關於 lyrics about friendship ，我們在網路上蒐集到這些相關的討論、資訊與評價

謝謝大家傳來的生日祝福，
也請多多原諒我無法一一回應。

我跟家人及同天生日的好友，
共度了一個最美好簡樸的農場晚餐。
說不盡的感恩，
只想跟你們說 好謝謝您們陪伴著我。

Thank you for your wonderful BD wishes,
please forgive me for not being able to respond one by one.

I had the most beautiful yet simple dinner at a farm
with family and friends who also have the same birthday as me.

Endless gratitude,
I just want to tell you all,
Thank you for standing by me.

約十年前，女兒高一時寫的一首歌，
因為歌詞裡的些話，讓我深深有感而發，
前陣子，我把這首歌拿出來唱。

謝謝仲翔，你幫我們錄製的MV，
一首很簡單的歌，
允許我獻上這首歌給大家，
表達這麼多年了，我們的友誼不會變的。

About ten years ago,
my daughter wrote a song in high school,
Because of the lyrics, I felt it so connected.

A while ago, I took this song out to sing,
Thank you, Zhong Xiang for helping to put together the MV,

A very simple song,
allow me to dedicate this song to all my friends~
“Our friendship will never change”

認識你都幾十年了
我們的友誼不會變的
看著你笑都幾十年了
你和我之間沒人懂得

甚麼事情是沒走過的
你失戀還是你結婚了
我都在旁邊陪你走的
開心難過都是一起的

I know you for 10 or more years
our friendship will never change
watching you laughing for years
no one understands between us

what else haven’t we yet done
are you single or married
we were there with you every time
happy or sad, we are forever together

謝謝，愛你們，請一定要顧好自己，照顧好彼此。
Thank you, love you, and please take good care of yourself and each other.

剛剛的北美之行，在演出之餘，當然也勾結了不少的當地的媒體。

#lgbtqInHongKong #CensorshipInChina #FreedomOfSpeech #LiberateHongKong #StandWithHongKong #CantoPop

//Anthony Wong’s Forbidden Colors

Out Hong Kong Canto-pop star brings his activism to US during his home’s protest crisis

BY MICHAEL LUONGO

From 1988’s “Forbidden Colors,” named for a 1953 novel by gay Japanese writer Yukio Mishima to this year’s “Is It A Crime?,” commemorating the 30th anniversary of the Tiananmen Square Massacre, Hong Kong Canto-pop star Anthony Wong Yiu-ming has combined music and activism over his long career. As Hong Kong explodes in revolt against Beijing’s tightening grip with the One Country, Two Systems policy ticking to its halfway point, Wong arrived stateside for a tour that included ’s Gramercy Theatre.

Gay City News caught up with 57-year-old Wong in the Upper West Side apartment of Hong Kong film director Evans Chan, a collaborator on several films. The director was hosting a gathering for Hong Kong diaspora fans, many from the New York For Hong Kong (NY4HK) solidarity movement.

The conversation covered Wong’s friendship with out actress, model, and singer Denise Ho Wan-see who co-founded the LGBTQ group Big Love Alliance with Wong and recently spoke to the US Congress; the late Leslie Cheung, perhaps Asia’s most famous LGBTQ celebrity; the threat of China’s rise in the global order; and the ongoing relationship among Canto-pop, the Cantonese language, and Hong Kong identity.

Wong felt it was important to point out that Hong Kong’s current struggle is one of many related to preserving democracy in the former British colony that was handed back to China in 1997. While not his own lyrics, Wong is known for singing “Raise the Umbrella” at public events and in Chan’s 2016 documentary “Raise the Umbrellas,” which examined the 2014 Occupy Central or Umbrella Movement, when Hong Kong citizens took over the central business district for nearly three months, paralyzing the city.

Wong told Gay City News, “I wanted to sing it on this tour because it was the fifth anniversary of the Umbrella Movement last week.”

He added, “For a long time after, nobody wanted to sing that song, because we all thought the Umbrella Movement was a failure. We all thought we were defeated.”

