Eminem Killshot rap cover :v mới tập nên hơn tệ :< đừng chê nha
Eminem Killshot rap cover :v mới tập nên hơn tệ :< đừng chê nha :(
Lyrics bài này nè :3 :
You sound like a bitch, bitch
Shut the fuck up
When your fans become your haters
You done?
Fuck, your beard's weird
Alright
You yellin' at the mic, you weird beard
We doin' this once
Your beard's weird, why you yellin' at the mic?
Rihanna just hit me on a text
Last night I left hickeys on her neck
Wait, you just dissed me? I'm perplexed
Insult me in a line, compliment me on the next, damn
I'm really sorry you want me to have a heart attack
Was watchin' 8 Mile on my NordicTrack
Realized I forgot to call you back
Here's that autograph for your daughter, I wrote it on a Starter cap
Stan, Stan, son, listen, man, dad isn't mad
But how you gonna name yourself after a damn gun and have a man bun?
The giant's woke, eyes open, undeniable
Supplyin' smoke, got the fire stoked
Say you got me in a scope, but you grazed me
I say one call to Interscope and you're Swayze
Your reply got the crowd yelling, "Woo"
So before you die let's see who can out-petty who
With your corny lines (Slim you're old)
Ow, Kelly, ooh, but I'm 45 and I'm still outselling you
By 29 I had three albums that had blew
Now let's talk about somethin' I don't really do
Go in someone's daughter's mouth stealin' food
But you're a fuckin' mole hill, now I'ma make a mountain out of you, woo!
Ho, chill, actin' like you put the chrome barrel to my bone marrow
Gunner? Bitch, you ain't a bow and arrow
Say you'll run up on me like a phone bill, sprayin' lead
Playin' dead, that's the only time you hold still
Are you eating cereal, or oatmeal?
What the fuck's in the bowl, milk? Wheaties or Cheerios?
'Cause I'm takin' a shit in 'em, Kelly, I need reading material
Dictionary
Yo Slim, your last four albums sucked
Go back to Recovery, oh shoot, that was three albums ago
What do you know? Oops, know your facts before you come at me, lil' goof
Luxury, oh, you broke, bitch?
Yeah, I had enough money in '02
To burn it in front of you, ho
Younger me? No, you the whack me
It's funny, but so true
I'd rather be 80 year old me than 20 year old you
'Til I'm hitting old age, still can fill a whole page with a 10 year old's rage
Got more fans than you in your own city, lil' kiddy
Go play, feel like I'm babysitting Lil Tay
Got the Diddy okay so you spent your whole day
Shootin' a video just to fuckin' dig your own grave
Got you at your own wake, I'm the billy goat
You ain't never made a list next to no Biggie, no Jay
Next to Taylor Swift, and that Iggy ho, you about to really blow
Kelly, they'll be putting your name
Next to Ja, next to Benzino, die, motherfucker
Like the last motherfucker sayin' Hailey in vain
Alien brain, you Satanist (yeah)
My biggest flops are your greatest hits
The game's mine again and ain't nothin' changed but the locks
So before I slay this bitch, mwah, give Jade a kiss
Gotta wake up Labor Day to this (the fuck?)
Bein' rich-shamed by some prick usin' my name for clickbait
In a state of bliss 'cause I said his goddamn name
Now I gotta cock back, aim, yeah, bitch, pop champagne to this
It's your moment, this is it
As big as you're gonna get, so enjoy it
Had to give you a career to destroy it
Lethal injection, go to sleep six feet deep
I'll give you a B for the effort, but if I was three
Foot 11, you'd look up to me, and for the record
You would suck a dick to fuckin' be me for a second
Lick a ballsack to get on my channel
Give your life to be this solidified
This mothafuckin' shit is like Rambo when he's out of bullets
So what good is a fuckin' machine gun when it's out of ammo?
Had enough of this tatted-up mumble rapper
How the fuck can him and I battle?
He'll have to fuck Kim in my flannel
I'll give him my sandals
'Cause he knows long as I'm Shady, he's gon' have to live in my shadow
Exhausting, letting off on my offspring
Like a gun barrel, bitch, get off me
You dance around it like a sombrero, we can all see
You're fuckin' salty 'cause young Gerald's balls-deep inside of Halsey
Your red sweater, your black leather
You dress better, I rap better
That a death threat or a love letter?
Little white toothpick
Thinks it's over a pic, I just don't like you, prick
Thanks for dissing me
Now I had an excuse on the mic to write, "Not Alike"
But really, I don't care who's in the right
But you're losin' the fight you picked
Who else want it, Kells?
