關於 india island ，我們在網路上蒐集到這些相關的討論、資訊與評價

100 PHIM CHÂU Á XUẤT SẮC

1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
2. Rashomon (Kurosawa Akira, 1950) – Japan
3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
4. The Apu Trilogy (Satyajit Ray) – India
5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
6. Seven Samurai (Kurosawa Akira, 1954) – Japan
7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
8. Spring in a Small Town (Fei Mu, 1948) – China
9. Still Life (Jia Zhang Ke, 2006) – China
10. The Housemaid (Kim Ki-young, 1960) – Korea
11. Close Up (Abbas Kiarostami, 1990) – Iran
12. A One and a Two (Edward Yang, 2000) – China
13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
14. Oldboy (Park Chan-Wook, 2003) – Korea
15. Late Spring (Ozu Yasujiro, 1949) – Japan
16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
19. The Music Room (Satyajit Ray, 1958) – India
20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
22. Raise the Red Lantern (Zhang Yimou, 1991) – China
23. Sopyonje (Im Kwon Taek, 1993) – Korea
24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
25. Spirited Away (Miyazaki Hayao, 2001) – Japan
26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
27. Mother (Bong Joon-ho, 2008) – Korea
28. Poetry (Lee Chang-dong, 2010) – Korea
29. A Separation (Asghar Farhadi, 2011) – Iran
30. A Touch of Zen (King Hu, 1969) – Taiwan
31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
32. Mandala (In Kwon Taek, 1981) – Korea
33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
35. The River (Tsai Ming-Liang, 1997) – Taiwan
36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
37. Awaara (Raj Kapoor, 1951) – India
38. Floating Clouds (Naruse Mikio, 1955) – Japan
39. Pyaasa (Guru Dutt, 1957) – India
40. The Lonely Wife (Satyajit Ray, 1964) – India
41. The Cow (Dariush Mehrjui, 1969) – Iran
42. Red Sorghum (Zhang Yimou, 1987) – China
43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
44. Farewell My Concubine (Chen Kaige, 1993) – China
45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
52. The House is Black (Forough Farrokhzad, 1963) – Iran
53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
54. Scattered Clouds (Naruse Mikio, 1967) – Japan
55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
60. Children of Heaven (Majid Majidi, 1997) – Iran
61. Osama (Siddiq Barmak, 2003) – Afghanistan
62. West of Tracks (Wang Bing, 2003) – China
63. Paradise Now (Hany Abu Assad, 2005) – Palestine
64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
66. The Goddess (Wu Yonggang, 1934) – China
67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
68. Street Angels (Yuan Mizhi, 1937) – China
69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
70. Mother India (Mehboob Khan, 1957) – India
71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
72. Good Morning (Ozu Yasujiro, 1959) – Japan
73. Paper Flowers (Guru Dutt, 1959) – India
74. The Naked Island (Shindo Kaneto, 1960) – Japan
75. Intentions of Murder (Imamura Shohei, 1964) – Japan
76. A Man Vanishes (Imamura Shohei, 1967) – Japan
77. Holiday (Lee Man-hee, 1968) – Korea
78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
79. Insiang (Lino Brocka, 1976) – Philippines
80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
81. Batch ’81 (Mike de Leon, 1982) – Philipines
82. Taipei Story (Edward Yang, 1984) – Taiwan
83. The Runner (Amir Naderi, 1985) – Iran
84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
85. Ju Dou (Zhang Yimou, 1990) – China
86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
91. The White Balloon (Jafar Panahi, 1995) – Iran
92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
93. Hana-bi (Kitaro Takeshi, 1997) – Japan
94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
95. Chunhyang (Im Kwon Taek, 1999) – Korea
96. The Color of Paradise (Majid Majidi, 1999) – Iran
97. The Poet (Garin Nugroho, 1999) – Iran
98. Blackboards (Samira Makhmalbaf, 2000) – Iran
99. The Circle (Jafar Panahi, 2000) – Iran
100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran

#whatever

【 Japan & Taiwan Business Crossover Virtual Pitch Event in Taiwan 】

DLE, a well-known Japanese company, will work with TSS, IAPS, and AeSA to host the J&T Business Crossover Virtual Pitch Event powered by Startup Island TAIWAN on October 1st.

DLE will select 6 teams from all applications and invite them to pitch their business to DLE Executives, Taiwanese and Japanese investors. The team chosen to join the event will get advice and business expansion resources from DLE, investors, and experienced experts.

