NOTES ON CHARLOTTESVILLE:
OR, WHY WHITE PEOPLE DO NOT EXIST AS A PEOPLE
I've heard some several buddies, people I know well and care about (most of them not in comment boxes or in public) asking about the moral equivalency between the neo Nazis, white nationalists, and other white ethnostate type supporters and groups like Black Lives Matter, Antifa (short for Antifascists), and other direct action groups.
I'd like to speak to that comparison a bit and then turn to a more important part of it that I worry about. Before I get to that, I should first say that I've said enough about Trump. Honestly, the guy confuses me. He swings from a nihilistic idiot to a idiotic nihilist. His inconsistencies pile so high that you either get lost in them or you use them wholesale to try and make your point. He wins in the time and toll it takes. He also, I think, has found a very particular niche worldview for his newfound politics and is willing to, at the end of the day, embrace ANYONE willing to give him what he wants the most: affection. Never, at least to my memory, have we had a more emotionally needy president. But that's neither here nor there at the moment.
If you look at most social protests and revolutionary movements you will find a basic set of factions that don't change. They tend to spread between non violent oppositions and even less violent moderates, both winged by some type of pragmatists who are not in principle opposed to violence. Different sides will use the radicals of different parts of this division to throw away the entire argument of one side or another, and this is not an even equivalent exchange in the history of US racial tension. But I want to stay away, mostly, from broad historical claims here.
The point I am driving at is evident when we realize that the Civil Rights activists who practiced non violent acts of resistance were often lumped in with Black Panthers, or others not opposed to violence, although the two groups were ideologically fairly different. But I am not willing to say that they were so different as to not be judged as being on roughly the same side of the discussion. After all, the Civil Rights movement was not just the movement for the passage of legislation nor did it belong to the non violence of MLK Jr entirely. This is not historical. If you don't see that the US institution of slavery was a grave moral evil and that the Jim Crow laws that succeeded it were demonic in their formal and informal application, and that, as a result, those determined to end these things were in principle on the side of justice, then you really have no moral compass. Say what you will of the vast differences between MLK Jr and Malcolm X, but it is hard to argue that their social protest was off key in the tonic.
The more popular -- but equally as appropriate -- comparison these days is to Nazi Germany. (Of course, a great deal of the sentiment of the Civil Rights movement was a direct result of the effects that US wars had for those within its ranks who were not white, but that might be slightly off the mark in this case.) There is a bright and clear moral line between the Nazi ideology and its perverse Final Solution and those who sought to oppose it. This line, by the way, finds its way directly into the symbolism and rhetoric of the neo Nazi's at Charlottesville. Not only were there swastikas, there were Nazi crosses and other niche paraphernalia. There were the salutes, yes, but there were other salutations and insider ways of speaking going on. There were also the tiki torches, the modern Pepe Wal-Mart replacement for the burning torch rallies and burning crosses of the KKK. The grand knight of that sick group was standing by. They brought their own military-grade armed militia to protect those who came in homemade riot gear. This was not the making of a peaceful protest or free speech of the sort that we see the Westboro Baptists practice (not that they are emblems of public virtue, far, far from it!).
As I said earlier, if you find yourself unable to distinguish between Nazism in its original form and neo Nazis, white nationalists, and others like them and those who through what ever means they find useful (which one can disagree with in practice while still endorsing in principle) oppose them, then you are morally corrupt. If you can't quite figure out how the math works in this moral calculus, you are morally mindless and incompetent.
Of course, within any opposition to these (supposedly) easy immoral targets one can find many arguments and even passionate disavowals. But there are real moments when these lines are simply drawn and one must take a side. I have in the past even used the language of "alt left" in an entirely different usage, but I regret it deeply, now, seeing its life-cycle. I will not exchange my allergies to the ideological types of identity politics I have long opposed nor will my more specific critique of the critics settle. All that fuss gets set aside in these events. If I have to choose whether to stand next to a neo Nazi or Antifa, I'll choose the latter on pain of eternal damnation. To those who say you don't have to choose, that risk is one I am not willing to make. I would rather be a black panther than a lynch mob, as much as my truer sympathies lie somewhere else. Despite all my oppositions to modern warfare, I would pick up arms against the Nazis long before I'd "peacefully" cheer on their side. I think most people feel this way.