Attempt fails, Budden, L's
Fuckin' nails in these coffins as soft as Cottonelle
Killshot, I will not fail, I'm with the Doc still
But this idiot's boss pops pills and tells him he's got skills
But Kells, the day you put out a hit's the day Diddy admits
That he put the hit out that got Pac killed, ah
I'm sick of you bein' whack
And still usin' that mothafuckin' Auto-Tune, so let's talk about it (let's talk about it)
I'm sick of your mumble rap mouth
Need to get the cock up out it before we can even talk about it (talk about it)
I'm sick of your blonde hair and earrings
Just 'cause you look in the mirror and think you're Marshall Mathers (Marshall Mathers)
Don't mean you are, and you're not about it
So just leave my dick in your mouth, and keep my daughter out it
You fuckin', oh
And I'm just playin', Diddy, you know I love you
同時也有2部Youtube影片,追蹤數超過1萬的網紅桃子A1J,也在其Youtube影片中提到,歌詞/Lyrics and Composing:桃子A1J,JimWu 編曲/Beat by:MISERY 錄音/Recording:Jim Wu伍柏宇 混音/Mixing:Jim Wu伍柏宇 beefandbeatsstudio 肉片啊工作室 Prod. Lyrics: Oh baby i m...
「phone in vain」的推薦目錄:
- 關於phone in vain 在 Kenjumboy Facebook 的最佳解答
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- 關於phone in vain 在 桃子A1J Youtube 的最佳解答
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phone in vain 在 Chelsia Ng Facebook 的最佳貼文
Michael Aris proposed to Aung San Suu Kyi in Bhutan~ Enjoy reading the untold love story. Good weekend~ L
...........................
The Untold Love Story of Burma's Aung San Suu Kyi
Aung San Suu Kyi, whose story is told in a new film, went from devoted Oxford housewife to champion of Burmese democracy -- but not without great personal sacrifice.
By Rebecca Frayn
When I began to research a screenplay about Aung San Suu Kyi four years ago, I wasn’t expecting to uncover one of the great love stories of our time. Yet what emerged was a tale so romantic -- and yet so heartbreaking -- it sounded more like a pitch for a Hollywood weepie: an exquisitely beautiful but reserved girl from the East meets a handsome and passionate young man from the West.
For Michael Aris the story is a coup de foudre, and he eventually proposes to Suu amid the snow-capped mountains of Bhutan, where he has been employed as tutor to its royal family. For the next 16 years, she becomes his devoted wife and a mother-of-two, until quite by chance she gets caught up in politics on a short trip to Burma, and never comes home.
Tragically, after 10 years of campaigning to try to keep his wife safe, Michael dies of cancer without ever being allowed to say goodbye.
I also discovered that the reason no one was aware of this story was because Dr Michael Aris had gone to great lengths to keep Suu’s family out of the public eye. It is only because their sons are now adults -- and Michael is dead -- that their friends and family feel the time has come to speak openly, and with great pride, about the unsung role he played.
The daughter of a great Burmese hero, General Aung San, who was assassinated when she was only two, Suu was raised with a strong sense of her father’s unfinished legacy. In 1964 she was sent by her diplomat mother to study Politics, Philosophy and Economics at Oxford, where her guardian, Lord Gore-Booth, introduced her to Michael. He was studying history at Durham but had always had a passion for Bhutan – and in Suu he found the romantic embodiment of his great love for the East. But when she accepted his proposal, she struck a deal: if her country should ever need her, she would have to go. And Michael readily agreed.
For the next 16 years, Suu Kyi was to sublimate her extraordinary strength of character and become the perfect housewife. When their two sons, Alexander and Kim, were born she became a doting mother too, noted for her punctiliously well-organised children’s parties and exquisite cooking. Much to the despair of her more feminist friends, she even insisted on ironing her husband’s socks and cleaning the house herself.
Then one quiet evening in 1988, when her sons were 12 and 14, as she and Michael sat reading in Oxford, they were interrupted by a phone call to say Suu’s mother had had a stroke.
She at once flew to Rangoon for what she thought would be a matter of weeks, only to find a city in turmoil. A series of violent confrontations with the military had brought the country to a standstill, and when she moved into Rangoon Hospital to care for her mother, she found the wards crowded with injured and dying students. Since public meetings were forbidden, the hospital had become the centre-point of a leaderless revolution, and word that the great General’s daughter had arrived spread like wildfire.
When a delegation of academics asked Suu to head a movement for democracy, she tentatively agreed, thinking that once an election had been held she would be free to return to Oxford again. Only two months earlier she had been a devoted housewife; now she found herself spearheading a mass uprising against a barbaric regime.
