關於 hit me with your best shot ，我們在網路上蒐集到這些相關的討論、資訊與評價

#AnnsINUSE hit me with your best shot 🔫🔫
可不是 用你最好的打我…

哈哈哈哈哈哈
這是「放馬過來！」的意思🙌🏻
有種「你使盡渾身解數也無法擊敗我」的意思

如果參加 #英文面試 前做好萬全準備的話
不管遇到什麼艱難的考題
都可以輕鬆應對！
讓你 give your best shot 🏹

🌱🌱🌱

很榮幸和各位分享
我經營IG一年以來
終於要出我的 #第一個 預錄好的 #線上英文課程

我想用我過去將近七年的教學經驗
和曾幫助過多位學生們進入夢想公司的實力
來教會你如何應對英文面試👌

我的學生們在經歷我的面試培訓和履歷修改後
成功進入 Morgan Stanley HK, Intel Taiwan 等知名外商
以及錄取 UBC, UW 等美加碩士學程
其他學生則是BlackRock TW, Foodpanda, AutoAdvance 等外商的高階主管
還有中研院主管、venture capital CEO 等

讓我非常清楚各外商的工作文化和面試內容
如果你未來有英文面試的需求
絕對會需要上這堂課來step up your interview game!

就算沒有要面試
這堂課程仍然可以訓練你的邏輯思考和平時的問答技巧
相信你絕對會受益良多🔆

🌱🌱🌱

這次和我合作的是 #HOOST 音頻課程平台 @hoost.tw
他們是一個podcast形式的線上課平台
基於是我第一次嘗試預錄好的線上課
我決定發揮我的聲音優勢😂
用podcast的形式來開課🙌🏻

你可能會覺得
Podcast沒有影像
會不會上課很難專心？

不用擔心
該有的講義絕對不會少
附贈的留言、發問等社團互動也都會有
少了顏面控制和妝法、服飾等會分擔心力的準備過程
Podcast形式更能讓我把課程品質顧到最好

等不及要和你們分享我的第一套 #英文面試課程

現在到IG主頁點選連結
有課程問卷可以填
讓你更了解課程內容
先看看是不是你會喜歡的東西！
填了還可以拿300元折扣碼哦！
💛💛💛

覺得影片跑得太快跟不上腳步嗎？
快到Instagram追蹤 @anns.english
照著自己的步調 👣
一頁一頁慢慢看、重複看🙌
如果喜歡我做的內容
也一定要跟你的親朋好友分享喲 🤗
🚪 IG傳送門 👉 https://www.instagram.com/anns.english/
👆🏻快點下去就對了👆🏻

#聽歌學英文
#安的美語 #線上英文 #英文家教 #學英文
#英文學習 #英文片語 #英文俚語 #英文口說
#英文教學 #英文會話 #英文筆記 #英文發音

《賈文青酒醉黑白話》：當甚麼鬼市政顧問+時空膠囊-20200813

上禮拜實在喝太多，一個人喝掉半瓶威士忌+一杯龍舌蘭Shot也太誇張，今天要節制一點…

我有個職銜是台北市市政顧問，相當離奇，這週難得開了兩次跟這職銜有關的會，來跟大家分享一下莫名其妙的人生。

直播在晚上十一點開始，不要錯過啦！

本週歌單（播到哪裡算哪裡）：
"Theme from The Greatest American Hero (Believe It or Not)" Joey Scarbury
"Rapture" Blondie
"The Winner Takes It All" ABBA
"Hit Me with Your Best Shot" Pat Benatar
"The Breakup Song (They Don't Write 'Em)" The Greg Kihn Band

直播設備：
麥克風：RODE NT2-A
錄音介面：MOTU Audio Express
監聽耳機：SONY MDR-7506
網路攝影機：Logitech C910 HD Pro Webcam

ROBOCOP (1987) was released today.
Let’s celebrate one of the best movies ever made.

“I’d buy that for a dollar!”

The screenplay had been offered to (and been rejected by) virtually every big director in Hollywood before Paul Verhoeven got hold of it. He threw it away after reading the first pages, convinced it was just a dumb action movie. However, his wife read it all the way through and convinced him that the story was layered with many satirical and allegorical elements, after which Verhoeven finally decided to direct the film.

