關於 second life 中文 版 ，我們在網路上蒐集到這些相關的討論、資訊與評價

這本堪稱研究微表情與肢體語言的開山始祖，經典中的經典～

話說最近出版界的新書一堆都是重發的翻譯書，新書大部分都是本地作者的作品，堪稱戰後出版史上最冷的夏天了～

【素人推薦文-最重要的夥伴】

四年前，我請在旅途中遇到的兩位好朋友，幫我寫一段他們對我的感想。不愧是我的好朋友，所以在兩年前，我終於收到了其中一位瓦倫的回覆（我們是拖時間比賽嗎XD）。當我現在要把他們整理到書裡面時，覺得NG的片段也太好笑了，所以決定一刀未剪的放上來給大家瞧瞧，你就會知道，在路上可能會遇到什麼樣沒頭沒腦只會拼命講幹話的好朋友 :D (以下是我的翻譯，原文可以往下跳到最後）

「兩位：
我終於找到時間寫些句子給Min，這真的不是一件容易的事情，因為當我開始認真寫個三句話之後，就會忍不住接一些廢話進去。這真的不是一件容易的事，試想看看，如果你得寫一篇關於某人好話的文章，但其實你心裡清楚她其實是個騙子，因為她總是跑去搭火車？

因此，這是我第一個嘗試：
Min是一個像金一樣純的人，她充滿愛和精神，總是穿白色衣服。她沒有騎車，而是在地球上飛行了50厘米。 不...他媽的！

第二次嘗試：
親愛的人們，我必須警告您：這本書是一本幻想小說！如果作者寫了幾公里這樣的文字，很有可能實際上是公尺；當她寫單車時，她意味著火車；當她寫帳篷時，其實指的是一間三星級酒店。

第三次嘗試：
關於第一個騎單車的背包客女子從德國乘火車到臺灣的簡短故事。

我第一次遇到Min時是在德黑蘭的土庫曼大使館大樓外。她問我：「您是Vali嗎？德國人，騎單車前往烏茲別克斯坦嗎？我是Min，我也想去那裡，我們可以一起騎嗎？」

那時候，我不想結識其他騎單車的人。某方面來講，我已經聽夠別人的故事，並很享受自己一個人的旅行。自從我的旅伴朱莉從伊斯坦堡離開我之後，我便開始享受旅途中的寂靜與寂寞。所以我並不想和Min一起旅行，但我只是回答她：「好吧，...是的，好吧，如果我們都能順利拿到簽證，就可以一起騎車。」於是她問了我的聯繫方式，最後她也真的打電話給我一起去領取簽證。

我們開始一起旅行時，我的伊朗簽證只剩9天，因此我每天必須不斷地趕路，我不確定Min是否能夠跟上，因為這將會改變騎車的節奏。但是當我開始認識Min時，我發現她是一個有趣的女孩，一個只燃燒熱情就打算從慕尼黑回到臺灣的女人，充滿了理想和天真。

她只是單純的展開了計劃，在還不知道接下來會發生什麼事，也沒有任何騎乘單車和露營經驗的情況下。她帶了一個彈出式的帳篷，那種帳篷你只會為了在車上應付緊急情況而準備的帳篷；是當你可能在開高速公路回家的路上，因為太過於勞累，而決定扔出這種圓形帳篷休息一下才會用到的那種。而她的單車也沒有前袋，所以她所有的裝備都扛在單車的後面以及她的背上，因為她竟然背了一個背包！實際上，她是第一個騎單車從德國到臺灣的背包客。這就是Min令人印象深刻的一件事：她有這個想法，然後她做到了。

她得到一台贊助的單車和一些贊助的裝備，然後就拿著這些東西展開旅程。她的思考模式不像我這樣的德國人，在計劃開始之前必須擁有完美的單車和完美的裝備。對她而言，在還沒有這些條件之前就可以動身了。我永遠不會知道她何時開始計劃，以及為何要做這趟旅行，我想連她自己都不確定，即使在書裡她告訴了你們不同的故事。