But something remains and this is what I worry about and even dread most: we are not fighting Nazis or lynch mobs. Most people would never go to march in Charlottesville. And even when you talk to many of the white nationalists they will say something along the lines of "I'm not racist." To them, their present politics is no longer that of the slaver or the KKK. They don't wear hoods and they don't want to own people as property anymore, it seems. They hate the Jewish people for reasons I am still not able to process in my mind, but their argument is more separatist than colonial -- so they claim.
They seem to think that the USA was founded by *their* ethnic ancestors, who hailed from Europe, gathered together in this ancient race called "White" that has recently, especially after the activism surrounding police brutality against African Americans, fallen into a disrepute that is sending the world into a globalist terror to come, in the biggest of the big governments.
Now, these conspiracy theories do not need to be true or believed to find where they hit a live nerve in a lot of people. Some people do ask why white people cannot have rallies for themselves without longing for ethic purity. Some people do think that white folks today are being washed away through interracial marriage, but many more who don't mind interracial romance still worry that white people are on the losing end of public sentiment. Lots of people who try to counter this tend to make it worse by appealing to gotcha replies about privilege or other things. I tend to find that too complex.
I recently commented to one of my friends that I don't think of myself as having very many "white" friends. Some of you might balk since many extremely intimate people in my life are, supposedly, white. And of course if we use one way of thinking about what "white" is, that is true. On the same logic, I would be, in certain real scenarios, white as well. But what I meant when I wrote to my friend was that I see my friends of European descent as from where they are. Those who don't know where they are from share with me a genealogical confusion that I can also understand.
Maybe this weirdness is partly because, on the vulgar ethnic analysis I am used to, I am neither white nor Black. And, of course, as many Africans who are neither black nor American will remind you, things become quite complex depending on what rules we are using to count the deck.
My point is this, and if you read nothing else, please read this: There is no such thing as "white people" in history. Most folks who use the expression were not allowed to use it only a few decades ago. The white supremacy of the KKK of old hated Blacks, yes, but also Mexicans, and Catholics, and Jews (of course), and atheists, and more. Depending on how you see it, whiteness was either more or less ecumenical, but just as ideologically religious.
Let me say it again: There will never be a "white ethnostate" based on European culture because the history of Europe is covered in ethnic feuds and wars. If you've never heard of a guy named Napoleon, check him out. I'm being serious. If you think of yourself as being "white" in some serious ancestral way, you're not. You are wearing a name tag your family was GIVEN at some point but never had by its own right. There are no white people in this familial sense. (Settle down critical race theorists, I am well aware of the whiteness that is real, too, but this ain't it.) There is no such thing as a white European culture or of a white heritage in that sense at all.
Again and again: The most scandalously false part of the neo Nazi mentality is as old as its previous, original half baked idea in Hitler's weak mind. The concept of a master race doesn't work for mastery of people nor does it work for figuring out who you really are. We come from places with names and languages and peoples and legacies that are concrete. Some of us lost a lot of memory at the hands of another, and others lost through the same hands. Today we tend to think that the ancestors of slaves, or indigenous peoples, or mixed-up mestizos are the ones who lack a strong identity and the rest have theirs in bold font. Not true. From your family to your soul, you don't really know who you are if you are using ideological pet words to hang the hat of your self.
I'm not a real Mexican and I'm not a real American -- and I'm no Canadian, either. My father was an orphan, so I've taken his bloodless name as my own, a Portuguese word by etymology. I of course will pass as a white guy at a Black family reunion, just as I passed as an indigenous guy today on the pier (until I produced a fishing license instead of a status card), just as I passed as an Iranian at a birthday party last week, and so on. But the real facts of who I am don't work in the abstract.
