Great things happen when we stand together ⚡️Some August blessings for team Warrior Spirit (it’s the 8th award for the video!)⚡️
Silver Award (Best Music Award) & Silver Award (Best Concept) at Global Music Awards 2021⚡️Nominations for Best Music Video & Best Editor at Paris Art Movie Awards ⚡️ Official selection at World Music Festival & Lady Filmmakers Festival ⚡️
If you haven’t watched it yet, it’s on YouTube - link in bio - don’t forget to check out the credits cause there’s a lot of people who made this magic ✨
同時也有5部Youtube影片,追蹤數超過2,210的網紅DJ Macky Suson,也在其Youtube影片中提到,#GoProMax #TomorrowlandMusicFestival #TomorrowlandBelgium Tomorrowland Boom Belgium Aftermovie | Shot On Go Pro Fusion| Best Music Festival Please fol...
「global music festival」的推薦目錄:
- 關於global music festival 在 Facebook 的最讚貼文
- 關於global music festival 在 Facebook 的最佳解答
- 關於global music festival 在 黃心健 Hsin-Chien Huang Facebook 的最佳解答
- 關於global music festival 在 DJ Macky Suson Youtube 的精選貼文
- 關於global music festival 在 豬豬隊友 Scott & Wendy Youtube 的精選貼文
- 關於global music festival 在 Amazing Jiro Youtube 的最佳解答
- 關於global music festival 在 Global Music Festival | Facebook 的評價
- 關於global music festival 在 The Global Music Festival: Edition 38 - Semi Final One 的評價
global music festival 在 Facebook 的最佳解答
‘A Note to Harmonica Folks’
What’s next?
Since the day I was born, I have known the most prestigious harmonica competition in the world, The World Harmonica Festival (WHF). Every harmonicist around me see this as the olympics of harmonica, especially when they are both held once every four years.
My father’s ensemble King’s Harmonica Quintet was one of the very first few Asians harmonicist that appeared in the competition in Germany after the format of the competition turned from taped recording to live performance. In 1997, 3 years after I was born, they won their ‘World Championship’ in the WHF. I witnessed it.
It was a historical moment not only because was it a massive honour to be crowned in such reputable competition, it was the period when Asian harmonicists were approved by the Western.
Since then, the global harmonica community started to merge and interact. While harmonicists from the West continue to develop their artistry and career under a relatively strong cultural foundation for instrumental music, harmonica music to be exact, by virtue of the legends such as Tommy Reilly, Larry Adler, Toots Thielemans, Asians harmonicists struggle to further their artistry without the corresponding cultural foundation. A market for harmonica music in Asia simply do not exist.
Nevertheless, Asian culture values diligence and discipline. With the competition as the highest possible way to be rewarded as we develop our artistry, countless players began working day and night towards this very, if not only, visible goal.
Up till this day, you’d be surprised if there aren’t any Asian standing on the prizing podium in the international harmonica festivals. According to a Facebook post of the renowned Taiwanese Harmonicist in 2013, Lee Hsiao-ming, ‘If you show up at a harmonica festival, you can easily be surrounded by a group of ‘World Champion’s all queuing up for that plate at the buffet.’ Be him a chord harmonica player from an ensemble, a soloist at the open category or a 10 year old kid from the youth category… all claiming to be the ‘World Champion’.
Now the question is, Is the ‘World Champion’ in 1997 still the same ‘World Champion’ now? Or are we unconsciously abusing the only system we can count on to gain qualification to ourselves?
As Gerhard, the president of the World Harmonica Festival, has also repeatedly emphasized before, champion of any event of the WHF competition should NOT claim himself / herself as the World Champion. It should properly be addressed as Champion of the " XXX event" of the World Harmonica Festival.
While varies important figures in the global harmonica community started participating in this fierce debate, I was curious about the root of this controversy.
Would anyone accused Usian Bolt of abusing his Olympic gold medals to pursue further in his career? Would anyone question Danill Trifonov’s artistry if he claim himself the winner of Chopin Piano Competition? Could Michael Jordon ever obtain a ‘fake’ NBA championship?
Obviously, there is nothing wrong about winning and taking pride off an award. The real issue instead lies in the opposite side of the question. Is the existing harmonica competition rigorous enough to qualify the winner a ‘World Champion’? Or, should a ‘World Champion’ even exist in a musical setting?
