關於 midnight study music ，我們在網路上蒐集到這些相關的討論、資訊與評價

Tổng hợp 100 IDIOMS thường dùng
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1. CATS AND DOGS: rain heavily (Mưa nặng hạt)
--> It's raining cats and dogs = It's raining heavily

2. CHALK AND CHEESE: very different from each other (rất khác nhau)
--> I don't have anything in common with my brother. We're like chalk and cheese.

3. HERE AND THERE: everywhere
--> I have been searching here and there for the gift I bought for my girlfriend.

4. A HOT POTATO: something that is difficulut or dangerous to deal with ( vấn đề nan giải )
--> The abortion issue is a hot potato in the US

5. AT THE DROP OF A HAT: immediately, instantly
--> If you need me, just call me. I can come at the drop of a hat.

6. BACK TO THE DRAWING BOARD: time to start from the beginning; it is time to to plan something over again (bắt đầu lại)
--> My plans to create a tiny car made of glasses were unsuccessful, so I guess it's back to the drawing board for me.

7. BEAT ABOUT THE BUSH: avoiding the main topic, not speaking directly about the issue (nói vòng vo, lạc đề)
--> Stop beating about the bush and answer my question.

8. BEST THING SINCE SLICED BREAD: a good invention or innovation, a good idea or plan
--> Portable phones are marketed as the best thing since sliced bread; people think they are extremely good.

9. BURN THE MIDNIGHT OIL: to stay up working, especially studying late at night (thức khuya làm việc, học bài)
--> I will have a big exam tomorrow so I'll be burning the midnight oil tonight.

10. CAUGHT BETWEEN TWO STOOLS: when someone finds it difficult to choose between two alternatives (tiến thoái lưỡng nan)

11. BREAK A LEG : good luck! ( thường dùng để chúc may mắn )
--> I have heard that you'r gonna take a test tomorrow, break a leg, dude!!! (sounds funny hah???) :))

12. HIT THE BOOKS : to study (học)
--> I can't go out tonight. I've got to hit the books. I'm having an exam tomorrow.

13. WHEN PIGS FLY : something will never happen (điều vô tưởng, không thể xảy ra, nhớ là "pigs" đừng nhầm với con vật khác nhé)

14. SCRATCH SOMEONE'S BACK: help someone out with the assumption that they will return the favor in the future (giúp đỡ người khác với hy vọng họ sẽ giúp lại mình)
--> "You scratch my back and I will scratch yours later," the customer said when we talked about the new sales contact.

15. HIT THE NAIL ON THE HEAD : do or say something exactly right (nói chính xác, làm chính xác)
--> Mike hit the nail on the head when he said most people can use a computer without knowing how it works.

16. TAKE SOMEONE/SOMETHING FOR GRANTED: coi nhẹ
--> One of the problems with relationships is that after a while you begin to take each other for granted!!

17. TAKE SOMETHING INTO ACCOUNT/ CONSIDERATION: to remember to consider something (tính đến cái gì, xem xét việc gì)
--> We will take your long year of service into account when we make our final decision.

18. PUT SOMEONE/SOMETHING AT SOMEONE'S DISPOSAL: to make someone or something available to someone (có sẵn theo ý muốn của ai)
--> I'd be glad to help you if you need me. I put myself at your disposal.

19. SPLITTING HEADACHE: a severe headache (đau đầu như búa bổ) (khi ra thi sẽ hỏi từ "Splitting")
--> I've got a splitting headache. I'm going upstairs for a nap.

20. ON THE HOUSE: không phải trả tiền
--> I went to a restaurant last night. I was the ten thousandth customer, so my dinner was on the house.

21. HIT THE ROOF = GO THROUGH THE ROOF = HIT THE CEILING: to suddenly become angry (giận dữ)
--> I''m afraid he will hit the roof when he finds out our vacation is canceled

22. MAKE SOMEONE'S BLOOD BOIL: làm ai sôi máu, giận dữ

23. BRING DOWN THE HOUSE: làm cho cả khán phòng vỗ tay nhiệt liệt
--> G-Dragon brought the house down. He really brought down the house with his fantastic song.