Still, he said, without previous movements “we wouldn’t have reached today,” adding, “Even more so than the Umbrella Movement, I still feel we feel more empowered than before.”

Hong Kong’s current protests came days after the 30th anniversary commemorations of the Tiananmen Square Massacre, known in China as the June 4th Incident. Hong Kong is the only place on Chinese soil where the Massacre can be publicly discussed and commemorated. Working with Tats Lau of his band Tat Ming Pair, Wong wrote the song “Is It A Crime?” to perform at Hong Kong’s annual Tiananmen commemoration. The song emphasizes how the right to remember the Massacre is increasingly fraught.

“I wanted our group to put out that song to commemorate that because to me Tiananmen Square was a big enlightenm­ent,” a warning of what the Beijing government will do to those who challenge it, he said, adding that during the June 4 Victoria Park vigil, “I really felt the energy and the power was coming back to the people. I really felt it, so when I was onstage to sing that song I really felt the energy. I knew that people would go onto the street in the following days.”

As the genre Canto-pop suggests, most of Wong’s work is in Cantonese, also known as Guangdonghua, the language of Guangdong province and Hong Kong. Mandarin, or Putonghua, is China’s national language. Wong feels Beijing’s goal is to eliminate Cantonese, even in Hong Kong.

“When you want to destroy a people, you destroy the language first, and the culture will disappear,” he said, adding that despite Cantonese being spoken by tens of millions of people, “we are being marginaliz­ed.”

Canto-pop and the Cantonese language are integral to Hong Kong’s identity; losing it is among the fears driving the protests.

“Our culture is being marginalized, more than five years ago I think I could feel it coming, I could see it coming,” Wong said. “That’s why in my music and in my concerts, I kept addressing this issue of Hong Kong being marginaliz­ed.”

This fight against the marginalization of identity has pervaded Wong’s work since his earliest days.

“People would find our music and our words, our lyrical content very apocalyptic,” he explained. “Most of our songs were about the last days of Hong Kong, because in 1984, they signed over the Sino-British declaration and that was the first time I realized I was going to lose Hong Kong.”

Clarifying identity is why Wong officially came out in 2012, after years of hints. He said his fans always knew but journalists hounded him to be direct.

“I sang a lot of songs about free love, about ambiguity and sexuality — even in the ‘80s,” he said, referring to 1988’s “Forbidden Colors.” “When we released that song as a single, people kept asking me questions.”

In 1989, he released the gender-fluid ballad “Forget He is She,” but with homosexuality still criminalized until 1991, he did not state his sexuality directly.

That changed in 2012, a politically active year that brought Hong Kongers out against a now-defunct plan to give Beijing tighter control over grade school curriculum. Raymond Chan Chi-chuen was elected to the Legislative Council, becoming the city’s first out gay legislator. In a concert, Wong used a play on the Chinese word “tongzhi,” which has an official meaning of comrade in the communist sense, but also homosexual in modern slang. By flashing the word about himself and simultaneously about an unpopular Hong Kong leader considered loyal to the Chinese Communist Party, he came out.

“The [2012] show is about identity about Hong Kong, because the whole city is losing its identity,” he said. “So I think I should be honest about it. It is not that I had been very dishonest about it, I thought I was honest enough.”

That same year he founded Big Love Alliance with Denise Ho, who also came out that year. The LGBTQ rights group organizes Hong Kong’s queer festival Pink Dot, which has its roots in Singapore’s LGBTQ movement. Given the current unrest, however, Pink Dot will not be held this year in Hong Kong.

As out celebrities using their star power to promote LGBTQ issues, Wong and Ho follow in the footsteps of fellow Hong Konger Leslie Cheung, the late actor and singer known for “Farewell My Concubine” (1993), “Happy Together” (1997), and other movies where he played gay or sexually ambiguous characters.

“He is like the biggest star in Hong Kong culture,” said Wong, adding he was not a close friend though the two collaborated on an album shortly before Cheung’s 2003 suicide.

