關於 say goodbye song ，我們在網路上蒐集到這些相關的討論、資訊與評價

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วันนี้เวลา 12:00 น. เราจะมีการเปิดรับจองเทป Balloon Boy นะครับ

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Limited Running Number 500 Copies
Made In Canada

ราคาม้วนล่ะ 690 บาท
ค่าจัดส่ง 50 บาท
พร้อมรับของวันที่ 30 กันยายน 2564

รายชื่อเพลง

A
1. เพลงโปรด (Favorite Song)
2. กอดคอ Together ( Feat. Nara & Varin )
3. ไปโรงเรียน Going To School
4. ปล่อยเขาไป Move On
5. เขิน Shy ( Feat. Bo TK )

B
6. Everyday
7. กอด Hug
8. Long Time No See
9. ฟ้าคะนองกระจาย Scattered Showers & Thunderstroms
10. Don't Wanna Say Goodbye

#Balloonboy

***เปิดรับจองวันนี้เวลา 12.00 นะครับ***

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Remember me　◎Kristen Anderson-Lopez, Robert Lopez
⠀　
Remember me
請記得我
Though I have to say goodbye
雖然再見必須說
Remember me
請記得我
Don't let it make you cry
眼淚別掉太多
⠀　
For even if I'm far away
想像我就在你眼前
I hold you in my heart
就算距離遙遠
I sing a secret song to you
當熟悉的旋律出現
Each night we are apart
像我在你身邊
⠀　
Remember me
請記得我
Though I have to travel far
儘管我必須遠行
Remember me
請記得我
Each time you hear a sad guitar
如果吉他讓你傷心
⠀　
Know that I'm with you the only way that I can be
知道我不在你身邊你會感到寂寞
Until you're in my arms again
只想我再次擁抱你
Remember me
請記得我
⠀　
⠀　
-
⠀　
◎小編 #林宇軒 @number053 賞析
⠀　
〈Remenber Me〉是電影《Coco》（可可夜總會，或譯「可可人生奇遇」、「尋夢環遊記」、「玩轉極樂園」）的主題曲，由皮克斯製作，迪士尼影發行。
⠀　
從創作者來觀察，詞曲是由克里斯汀和羅伯特夫妻夫妻共同完成，兩人先前的作品有《摩門經》、《Q大道》、電影《冰雪奇緣》中〈Let it Go〉等。這首〈Remenber Me〉以墨西哥亡靈節故事為背景，配合電影中的敘事情節，讓這首歌曲在電影中並不只是一種形式，更讓其參與了情節，成為電影內容的關鍵部分。
⠀　
這首歌曲獲得奧斯卡最佳原創歌曲獎，中文版作詞由陳少琪負責。小編在進行華語翻譯時，並非逐句翻譯，而是參酌了「陳少琪」與「百老匯中譯站」的譯本，在「請記住我」和「別忘了我」之外，選擇另起「請記得我」為題；而在內文配合電影的情境之後重譯，成為以上讀者所看到的版本。
⠀　
之所以會讓這首歌曲「不只是歌曲」的原因，在於其在電影中所代表的意義，從歌詞中也能窺見一斑——〈Remenber Me〉做為一種情感連結中的「secret song」，讓其在電影裡站定一個承載記憶、連結關係的位置。
⠀　
以形式上來論，「Remenber me」以祈使句起始後立刻接上「Though」的反轉，強化前句的張力；就內容而言，《可可夜總會》將以往悲傷負面的死亡形象給轉化，以較為深刻與正面的概念去詮釋，而在這首歌曲以「大調」為主的設計上便可以結合形式與內容，跳脫出「音樂性」而直取「音樂」本身的特性。
⠀　
因為這些「雖然」，讓生命多了一些缺憾，在歌詞上也扣合了電影的故事架構——死亡不是永遠的分離，只是暫時再見，這讓「記憶」在敘事中有著絕對的重要性。相較於其他歌曲，雖然沒有較為複雜的情節，但若配合電影的情境與本身後設的策略，會發現其將文字本身的能量與其他文本連結，成為電影中可以串連、也可單獨存在的部分。
⠀　
⠀　
-
▨ 美術設計 _ 浩瑋
　
https://cendalirit.blogspot.com/2021/09/20210918.html