24. PAY THROUGH THE NOSE: to pay too much for something (trả giá quá đắt)
--> If you want a decent wine in a restaurant , you to have to pay through the nose for it.

25. BY THE SKIN OF ONE'S TEETH: sát sao, rất sát
--> I got through calculus math by the skin of my teeth.
--> I got to the airport a few minutes late and missed the plane by the skin of my teeth.

26. PULL SOMEONE'S LEG: chọc ai
--> You don't mean that. You're just pulling my leg.

27. IT STRIKE SOMEBODY AS/THAT A STRANGE: lấy làm lạ
--> It strikes as a strange to me that he failed the exam because he is so smart and diligent a student.

28. TAKE IT AMISS: to understand as wrong or insulting, or misunderstand (hiểu lầm)
--> Would you take it amiss if I told you I thought you look lovely? I was afraid you'd take it the wrong way.

29. HIGH AND LOW = HERE AND THERE: everywhere
--> I have been searching high and low for the gift I bought for my girlfriend.

30. THE MORE, THE MERRIER: càng đông càng vui
--> Can I bring some friends with me?Yeah sure, the more, the merrier.

31. SPICK AND SPAN: ngăn nắp gọn gàng

32. EVERY NOW AND THEN: sometimes

33. PART AND PARCEL: integral, crucial ( thiết yếu, quan trọng)

34. GO TO ONE'S HEAD: khiến ai kiêu ngạo
--> Too much success will go to her head.

35. ONCE IN A BLUE MOON: rất hiếm (rare)
--> Once in a blue moon, I stop thinking about her. If only she knew how much I loved her.

36. FEW AND FAR BETWEEN : rare (hiếm gặp)
--> Go and tell her that you love her! That kind of girl is really few and far between

37. ON THE SPOT:(1) immediately (ngay lập tức)
--> I expect you to be on the post when and where trouble arises
(2): in trouble; in a difficult situation (gặp rắc rối)
--> I hate to be on the spot when it's not my fault

38. ON THE VERGE OF = ON THE BRINK OF = IN THE EDGE OF: trên bờ vực
--> Unless we take measures to protect tigers, they will be on the verge of extinction. (lưu ý: take measures: đưa ra biện pháp)

39. IT NEVER RAINS BUT IT POURS: good or bad things do not just happen a few at a time, but in large numbers all at once (họa vô đơn chí)

40. BE ON THE WAGON: kiêng rượu
--> Bob's old drinking buddies complained that he was no fun when he went on the wagon
IDIOMS (DAY 5)

41. LED SOMEBODY BY THE NOSE: to control someone and make them do exactly what you want them to do (nắm đầu, dắt mũi ai)
--> They simply didn't know what they were doing and they were led by the nose by a manipulative government

42. AT THE ELEVENTH HOUR: vào phút chót
--> She always turned her term paper in at the eleventh hour.

42. SELL/GO LIKE HOT CAKES: bán đắt như tôn tươi
--> During the days when the temperature dropped under 10C, electric heaters sold/went like hot cakes in the Northern cities of Vietnam.

43. FIND FAULT WITH: chỉ trích, kiếm chuyện, bắt lỗi
--> It is very easy to find fault with the work others.

44. OFF AND ON/ ON AND OFF: không đều đặn, thỉnh thoảng
--> We don't often go there- just off and on.

45. MAKE BELIEVE: giả bộ, giả vờ
--> I tried to make believe she was happy, but knew deep down it was not true.

46. MAKE GOOD TIME: di chuyển nhanh, đi nhanh.
--> We made good time and were at the hotel by lunch time.

47. LOOK DAGGERS AT SOMEONE: giận giữ nhìn ai đó
--> Their relationship is not free and easy but at least he is no longer looking daggers at her.