The RoboCop suit was designed by Rob Bottin and his team. The production team wasn't satisfied with the initial design, and kept changing it and putting additions to it for months. Ultimately, nothing seemed to work and they went back to what was pretty much Bottin's original design. This caused considerable delays, and by the time the suit was completed, it was three weeks late and arrived at the studio on the day that the first RoboCop scene was scheduled to be shot. It took 11 hours for Bottin's people to fit Peter Weller into the suit, and when it was done Weller found that all his mime exercises were now useless because he needed time to get used to the suit and to perform as a robot in it. Production was halted so that Weller and his mime coach, Moni Yakim, could learn how to move in the suit. The suits were the most expensive items on set. While the price range varies, the producers indicated that they spent anywhere between US$500,000 to US$1 million for the suit.

A very unique part of this movie like other Paul Verhoeven movies is how he brings you more into the universe, news coverage and fake commercials are featured in the film all combined are over 5 minutes long. The world of future Detroit was actually shot in Dallas, Pittsburgh, Detroit and Los Angeles. The locations were all seamlessly woven together making it feel like one city by Production Designer William Sandell.

Because the hands of the ROBOCOP suit were made of foam rubber, the car keys would bounce off of Peter Weller's hand every time he attempted to catch them. The production took up to 50 takes and an entire day's worth of filming before finally getting the shot right.

Paul Verhoeven and Robocop suit creator Rob Bottin clashed repeatedly before and during production over the design and make-up of the RoboCop character. What they argued most about was the scene where Murphy takes off his helmet. Bottin wanted the scene to be filmed in a darkened area, fearing that harsh light would reveal too much of the make-up effects; Verhoeven wanted the scene to be filmed as brightly as possible, citing that director of photography Jost Vacano would be able to light it properly without revealing anything. Verhoeven got his way and Bottin refused to talk to him any further for the remainder of production. However, at the premiere, both men were so impressed with how the scene had turned out, that they instantly forgave each other. Bottin, who had even vowed to never again work with Verhoeven, happily accepted the offer to work on Verhoeven's next project, Total Recall (1990).

To Bring ED-209 designed by the great Craig Davis to life for some of the sequences Phil Tippet and Randal M. Dutra in my opinion did some of the best stop motion work ever done, I think what makes it so epic and memorable is yes it’s super smooth and almost seamless the way it cuts from stop motion to go motion but what’s truly special to me is the amount of character and humor they were able to provide for ED-209, this being the perfect example, the way ED-209 tries to navigate the stairs its almost toddler like, the sound editors even added a baby tantrum mixed with a pig sound effect as ED-209 tries to get up at the bottom of the stairs. stop motion animators Harry Walton and Tom St. Amand also helped make some beautiful work on this sequence.

Enforcement Droid 209's voice is that of producer Jon Davison, its growls are of a jaguar, and its squeals are of a pig. ED-209's body was based on the design of a Bell helicopter and the overall appearance is reminiscent of a line of toys named Robotech (1985) which were based on a 1980s Japanese anime series.

Peter Weller said one of his favorite memories of his film career was filming the drug bust sequence. While filming the sequence, Weller was listening to Peter Gabriel's song "Red Rain" on his Walkman inside the RoboCop helmet as he exchanged gunfire with various bad guys.

“Guns,Guns,Guns”

The shootout at the cocaine factory was not originally intended to be so fast-paced. The automatic guns used in the scene kept malfunctioning during filming. Most camera shots did not provide more than three seconds of usable footage, because most guns were usually jammed by that time. This necessitated quick cuts during editing, which proved to be advantageous for the scene.

RoboCop's first Directive, "Serve the public trust", was inspired by a fortune cookie.

The convenience store robber was played by the movie's stunt men who gladly accepted to be one of RoboCop's victims and contributed the idea of being hit into the door of the glass cooler.

The film was submitted to the MPAA 12 times before securing an R rating.

The script for Robocop was rejected by just about every major movie studio since it was conceived in the early 1980s. Orion films took the chance and Robocop's success continued on with 2 follow up sequels to the movie, two cartoon series, a television show, several comic book series, and a made for TV series of 4 movie length episodes as well as a fan made parody film. It has also spawned over a billion dollars in children and adult toy lines and collector statues which are still being released to date.

“Your move creep”

In Sacramento, California, a robbery suspect fled into a darkened movie theatre to escape pursuing police. He became so engrossed in the movie playing on screen (RoboCop), that he failed to notice that police had evacuated all other patrons from the theatre. When the lights flipped on, the stunned man was taken into custody.