Wong said that some might think he came to North America at an odd time, while his native city is literally burning. However, he wanted to help others connect to Hong Kong.

“My tool is still primarily my music, I still use my music to express myself, and part of my concern is about Hong Kong, about the world, and I didn’t want to cancel this tour in the midst of all this unrest,” he said. “In this trip I learned that I could encourage more people to keep an eye on what is going on in Hong Kong.”

Wong worries about the future of LGBTQ rights in Hong Kong, explaining, “We are trying to fight for the freedom for all Hong Kongers. If Hong Kongers don’t have freedom, the minorities won’t.”

That’s why he appreciates Taiwan’s marriage equality law and its leadership in Asia on LGBTQ rights.

“I am so happy that Taiwan has done that and they set a very good example in every way and not just in LGBT rights, but in democracy,” he said.

Wong was clear about his message to the US, warning “what is happening to Hong Kong won’t just happen to Hong Kongers, it will happen to the free world, the West, all those crackdowns, all those censorships, all those crackdowns on freedom of the press, all this crackdown will spread to the West.”

Wong’s music is banned in Mainland China because of his outspokenness against Beijing.

Like other recent notable Hong Kong visitors including activist Joshua Wong who testified before Congress with Ho, Wong is looking for the US to come to his city’s aid.

Wong tightened his body and his arms against himself, his most physically expressive moment throughout the hour and a half interview, and said, “Whoever wants to have a relationship with China, no matter what kind of relationship, a business relationship, an artistic relationship, or even in the academic world, they feel the pressure, they feel that they have to be quiet sometimes. So we all, we are all facing this situation, because China is so big they really want the free world to compromise.”

(These remarks came just weeks before China’s angry response to support for Hong Kong protesters voiced by the Houston Rockets’ general manager that could threaten significant investment in the National Basketball Association by that nation.)

Wong added, “America is the biggest democracy in the world, and they really have to use their influence to help Hong Kong. I hope they know this is not only a Hong Kong issue. This will become a global issue because China really wants to rule the world.”

Of that prospect, he said, “That’s very scary.”//

2008年Henry為Time Out Hong Kong Magazine訪問Stacey Kent，內容中有提及現已成為諾貝爾文學奬得主石黑一雄（Kazuo Ishiguro) 在Breakfast in the Morning Train專輯中的歌詞創作

//Chung: In addition to Jim, there was also a crucial collaboration with Booker Prize-winning novelist, Kazuo Ishiguro (who wrote Remains of the Day). How did that come about?

Kent: It turned out that Kazuo was a fan of mine, and he played my rendition of the Gershwin song You Can’t Take That Away from Me on his BBC radio show. When I knew about it, I was dumbfounded. I thought to myself, “I can’t believe a world-renowned writer who regularly brings in celebrities on his radio show would play one of my songs on the BBC!” The truth is I was also a huge fan of his. So the feeling was mutual. Later, Kazuo wrote the liner notes to my 2003 album In Love Again. Now, he has contributed lyrics to four of my songs on Breakfast, which is a turning point of my life. Kazuo understands me as musician, artist, and woman. I treasure our friendship in the deepest way.//

"我願橫越上百里，只為見上妳一面"。

－－－－－－－

Shawn Mendes & Zedd - Lost In Japan (Remix) 情迷日本

Lost In Japan (Remix): https://islandrecs.lnk.to/LostInJapanRemix
Lost In Japan: https://IslandRecs.lnk.to/LostInJapan

▼ Follow Shawn Mendes:
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https://soundcloud.com/ray-shen-3
https://twitter.com/98Ray0429

作詞/作曲：Nate Mercereau / Scott Harris Friedman / Shawn Mendes / Teddy Geiger

All it'd take is one flight
只要搭上一班飛機後

We'd be in the same time zone
我們就能處在同個時區了

Looking through your timeline
瀏覽妳所到處的時間軸

Seeing all the rainbows, I
彷彿看見彩虹般 我

I got an idea
想到了一個主意

And I know that it sounds crazy
我知道這聽起來很瘋狂

I just wanna see ya
但我只是想要見妳

Oh, I gotta ask
噢 我得問妳

Do you got plans tonight?
妳今晚有要幹嘛嗎?