In order to understand what a truly rigorous musical competition is, we began digging into the competitions of all instruments at the highest calibre. For instance, when studying the difference of the format of the International Tchaikovsky Competition with the World Harmonica Festival, we have realised how far behind the harmonica competition is constructed. I won the Solo Championship in the World Harmonica Festival 2013 only by playing a total of 10 minute of music. While a contestant at the qualifying round at the Tchaikovsky Competition would already have to prepare up to 30 minute of music. Meanwhile, not a single competition in the classical world would claim themselves the competition of the best. It seems like the title ‘World Champion’ could only be justified when it’s within sports, where the result can be calculated and compared. We can’t calculate art.
We have came a long way since the harmonica was invented 150 years ago. And I’m extremely excited to see new generation of player arising from all around the world. Nevertheless, while festivals are taking a pause during covid, we should make the best use of this period of time and rethink about how we could contribute to the culture and further bring our instrument to the next level.
So, what’s next? 🤔
global music festival 在 黃心健 Hsin-Chien Huang Facebook 的最佳解答
🎉🎉🎉“Samsara Ep1.” Puts Taiwan On the Map! New Media Artist Hsin-Chien Huang Wins the Top Awards of SXSW🏆🏆🏆🥳
The awards ceremony of the American international film festival, South by Southwest Film Festival (SXSW), will be held in the morning on March 20, 2021. The latest VR production created by artist Hsin-Chien Huang has taken the festival by storm and bring home the prestigious “Jury Awards” in the virtual cinema competition category. “Samsara Ep. 1” is the first VR production from Taiwan to receive such honor and has put the creativity of Taiwan on the map!
In the acceptance speech, Huang mentioned that he would like to thank the jury of SXSW for the recognition and encouragement. It was absolutely his honor to win this award. He’d also like to thank the full support from the Ministry of Culture of Taiwan 文化部, the Taiwan Creative Content Agency 文化內容策進院 Taiwan Creative Content Agency , and Kaohsiung Film Archive 高雄市電影館 VR 體感劇院 VR FILM LAB to make it possible to complete the work. Finally, he thanked all the crew members of the production for letting the world see how amazing the VR production from Taiwan.
The story background of “Samsara” is set as a timeline when humans completely destroyed the environment on earth and begin to go on a quest through space for hundreds of years. People try to immigrant to a new planet, so they redesign the DNA to adapt to a new environment and evolve into a new life form. However, after so many years, people gradually realize that it is never possible to find a new planet to settle. They merely keep returning to the original earth they have damaged in a different era, in a different life form, as an endless circle of reincarnation.
The plot involves many different social issues, including ecology, technology, natural resource, and war, and calls on viewers to reflect themselves with a profound philosophical perspective. Moreover, several concepts of embodied cognition are used in the story to make viewers transform into different animals, including Taiwan’s indigenous species, such as Taiwan Blue Magpie and Formosan Black Bear, to interact with the scenes. “Samsara Ep.1” also features the latest somatosensory technology, including the 4Dviews shooting techniques by the Industrial Technology Research Institute and Taiwan Creative Content Agency, with 48 4DV-EX-Z cameras and a digital shooting system composed of a high-sensitivity 4 million-pixel full-color CCD sensor. “Samsara Ep.1” is able to be taken from an omnidirectional view without blind spots and be shot without any blind spots to create the ultimate immersive experience.
The first SXSW was held in Austin, Texas in 1987. This long-standing international event is held around March every year ever since. The festival features various themes, such as films, music, VR/AR, art and games, etc. The SXSW is the world’s largest event for creative content. Many creators and brand owners in the fields will not miss out on the festival. Therefore, the festival has become a trial balloon, attracting hundreds of bands and film crews to participate, estimated over 400,000 people joining the event. This year, the festival has changed the event to an online form for the first time since the pandemic is raging as before. All screening events, industry matchmaking, seminars will be carried out via its own online platform, SXSW Online, without difficulty. It has made it possible for all the artists, creators, and professionals to break down the physical borders and participate in this magnificent annual event together.
There are nine productions in total nominated in the Virtual Cinema Competition category this year, with teams from the US, Canada, the UK, France, Germany, Poland, Australia, South Korea, and so on. This is the first time that “Samsara Ep.1” has competed in the international film festival and has achieved a great result with much international recognition. This is also the first time for Taiwanese production to receive an award from the SXSW competition. The full version of “Samsara” is expected to start the global tour in the second half of the year. Huang said that “Samsara” would return to Taiwan for its Asian premiere and ask the fans in Taiwan to stay tuned!