所以在伊朗的時候，我們開始認識彼此，而我的內心也開始轉變，我發現和Min一起騎車真是太好了。

有一天我們還遇到了香港人Senda，傍晚我們一起紮營時，他們兩個在抱怨伊朗米飯因為不夠粘稠，所以不能用筷子吃。請想像一下，有三個人聚集在他們各自的帳篷前，在伊朗沙漠中繁星密布的星空下，而我這顆德國馬鈴薯陷入了一場關於米飯的討論之中。我不得不為自己大笑，當我告訴他們在煮飯時我加了鹽時，他們倆都非常生氣。從這種情況下，我了解到米對於Min、Senda和其他將米作為主食的人來說是非常重要的。於是，我決定再也不會煮米飯給他們，因為他們比我更知道如何煮好米飯。

之後Senda前往阿富汗，Min和我前往馬沙德（Mashad），我們就此分開直到在烏茲別克再度相見。在土庫曼斯坦的途中，我遇到了一個叫雷蒙，又名骯髒的旅行者的瘋子，我們一起前進，當我們離開土庫曼斯坦時，我們又遇到了Min，組成一個黃金三角的夢幻單車隊。雷蒙非常熱愛騎單車，是一個非常可愛的傢伙。我們三個在一起的時刻如此獨特，在一起共享每一天，只有在夜晚時，被帳篷的薄布分開。我們一起騎單車，一起出汗，一起奮鬥，一起度過美好的夜晚，同時在帳篷前烹飪美味佳餚，共享非常愉快的自由與自主的時光。當我現在回想起來，不得不承認那是我一生中最美好的時光。Min是其中很大的一部分。

如果您想進一步了解Min和她的冒險經歷，則必須購買此書。真是太神奇了，我在馬桶上翻起書頁，就在那待了兩天，直到看完為止。讀這本書就像呼吸吉爾吉斯斯坦高原的空氣一樣，就像在雷蒙身後騎車並聞到他的屁味一樣。這將是一本暢銷書，是一本令人難忘的書。絕對推薦！買吧！」
－Valentin R (一位來自德國的瘋狂自行車旅人，和Min一起旅行了兩個月)

⟗⟗⟗⟗⟗⟗⟗⟗⟗⟗
來來來~想要一起蹲在馬桶上兩天的請往這裡請
👉https://pse.is/minbook

🤭我個人是很好奇, 他到底蹲了兩天看什麼東西?
🤔不要說我的書沒有德文版, 連中文都還在做編輯...
🤫到底是看了什麼啊...? XDDDD
⟗⟗⟗⟗⟗⟗⟗⟗⟗⟗

(原文)
Hey guys,
while staying for four days in Bangkok to repair audio amplifiers for rich Thai men I finally I found the time to write some sentences about Min and it was really not easy, because when I start writing something like this, I will write bullshit after three sentences. It is really not easy. Have you ever written something about another person and you have to talk good about this person while you know she is a liar and always went by train?

So the first try:
Min is pure gold. She is full of love and spirit and always wears white clothes. She is not cycling, she is flying fifty centimeters over the earth. NOOOOO fuck it!

second try:
Dear people, I have to warn you: this book is a fantasy book! If the author writes about kilometers on the bicycles she meant probably meters. When she writes bicycle she means train, when she writes tent she means three star hotel.......NOOOOO shit!