48. BE OUT OF THE QUESTION: không thể được
--> You cannot get married until you are 18, it's out of the question.

49. ALL AT ONCE = suddenly: bất thình lình
--> All at once, there was a loud banging on the door.

50. BLOW ONE'S TRUMPET: bốc phét, khoác lác
--> Anyone will tell you she's one of the best journalist we've got, although she'd never blow her trumpet.

51. SLEEP ON IT: suy nghĩ thêm về điều gì đó.
--> You don't have to give me your decision now. Sleep on it, and let me know tomorrow.

52. FIGHT TOOTH AND CLAW/NAIL: đánh nhau dữ dội, cấu xé nhau
--> We fought tooth and claw to retain our share of business.

53. PLAY TRICKS/JOKES ON: chọc phá, trêu ghẹo, chơi khăm

54. DOWN THE DRAIN: đổ sông đổ biển (công sức, tiền bạc)
--> It's just money down the drain.

55. SMELL A RAT: hoài nghi, linh cảm chuyện không ổn
--> The minute I came in, I smelled a rat.

56. THE LAST STRAW: giọt nước tràn ly
--> When she showed up late a third time, that was the last straw. We had to fire her.

57. GET THE HAND OF SOMETHING: nắm bắt được, sử dụng được
--> After three weeks of using this computer, I think I've finally got the hand of it.

58. HARD OF HEARING: lãng tai, nặng tai
--> Tom is hard of hearing. Therefore, we have to speak loudly so that he can hear us.

59. KEEP AN EYE ON: coi chừng, ngó chừng
--> Please keep an eye on my baby while I'm out for a while.

60. HAVE A BEE IN ONE'S BONNET (ABOUT SOMETHING): đặt nặng chuyện gì, chấp nhất chuyện gì
--> She has a bee in her bonnet about going to America.

61. GET/HAVE COLD FEET: mất hết can đảm, chùn bước
--> I'm worried my members in this page may be getting cold feet about the university entrance exam. Therefore, I will try my best to help them overcome this severe exam. ^O^ *tặng mem*

62. ON SECOND THOUGHTS: suy nghĩ kĩ
--> On second thoughts, it was a dumb movie.

63. IN VAIN: uổng công, vô ích
--> Government agents tried in vain kidnap him.

64. CHIP IN: khuyên góp, góp tiền
--> If everyone chips in, we will be able to buy her a nice present.

65. OFF ONE'S HEAD: điên, loạn trí
--> The old man has been off his head for at least a year.

66. RUN AN ERRAND: làm việc vặt
--> I've got to run an errand. I'll be back in a minute.

67. JUMP THE TRAFFIC LIGHTS: vượt đèn đỏ
--> They ignore people who jumps the traffic lights.

68. FLY OFF THE HANDLE: dễ nổi giận, phát cáu
--> No one will fly off the handle for no reason.

69. THE APPLE OF ONE'S EYES: đồ quý giá của ai
--> You are the apple of my eyes ^O^

70. BUCKET DOWN: mưa xối xả, mưa to
--> It's been bucketing down all day.

71. CLOSE SHAVE = NARROW ESCAPE: thoát chết trong gang tấc
--> Phew, that was a close shave. I was so lucky.

72. DROP A BRICK : lỡ lời, lỡ miệng
--> I dropped a brick when talking with my best friend, and now she doesn't want to talk to me.

73. GET BUTTERFLIES IN ONE'S STOMACH: cảm thấy bồn chồn
--> I always get butterflies in my stomach when it comes to taking test

74. OFF THE RECORD: không chính thức, không được công bố
--> What the president said is not to be printed. It's off the record

75. ONE'S CUP OF TEA: thứ mà ta thích
--> SNSD is my cup of tea. They are so beautiful and talented. Especially Seohyun, she looks so cute

76. CUT IT FINE: đến sát giờ
--> Only allowing half an hour to get from the station to the airport is cutting it fine, isn't it?

77. GOLDEN HANDSHAKE: món tiền hậu hĩnh dành cho người sắp nghỉ việc
--> The manager got early retirement and a 600,000$ golden handshake when the company was restructed.

