.com/vio_veevee/
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我的器材兄弟們 My Gear :
相機 Camera-
Sony A7siii
Blackmagic Pocket CInema Camera 4K
Sony RX100IV
DJI OSMO Pocket2
DJI OSMO Action
Insta360 One R
Insta360 OneX2
iPhone 11 Pro Max
鏡頭 Lens-
Tamron 28-75mm F2.8
SIRUI ANamorphic 50mm F1.8
Sigma 16mm F1.4
Helios 58mm F2
Pentax 50mm F1.8
相機外接螢幕 Monitor:
Portkeys P6
Portkeys LH5H
燈光 Lighting-
Aputure COB 120D
Aputure COB 120Dii
Aputure COB 300D
Aputure Tri-8C
Aputure Mini-20
Aputure F7
Aputure MW
Aputure MC
Aputure B7C
滑軌 Slider-
YC Onion Chocolate Mini Slider
YC Onion Hotdog Slider
至品創造 Micro2
航拍機 Drone-
DJI Spark http://a.co/ctrbCuW
收音 Sound-
Comica Boom X-D D2
Deity D3 Pro
Deity D4 Duo
Deity S-Mic2
Aputure A-Lav
Comica Boom X-D
電腦 Editing-
2018 MacBookPro 15" with Final Cut Pro X
Hackintosh
fast cut editing 在 Linh Trương Youtube 的最佳貼文
#LinhĐây tập 3 thử thách “3 ngày chỉ ăn trứng” – Egg Fast Diet để giảm cân sau một mùa Tết quá nhiều đồ ngon.
Đây chỉ là trải nghiệm cá nhân của Linh trong 3 ngày challenge. Bạn nên tự tìm hiểu về phương pháp này và tự đưa ra quyết định cá nhân này sao cho phù hợp với bản thân. Linh không phải chuyên gia dinh dưỡng nên mình không có khả năng tư vấn hay thể hiện quan điểm sâu sắc trên khía cạnh khoa học.
Sau 3 ngày cùng cực đó Linh cũng rút ra là không gì bằng là tập luyện để được ăn những gì mình thích nên anh em hãy comment cho Linh các challenge có tính tập luyện và không bị giới hạn đồ ăn quá như pp này nhaa
Chúc mọi người một tối thật zuiiii!!!
***Day 1:
~40-50 grams bơ nhaa tui ghi nhầm xong cứ nói nhầm 400-500 grams các bác đừng lấy cả tảng ra ăn nhớ huhu
Search công thức trên mạng thêm cho đầy đủ nhé
Đừng quên nhấn SUBSCRIBE & SEE ALL để bọn mình va phải nhau nhiều hơn!
00:00 Phương pháp Egg Fast Diet
02:19 Day 1
12:08 Day 2
18:58 Day 3
25:38 Kết quả giảm cân
♥STAY CONNECT VỚI LINH♥
INSTAGRAM: https://www.instagram.com/themakeaholics/
FACEBOOK PAGE: https://www.facebook.com/TheMakeAHolics
BUSINESS EMAIL: themakeaholics@gmail.com
✰SẢN PHẨM TRONG VIDEO / PRODUCT MENTIONED
➫ Elasten Collagen Germany http://bit.ly/evnlinhtruong
✰LINH MẶC GÌ, BÔI GÌ/ ON ME:
▹▹TRANG ĐIỂM/ MAKE-UP
Son tui dùng cuối video là Maybelline The Nudes Liquid Matte màu 08
▹▹TRANG PHỤC/ OUTFITS
➫ Day 1
Bộ đồ ngủ sọc hồng của Muji
➫ Day 2
Bộ đồ ngủ màu nude của Vanille Rush
Áo Soho Blouse của Des Fleurs
➫ Day 3
Bộ đồ ngủ màu nude của Vanille Rush
Áo MLB LA
Quần short trắng Levi's
➫ Update
Áo Flower Fairy of the Spring Blouse của Des Fleurs
▹▹KÍNH ÁP TRÒNG/ CONTACT LENS
Lens Nice màu Fake me Hazel
▹▹MÀU TÓC/ HAIR SHADE
➫ Nhuộm tại salon:
Màu nâu sáng tại BeStyle Thạch Thị Thanh - Hairstylist Thái Phạm
hoặc nếu...
➫ Mình tự nhuộm:
L'oreal Excellence Fashion Ultra Light màu 03 Ultra Light Ash Brown
https://bit.ly/2PRjabQ
♥MUSIC//ÂM NHẠC♥
➫
----------------------------------------------------
✰FILMED by/ Quay bởi Linh Trương
✰EDIT by/Dựng video Ngân Hà
✰EQUIPMENTS:
▹▹CAMERAS
CANON EOS 80D
SONY ZV-1
DJI Osmo Pocket
▹▹EDITING PROGRAM
FINAL CUT PRO X
▹▹MICROPHONE
RODE Microphones SmartLav
RODE VideoMic GO Lightweight On-Camera Microphone with Integrated Rycote Shockmount
http://amzn.to/2gr1EbO
-------------------------
▹▹DISCLAIMER: Video này hợp tác cùng Elasten. Mọi cảm nhận & nhận xét đều là thực chất và không bị ảnh hưởng bởi bất kì ai.
▹▹Video được sản xuất bởi Linh Trương, xin vui lòng không tự ý sử dụng video.