This is why if you want to find a better substitute for whiteness find a Greek Festival or an Irish Pub or a German Beer Garden or a French Restaurant. This is food and drink, and it is a set of multicultural cliches, but enjoy an Italian family dinner and tell me there is nothing about who someone is at stake there. The point is that the real identity we can and do celebrate is everywhere and it is not necessarily riddled with guilt, even if sometimes it could use some (or far less). None of it calls itself "white." None. If you are using "white" as your only name tag, then I am sorry to say that you've been fooling yourself. You don't have a people by that name. There is no such thing. Your great-great-great grandmother would mostly likely not answer to "white."
Personal history quickly becomes social, national, and regional histories and we find ourselves, again, at Charlottesville. All I can say for now about it, to my dear and beloved friends who I suspect think that they are "white," is this: We cannot have white rallies because there is no such thing as a "white" people. Black Lives Matter is not a movement for everyone who is of one dark color in the world -- it is about the US experience for those living within the legacy of slavery and Jim Crow over the past three years (some Black activist groups are critical of this aspect of BLM, by the way). If you want a "white" identity, then look to the folk expressions of it that we have and should treasure like music, food, and regional folk ways of being. Poetry, dance, dialect, accent, story. These are not safe or sanitary places -- I tend to think this story of a "white people" got made up there, too -- but they also don't pretend like people are any more or less related than they really are.
Donald Trump is a German-American man, not a white man. His whiteness is an entirely different issue that I am disinterested in getting into right now. If you wonder why white people are seen as bad sometimes, it is largely because of this false assumption: that white people exist as a people when they so manifestly do not.
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大家參考一下嘍!
今夏七月計畫到法國自助旅行的朋友,不妨參考以下活動:
1. Tour de France (環法自行車賽) 7/4~7/26
在法國,每年七月的環法自行車賽可是一等一的大事,同時也是世界各地自行車同好心目中的年度重要賽事,今年已舉辦第102屆。今年車賽於7月4日起,從荷蘭烏特勒支(Utrecht) 出發,經過法國北部的阿拉斯(Arras) 到瓦訥 (Vannes),繼續往南到深具挑戰性的庇里牛斯和阿爾卑斯山區,最後將於7/26回到巴黎香榭麗舍大道,衝刺爭取最終勝利。
July in France means the return of the Tour de France, bringing with it a wave of cycling enthusiasm across the nation. Beginning on 4 July with an individual time trial in utrecht in the Netherlands, the cyclists will cover much of northern France from Arras to Vannes, and then head south to the testing mountain stages in the Pyrenees and the Alps. The race will finish with the traditional sprint along the Champs-Élysées on 26 July.
更多介紹請見 (for more information):www.letour.fr
2. Festival d’Avignon (亞維儂藝術節) 7/4~7/25
由尚.維拉(Jean Vilar) 於1947年創始的亞維儂藝術節,在劇場藝術上面的發展,使每年的內、外亞維儂藝術節 (Festival d’Avignon In 和 Festival d’Avignon Off) t成為每年的世界劇壇盛事,估計有15萬的參訪人次。今年台灣也有包含「在劇場」、「8213肢體舞蹈劇場」、「冉而山劇場」、「驫舞劇場」以及「河床劇團」共5個表演團體通過遴選,將在這個盛譽國際的表演藝術平台一展身手。前四個團隊皆在合作已久之絲品劇院演出,將於7月5日至25日演出20場;驫舞劇場則獲得外亞維儂現代舞蹈指標場地法國國立舞蹈發展中心CDC- Les Hivernales邀請,於10日至20日演出10場。
During July, Avignon is transformed into an open-air theatre with performances being staged across the town during the annual Festival d’Avignon. Taking place from 4-25 July, and expected to attract more than 150,000 visitors, the festival is a cultural highlight of the summer with performances in iconic locations such as the court of the Palais des Papes. The festival began in 1947 with a performance of Shakespeare’s play Richard II arranged by Jean Vilar, and now features a range of genres including music, theatre, dance and literature.