In England, Michael could only anxiously monitor the news as Suu toured Burma, her popularity soaring, while the military harassed her every step and arrested and tortured many of her party members. He was haunted by the fear that she might be assassinated like her father. And when in 1989 she was placed under house arrest, his only comfort was that it at least might help keep her safe.
Michael now reciprocated all those years Suu had devoted to him with a remarkable selflessness of his own, embarking on a high-level campaign to establish her as an international icon that the military would never dare harm. But he was careful to keep his work inconspicuous, because once she emerged as the leader of a new democracy movement, the military seized upon the fact that she was married to a foreigner as a basis for a series of savage -- and often sexually crude -- slanders in the Burmese press.
For the next five years, as her boys were growing into young men, Suu was to remain under house arrest and kept in isolation. She sustained herself by learning how to meditate, reading widely on Buddhism and studying the writings of Mandela and Gandhi.
Michael was allowed only two visits during that period. Yet this was a very particular kind of imprisonment, since at any time Suu could have asked to be driven to the airport and flown back to her family.
But neither of them ever contemplated her doing such a thing. In fact, as a historian, even as Michael agonised and continued to pressurise politicians behind the scenes, he was aware she was part of history in the making. He kept on display the book she had been reading when she received the phone call summoning her to Burma. He decorated the walls with the certificates of the many prizes she had by now won, including the 1991 Nobel Peace Prize. And above his bed he hung a huge photograph of her.
Inevitably, during the long periods when no communication was possible, he would fear Suu might be dead, and it was only the odd report from passers-by who heard the sound of her piano-playing drifting from the house that brought him peace of mind. But when the south-east Asian humidity eventually destroyed the piano, even this fragile reassurance was lost to him.
Then, in 1995, Michael quite unexpectedly received a phone call from Suu. She was ringing from the British embassy, she said. She was free again! Michael and the boys were granted visas and flew to Burma.
When Suu saw Kim, her younger son, she was astonished to see he had grown into a young man. She admitted she might have passed him in the street. But Suu had become a fully politicised woman whose years of isolation had given her a hardened resolve, and she was determined to remain in her country, even if the cost was further separation from her family.
The journalist Fergal Keane, who has met Suu several times, describes her as having a core of steel.
It was the sheer resilience of her moral courage that filled me with awe as I wrote my screenplay for The Lady. The first question many women ask when they hear Suu’s story is how she could have left her children. Kim has said simply: “She did what she had to do.” Suu Kyi herself refuses to be drawn on the subject, though she has conceded that her darkest hours were when “I feared the boys might be needing me”.
That 1995 visit was the last time Michael and Suu were ever allowed to see one another. Three years later, he learnt he had terminal cancer. He called Suu to break the bad news and immediately applied for a visa so that he could say goodbye in person. When his application was rejected, he made over 30 more as his strength rapidly dwindled. A number of eminent figures -- among them the Pope and President Clinton -- wrote letters of appeal, but all in vain. Finally, a military official came to see Suu. Of course she could say goodbye, he said, but to do so she would have to return to Oxford.
The implicit choice that had haunted her throughout those 10 years of marital separation had now become an explicit ultimatum: your country or your family. She was distraught. If she left Burma, they both knew it would mean permanent exile -- that everything they had jointly fought for would have been for nothing. Suu would call Michael from the British embassy when she could, and he was adamant that she was not even to consider it.
When I met Michael’s twin brother, Anthony, he told me something he said he had never told anyone before. He said that once Suu realised she would never see Michael again, she put on a dress of his favourite colour, tied a rose in her hair, and went to the British embassy, where she recorded a farewell film for him in which she told him that his love for her had been her mainstay. The film was smuggled out, only to arrive two days after Michael died.
For many years, as Burma’s human rights record deteriorated, it seemed the Aris family’s great self-sacrifice might have been in vain. Yet in recent weeks the military have finally announced their desire for political change. And Suu’s 22-year vigil means she is uniquely positioned to facilitate such a transition -- if and when it comes -- exactly as Mandela did so successfully for South Africa.
As they always believed it would, Suu and Michael’s dream of democracy may yet become a reality.
phone in vain 在 蕭曉玲 Facebook 的最佳貼文
支持者幫忙做的英文簡介,收在部落格"我的故事/Intro"網頁。大家可以幫忙查看有無錯誤。
Hsiaoling Hsiao(蕭曉玲): jobless as the result of being against the power?
The former junior school teacher Hsiaoling,Hsiao got intentionally laid off by the school she worked for only because she accused Longbin Hao, (郝龍斌) the Mayor of Taipei of breaking the law (One-Guideline-One-Text).