third try:
A short story about the first backpacker woman on a bicycle who travelled from Germany to Taiwan in a train
The first time I met Min was at the Turkmen embassy building in Teheran when she encountered me and asked: „Are you Vali, the German guy travelling to Uzbekistan by bike? I am Min, I also want to go there and I wanted to ask you if we can ride together?“
At this time I didn't want to know any other cyclists, somehow I was bored to hear stories of others while I was having a great adventure by myself. I enjoyed the silence and loneliness on the road since Jule, my cycle mate, left me in Istanbul. So actually I didn't want to travel with Min in the first moment, but I just answered to Min: „Well,...yes..., ok, if we get the visas we can ride together.“ So she asked for my contact and she really called me to pick up the visas.
I only had nine days left in Iran before my visa expired so we had to go really quick and I didn't know if Min was able to catch up. It was a change in rhythm for my bike tour, but when I started to know Min I found out that she is a funny girl with a burning ambition to fulfill her aim travelling by bicycle from Munich in Germany to her home country of Taiwan. A woman full of spirit and a good portion of naivety. She just started the trip without knowing what will come and without any experience of cycling and camping before this trip. She was equipped with a pop up tent, the kind of tent you have in the car for an emergency, when you are still on the highway and you get to tired to drive home. So you have this kind of round tent that you can throw and it pops up as a tent by itself. She also didn't have front panniers (bags) on her bike, so all her equipment was in the back – and also on her back, because she was wearing a backpack! Actually she was the first backpacker on a bicycle to travel from Germany to Taiwan. And that is the impressing thing about Min: she had the idea to do this trip, so she just did. She got a sponsored bike and some kind of sponsored equipment and she just took this and started the tour. She didn't think the German way like me who had to have a perfect bicycle and perfect equipment before I started. No, she just started without any spare parts for the bicycle, without any experience in cycling and camping. I never found out when she started to have this idea and why and probably she doesn't know herself even if she tells you different in this book.
So in the time in Iran we got to know each other and my mood was turning and I found out that it is nice to cycle with Min.
On day we also met Senda, an Hongkongnesian guy and in the evening Min and him were complaining about the Iranian rice, because it is not sticky so you cannot eat it with chop sticks. So you must imagine three people in front of their tents under a really nice Iranian starry sky in the desert and me as a German potato in the middle of this rice dicussion. I had to laugh for myself a lot and when I told them that I put salt in the rice when I cook it, the both got really angry. From this situation I learnt that rice must be something really important for Min, Senda and other people that eat rice as staple food. This night I decided to never cook any rice for them, because the knew it always better in terms of rice.
Senda went on to Afghanistan and Min and me went on to Mashad and we divided there to meet up in Uzbekistan again. On the way through Turkmenistan I met a crazy guy called Raimon a.k.a. Dirty Traveller and we went on together and when we left Turkmenistan we met Min again forming the golden triangle of cyclism, a dream team. Raimon is really passionate about cycling and a really lovely dude. We three had so much unique moments together, sharing the whole day together, only the nights we were divided by the thin cloth of our tents. We cycled together, we sweat together, we fighted together, we had nice evenings together while cooking nice dishes in front of our tents and having a really good time of freedom and self-determination. When I think back to this time now I have to admit that it was somehow the best time of my life. And Min was a big part of it.
If you want to know more about Min and her adventures you have to buy this book. It is totally amazing, I read it on the toilet and stayed there for two days until I finished reading. Reading this book is like breathing in the air of the Kyrgizian Plateau, it is like smelling the fart of Raimon while riding close behind him. It is just a best seller. It is the book that takes you and never leaves you. Absolute recommendation! Buy it!

神奇的翻譯幻想魔力

The Magic of Reality: How We Know What’s Really True?
什麼才是真的？：真實世界的神奇魔力
作者： Richard Dawkins
譯者： 黃煜文
繪者： 戴夫．麥金
出版社：大塊文化
出版日期：2012/05/29

這位譯者譯了幾本我感興趣的書，幾年前揭露過他翻譯另一本書（《是邏輯還是鬼扯？》）時的一些誤譯，有些頗爲好笑。著名無神論者、倡導演化論的英國科學家道金斯這本科普好書的翻譯，看來也一樣的不用心（還是無能爲力？），這裡略舉例幾段。