更多介紹請見 (for more information):
www.festival-avignon.com
3. Festival de Carcassonne (卡爾卡松藝術節) 7/6~8/1
雖然不若亞維儂藝術節知名,但也是非常值得一遊的盛大藝術節,內容包含電影、音樂會、演唱會、馬戲等各類演出。
卡爾卡松古城以中世紀防禦工事馳名,保有歐洲最大且最完整的內外雙層城牆,內牆為羅馬式城壘,外圍為哥德式城牆,雙牆綿延三公里如巨龍迤邐盤據。1997年聯合國教科文組織(UNESCO) 授於卡爾卡松「歐洲最古老的城堡」和「世界文化遺產」稱號。
若是在7/14法國國慶日前後抵達的話,千萬別錯過卡爾卡松的煙火秀。去年約有70萬人聚集在這個歷史要塞旁的奧德(Aude) 河岸上觀賞絢爛的國慶煙火。
The medieval cité of Carcassonne is a delight to visit at any time of year, but especially during the summer months, when two key events take place. The Festival de Carcassonne (6 July to 1 August) celebrates its 10th anniversary this year, with some 100 performances ranging from circus events through to classical concerts. And, if you’re in the area on 14 July for France’s Fête Nationale, don’t miss the impressive firework display over Carcassonne’s historic ramparts. Last year, around 700,000 people gathered on the banks of the River Aude at the foot of the citéto see the skies light up in celebration.
更多介紹請見 (for more information):
ttp://www.festivaldecarcassonne.fr/fr/accueil
4. Nice Jazz Festival (尼斯爵士音樂節) 7/7~7/12
尼斯的爵士音樂節是歐洲歷史最悠久的爵士音樂節之一,今年包括英國的爵士頑童Jamie Cullum、美國爵士團體Kool 和 The Gang、倫敦的社區福音合唱團等都會參與演出。演出地點為Masséna廣場(Place Masséna) 和Verdure劇院(Théâtre de Verdure),門票為單日35€,包含兩個場地當天的所有演出,但有些音樂會是免費的。
One of the oldest jazz festivals in Europe, Nice Jazz Festival attracts big international names to the French Riviera. The line-up this year includes British star Jamie Cullum, American jazz group Kool and the Gang, and free performances by the London Community Gospel Choir. Running from 7-12 July, the concerts take place on stages in Place Masséna and at the Théâtre de Verdure, both in the city centre, and there are several performances each day. Tickets cost €35 per day for adults which gives access to both stages, while some concerts are free.
更多介紹請見 (for more information):
www.nicejazzfestival.fr
5. Bastille Day (法國國慶日) 7/14
為什麼法國國慶日的另一個說法是巴士底日呢?這是為了紀念在1789年7月14日巴黎群眾攻克了象徵封建統治的巴士底獄,從而揭開法國大革命序幕。
除了早上的閲兵典禮,晚上還有許多的煙火秀,其中最精彩的當屬在巴黎香榭麗舍大道上那一場,晚上就像在台北101前的廣場跨年一樣,擠滿了來看煙火的人。
It goes without saying that Bastille Day, or the Fête Nationale de 14 Juillet, as it is known in France, is a key date across the Channel. The date marks the storming of the Bastille prison in Paris in 1789, which signalled the beginning of the French Revolution, and is celebrated with fireworks across the country, while Paris marks the occasion with a spectacular military parade.
更多七月活動,可參考本篇文章 (原文為英文):
http://www.completefrance.com/…/july_2015_events_in_france_…
Discover 10 events happening in France in July 2015, including the Tour de France, Bastille Day, medieval festivals, music festivals and a celebration of Breton culture (original article is in English) :
http://www.completefrance.com/…/july_2015_events_in_france_…
french last names 在 L'Oréal Professionnel 萊雅專業沙龍美髮 Facebook 的最讚貼文
有人稱從事美髮行業的人為髮型師、造型師、設計師... 但, 當一種技術走到極致時, 他們已經晉升為名符其實的藝術家了! 小編今天分享給大家萊雅專業沙龍美髮 « 髮藝師 Odile Gilbert » 帶來的2012的春夏最新潮流趨勢【極致髮藝極致奢華 - 巴黎' 繡髮雙色】
今年的春夏趨勢融入法國文化的代表 - 高級訂製服以及華服背後的推手, 他們以無比精準與細緻的手工匠藝,對流行趨勢帶來巨大的影響,並讓服裝成為一們藝術。我們希望能就由本次的趨勢推廣極致匠藝, 他們是隱身於時尚華服背後的無名英雄。我們同時也向表現極致匠藝的髮型師致敬,他們打造如同精緻布料的髮絲,展現其獨特才華。
髮絲猶如最精美的織物,充滿了無限可能,仰賴專業設計師的巧手,打造出如同藝術品一般的髮型。
今年夏天,優雅質感的浪潮將再一次席捲流行前線!