78. PUT ON AN ACT: giả bộ, làm bộ
--> We've known you are a good swimmer - stop putting on an act.

79. COME TO LIGHT: được biết đến, được phát hiện, được đưa ra ánh sáng.
--> Four soldiers have faced charges since the scandal came to light last fall

80. TAKE THINGS TO PIECES: tháo ra từng mảnh
--> Men like to take things to pieces and put them together.

81. PUT ONE'S FOOT IN IT: gây nhầm lẫn, bối rối, phạm một sai lầm gây bối rối
--> I really put my foot in it when I asked her about her job. I didn't know she'd just been fired.

82. PULL ONE'S WEIGHT: nỗ lực, làm tròn trách nhiệm
--> The rest of the team complained that Sarah wasn't pulling her weight.

83. MAKE ENDS MEET: xoay sở để kiếm sống
--> I have to work at two jobs to make ends meet.

84. GET THE HOLD OF THE WRONG END OF THE STICK: hiểu nhầm ai đó
--> I think I must explain to her that she got hold of the wrong end of the stick again.

85. CUT AND DRIED: cuối cùng, không thể thay đổi, rõ ràng, dễ hiểu
--> Although a deal has been agreed, it is not yet cut-and-dried.
--> The human rights issue is by no means cut-and-dried.

86. STAY/KEEP ON ONE'S TOE: cảnh giác, thận trọng
--> We had better keep on our toes while we're walking along the dark portions of this street.

87. SEE EYE TO EYE: đồng tình
--> I'm glad that they see eye to eye on the matter of the conference location.

88. HAVE IN MIND: đang suy tính, cân nhắc
--> I don't want to see a movie now, I have in mind going to the park.

89. A LOST CAUSE: hết hy vọng, không thay đổi được gì
--> It seems that Charles will give it up. I suppose he is a lost cause.

90. TO BE BOUND TO: chắc chắn
--> You're bound to be late if you don't hurry.

91. AT HEART: thực chất, cơ bản (basically, fundamentally)
--> James sometimes seems quite unfriendly but at heart he's a good person.

92. TO KNOW BY SIGHT: nhận ra (recognize)
--> The woman said that she would know the thief by sight if she ever saw him again.

93. NOW AND THEN = NOW AND AGAIN = AT TIMES = FROM TIME TO TIME = OFF AND ON = ONCE IN A WHILE = EVERY SO OFTEN : sometimes (thỉnh thoảng, không thường xuyên)

94. TO TAKE PAINS: làm việc cẩn thận và tận tâm
--> She takes pains to do everything well.

95. TO MAKE DO: xoay sở, đương đầu (to manage, to cope)
--> During difficult economic times, many people have to make do with less.

96. CLOSE CALL = CLOSE SHAVE = NARROW ESCAPE: thoát được nguy hiểm trong gang tấc, mém chết!

97. SELL SOMEONE SHORT: đánh giá thấp

98. FACE THE MUSIC: chịu trận
--> Mary broke a dining-room window and had to face the music when her father got home.

99. LET THE CAT OUT OF THE BAG: để lộ bí mật

100. ON PROBATION: trong thời gian quản chế
--> While Anne was on probation, she reported to the police regularly.
--> John was on probation for a year.

Nobody’s Fool　　( January 2011 )

Yoshitomo Nara

Do people look to my childhood for sources of my imagery? Back then, the snow-covered fields of the north were about as far away as you could get from the rapid economic growth happening elsewhere. Both my parents worked and my brothers were much older, so the only one home to greet me when I got back from elementary school was a stray cat we’d taken in. Even so, this was the center of my world. In my lonely room, I would twist the radio dial to the American military base station and out blasted rock and roll music. One of history’s first man-made satellites revolved around me up in the night sky. There I was, in touch with the stars and radio waves.

It doesn’t take much imagination to envision how a lonely childhood in such surroundings might give rise to the sensibility in my work. In fact, I also used to believe in this connection. I would close my eyes and conjure childhood scenes, letting my imagination amplify them like the music coming from my speakers.

