與Dr. Geoffrey Wright的一次主修課,曾經被巴爾的摩太陽日報報導,沒想到篇幅還蠻大,也挺詳盡的。有很多台灣學生曾經拿過他的大班課。老師昨天退休了,祝福老師身體健康萬事如意福如東海壽比南山,投資賺大錢。從此仙居涼爽,不被世事所煩擾。
It is just after 2 p.m. when Wright realizes he is late to a piano lesson. Wright's student, Wan-ching Li, is preparing for an important recital, and today's session will be used to polish her technique.
Wright swoops into the classroom, says a quick "hello," then stops short -- and plops onto the floor. From there, he cranes his neck, and peers up at the belly of a baby grand.
The piano is brand-new and has been equipped with a small box with ports for cables: a MIDI (Musical Instrument Digital Interface), standard equipment in the music profession, used to transfer sound data from musical instruments to computers. Wright grins like a boy with a new train: "This is cool."
Li is warming up, her fingers lightly touching the keys as she plays scales, then chords. As have most Peabody students, she has been involved with music nearly all her life: She began piano lessons at age 3, studied organ and composition in college, then worked as a production assistant at a recording company. Now 29, Li has come to Baltimore from Taipei, Taiwan, because she wants to create art that combines music and technology.
She begins playing "Caution to the Wind," a piece written in 1987 by James Mobberley for piano and tape-recorded accompaniment. The composition is delightful and raucous; at one point, Li karate chops the piano and, at another, she slams the keyboard cover.
The piece also demands machine-like precision.
Each stroke of Li's fingers must coincide perfectly with the music made by her inanimate partner, which plays on no matter what. "It is really hard to synchronize with the tape," she says later. "I have to put a stopwatch on top of the piano and watch it as I count seconds to make sure I am completely accurate. It doesn't allow me much freedom."
But at the recital, Li will play a second piece that illustrates what she and others mean when they talk about increasingly responsive interactions between man and computer.
The composition is called "Duet for 1 Pianist," and was written by Jean-Claude Risset for piano -- and computer. Playing duets with a computer is different from being accompanied by a tape
recorder. Information about each piano key Li touches, and the force with which it is struck, is transmitted by the MIDI to a computer. Based upon how and what Li plays, the computer decides which notes to play and how and when to play them. "With a computer, I can play in real time. I don't need to follow a recording."
She plays: Her small hands flying up and down the keyboard, her notes by turns full and rich, light and clear. The computer plays: Its synthesizer producing crescendos and trills that complement her music.
https://www.baltimoresun.com/news/bs-xpm-1998-05-31-1998151109-story.html?fbclid=IwAR1OquRLjPpnitb69hluxk44CTojA6aHrvL9bEoK0uSJSbXPA5bG9hpu2bM
同時也有6部Youtube影片,追蹤數超過4,820的網紅Marty Young,也在其Youtube影片中提到,This is my heavy metal instrumental,influenced by many masters! *Power Plan/強力計畫 Written/Arranged/Guitars/Organ and Strings by Marty Young Bass by 黎致...
「organ instrument」的推薦目錄:
- 關於organ instrument 在 Sandra Li 李婉菁 Facebook 的最佳貼文
- 關於organ instrument 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳解答
- 關於organ instrument 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳解答
- 關於organ instrument 在 Marty Young Youtube 的精選貼文
- 關於organ instrument 在 Matthew Lien Youtube 的最佳貼文
- 關於organ instrument 在 Matthew Lien Youtube 的精選貼文
- 關於organ instrument 在 Pipe Organ (An instrument the size of a building) - YouTube 的評價
- 關於organ instrument 在 How an Organ Makes Music - YouTube 的評價
organ instrument 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳解答
While the pandemic may have forced us to cancel our regular cantata concerts for the rest of 2020, it certainly hasn’t quashed our musical spirit! After offering special broadcasts in March, April and May on the cantatas of our cancelled concert programme, from June onwards, we will be offering – on each of our planned concert dates – new performances and programmes via live streaming.