Layton Wu 雷頓狗 - Say Goodbye (cover)

Expiry Dates Vol.1

「如果記憶也是一個罐頭的話，我希望這罐罐頭不會過期; 如果一定要加一個日子的話，我希望她是一萬年」- 何志武 (重慶森林)

對我而言， 這三首翻唱的音樂都沒有過期， 當然還有更多陪伴我的音樂也是如此。原本的想法只是學習這些音樂人的創作想法，但接著慢慢的做了不少首。
第二首是翻唱我超級喜愛的日本創作者Hiroshi Sato，我特別喜歡Orient 和 Awakening 這兩張在70末80初，以合成器、鍵盤為主來製作的音樂，也特別有東西合璧的感覺。而Say Goodbye 對我來說是很有意義的一首歌，有許多深刻的記憶，而記憶是一道無法抹去的痕跡，它會永遠住在你心中，如果要再次說再見， 我一定會當面說Goodbye。

感謝
雷頓狗

" If memories could be canned, would they also have expiry dates? If so, I hope they last for centuries. " -- [He Zhiwu, Cop 223] (Chungking Express)

For me, many old songs I love are never out of date, even though they are not popular anymore. I think music from the 70s and 80s are so fascinating. There are many great artists and producers that I admire. To learn their thoughts and production, I decided to cover some songs. The second song, in this EP, I cover from Hiroshi Sato, in 1982’s "Awakening" Album - “Say Goodbye”. His music is mostly started from the synthesizer and the piano, combining western pop music and oriental style. In Awakening, he plays most of the instruments except guitar. This self producing ability inspired me so much, also like Mac Demarco and Prince. They are all my all-time favorite artists. "Say Goodbye" for me , it's a memorable song. I've heard of it before but I remembered my ex shared it with me. At the moment, I feel like we're very connected and I still think she is one of the people who has good taste in music. We didn't say goodbye in the end. I still regret that I didn't say goodbye face-to-face.

Listening to music makes me fall in love. Writing music lets me get over who I love.

Produced by Layton Wu 雷頓狗
Mixed and Mastered by Layton Wu 雷頓狗 at Bedroom Dog Studio 臥室狗, Chicago
Cover by laishihchi 賴士琦

Expiry Dates Vol.1

「如果記憶也是一個罐頭的話，我希望這罐罐頭不會過期; 如果一定要加一個日子的話，我希望她是一萬年」- 何志武 (重慶森林)

對我而言， 這三首翻唱的音樂都沒有過期， 當然還有更多陪伴我的音樂也是如此。原本的想法只是學習這些音樂人的創作想法，但接著慢慢的做了不少首。
第二首是翻唱我超級喜愛的日本創作者Hiroshi Sato，我特別喜歡Orient 和 Awakening 這兩張在70末80初，以合成器、鍵盤為主來製作的音樂，也特別有東西合璧的感覺。而Say Goodbye 對我來說是很有意義的一首歌，有許多深刻的記憶，而記憶是一道無法抹去的痕跡，它會永遠住在你心中，如果要再次說再見， 我一定會當面說Goodbye。

" If memories could be canned, would they also have expiry dates? If so, I hope they last for centuries. " -- [He Zhiwu, Cop 223] (Chungking Express)

For me, many old songs I love are never out of date, even though they are not popular anymore. I think music from the 70s and 80s are so fascinating. There are many great artists and producers that I admire. To learn their thoughts and production, I decided to cover some songs. The second song, in this EP, I cover from Hiroshi Sato, in 1982’s "Awakening" Album - “Say Goodbye”.  His music is mostly started from the synthesizer and the piano, combining western pop music and oriental style. In Awakening, he plays most of the instruments except guitar. This self producing ability inspired me so much, also like Mac Demarco and Prince. They are all my all-time favorite artists. "Say Goodbye" for me , it's a memorable song. I've heard of it before but I remembered my ex shared it with me. At the moment, I feel like we're very connected and I still think she is one of the people who has good taste in music. We didn't say goodbye in the end. I still regret that I didn't say goodbye face-to-face.