博客來試讀第1-2頁（原文第一章第14-16頁、中譯第12-14頁）

// Back to those dinosaurs. How do we know that they once roamed the Earth? We have never seen them or heard them or had to run away from them. Alas, we don’t have a time machine to show them to us directly. But here we have a different kind of aid to our senses: we have fossils, and we can see them with the naked eye. Fossils don’t run and jump but, because we understand how fossils are formed, they can tell us something of what happened millions of years ago. We understand how water, with minerals dissolved in it, seeps into corpses buried in layers of mud and rock. We understand how the minerals crystallize out of the water and replace the 【materials】 of the corpse, 【atom by atom,】 leaving some trace of the original animal’s form imprinted on the stone. So, although we can’t see dinosaurs directly with our senses, we can work out that they must have existed, using indirect evidence that still ultimately reaches us through our senses: we see and touch the stony traces of ancient life.

讓我們回頭來談談恐龍。我們怎麼知道牠們曾經一度漫遊在這片大地上？我們從未看過或聽過恐龍，也從未因為恐龍出現而四處逃竄。真可惜，我們沒有時光機能讓我們直接看到恐龍。但我們有不同的方法可以協助我們的感官：我們有化石，所以我們可以用肉眼看見「它們」。化石不會跑也不會跳，但我們了解化石是怎麼形成的，我們可以從化石得知數百萬年前發生的事。我們知道溶有礦物質的水分會以什麼方式滲透到埋在泥土與岩石層裡的殘骸中。我們也知道這些礦物質在水分蒸發後會留下結晶，然後取代原來存在於殘骸裡的【礦物質】。它們會【一個原子接著一個原子】把動物原本的形體痕跡滲印在石頭上。所以，雖然我們無法直接用我們的感官看見恐龍，但我們可以推斷恐龍真的存在，這些間接的證據最終還是能被我們的感官感知到：我們可以看到與摸到古代生物留在石頭上的痕跡。//

1a. //We understand how the minerals crystallize out of the water and replace the materials of the corpse, atom by atom, leaving some trace of the original animal’s form imprinted on the stone.
我們也知道這些礦物質在水分蒸發後會留下結晶，然後取代原來存在於殘骸裡的礦物質。它們會一個原子接著一個原子把動物原本的形體痕跡滲印在石頭上。//

「礦物質」取代「礦物質」？原譯把materials看成minerals。

改：這些礦物質在水分蒸發後會留下結晶，取代殘骸裡的物質。

（後記：感謝讀者 @ Michelle Wen〔小說譯者兼資深校稿人〕指出materials的誤譯。）

1b. Atom by atom，從英文的寫法看，應當修飾前句的「取代」(replace)，不是修飾後句的「leave some trace」。

改：這些礦物質在水分蒸發後會留下結晶，一個原子接著一個原子取代殘骸裡的物質，把動物原本形體的些許痕跡滲印在石頭上。

這些錯誤如果看來沒什麼，好戲還在後頭！

// In a different sense, a telescope can work like a kind of time machine. What we see when we look at anything is actually light, and 【light takes time to travel.】 Even when you look at a friend’s face you are seeing them in the past, because the light from their face takes a tiny fraction of a second to travel to your eye. Sound travels much more slowly, which is why you see a firework burst in the sky noticeably earlier than you hear the bang. When you watch a man chopping down a tree in the distance, there is an odd delay in the sound of his axe hitting the tree.

從不同的角度來看，望遠鏡就像時光機。我們看到景物時，我們實際上看到的是光，而【光可以帶著時間旅行。】即使我們看著朋友的臉，我們看見的也是他們以前的臉，因為光從他們臉上到達我們的眼睛需要時間，儘管那是極其短暫的時間。聲音的速度比光慢得多，這是為什麼你會先看到煙火在天空炸開，然後過一陣子才聽到爆炸的聲音。你從遠處看人砍樹，你會發現斧頭砍在樹幹的景象與實際上聽到聲響有一種奇妙的時間差。//