But now, past the age of fifty and more cool-headed, I’ve begun to wonder how big a role childhood plays in making us who we are as adults. Looking through reproductions of the countless works I’ve made between my late twenties and now, I get the feeling that childhood experiences were merely a catalyst. My art derives less from the self-centered instincts of childhood than from the day-to-day sensory experiences of an adult who has left this realm behind. And, ultimately, taking the big steps pales in importance to the daily need to keep on walking.

While I was in high school, before I had anything to do with art, I worked part-time in a rock café. There I became friends with a graduate student of mathematics who one day started telling me, in layman’s terms, about his major in topology. His explanation made the subject seem less like a branch of mathematics than some fascinating organic philosophy. My understanding is that topology offers you a way to discover the underlying sameness of countless, seemingly disparate, forms. Conversely, it explains why many people, when confronted with apparently identical things, will accept a fake as the genuine article. I later went on to study art, live in Germany, and travel around the world, and the broader perspective I’ve gained has shown me that topology has long been a subtext of my thinking. The more we add complexity, the more we obscure what is truly valuable. Perhaps the reason I began, in the mid-90s, trying to make paintings as simple as possible stems from that introduction to topology gained in my youth.

As a kid listening to U.S. armed-forces radio, I had no idea what the lyrics meant, but I loved the melody and rhythm of the music. In junior high school, my friends and I were already discussing rock and roll like credible music critics, and by the time I started high school, I was hanging out in rock coffee shops and going to live shows. We may have been a small group of social outcasts, but the older kids, who smoked cigarettes and drank, talked to us all night long about movies they’d seen or books they’d read. If the nighttime student quarter had been the school, I’m sure I would have been a straight-A student.

In the 80s, I left my hometown to attend art school, where I was anything but an honors student. There, a model student was one who brought a researcher’s focus to the work at hand. Your bookshelves were stacked with catalogues and reference materials. When you weren’t working away in your studio, you were meeting with like-minded classmates to discuss art past and present, including your own. You were hoping to set new trends in motion. Wholly lacking any grand ambition, I fell well short of this model, with most of my paintings done to satisfy class assignments. I was, however, filling every one of my notebooks, sketchbooks, and scraps of wrapping paper with crazy, graffiti-like drawings.

Looking back on my younger days—Where did where all that sparkling energy go? I used the money from part-time jobs to buy record albums instead of art supplies and catalogues. I went to movies and concerts, hung out with my girlfriend, did funky drawings on paper, and made midnight raids on friends whose boarding-room lights still happened to be on. I spent the passions of my student days outside the school studio. This is not to say I wasn’t envious of the kids who earned the teachers’ praise or who debuted their talents in early exhibitions. Maybe envy is the wrong word. I guess I had the feeling that we were living in separate worlds. Like puffs of cigarette smoke or the rock songs from my speaker, my adolescent energies all vanished in the sky.

Being outside the city and surrounded by rice fields, my art school had no art scene to speak of—I imagined the art world existing in some unknown dimension, like that of TV or the movies. At the time, art could only be discussed in a Western context, and, therefore, seemed unreal. But just as every country kid dreams of life in the big city, this shaky art-school student had visions of the dazzling, far-off realm of contemporary art. Along with this yearning was an equally strong belief that I didn’t deserve admittance to such a world. A typical provincial underachiever!

I did, however, love to draw every day and the scrawled sketches, never shown to anybody, started piling up. Like journal entries reflecting the events of each day, they sometimes intersected memories from the past. My little everyday world became a trigger for the imagination, and I learned to develop and capture the imagery that arose. I was, however, still a long way off from being able to translate those countless images from paper to canvas.