Thank you for your cooperation

Would you like to know more? Join the crew
https://www.facebook.com/groups/crewstories/?ref=share

本家：Ado様
https://www.youtube.com/watch?v=YnSW8ian29w

MIX：成宮 亮（なりょー）
https://twitter.com/naryo_1008

編集：よっちゃん(妹)
https://www.youtube.com/channel/UCyHevJXqTPQw1LbECz2ZkfA

#Ado #odo #踊
（英語の歌詞、下記記載しています！）

Twitter（@takane46world）
🐰https://twitter.com/takane46world​

Instagram（@takane46world）
🐰https://www.instagram.com/takane46world/

Lyrics:
Halfway down to KO
(fuwa fuwa)
I’ll float until tomorrow
Time to get it started now
Fall to tears or laugh and jeer, just never let me go
Come and say no
Bellow echo down the road

“Oh, how I wish I could see it”
This life is so damn boring
Lonely logic loading, the lies so slick and flowing
Muddy water slowing, a buzz too bad for knowing how
It kills me, but it thrills me
Hey, keep it （keep it） going
On your feet again
Fight until there’s only power left
We’ll buddy up, you and me, we’ll take the lead
It’s destiny so chill no worries
Alright now I’m in so don’t mind
Waves of struggle? Let’s ride, surfing in the limelight
That’s right, huh
Oh damn, hear the cracks I’m in the zone

Halfway down to KO
(fuwa fuwa)
I’ll float until tomorrow
Time to get it started now
Fall to tears or laugh and jeer, just never let me go
Come and say no
Bellow echo down the road

Yeah, party until the morning
Woah woah
We’ll dance to the beat, we’ll dance to the beat
All us lonely souls will set it free now
Woah woah
The pain from below, likes in a row
Sayonara bye bye let’s go

[RAP]
You know that I’m the best around, and
imma show you right now why you dropped the crown
It's just business, babe; I gotta cop the dough
We at the blackout party so I’ll change the flow
It's just crazy how all of my critics
They call me so lazy but they cannot phase me
It’s all about the gloves on, mask off
You really wanna get down? hands up, lets go

D-D-Destatution, solutions, for feeling inadequate
Solutions of fluids the platelets will clot again
Up and down the tension
You never learn your lesson
That gushing pumping mess is everything that keeps me stressin’ my shot

Love me, I love you not
(NOT)
Watch me or watch me not
(NOT NOT)
Whining until you call out to stop it
Dancing with my lying eyes I purr purr purr
Yeah, come and give me your word, I’ll talk first
Sing ‘til we burn

[RAP]
Ay, get hit with the beatdown
My 1-2 blows and my verses are renowned
Now listen to the ground shakin’ from that bass sound
Get down to the funk, but this ain’t no uptown
Now lemme tell ya, I’m really sick of this hypocrisy
These Mephistopheles’ they probably owe me a big apology
For doubting me I know the fans are proud of me
That’s all I need so let's go

Halfway down to KO

Woah woah
We’ll dance to the beat, we’ll dance to the beat
All us lonely souls will set it free now
Woah woah
The pain from below, likes in a row
Party until the morning
Woah woah
Another round is coming Let’s go
Woah woah
I’ll see you again, survive ‘till the end
Sayonara bye bye let’s go
（https://youtu.be/ZzHiXNS8JPk）

陶山 Skot Suyama Playlist: https://youtube.com/playlist?list=PLsdSP04Vm-WhADSgDYOhX11tZXhrGSZ3h
__________________________________________

【The Empire】是知名製作人 陶山老師 在西雅圖的樂團，於1997年陶山 還在唸高中時組成，團員是5個和他一起長大的好朋友，五個人都會創作唱歌，也都精通多種樂器。

2003年 莫文蔚《愛死你》，2015年 謝和弦 & 王詩安《愛不需要裝乖》，當年未發行的demo都是由【The Empire】演唱。

【The Empire】的五名團員，現在都已經是音樂圈裡知名的音樂人；
除了 陶山老師 (http://www.skotsuyama.com) 在華語音樂裡有著“超強主打製造機”的名號之外；女主唱 Melissa Reese (https://en.wikipedia.org/wiki/Melissa_Reese) 也加入了世界知名樂團 “槍與玫瑰” ，在全世界巡演；男主唱 Matt Gervais 也加入了美國知名樂團 “The Head and the Heart” (http://www.theheadandtheheart.com) 在全美巡迴演出；另外主唱 Mike Gervais 也出了一張兒童音樂專輯 - “Mikey TheRadScientist” (http://mikeymikemusic.weebly.com) 在西雅圖到處為兒童做音樂表演；還有主唱 Tobias Burch 也創立了一個重金屬樂團Amort，繼續做他喜歡的音樂。

《Never the Point》這首歌是在某一年，陶山 回到西雅圖時，因為剛失戀，在飛機上很快地寫出了這一首歌曲，回到家和這五個好朋友聚會時，團員們迅速的加上更多歌詞和idea，改用歡樂的氣氛玩出了這一首歌曲，安慰了當時情傷的陶山。