👉APPLY NOW: https://pse.is/3mn4s3

✨Application Deadline: 9/8
✨Announcement of Finalist: 9/16
✨Virtial Pitch Event Date: 10/1 | 15:00-17:30

Startups who categorize themselves in the below industry vertical/business model is encouraged to apply:

- Platform 平台類新創
- D2C
- Bio-Tech 生技
- E-commerce
- Fintech
- AI/機器人
- CoolJapan
- IoT/IoE
- IP類

About DLE (Dream Link Entertainment):

DLE Inc. is a Tokyo-based animation and entertainment company founded in 2001 by former Sony executuve producer Ryuta Shiiki.

Not limited to animation, DLE has expanded into multiple business sectors, including movies and television. DLE continues to look towards the future for new and upcoming business opportunities with their challenging and innovative spirit. DLE has now produced over 30 properties and has business and creative partners in Shanghai, UAE, Thailand, Singapore, India, and North America.

----

日本知名 DLE 集團於 10/01 (五) 與 TSS、IAPS、AeSA 共同舉辦 【Japan & Taiwan Business Crossover Virtual Pitch Event in Taiwan】，此活動由 Startup Island TAIWAN 支持辦理。

活動將遴選6組台灣優秀的新創團隊與日本 DLE 集團進行進行創業簡報 (Pitch)，邀請台日兩地知名的創投擔任評審委員，共同評估適合投資與合作的台灣新創，以媒合日本當地創新及創業資源，加速台灣新創團隊的成長，並邀請各領域的業界專家與團隊互動交流。

👉APPLY NOW: https://pse.is/3mn4s3

✨ 申請截止日：即日起至9/8
✨ 公布入圍名單：9/16
✨ 線上活動日期：10/1 | 15:00-17:30

誠摯邀請符合以下產業/商業模式的新創團隊報名參加：

- Platform 平台類新創
- D2C
- Bio-Tech 生技
- E-commerce
- Fintech
- AI/機器人
- CoolJapan
- IoT/IoE
- IP類

關於DLE (Dream Link Entertainment) 簡介:

DLE Inc. 是一家總部位於東京的動畫和娛樂公司，由前 Sony 執行製作人 Ryuta Shiiki 於 2001 年創立。
不只侷限於動畫，DLE已經拓展到包括電影和電視在內的多個業務領域。並在上海、阿聯酋、泰國、新加坡、印度和北美擁有商業和創意合作夥伴。近年來，致力於協助國內外優秀的新創企業，進行資源媒合，擅長鏈結日本當地與全世界的資源，加速新創團隊的快速成長。

✨美國在台協會副處長柯傑民抵達台灣✨
柯傑民 (Jeremy Cornforth) 先生已於7月19日抵達台灣並接任AIT副處長一職。根據台灣中央流行疫情指揮中心之新冠肺炎防疫政策，副處長柯傑民在居家檢疫14 天及自主健康管理7天期滿之後將正式就任。

柯傑民先生是名資深職業外交官，近期曾擔任美國駐中國廣州總領事館領事處處長。柯傑民先生於1998年加入美國國務院，先後外派至美國駐以色列耶路撒冷、多明尼加聖多明哥、印度孟買、突尼西亞突尼斯、黎巴嫩貝魯特等地之大使館擔任領事官及政治官等職務。柯傑民先生也曾任職於美國國務院西半球事務局和美國國務院領務局。

柯傑民先生期待加入AIT，為鞏固美台關係持續貢獻心力，拓展對台灣人民及文化的了解，並進一步探索寶島的自然美景。

✅了解柯傑民副處長：https://bit.ly/2TmAIln

✨AIT Deputy Director Jeremy Cornforth’s Arrival in Taiwan✨
Mr. Jeremy Cornforth arrived in Taiwan on July 19 to take up the position as Deputy Director of the American Institute in Taiwan (AIT). After following the regulations of the Taiwan Central Epidemic Command Center’s COVID-19 Prevention Program, including going through a fourteen-day quarantine and seven days of self-health management, Deputy Director Cornforth will be ready to report for duty.

Mr. Cornforth is a career member of the Senior Foreign Service and most recently served as Chief of the Consular Section at the U.S. Consulate General Guangzhou, China. Since joining the Foreign Service in 1998, he has also served overseas as a consular and political officer in Jerusalem, Israel; Santo Domingo, the Dominican Republic; Mumbai, India; Tunis, Tunisia; and Beirut, Lebanon. In Washington, he served in the Bureau of Western Hemisphere Affairs and the Bureau of Consular Affairs.

He looks forward to joining AIT, to continue strengthening the U.S.-Taiwan relationship, to expanding his understanding about the people and culture of Taiwan, and to exploring the natural beauty of the island.