Visions come to us through daydreams and fantasies. Our emotional reaction towards these images makes them real. Listening to my record collection gave me a similar experience. Before the Internet, the precious little information that did exist was to be found in the two or three music magazines available. Most of my records were imported—no liner notes or lyric sheets in Japanese. No matter how much I liked the music, living in a non-English speaking world sadly meant limited access to the meaning of the lyrics. The music came from a land of societal, religious, and subcultural sensibilities apart from my own, where people moved their bodies to it in a different rhythm. But that didn’t stop me from loving it. I never got tired of poring over every inch of the record jackets on my 12-inch vinyl LPs. I took the sounds and verses into my body. Amidst today’s superabundance of information, choosing music is about how best to single out the right album. For me, it was about making the most use of scant information to sharpen my sensibilities, imagination, and conviction. It might be one verse, melody, guitar riff, rhythmic drum beat or bass line, or record jacket that would inspire me and conjure up fresh imagery. Then, with pencil in hand, I would draw these images on paper, one after the other. Beyond good or bad, the pictures had a will of their own, inhabiting the torn pages with freedom and friendliness.

By the time I graduated from university, my painting began to approach the independence of my drawing. As a means for me to represent a world that was mine and mine alone, the paintings may not have been as nimble as the drawings, but I did them without any preliminary sketching. Prizing feelings that arose as I worked, I just kept painting and over-painting until I gained a certain freedom and the sense, though vague at the time, that I had established a singular way of putting images onto canvas. Yet, I hadn’t reached the point where I could declare that I would paint for the rest of my life.

After receiving my undergraduate degree, I entered the graduate school of my university and got a part-time job teaching at an art yobiko—a prep school for students seeking entrance to an art college. As an instructor, training students how to look at and compose things artistically, meant that I also had to learn how to verbalize my thoughts and feelings. This significant growth experience not only allowed me to take stock of my life at the time, but also provided a refreshing opportunity to connect with teenage hearts and minds.

And idealism! Talking to groups of art students, I naturally found myself describing the ideals of an artist. A painful experience for me—I still had no sense of myself as an artist. The more the students showed their affection for me, the more I felt like a failed artist masquerading as a sensei (teacher). After completing my graduate studies, I kept working as a yobiko instructor. And in telling students about the path to becoming an artist, I began to realize that I was still a student myself, with many things yet to learn. I felt that I needed to become a true art student. I decided to study in Germany. The day I left the city where I had long lived, many of my students appeared on the platform to see me off.

Life as a student in Germany was a happy time. I originally intended to go to London, but for economic reasons chose a tuition-free, and, fortunately, academism-free German school. Personal approaches coexisted with conceptual ones, and students tried out a wide range of modes of expression. Technically speaking, we were all students, but each of us brought a creator’s spirit to the fore. The strong wills and opinions of the local students, though, were well in place before they became artists thanks to the German system of early education. As a reticent foreign student from a far-off land, I must have seemed like a mute child. I decided that I would try to make myself understood not through words, but through having people look at my pictures. When winter came and leaden clouds filled the skies, I found myself slipping back to the winters of my childhood. Forgoing attempts to speak in an unknown language, I redoubled my efforts to express myself through visions of my private world. Thinking rather than talking, then illustrating this thought process in drawings and, finally, realizing it in a painting. Instead of defeating you in an argument, I wanted to invite you inside me. Here I was, in a most unexpected place, rediscovering a value that I thought I had lost—I felt that I had finally gained the ability to learn and think, that I had become a student in the truest sense of the word.

But I still wasn’t your typical honors student. My paintings clearly didn’t look like contemporary art, and nobody would say my images fit in the context of European painting. They did, however, catch the gaze of dealers who, with their antennae out for young artists, saw my paintings as new objects that belonged less to the singular world of art and more to the realm of everyday life. Several were impressed by the freshness of my art, and before I knew it, I was invited to hold exhibitions in established galleries—a big step into a wider world.

The six years that I spent in Germany after completing my studies and before returning to Japan were golden days, both for me and my work. Every day and every night, I worked tirelessly to fix onto canvas all the visions that welled up in my head. My living space/studio was in a dreary, concrete former factory building on the outskirts of Cologne. It was the center of my world. Late at night, my surroundings were enveloped in darkness, but my studio was brightly lit. The songs of folk poets flowed out of my speakers. In that place, standing in front of the canvas sometimes felt like traveling on a solitary voyage in outer space—a lonely little spacecraft floating in the darkness of the void. My spaceship could go anywhere in this fantasy while I was painting, even to the edge of the universe.