For our next programme on Friday 19 June, Rudolf Lutz is going to offer us something new: in response to the numerous comments and questions from our international community, he will explore the fascinating topic of improvisation! What is the role of improvisation in classical music, especially in baroque music and Bach’s oeuvre? And what is improvisation, exactly? How does it work? Join Rudolf Lutz for explanations and demonstrations streamed live from the church in Stein, Switzerland.
/ / / / / / /
Friday, June 19th, 2020, from 6:45 P.M. onwards
Programme
6:45 P.M.
Introduction with Rudolf Lutz und Xoan Castineira
7:00 - 8:30 P.M.
Lecture-recital on improvisation with Rudolf Lutz (keyboard and organ)
Rudolf Lutz is not only regarded in the music world as an eloquent pedagogue, able to explain complex compositional contexts in a vivid way, but he is also one of the most sought-after improvisers worldwide. He will give his presentation in English to do justice to our large Internet community.
The church of Stein AR has a very valuable instrument built by Orgelbau Kuhn AG in 1985. We love to hold organ recitals there, and many visitors of the "Appenzeller Bachtage" know the beautiful church because of "Singen in der Früh", the popular sing-along programme in our festival in August.
Cantata performances of the J.S. Bach Foundation
Our cantata performances will be postponed until the end of the covid crisis. We hope to resume our performing activities in January 2021.
Would you like to donate?
Paypal.me/bachstiftung
IBAN: CH73 0900 0000 8558 5738 0
Subscribe to our channel: https://goo.gl/8R4k9P
organ instrument 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳解答
Bach leads us from the valley of death and darkness to the final and light Last Supper in Paradise. Rudolf Lutz will demonstrate on the organ (Friday, April 17th, 2020, from 6.45 P.M. onwards) that the movements of BWV 4 "Christ lag in Todesbanden" could also be interpreted as chorale preludes.
Subscribe to our channel: https://goo.gl/8R4k9P
There is not much else we could do (with the means still available and permitted) in order to maintain our memories of the cantata concert we had originally planned, but performing the very piece of music—just in a different way, namely with our proven one-man ensemble, Rudolf Lutz, at the keyboard and on the organ.
/ / / / / / /
Programme
Friday, April 17th, 2020, from 6:45 P.M. onwards
Rudolf Lutz will demonstrate on the organ at the church of Stein that the movements of this cantata could also be interpreted as chorale preludes. While Bach certainly set out to demonstrate his striking ability to illuminate the individual paintings that the cantata movements represent, Rudolf Lutz will illuminate the complexity of chorale preluding on the basis of this cantata.
In view of the prevailing epidemic and its serious consequences, but also and especially because of the text and the music, this will not be an easy fare. Consolation is not in sight. We cannot change it, neither can we gloss over the current situation nor play down the story told at Easter. Who would have thought until very recently that a sentence by Luther such as "the strangler can no longer harm us" would suddenly become today’s thrusting prayer?
1. Sinfonia
2. Versus 1
Christ lag in Todes Banden
für unsre Sünd gegeben,
er ist wieder erstanden
und hat uns bracht das Leben.
Des wir sollen fröhlich sein,
Gott loben und ihm dankbar sein
und singen halleluja. Halleluja.
3. Versus 2
Den Tod niemand zwingen kunnt
bei allen Menschenkindern;
das macht’ alles unsre Sünd,
kein Unschuld war zu finden.
Davon kam der Tod so bald
und nahm über uns Gewalt,
hielt uns in seinem Reich gefangen.
Halleluja.
4. Versus 3
Jesus Christus, Gottes Sohn,
an unsre Statt ist kommen
und hat die Sünde weggetan,
damit dem Tod genommen
all sein Recht und sein Gewalt;
da bleibet nichts denn Tods Gestalt,
den Stachel hat er verloren.
Halleluja.