2. 這個錯誤不必多解釋，很爆笑，但非提出來不可：

「光可以帶著時間旅行」，正確意思應該是「光的旅行（穿越空間）需要時間」。takes time （花時間）想像成擬人化的「攜帶時間」，真的很有趣。同一段下一兩句譯者卻又恢復神智，寫出「光從他們臉上到達我們的眼睛需要時間」。

「帶著X旅行」也是一本書名：Umberto Eco有本趣味散文集「帶著鮭魚去旅行」，張定綺譯，好像是從義大利文的英譯版再轉譯成中文。艾柯愛玩語言，那本書翻譯的挑戰很大。

// Are there really aliens in outer space? We’ve never seen or heard them. Are they a part of reality? Nobody knows; 【but we do know what kind of things could one day tell us if they are.】 If ever we got near to an alien, our sense organs 【could tell us about it.】 Perhaps somebody will one day invent a telescope powerful enough to detect life on other planets from here. Or perhaps our radio telescopes will pick up messages that could only have come from an alien intelligence. For reality doesn’t just consist of the things we already know about: it also includes things that exist but that we don’t know about yet - and won’t know about until some future time, perhaps when we have built better instruments to assist our five senses.

外太空真的有外星人嗎？我們從未見過外星人的樣子，也從未聽過外星人的聲音。外星人是現實的一部分嗎？沒有人知道；【可以確定的是，如果外星人真的存在，那麼總有一天我們會知道他們的長相。】如果我們靠近外星人，我們的感官會讓我們知道【外星人長什麼樣子。】或許有一天，人類會發明性能強大的望遠鏡，使我們能從地球觀測到其他行星上的生命。或許我們的電波望遠鏡會偵測到唯有具有智能的外星人才能發出的訊息。現實不只包括我們已經知道的事物：現實也包括已經存在，但我們尚未得知的事物──我們可能要等到未來某個時候才能知道這些事物，屆時我們可能已經造出更好的設備使我們的五官能知覺到這些事物。//

3. 真是鬼扯的翻譯！

// But we do know what kind of things could one day tell us if they are.
可以確定的是，如果外星人真的存在，那麼總有一天我們會知道他們的長相。//

「長相」是從英文的哪一個地方憑空妄想出來的啊？〔請想像這裡插入三萬個黑人問號！〕

But we do know 但我們確知：
what kind of things could one day tell us 什麼東西可以在未來的某一天告訴我們
if they are. 外星人是否存在
(=if they are a part of reality.外星人是否是現實的一部分)

英文完全沒有關於「長相、外貌」的痕跡！

4. 下一句也一模一樣，完全未提外星人的長相，爲何譯者那麼執念於外星人的長相？

// If ever we got near to an alien, our sense organs could tell us about it.
如果我們靠近外星人，我們的感官會讓我們知道外星人長什麼樣子。//

這裡，got near 是與現實相反的虛擬語氣，表示作者認爲我們距離認識、看到外星人還很遙遠。單單譯成「如果」也不夠力，可以說「萬一、萬一真的」。

5. 更基本的英文理解失能，是這個：it 指的是「our getting near to an alien」即條件句的內容，翻譯怎麼會瞎扯為「外星人的長相」呢？

改譯：萬一我們真的與外星人接近了，我們的感官會讓我們知道（這件事）。

// Atoms have always existed, but it was only rather recently that we became sure of their existence, and it is likely that our descendants will know about 【many more things that, for now, we do not.】 That is the wonder and the joy of science: it goes on and on uncovering new things. This doesn’t mean we should believe just anything that anybody might dream up: there are a million things we can imagine but which are highly unlikely to be real - fairies and hobgoblins, leprechauns and hippogriffs. We should always be open-minded, but 【the only good reason to believe that something exists is if there is real evidence that it does.】