所以《Never the Point》雖然是一首心碎的歌曲，但你可以聽到珍貴且深厚的友誼在裡面，這就是【The Empire】樂團的魔力！

【The Empire】五個團員：
因為音樂，變成了好朋友；
用著音樂，療癒安慰彼此；
最後，在對音樂的愛裡，一起長大！

【The Empire】，這是一個代表對音樂最純粹的愛和友情的樂團。

The Empire is Mandarin music producer, Skot Suyama’s Seattle-based band that was formed in 1997 while they were in high school. Other than Skot, whose influence as a hit-making producer is prominent within the Asian region, Melissa Reese is also part of American legend Guns n’ Roses’ world tour. While Matt Gervais is part of well-known American band The Head and the Heart currently touring across the U.S. Mike Gervais also writes children’s music, releasing an album Mikey Mike, The Rad Scientist. Tobias Burch occasionally makes funeral doom music with his band, which consists of only himself, Amort.

Never The Point was written when Skot returned to Seattle one year, and because he had recently broken up with his girlfriend (who he later married), wrote the verse and chorus for it on the plane. When he got home and met up with his five friends, the other band members quickly threw out more lyrics and ideas, to create this song and cheer up the broken-hearted Skot.
__________________________________________

Never The Point
我們的愛不是那樣

Music/Lyrics: Skot Suyama (陶山), Melissa Reese, Matt Gervais, Mike Gervais, Tobias Burch

Should I remove the tattoos that I got for you?
我該把為了你而刺的刺青除掉嗎？
nah fuck that shit, I’d rather play it cool
算了我不想管，寧可假裝不在乎
Cause nobody knows what life could bring,
因為沒有人知道生命想帶給你什麼
and then everything is just everything
然後一切事情都還是一樣
And I always thought that you could be my wife
我一直以為妳會成為我的老婆
But everybody changes, that’s the nature of life
可是人會變，這就是宇宙定律
And if you be friends to the very end, we can just pretend
如果你覺得我們可以永遠做朋友，那我們就這樣假裝

But that was never the point of you and I and us,
可是你跟我都知道，我們的愛根本不是那樣
Never the point, baby, of love
我們的愛根本不是那樣
You know your heart’s the only thing you can trust
你知道你的心想要什麼
Don’t let your mind fuck you up too much
不要讓你的頭腦把自己弄得太混亂
But if it gets in the way, then all I can say is
但如果最後，你的頭腦贏了你的心，我也只能說
‘I’ll miss you when you're gone’
妳離開之後我會想妳的
And I’ll try my best to move on
而且我會努力忘記妳，繼續生活

Do I remove the tattoo that I got for you?
我該把為了你而刺的刺青除掉嗎？
Or do I put you through the pain that you put me through?
還是我該讓妳試試看妳到底讓我多痛苦？
Do I hate you and blame you? Wish I never had dated you?
我是不是恨妳，怪妳，寧願我們從來沒有在一起過？
Or take a little vacation, get away, and hope that someday I’ll forget you?
還是去渡個假，離開傷心地，希望總有一天我會忘記妳？
Cause to me, love is dead, you went and shot it in the head
因為對我來說，我的愛情已死亡，被你殺死的愛
I bet you’ve never have guessed it be hard to stay friends
妳應該從來沒想過只是當朋友有多困難
While my heart’s still so broken
當我還在心碎時

But that was never the point of you and I and us,
可是你跟我都心知肚明，我們之間的愛根本不是那樣
Never the point, baby, of love
我們的愛根本不是那樣
You know your heart’s the only thing you can trust
你永遠都知道自己的心想要什麼
Don’t let your mind fuck you up too much
不要讓你的頭腦把自己弄得太混亂
But if it gets in the way, then all I can say is
但如果最後，你的頭腦贏了你的心，我也只能說
‘I’ll miss you when you're gone’
妳離開之後我會想妳的
And I’ll try my best to move on
而且我會努力忘記妳，繼續生活

Well, it didn’t take too long, for us to know
當初我們很快就知道
we’d be lovers and nothing more
我們的心只想在一起
But it feels so wrong singing love songs
但唱情歌時總是覺得不對勁
just to prove ourselves to each other darling over and over again
只是一直地保證彼此我們會是情人

But that was never the point of you and I and us,
可是你跟我都心知肚明，我們之間的愛根本不是那樣
Never the point, baby, of love
我們的愛根本不是那樣
You know your heart’s the only thing you can trust
你永遠都知道自己的心想要什麼
Don’t let your mind fuck you up too much
不要讓你的頭腦把自己弄得太混亂
But if it gets in the way, then all I can say is
但如果最後，你的頭腦贏了你的心，我也只能說
‘I’ll miss you when you're gone’
妳離開之後我會想妳的
And I’ll try my best to move on
而且我會努力忘記妳，繼續生活

Unlike my other condensed videos...I picked top 10 plays in one game to show that how exciting AI was in just a regular NBA Season Game.....enjoy!