Hsiaoling Hsiao(蕭曉玲), was a teacher of junior school in Taiwan till the end of 2007, because of her accusing the Mayor, not only was she laid off by the school, but also was she blacklisted by the Education Ministry of Taiwan that she will not be able to teach in any educational institute national wide. This punishment equals the punishment for those teachers who commit sexual abuse.
Meihui Tseng, (曾美蕙) The principal of the school Ms. Hsiao used to work for, wrote a book and defamed Ms. Hsiao in an article of a book she wrote with others. This book was distributed to many schools national wide, ruined the reputation of Ms. Hsiao totally. No wonder that dozens of NGOs in Taiwan called it as “revival of political persecution”
During the incident procedure, the interference of government can be seen everywhere. The school inspector implied to reactive the lay-off policy on the performance evaluation conference. Protests against her with white cloth strips from the parental association. These organized activities against her was launched and informed via faxes from the Education Bureau.
Tengjiao Lin, (林騰蛟) head of the Taiwan Education Bureau slandered Hsiao at the press conference of “shameless lying and mislead the media”. When asked about when Hsiao was found not qualified, Lin said repeatedly “on November 12th。” exactly the day when she accused the Mayor!
According to the school, Hsiao got laid off because of scrimshank to the work. The evidence backing up the accusation is more than ridiculous – a photo of a watch is said to be the evidence of late for work; a photo with Hsiao holding the telephone for business use at school was accused of using mobile phone during class; a falsified journal showing the date November 31st – a date never exists, and other similar non-existing evidence. Also falsified testimony from the students saying she showed entertaining film in class instead of teaching according to the schedule, talking about political sensitive topics. (One-Guideline-One-Text)
The punishment to Hsiao works now as a warning to others, aroused the anxiety and fear of many other teachers. Till today, the injustice treatment to Hsiao is still remaining. “All what we can do now is wishing her all the best” says the National Federation of Teachers Union.
Hsiao eventually sacrificed for this case, it led to following bad consequence –tens of thousands of NTP spent in vain,thousands students’ right offended.
For more information, please go to Ms. Hsiao’s blog, address as below
http://iamhsiao.blogspot.com/
phone in vain 在 桃子A1J Youtube 的最佳解答
歌詞/Lyrics and Composing:桃子A1J,JimWu
編曲/Beat by:MISERY
錄音/Recording:Jim Wu伍柏宇
混音/Mixing:Jim Wu伍柏宇
beefandbeatsstudio 肉片啊工作室 Prod.
Lyrics:
Oh baby i miss you, oh baby i miss you
Wonder where you’re at now, though we can’t go back now
Oh baby i miss you, oh baby i miss you
Wonder where you’re at now, though we can’t go back now
My lover lover don't say no, I was so stupid that i let u go
I need reset myself without u,I need reset myself without u
My lover lover don't say no, I am lost, I am vain, I will never be the same
Back with me now,back with me now
Back with me now,back with me now
You're out of sight but not out of my mind
Oh baby i miss you, oh baby i miss you
Wonder where you’re at now, though we can’t go back now
Oh baby i miss you, oh baby i miss you
Wonder where you’re at now, though we can’t go back now
I'm all alone pretend to be fine in my own now
in my own now in my own now
Can’t pick up the phone how your voice keep surround my heart
It’s feel so hard feel so cold now
3 A.M. in the morning still the same can't say sorry
Seem like I haven't forget you yet
In the end we all got upset
Oh baby i miss you, oh baby i miss you
Wonder where you’re at now, though we can’t go back now
Oh baby i miss you, oh baby i miss you
Wonder where you’re at now, though we can’t go back now
Follow me:
IG: peach_a1j
![post-title](https://i.ytimg.com/vi/tzp9HqIbbqs/hqdefault.jpg)
phone in vain 在 Daphne Iking Youtube 的最佳貼文
I went for a run yesterday and noticed so many friendly faces and kind acts but I didn't have my phone with me to take impromptu pictures. (Going digital is amazeballs!)
So this morning, I decided to take my husband's GoPro during our daily run to test something out.
Based on my article in The Star Metro last Friday, I wrote about Malaysians growing to be a bunch of untrusting folks.
Clad with my GoPro and unsteady hands, I went two rounds not smiling but taking shots of random folks.
a. Either they thought I was a mad jogger (highly likely) or b. an extreme vain jogger who has taken selfie shots of herself jogging ....to a whole new level!
The final three rounds, I smiled and waved.
And guess what?
Yup...you guessed it!
Enjoy!
(sorry for the shakiness of the shots).
![post-title](https://i.ytimg.com/vi/75GQBP2n1mM/hqdefault.jpg)
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