原子一直都存在著，但我們知道有原子這個東西卻是相當晚近的事。很可能到了我們子孫的時代，人類【對原子的了解會比現在更深入。】 而這正是科學奇特與令人雀躍之處：科學總是能不斷揭露新的事物。但這不表示任何人夢想的任何事物我們都應該深信不疑：我們可以想像出一百萬件事物，但這些事物卻有可能極不真實，例如仙女與妖精，矮精靈與駿鷹。我們的心胸應該保持開放，【但我們必須要有真憑實據才能相信事物真的存在。 】//

6. 才一下段，又是一個基本英文句的誤解：

// it is likely that our descendants will know about many more things that, for now, we do not.
很可能到了我們子孫的時代，人類對原子的了解會比現在更深入。 //

know about many more things that, for now, we do not 指的不再是原子了，前句的原子只是舉例，告訴我們：很多存在的事物，人類會需要一段時間才知道存在。

改：很可能到了我們子孫的時代，人類才會認識許多目前不知道（已存在）的事物。

7. // the only good reason to believe that something exists is if there is real evidence that it does.
但我們必須要有真憑實據才能相信事物真的存在//

這句意思雖大致沒錯，卻失去原文的強調，「唯一」的好理由：

改：有真憑實據證明事物存在，是相信事物存在的唯一好理由。

以這種每段幾乎都有莫名其妙的誤譯的進度來看，整本書細究下來，問題恐怕是罄竹難書的「天文數字」！

論文摘要
現今社會，成年人有著來自社會與生活的多方壓力，而這種壓力需要釋放，以慰藉情感，供成年人把玩之玩具就可作為釋放壓力的一個途徑。
過去人們認為玩具是兒童的專利，成年人如果玩玩具就會被認為是不務正業。但隨著時代的不斷變化，人們對於玩具的認識也更加豐富和多元化，成年人在情感需求之要求下，也希望通過玩具來使情感需求得到滿足，
在NPD調查的12個玩具市場中，全球最大的玩具市場—美國2017年銷售額比2016年增長了1%，達207億美元。而中國也僅次於美國成為全球第二大玩具消費市場。
「公仔」(Figure)為玩具之其一分類，這個詞源自70年代香港、澳門，是世界動漫產業興盛發展的新辭彙。然而目前市面上普遍為歐美系與日系公仔居多，相較少有屬於中國文化之公仔。因此，實體化中國文學角色並符合現代潮流的公仔設計為本研究之創作動機。
本創作以少人著墨之鐵扇公主和牛魔王角色為目標，兩角色似中國版美女與野獸，有著獨特的設計與衝突的美感，藉由ZBrush為數位雕刻並以光固化3D列印實體化，創作出古典與現代二款造型之潮流創意公仔。


People are experiencing pressures coming from various sources like, from our society and life. We need ways to release those pressures. Toys made for adults may serve as one of the great ways to release our stress.
Having fun with toys has been regarded as children’s privilege in old days. Adults would be considered childish if they were found playing with toys. As time goes by, however, people now a days, have different points of view about toys. Grownups, now a days are having emotional needs as well, to be met and some of them can be achieved through spending time and energy on toys.
A survey conducted by NPD (NPD Group, Inc.) on the 12 major toy markets over the globe shows that the world's largest toy market—the USA market sales increased by 1% up to a total of 20.7 billion US dollars in 2017 compared to the sales number in 2016. China, though second only to the US market for toys, does not have much of its own culture or literature related in any toy products.
"Figures ", also known as “Gong-zai” in Chinese communities, is one of the toys’ categories. This word, originated from Hong Kong and Macao way back 1970s, it is a relatively new term for the worldwide booming animation industry. American, European, and Japanese figures overwhelming dominate current toy markets and only few Chinese figures can be found among them. In the light of this phenomenon, the ideas to make figures from famous characters in Chinese fictions or literatures that follows the modern features of figures transform the motivation of this research.
The figures created for this research are the roles called “Princess Iron-Fan” and “Bull Demon King” which are famous but less mentioned. They are like the Chinese version of Beauty and the Beast, which are innovative crafted and exhibit the conflicting beauty. The software ZBrush is used for digital engraving and a photo-curing 3D printer modeling. The final products are characters with two different styles--classic and modern ones.