Allen Iverson was just as dangerous a
passer as he was a scorer.

Iverson scored 24 points and handed out a season-high 12 assists
as the Philadelphia 76ers overcame a shaky second quarter for a
108-101 victory over the Chicago Bulls, who lost their ninth
straight road game.

A three-time scoring champion, the offensively aggressive
Iverson has been more of a complete player this season. He has
improved his defense and playmaking and is averaging 9.4 assists
in his last seven games, collecting a dozen twice in that span.

"I just think he is playing basketball and it's really neat to
see," Sixers coach Larry Brown said. "When your guards are
unselfish ... it makes everyone else better. It makes guys want
to run on the break and set good screens. It's a good feeling in
that respect."

"I've heard coach say that before and that's a great feeling,"
Iverson said. "When he says that I'm playing my best
basketball, he's seeing me play, and he is seeing it year after
year. Obviously, I'm getting better because I have the utmost
respect for him as a person and as a coach. It makes me want to
get better and work harder. I just want to keep it that way."

In the fourth quarter, Iverson had consecutive sensational
passes, leading to baskets that gave Philadelphia an 89-76 lead
with 6:47 remaining.

He answered a 3-pointer by Donyell Marshall with a jumper to
keep the lead at 94-86 with 3:19 left. After Jalen Rose hit a
3-pointer to make it a five-point game, Iverson found a cutting
Eric Snow for a layup - his only basket of the game - and a foul
with 2:36 to go.

Snow's free throw capped the three-point play, and Kenny Thomas
threw in a hook after a steal by Iverson to seal it at 99-89
with 2:15 left.

Keith Van Horn scored 20 points and Thomas added 16 and 14
rebounds for the 76ers, who shot 54 percent (38-of-70) from the
field and improved to 20-5 since the All-Star break as they
opened a four-game homestand.

"We really focused on moving the ball around and finding the
open guy," Van Horn said. "I think we did a much better job of
just distributing the ball. That in turn helped our transition
defense and it didn't allow them to get easy baskets on the
break."

Philadelphia (45-29) moved within one-half game of New Jersey
for the Atlantic Division lead and two games of Detroit for the
best record in the Eastern Conference.

Rookie Jay Williams had 23 points and eight assists for the
Bulls, who fell to a league-worst 3-36 on the road.

"If anything, it's going to make us really sit down and look
into ourselves this summer and try to get better so we can try
to become a better team," Williams said.

"We have to find a way to get one of the next two on the road so
we can go into next season knowing that we can win on the
road," Bulls forward Donyell Marshall said. "Right now we don't
have the confidence we need to get."

The Sixers played without center Derrick Coleman (thigh bruise),
while the Bulls were without forward Tyson Chandler (throat
infection).

The Sixers missed eight straight shots at the end of the second
quarter and committed four turnovers early in the third period,
putting themselves in a 59-51 hole. But they turned things
around with a trapping defense energized by Snow and reserves
Brian Skinner and Greg Buckner.

"That lineup with Buckner, Kenny and Brian, that really got us
going," Brown said. "It got us the energy. Buck does that. I
haven't played him enough. He's given us a lot of energy."

While Philadelphia was holding Chicago to one basket in eight
minutes, Snow had six free throws and set up Skinner and Buckner
for easy hoops. Iverson's free throws capped the 19-3 surge
and gave the Sixers a 70-62 lead with 3:23 to go.

Van Horn's 3-pointer opened the final period and gave
Philadelphia an 81-68 lead. A jumper by Williams cut the
deficit to 85-76, but Iverson lobbed one to Van Horn for an
alley-oop dunk, then hooked a pass to McKie for a layup.

"I think he's growing up as a player," Brown said. "He's seeing
things in games, he knows how to deal with double-teams, and I
think he recognizes when you're the best player, the ball always
has a tendency to come back to you.

"Even if it's late in the clock, it's going to find its way back
into his hands. You can't have a fear of giving the ball up
early."

Iverson made 8-of-14 shots and 8-of-12 free throws, adding three
steals.

"I'm not changing anything," Iverson said. "I'm just playing
basketball and trying to take whatever the defense gives me.
When my guys are open and they have good looks, I'm just trying
to get them the ball. I'm just trying to play the right way."