✅Learn more about Deputy Director Jeremy Cornforth: https://bit.ly/3zgRwd2

OnePlus Nord CE 5G vs iQOO Z3 | Comparison

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@DrTech subscribe!

Mengikut tradisi, Nasi Kandar selalu dihidangkan bersama hidangan sampingannya dalam satu pinggan. Antara lauk yang dihidang pada awal dulu ialah ikan kari, bendi, telur dan nasi. Lama kelamaan jenis nasi, dan lauk di tambah mengikut citarasa setempat.

Bagi penduduk asal Pulau Pinang, Fendi mempunyai teknik dan cara untuk menambah baik pengalaman menikmati juadah Nasi Kandar ini. Tonton lah video ini sehingga akhir untuk mengetahui, apakah dia teknik & gaya tersebut.

Untuk pengetahuan semua, Resepi Tok Pulau Pinang sudah berada di episod yang terakhir. Sepanjang 22 episod ini, kami dari Destinasi TV ingin mengucapkan jutaan terima kasih buat yang menonton, menyokong, memaklum balas siri jelajah ini. Kami harap, penonton semua teruskan memberi sokongan kepada Destinasi TV dan teruskan menonton dan bermanfaat

In Sha Allah Resepi Tok Siri baru akan dijalankan, dek kerana situasi negara kita sekarang, kami terpaksa tangguh niat kami buat sementara waktu dan berharap agar kita rakyat Malaysia dapat mengharungi situasi ini dengan jayanya.

Nantikan konten baru kami bersama Fendi, dan sila LIKE, & SUSCRIBE Channel Destinasi TV untuk konten hiburan berteras makanan dan pendidikan disamping menghibur penonton sekalian.

Link Video Bahagian 1: https://www.youtube.com/watch?v=uWlslJ9fPrA

#destinasitv #resepitok #nasikandar #500ksubs

Bermula pada tahun 2017, Destinasi TV melihat budaya kulinari dan darmawisata sebagai pintu kepada sejarah, tradisi dan evolusi masyarakat tempatan.

Merupakan sebahagian dari Kumpulan Manggis (https://manggis.group), Destinasi TV menghasilkan siri video digital yang menghiburkan, mendidik dan berkualiti tinggi untuk tayangan umum secara percuma di platform seperti Youtube, Facebook, Instagram, IFlix dan Dim Sum.

Destinasi TV terkenal dengan siri video digital seperti “Mat Salleh Cari Makan”, “Kembara Ramadan Rhys”, “Pilihan Terbaik”, “Sembang Bros”, “The Nasi Lemak Show”, dan “Trek Artisan”.

Nasi kandar adalah satu hidangan utara Malaysia yang popular dan dimashyurkan oleh pedagang India Muslim dari India dan makanan ini telah diolah dari masa ke semasa.

Perkataan Nasi Kandar, timbul sewaktu waktu kelihatan penjaja nasi menjinjing tiang yang menggantung dua bekas nasi. Nama itu telah kekal dan hari ini perkataan Nasi Kandar ada kelihatan pada kebanyakan restoran Tamil Islam atau "Mamak Malaysia" dan gerai hidangan India Muslim.

Mengikut tradisi, nasi kandar selalu dihidangkan bersama hidangan sampingannya dalam satu pinggan. Antara lauk yang dihidang pada awal dulu ialah ikan kari, bendi, telur dan nasi. Lama kelamaan jenis nasi, dan lauk di tambah mengikut citarasa setempat.

Restoran Hameediyah, Pulau Pinang merupakan restoran nasi kandar tertua di Malaysia. Dibuka pada tahun 1907, perniagaan ini telah diwarisi 7 generasi dan masih menjadi pilihan utama warga Pulau Pinang.

Link Bahagian 2 : Bersiaran Esok Jam 5 Petang

#resepitok #nasikandar #destinasitv

Bermula pada tahun 2017, Destinasi TV melihat budaya kulinari dan darmawisata sebagai pintu kepada sejarah, tradisi dan evolusi masyarakat tempatan.

Merupakan sebahagian dari Kumpulan Manggis (https://manggis.group), Destinasi TV menghasilkan siri video digital yang menghiburkan, mendidik dan berkualiti tinggi untuk tayangan umum secara percuma di platform seperti Youtube, Facebook, Instagram, IFlix dan Dim Sum.

Destinasi TV terkenal dengan siri video digital seperti “Mat Salleh Cari Makan”, “Kembara Ramadan Rhys”, “Pilihan Terbaik”, “Sembang Bros”, “The Nasi Lemak Show”, dan “Trek Artisan”.