感謝
雷頓狗

Listening to music makes me fall in love. Writing music lets me get over who I love.

Produced by Layton Wu 雷頓狗
Mixed and Mastered by Layton Wu 雷頓狗 at Bedroom Dog Studio 臥室狗, Chicago
Cover by laishihchi 賴士琦

Post Malone - Goodbyes ft. Young Thug (EmptyEye Cover)
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Me and Kurt feel the same, too much pleasure is pain
My girl spites me in vain, all I do is complain
She needs something to change, need to take off the edge
So - it all tonight
And don't tell me to shut up
When you know you talk too much
But you don't got - to say
I want you out of my head
I want you out of my bedroom tonight
There's no way I could save you
'Cause I need to be saved, too
I'm no good at goodbyes
We're both acting insane, but too stubborn to change
Now I'm drinkin' again, 80 proof in my veins
And my fingertips stained, looking over the edge
Don't - with me tonight
Said you needed this heart then you got it
Turns out that it wasn't what you wanted
And we wouldn't let go and we lost it
Now I'm a goner
I want you out of my head
I want you out of my bedroom tonight
There's no way I could save you
'Cause I need to be saved, too
I'm no good at goodbyes
I want you right in my life
I want you back here tonight
I'm tryna to cut you, no knife
I wanna slice you and dice you
My argues possessive, it got you precise
Can you not turn off the TV? I'm watching the fight
I flood the garage, blue diamond, no shark
You're Barbie life doll, it's Nicki Minaj
You don't need a key to drive, your car on the charger
I just wanna see the side, the one that's unbothered
And I don't want you never go outside
I promise if they play, my - slidin'
I'm - her and the tour bus still ridin'
Yeah, yeah, yeah, yeah, yeah
I want you out of my head
I want you out of my bedroom tonight
There's no way I can save you
Because I need to be saved too
I'm no good at goodbyes
Goodbye, goodbye, goodbye
Goodbye, goodbye, goodbye
Goodbye, goodbye, goodbye
I'm no good at goodbyes
Goodbye, goodbye, goodbye
Goodbye, goodbye, goodbye
Goodbye, goodbye, goodbye
I'm no good at goodbyes

Jessie 平靜地告訴她媽媽，到早上她就會死，因為她打算在當天晚上自殺。
歌曲創作靈感源自1983年獲得普利策戲劇獎的獨幕劇《晚安媽媽》。


Jessie calmly tells her mother that she would be dead on the morning, because she plans to commit suicide that very evening.

The song is inspired by the one-act play " 'night, Mother " ​​that won the Pulitzer Prize in 1983.

【Good Night Mama】

Good night, good night.
It’s gonna be alright
It’s gonna be alright, be alright

Good night, good night mama
Love to see your smile
Don’t cry, don’t cry, don’t cry for me
Don’t cry for me, or make an apple pie for me

Good night mama, tomorrow tomorrow
I can fly, I can fly, I can fly

Good night, good night mama
It’s gonna be alright
Good night, good night
I have smiled but things weren’t getting well
Alright alright

Every night I ask “who am I?“
And I ask “who am I?” and “why would I?”

Good night, good night mama
Can I ?
I can smile, I am fine, fine to say goodbye.

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Composer: Rachel 劉蘊晴
Lyrics: Rachel 劉蘊晴
Arrangement: Rachel 劉蘊晴／Dennis Wan
Producer: Dennis Wan／Rachel 劉蘊晴
Acoustic Guitar: Goo Chan
Vocal harmony arrangement & performance: Rachel 劉蘊晴
Vocal recording: Dennis Wan at Rebel Studio
Mixing: Dennis Wan

Video Editting: Lugus
Graphic design : Stephen
Ilustrator：Ieng Ieng

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