She started her career in 1975, first as an assistant to the famous hairstylist Bruno Pittini, in his salon and studio. Working along with Pittini allowed her to meet celebrities and work on fashion shows and advertising photo shoots.
In 1982, she moved to New York and started working for fashion and beauty editorials in famous fashion magazines with big photographers such as Richard Avedon, Helmut Newton, Herb Ritts, Irving Penn, Steven Klein, Peter Lindbergh, Jean-Baptiste Mondino and Paolo Roversi, among others. Renowned fashion and perfume houses, such as Calvin Klein, Lancôme, Giorgio Armani and Jean-Paul Gaultier, entrusted her with styling the hair of models in their advertising campaigns. Her best known work was on fashion shows, on which she worked in tight co-operation with the designers, in some cases for many years.
In 2000, she opened her own agency in Paris, l‘Atelier (68), to manage her career and also represent new talents in the beauty industry.
In 2003, she published Her Style, Hair by Odile Gilbert, prefaced by Karl Lagerfeld. In 2005, Sofia Coppola called upon her to do the art direction of the main character of her movie, Marie-Antoinette, played by Kirsten Dunst.
In 2006 she received from Renaud Donnedieu de Vabres, the French Minister of Culture and Communications, the honorable insignia of Chevalier des Arts et des Lettres. To date, she is the only female hairstylist with this honour.
In 2007, the Costume Institute of the Metropolitan Museum of New York bought for their permanent collection one of the top hats made of natural hair she created for Jean Paul Gaultier's Haute-Couture AW 2006 show.
In France , the government has awarded the Chevalier des arts et des lettres distinction to visionaries including writer William S. Borroughs , composer Philip Glass, director Tim Burton, dancer Randolph Nureyev .. and hairstylist Odile Gilbert. If you haven’t heard her name before, you probably don’t work in beauty or fashion, but there’s a reason she’s the only of two hairstylists to have received this honor. Gilbert’s fanciful creations have made her a favorite of fashion powerhouses( including Karl Lagerfeld and JP Gaultier) , photographers ( Richard Avedon and Irving Penn were family) , and the coolest young designers (Jason Wu and the Mulleavy sisters of Rodarte). But weather she’s painting hair with 24 karat gold, sculpting it with mud and clay, or attaching feathers so practically every strand on a model’s head, her styles are still flattering. “You never want someone to look or feel weird”, says Gilbert. “I’m able to see this because it’s my job ,and because I’m a girl” .
That last bit is more novel than you might think. Gilbert is the only top female hairdresser backstage at the fashion shows. In a world were most of the big names are boys, Odile is a legendary presence that has opened many doors for other women hairstylists.
Away from the runways, she’s styled some of the biggest beauty ads for the likes of Lancôme and Chanel, as well as Kirsten Dunst elaborate looks in Marie Antoinette (Gilbert meant for them to resemble pastries, and worked in a diamond-and-roby necklace, which she says it’s the most over-the-top materials she’s used to date.) Her avant-garde style has even been displayed in museums. The Metropolitan Museum of Art’s Costume Institute in NYC bought a hat that Gilbert made out of hair for Gaultier’s runway, and she fashioned 50 hadpieces out of butterflies, flowers, and shells for the designer’s retrospective. (THE EXHIBIT WILL TRAVEL TO THE Dallas museum of Art in November.)
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