近期最愛的學英文好方法！聽有聲書學英文！英文小說用聽的～增加單字量＋訓練聽力一點都不難！如果說看YouTube影片可以學到比課本裡更口語和生活化的英文，聽有聲書學英文可以說是更進階卻又方便的方式，適合懶人、大忙人、討厭讀書，或無法養成閱讀習慣的你！歡迎留言推薦好書給我！！！（如果你們看完影片後有去嘗試聽書的話，要跟我分享心得哦，我很想知道你們覺得這方法如何😏）


🔻 影片中提到的 🔻

1. 為什麼會想開始聽有聲書& 我的作法
2. 聽有聲書學英文的好處vs壞處
3. 要怎麼找到有趣又不會太難 適合自己程度的英文書?

▸ 我使用的有聲書app是Audible.com (我是真的很喜歡這個品牌 除了本身藏書豐富外 它裡面的暢銷書常常是由很厲害的配音員配音 或是由作者親自配音)
▸ BBC也有「免費的」有聲書和廣播劇 (Google搜尋 BBC audio book就可以找到了)
▸ 我喜歡的BookTuber「readbyzoe」https://www.youtube.com/user/readbyzoe
▸ 睡前滑手機、追劇追不停? 為何科技如此讓人上癮? | 欲罷不能 | 啾讀。第19集 | 啾啾鞋 https://www.youtube.com/watch?v=1Xs_slagYAI&t=3s
▸ 查理愛書推薦 https://www.youtube.com/playlist?list=PLDidW5ZbOQsRENPOO7t2ZBNIjLEB6LpfB

-----------------半年來從封面到封底聽完的書 (附上愛心表示很喜歡 沒附表示不錯喜歡)-----------------
▸ Pride and Prejudice (By Jane Austen & Narrated by Emilia Fox) //中文書名// 傲慢與偏見 💛
▸ Harry Potter and the Philosopher’s Stone, Book 1 (By J.K. Rowling & Narrated by Stephen Fry) //中文書名// 哈利波特－神秘的魔法石 💛
▸ The 5 Second Rule: Transform your Life, Work, and Confidence with Everyday Courage (By Mel Robbins & Narrated by Mel Robbins) //沒有中文版// 黃金五秒法則 改變人生的關鍵5秒 💛
▸ The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life (By Mark Manson & Narrated by Roger Wayne) //中文書名// 管他的：愈在意愈不開心！停止被洗腦，活出瀟灑自在的快意人生
▸ Bright Line Eating: The Science of Living Happy, Thin & Free (By Susan Peirce Thompson & Narrated by Susan Peirce Thompson) //沒有中文版// 關於糖類澱粉成癮 和如何戒掉
▸ Irresistible: Why Can’t We Stop Checking, Scrolling, Clicking and Watching (By Adam Alter & Narrated by Adam Alter) //中文書名//
欲罷不能：科技如何讓我們上癮？滑個不停的手指是否還有藥醫！💛
▸ How to Win Friends & Influence People (By Dale Carnegie & Narrated by Andrew MacMillan) //中文書名// 卡內基溝通與人際關係：如何贏取友誼與影響他人

--------------------------------------------------------還沒聽完或正在卡關的--------------------------------------------------------
▸ The Alchemist: A Fable about Following Your Dream (By Paulo Coelho & Narrated by Jeremy Irons) //中文書名// 牧羊少年奇幻之旅
▸ P.S. I Still Love You (By Jenny Han & Narrated by Laura Knight Keating) //沒有中文版//


🔻 自我介紹 🔻

Hiya 你好我是Jane! 今年22歲 來自台灣:)
這是我離開家鄉在國外生存的第4個年頭

台灣高中畢業後到馬來西亞念大學
因為課程需要我去英國當了一年交換學生
目前已經回到馬來西亞繼續完成學業
我會在這個頻道分享在我的留學生活
文化差異 旅行觀察 和任何新發現
歡迎訂閱CoffeeTea&Jane!!!