I'm a couple hundred miles from Japan, and I
我知道我處在日本的好幾百里之外

I was thinking I could fly to your hotel tonight
我在想著能否今晚就飛達到妳住的旅館

Cause I can't get you off my mind
因為我實在無法讓妳從我腦海離開

Can't get you off my mind
無法讓妳從我腦袋中離開

Can't get you off my mind
總是不斷想起來

I can't seem to get you off my mind
我沒有辦法不去想起來

Let's get lost tonight
今晚讓我們狂歡

Let's get lost tonight
一起迷失在這個夜晚

I can't seem to get you off my mind
我沒有辦法不去想起來

I could feel the tension
我明白彼此之間的緊張感

We could cut it with a knife
我們能將那感覺拋到九霄雲外

I know it's more than just a friendship
我知道我們不只是朋友

I can hear you thinking 'bout it, yeah
我知道妳也有一樣的想法

Do I gotta convince you?
我需要說服妳嗎?

That you shouldn't fall asleep?
讓妳不墜入夢鄉?

It'll only be a couple hours
妳只要等幾個小時

And I'm about to leave
而我正準備離開

Do you got plans tonight?
妳今晚有什麼計畫嗎?

I'm a couple hundred miles from Japan, and I
雖然我跟日本相差上百里之外

I was thinking I could fly to your hotel tonight
但我在想著能否今晚就飛達到妳住的旅館

Cause I can't get you off my mind
因為我實在無法讓妳從我腦海離開

Can't get you off my mind
無法讓妳從我腦袋中離開

Can't get you off my mind
總是不斷想起來

I can't seem to get you off my mind
我沒有辦法不去想起來

Let's get lost tonight
讓我們盡情狂歡

Let's get lost tonight
迷失在這個夜晚

I can't seem to get you off my mind
我沒有辦法不去想起來

Do you got plans tonight?
妳今晚有要幹嘛嗎?

I'm a couple hundred miles from Japan, and I
我知道我處在日本的好幾百里之外

I was thinking I could fly to your hotel tonight
我在想著能否今晚就飛達到妳住的旅館

Cause I can't get you off my mind
因為我實在無法讓妳從我腦海離開

I can't seem to get you off my mind
無法讓妳從我腦袋中離開

Can't get you off my mind
總是不斷想起來

I can't seem to get you off my mind
我沒有辦法不去想起來

Do you got plans tonight, baby?
妳今晚有要幹嘛嗎 寶貝?

I was hoping I could get lost in your paradise
我只期望能與妳迷失在那片城市

The only thing I'm thinking 'bout is you and I
我不斷在想著的事情正是彼此

And I can't get you off my mind
因為我實在無法讓妳從我腦海離開

Can't get you off my mind
總是不斷想起來

I can't seem to get you off my mind
我沒有辦法不去想起來

Let's get lost tonight
今晚讓我們狂歡

Let's get lost tonight
一起迷失在這個夜晚

I can't seem to get you off my mind
我沒有辦法不去想起來

Let's get lost tonight
讓我們盡情狂歡

Let's get lost tonight
迷失在這個夜晚

I can't seem to get you off my mind
我沒有辦法不去想起來

歌詞翻譯by Ray

Fly with ME!

唱作女聲 紀儀羚 Kirki ×
日本搖滾大師 Shoji The Badge ×
美國藝術家 Elyse Rainbolt
跨國合作 2020 最新單曲《Blue Birds》

這次紀儀羚攜手日本搖滾大師Shoji The Badge
將青鳥化作自由與友誼的象徵
唱出傳遞幸福美好的樂聲

每一個遇見的你，都是身邊的青鳥
不論悲傷還是快樂，謝謝你陪伴在我身邊
You are Blue Bird by my side.

This song is talking about freedom and friendship, the blue birds will keep you company whether you are upset or happy, we hope this song could be your friend.

…………………………………………………..