✔️SXSW website: https://www.sxsw.com/festivals/film-awards/
✔️SXSW YouTube: https://www.youtube.com/watch?v=T9G_7NZh_Oo&feature=emb_logo
#黃心健 #HsinChienHuang #輪迴 #Samsara #Virtualcinemacompetition
#Juryaward
#VR #台灣VR #TaiwanVR
#SXSWFilm #SXSW #2021SXSW #SXSWOnline
global music festival 在 DJ Macky Suson Youtube 的精選貼文
#GoProMax #TomorrowlandMusicFestival #TomorrowlandBelgium
Tomorrowland Boom Belgium Aftermovie | Shot On Go Pro Fusion| Best Music Festival
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global music festival 在 豬豬隊友 Scott & Wendy Youtube 的精選貼文
#豬豬隊友環遊世界 第二章 【巴基斯坦】
2019.08
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global music festival 在 Amazing Jiro Youtube 的最佳解答
"No Strings"
As a global community, we have the power to discover and connect with one another more than ever before through the convenience of technology. But instead, truths, personal empowerment, and freedom are harder than ever to attain, and we often find ourselves in an echo chamber for violence, injustice, and the pitfalls of capitalism.
Amazing JIRO, special effects and body paint artist teams up with Jon Boogz, director and choreographer for NO STRINGS to share a compelling and striking visual narrative about emancipating ourselves to incite social change.
<Artists Bio>
Amazing JIRO - After graduating Tokyo University of the Arts and entering the world of special effect makeup, JIRO established JUR Co., Ltd.
Currently, JIRO works not only as special effects makeup artist but also as a creative director in film, drama, TVCM, and other fields. His power of expression and solid techniques are highly praised by people in and out of Japan. JIRO is attracting attention as a reformer of face paint, SFX makeup, and art.
After winning 2 championships at TV TOKYO TV Champion – Special Effect Makeup Artists Championship, JIRO became a certified champion. He was also introduced as one of the “Make-up Around the World: the Global Family of Artists on Make-Up Magazine,” which is read in more than 70 countries.
He creates artwork with advanced painting techniques and is attracting the world with his powerful ideas and quality works.
Jon Boogz is a movement artist, choreographer, and director who seeks to push the evolution of what dance can be – sharing with audiences of all backgrounds an appreciation of the melding of art forms while inspiring and bringing awareness to social issues.
Originally motivated to dance by the work of Michael Jackson, Boogz has choreographed for notable icons including Mikhail Baryshnikov, Naomi Campbell, Gloria Estefan; for Pharrell’s Adidas Originals HU Campaign to creative direct, choreography, and perform in Standing Rock at ComplexCon; and as creative consultant for ads launching campaigns for Apple and Lexus. Boogz’s collaborators include TriBeCa Film Festival, DAIS, Lil Buck, and Flying Lotus; his choreography is used in FOX’s “So You Think You Can Dance”; Cirque du Soleil’s MJ ONE; he was featured at the Geffen Playhouse’s “Backstage at the Geffen” with his dance company Control Freakz, Lil Buck, and spoken word artist Robin Sanders; and at TED Vancouver’s TED Prize session.
Boogz wrote, choreographed, directed and danced in Color of Reality, a short film in collaboration with visual artist Alexa Meade. The work continues to receive coverage internationally and won Great Big Story’s Art as Impact Award; Best Experimental at Toronto International Short Film Festival; and Concept Video of the Year from World of Dance, among others. His forthcoming projects seek to merge movement with fine art, film, technology, and the stage.
Choreography & Performance : Jon Boogz
Face & Body paint: Amazing JIRO
Director of Photography : Cameron McKinlay
Costume Technician : Castille Ritter
Music : Chizzy & Jason Yang
Produced by Sozo Artists & Jon Boogz
Amazing JIRO - https://www.instagram.com/amazing_jiro/
Jon Boogz - https://www.instagram.com/jonboogz/
Sozo Artists - https://www.instagram.com/sozoartists/
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global music festival 在 Global Music Festival | Facebook 的推薦與評價
Global Music Festival, Las Vegas, Nevada. 679 likes · 14 talking about this. Grand Ole Opry: 95 Years Of Country Music - NBC SPECIAL. ... <看更多>