Suddenly one day, I was flung outside—my spaceship was to be scrapped. My little vehicle turned back into an old concrete building, one that was slated for destruction because it was falling apart. Having lost the spaceship that had accompanied me on my lonely travels, and lacking the energy to look for a new studio, I immediately decided that I might as well go back to my homeland. It was painful and sad to leave the country where I had lived for twelve years and the handful of people I could call friends. But I had lost my ship. The only place I thought to land was my mother country, where long ago those teenagers had waved me goodbye and, in retrospect, whose letters to me while I was in Germany were a valuable source of fuel.

After my long space flight, I returned to Japan with the strange sense of having made a full orbit around the planet. The new studio was a little warehouse on the outskirts of Tokyo, in an area dotted with rice fields and small factories. When the wind blew, swirls of dust slipped in through the cracks, and water leaked down the walls in heavy rains. In my dilapidated warehouse, only one sheet of corrugated metal separated me from the summer heat and winter cold. Despite the funky environment, I was somehow able to keep in midnight contact with the cosmos—the beings I had drawn and painted in Germany began to mature. The emotional quality of the earlier work gave way to a new sense of composure. I worked at refining the former impulsiveness of the drawings and the monochromatic, almost reverent, backgrounds of the paintings. In my pursuit of fresh imagery, I switched from idle experimentation to a more workmanlike approach towards capturing what I saw beyond the canvas.

Children and animals—what simple motifs! Appearing on neat canvases or in ephemeral drawings, these figures are easy on the viewers’ eyes. Occasionally, they shake off my intentions and leap to the feet of their audience, never to return. Because my motifs are accessible, they are often only understood on a superficial level. Sometimes art that results from a long process of development receives only shallow general acceptance, and those who should be interpreting it fail to do so, either through a lack of knowledge or insufficient powers of expression. Take, for example, the music of a specific era. People who lived during this era will naturally appreciate the music that was then popular. Few of these listeners, however, will know, let alone value, the music produced by minor labels, by introspective musicians working under the radar, because it’s music that’s made in answer to an individual’s desire, not the desires of the times. In this way, people who say that “Nara loves rock,” or “Nara loves punk” should see my album collection. Of four thousand records there are probably fewer than fifty punk albums. I do have a lot of 60s and 70s rock and roll, but most of my music is from little labels that never saw commercial success—traditional roots music by black musicians and white musicians, and contemplative folk. The spirit of any era gives birth to trends and fashions as well as their opposite: countless introspective individual worlds. A simultaneous embrace of both has cultivated my sensibility and way of thinking. My artwork is merely the tip of the iceberg that is my self. But if you analyzed the DNA from this tip, you would probably discover a new way of looking at my art. My viewers become a true audience when they take what I’ve made and make it their own. That’s the moment the works gain their freedom, even from their maker.

After contemplative folk singers taught me about deep empathy, the punk rockers schooled me in explosive expression.

I was born on this star, and I’m still breathing. Since childhood, I’ve been a jumble of things learned and experienced and memories that can’t be forgotten. Their involuntary locomotion is my inspiration. I don’t express in words the contents of my work. I’ll only tell you my history. The countless stories living inside my work would become mere fabrications the moment I put them into words. Instead, I use my pencil to turn them into pictures. Standing before the dark abyss, here’s hoping my spaceship launches safely tonight….

#剪片 #寫腳本 #進修 #防疫生活 #大公開 #運動
五月中到現在也三個月了
我實在是一個閒不下來的人
所以找了很多次事情要做
影片分成兩篇【認真篇】&【耍廢篇】
今天跟大家分享的是在高雄認真生活的我