Lyrics:
Oh follow me
Off into the night
And count on me
On and on in flight

Here's my true word
I'm your true bird
I'm a bluebird by your side

I'm a bluebird
I'm a bluebird
I'm the bluebird by your side

Control the wind
And look me in the eye
I am your friend
Take me to the sky

Here's my true word
I'm your true bird
I'm a bluebird by your side

I'm your bluebird
I'm your bluebird
I'm the bluebird by your side

Sing me awake
Greeting the morning sun
Your hand I'll take
Always having fun

Wasting my time
Way from my window
Taking my time
Way from my window

Oh Window

I wanna stay
Half a summer night
I wanna play
Up until the light

I'm a bluebird
I'm a true bird
I'm the bluebird by your side

I'm a bluebird
I'm your true bird
I'm the bluebird by your side

I'm a bluebird by your side
Your my bluebird by my side

…………………………………………………..

Credits:
Kirki (Vocal,Guitar)
Shoji, The Badge (Melody,Guitar,Chorus)
Elyse Rainbolt (Lyrics,Chorus)
Touru Iwami (Bass)
Toshiaki Okabe (Drums)

Naoki Hashimoto (Recording Engineer)
Taku Yoshitome (Video, Edit)
Yoichi Nakamuta (Producer)

Recorded @ B.B. Studio
ONE SUGAR MUSIC Japan
December 1, 2019



---這兒找Kirki---
Instagram ▶ https://www.instagram.com/kirki_bao/
Facebook ▶ https://www.facebook.com/LOVEKIRKI/
Youtube ▶ https://www.youtube.com/channel/UCiDeUbObivEFHg_sIKFn_6A
Twitter ▶ https://twitter.com/Kirki60320417
微博 ▶ https://www.weibo.com/u/6623093951
禾酷音樂 ▶ https://www.facebook.com/hardchordstudio/

#紀儀羚
#記憶零
#訂閱頻道開啟鈴鐺接收影片通知

Official BILLbilly01 and Lukpeach cover of "Lost In Japan" by Shawn Mendes.
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"Shawn Mendes - Lost In Japan" Lyrics:

All it'd take is one flight
We'd be in the same time zone
Looking through your timeline
Seeing all the rainbows, I
I got an idea
And I know that it sounds crazy
I just wanna see ya
Oh, I gotta ask
Do you got plans tonight?
I'm a couple hundred miles from Japan, and I
I was thinking I could fly to your hotel tonight
'Cause I-I-I can't get you off my mind
Can't get you off my mind
Can't get you off my mind (oh)
I could feel the tension
We could cut it with a knife
I know it's more than just a friendship
I can hear you thinking 'bout it, yeah
Do I gotta convince you?
That you shouldn't fall asleep?
It'll only be a couple hours
And I'm about to leave
Do you got plans tonight?
I'm a couple hundred miles from Japan, and I
I was thinking I could fly to your hotel tonight
'Cause I-I-I can't get you off my mind
Can't get you off my mind
Can't get you off my mind
Do you got plans tonight?
I was hoping I could get lost in your paradise
The only thing I'm thinking 'bout is you and I
'Cause I-I-I can't get you off my mind
Can't get you off my mind
I can't seem to get you off my mind
Let's get lost tonight
Let's get lost tonight
Baby, you and
I can't seem to get you off my mind
Let's get lost tonight
Let's get lost tonight
Baby, you and
I can't seem to get you off my mind
Do you got plans tonight?
I'm a couple hundred miles from Japan, and I
I was thinking I could fly to your hotel tonight
'Cause I-I-I can't get you off my mind
I can't get you off my mind
Do you got plans tonight, baby?
I was hoping I could get lost in your paradise
The only thing I'm thinking 'bout is you and I
And I-I-I can't get you off my mind
Can't get you off my mind
I can't seem to get you off my mind, yeah
Let's get lost tonight
Let's get lost tonight
Baby, you and
I can't seem to get you off my mind
Let's get lost tonight
Let's get lost tonight
Baby, you and
I can't seem to get you off my mind