5. Versus 4
Es war ein wunderlicher Krieg,
da Tod und Leben rungen;
das Leben da behielt den Sieg,
das Leben behielt den Sieg,
es hat den Tod verschlungen.
Die Schrift hat verkündiget das,
wie ein Tod den andern fraß,
ein Spott aus dem Tod ist worden.
Halleluja.
6. Versus 5
Hie ist das rechte Osterlamm,
davon Gott hat geboten,
das ist hoch an des Kreuzes Stamm
in heißer Lieb gebraten.
Das Blut zeichnet unser Tür,
das hält der Glaub dem Tode für,
der Würger kann uns nicht mehr schaden.
Halleluja.
7. Versus 6
So feiren wir das hohe Fest
mit Herzensfreud und Wonne,
das uns der Herr erscheinen läßt.
Er ist selber die Sonne,
der durch seiner Gnaden Glanz
erleuchtet unsre Herzen ganz,
der Sünden Nacht ist verschwunden.
Halleluja.
8. Choral Versus 7
Wir essen und leben wohl
in rechten Osterfladen;
der alte Sauerteig nicht soll
sein bei dem Wort der Gnaden.
Christus will die Koste sein
und speisen die Seel allein,
der Glaub will keins andern leben.
Halleluja.
Rudolf Lutz is not only regarded in the music world as an eloquent pedagogue, able to explain complex compositional contexts in a vivid way, but he is also one of the most sought-after improvisers worldwide. He will give his presentation in English to do justice to our large Internet community.
The church of Stein AR has a very valuable instrument built by Orgelbau Kuhn AG in 1985. We love to hold organ recitals there, and many visitors of the "Appenzeller Bachtage" know the beautiful church because of "Singen in der Früh", the popular sing-along programme in our festival in August.
organ instrument 在 Marty Young Youtube 的精選貼文
This is my heavy metal instrumental,influenced by many masters!
*Power Plan/強力計畫
Written/Arranged/Guitars/Organ and Strings by Marty Young
Bass by 黎致宇
Drums by 王世豪
Bass solo by Stu Hamm
Mixed/Mastered by Marty Young at MTY studio
Video by YOTTA製作部
Venue and musical instrument sponsor:海國樂器/Ibanez guitars
![post-title](https://i.ytimg.com/vi/fyxKD8Oz3KE/hqdefault.jpg)
organ instrument 在 Matthew Lien Youtube 的最佳貼文
With more than 7,000 pipes set within a massive Gothic space, the organ of Stifftkirche Admont in Styria, Austria is a phenomenal instrument. While recording binaural impulse responses of the acoustic qualities of Stifft Admont, I was thrilled to have the opportunity to perform on this magnificent organ. The music is inspired by the love and tragic suffering of Christ, the enlightened Master to whom this church is devoted, and by enlightened Master Miao-Chan who walks among us today.
![post-title](https://i.ytimg.com/vi/O3KA8ewt4OM/hqdefault.jpg)
organ instrument 在 Matthew Lien Youtube 的精選貼文
While recording binaural acoustic profiles (impulse responses) of churches in Austria, I took a moment to record this antique organ which is about 400 years old. This ancient instrument, combined with the wonderful acoustics and beautiful Gothic architecture and decor, created a very special experience for me. I'm happy to share this with you.
![post-title](https://i.ytimg.com/vi/zBg4IBg81V0/hqdefault.jpg)
organ instrument 在 How an Organ Makes Music - YouTube 的推薦與評價
![影片讀取中](/images/youtube.png)
Duke University Chapel has three outstanding pipe organs, each in a ... those instruments -- the Flentrop or Benjamin N. Duke Memorial Organ ... ... <看更多>
organ instrument 在 Pipe Organ (An instrument the size of a building) - YouTube 的推薦與評價
The biggest of instruments.Takes a half hour long video just to explore MOST of it.John Sherer's full performances on the 2nd channel:Johann ... ... <看更多>