訂閱我們的頻道 ▶ https://reurl.cc/Q95lNM




看更多影片：

冥想改變了我｜找回最原始的我｜冥想正面指南、瑜珈瘦了四公斤 ▶ https://reurl.cc/O0l3qA




疫情焦慮低潮｜我靠兩件事重拾自己｜冥想、瑜珈、專注呼吸法 ▶ https://reurl.cc/7r1lmD




製作破布子醬、灌蟋蟀、釣魚｜回旗山老家住一晚｜體驗鄉下休閒活動 ▶ https://reurl.cc/W3mWzO




宿霧自由行EP3最終回｜名字被寫錯找不到導遊、被放鴿子一個多小時 ▶ https://reurl.cc/3aED50




(下集)超商啤酒2021！同志直男口味大不同？口味啤酒、純啤酒大PK ▶ https://reurl.cc/a9g4R9






其他連結：
http://instagram.com/saisaichun





合作邀約：danechun023@gmail.com



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Morning Routine by Ghostrifter Official
https://soundcloud.com/ghostrifter-of...

Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0
Free Download / Stream: https://bit.ly/_morning-routine

Music promoted by Audio Library https://youtu.be/lsbbGAKhxLI
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Midnight Stroll [Relaxing Study Music] by Ghostrifter Official
https://soundcloud.com/ghostrifter-of...

Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0
Free Download / Stream: http://bit.ly/2CFc6KR

Music promoted by Audio Library https://youtu.be/DHo1pPMvXdM
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Track: Slow — Declan DP [Audio Library Release]
Music provided by Audio Library Plus
Watch: https://youtu.be/AEiXPfjTRck
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Hey guys! Here's a quiet study vlog with typing sounds and background noise. I also shared a little story about my BRAND NEW macbook which is going back to factory now... Hope you like this chill vlog with no background music!


Watch me fail unboxing my new Macbook: https://youtu.be/RT0-I1dod90


___________________________________________________________________________________________
Hello! Welcome to my channel ❤️

Please follow my social accounts:

Instagram - https://www.instagram.com/vanessa_qq1017/

FB Page - https://www.facebook.com/qqvanessa1017/

Thank you for your support ✨?

日本で美味しいチーズが見つかるかな～
チャンネル登録 / Subscribe: https://bit.ly/2D20Xng
Instagram: https://www.instagram.com/bebechan_france
Manon's Instagram: https://www.instagram.com/oloiia/
Twitter: https://twitter.com/bebechan_france


みなさんこんにちは、今日はフランス人の友達三人と日本のチーズにトライしてみるよ。日本のスーパーで十種類のチーズを選んで、いくつかのチーズは驚きだったよ！
ビデオ楽しんでね～

#フランス人 #フランス

編集、企画: Manon

その他のSNSはこちら！
▶Instagram: https://www.instagram.com/bebechan_france

Check out these playlists for more content!
プレイリストから好きなトピックをチェック！
⚫ 国際恋愛 International Couple: https://bit.ly/2O7k3id
⚫ 遠距離恋愛 LDR: http://bit.ly/39FdOsv
⚫ 教えてオレちゃん: https://bit.ly/32IQmr2
⚫ その他 : https://bit.ly/2y7onmJ
⚫ 私たちについて: https://bit.ly/2O8x0Zl
______________________________________________________
Music: https://www.bensound.com
__
Midnight Stroll [Relaxing Study Music] by Ghostrifter Official
https://soundcloud.com/ghostrifter-of...​
Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0
Free Download / Stream: http://bit.ly/2CFc6KR​
Music promoted by Audio Library https://youtu.be/DHo1pPMvXdM
__
Music: Play Song - John Deley and the 41 Players https://youtu.be/P9QQO5v0u5o
__
Music: The Night Falling - JR Tundra https://youtu.be/Ha6i7DpAeLo
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Music by Lukrembo: https://soundcloud.com/lukrembo​
Provided by Knowledge Base: https://bit.ly/2BdvqzN
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Local Forecast - Slower by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song...​
License: http://creativecommons.org/licenses/b...
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Winter Love by Declan DP https://soundcloud.com/declandp​
Licensing Agreement: http://declandp.info/music-licensing​
Free Download / Stream: https://bit.ly/-winter-love​
Music promoted by Audio Library https://youtu.be/F3xmQ8udbPo​

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食べ比べ　フランス人　フランス　外人　外国人