▪ 每週一晚上8點固定更新+週五不固定更新
▪ 訂閱頻道: https://www.youtube.com/c/coffeeteajane
▪ 我的臉書: https://www.facebook.com/CoffeeTeaJane/
▪ 最近剛辦的Instagram: @coffeeteaandjane
▪ 非商業合作影片 This video is NOT sponsored.

*** 未經同意請勿轉載影片 ***

將要碰壁的一刻，你要做一個決定，換一個立場，還是轉身逃跑？Songs for a New World 以歌曲捕捉這一瞬間，探討生命、愛和抉擇，屬於今天的故事和人物，再以音樂開展新世界。作曲及填詞Jason Robert Brown將觀眾由1492年西班牙船艦的甲板上，帶到紐約第五大道，遇上立志用籃球脫貧的年輕男子，再見證終日幻想能嫁個有錢人的女子，終於如願以償卻發現沒靈魂的一段婚姻。Songs for a New World 是個組曲音樂劇 (Song Cycle)，17首歌曲蘊含著17個故事。自1995年於外百老匯首演後，已經於全球上演數百場。

It's about one moment. It's about hitting the wall and having to make a choice, or take a stand, or turn around and go back. These are the stories and characters of today, the Songs For A New World. This moving collection of powerful songs examines life, love and the choices we make. Brown transports his audience from the deck of a 1492 Spanish sailing ship to a ledge 57 stories above Fifth Avenue to meet a startling array of characters ranging from a young man who has determined that basket-ball is his ticket out of the ghetto to a woman whose dream of marrying rich nabs her the man of her dreams and a soulless marriage. Songs for a New World, a theatrical song cycle, which played Off-Broadway in 1995, and has since been seen in hundreds of productions around the world.

作曲及填詞 Music and Lyrics：Jason Robert Brown
導演及歌唱指導Director and Singing Coach：李頴康* Wing-hong Li*
音樂總監及鋼琴 Music Director and Pianist：邵天慈 Tin-chi Siu
主演Cast：
原子鏸 Marsha Yuan 劉榮豐 Rick Lau 黃雪燁 BonBon 魚旦Ronny Yuen
現場樂隊 Live Band：劉君豪 Isaac Lau 鄧應祈Ying-ki Tang 王梓豪Charlie Wong
編舞 Choreographer：陳雅珊 Shan Chan
佈景及服裝設計 Set and Costume Designer：王詩華（樹蛙）Suwa Wong
燈光設計 Lighting Designer：蕭健邦 Leo Siu
音響設計 Sound Designer：馮璟康 King-hong Fung
宣傳平面設計 Promotional Graphic Designer：鍾凱飛 Fei Chung
舞台監督 Stage Manager：吳紫靈 Kami Ng
導演助理 Assistant to Director：尹溥程* Edwin Wan*
助理監製 Assistant Producer：鄒棓鈞 Alastor Chow
監製 Producer：陳健迅 Seth Chan

*承蒙香港演藝學院允許參與製作
With the kind permission of the Hong Kong Academy for Performing Arts for joining the production

21 – 24 / 7 / 2016 8:15 pm
23 – 24 / 7 / 2016 3:15 pm
沙田大會堂文娛廳 Cultural Activities Hall, Sha Tin Town Hall
$260 $190

英語演出，中文字幕概要
Presented in English with Chinese surtitles
節目全長約1小時30分
Approximately 1 hour 30 minutes

門票由5月21日起於城市售票網公開發售 Tickets available at URBTIX from 21 May
全日制學生#、六十歲或以上長者#、殘疾人士及看護人獲八折優惠。
[#] 優惠票數量有限，先到先得。
20% discount for
-Senior citizens aged 60 or above (limited offer)
-Full-time students (limited offer)
-People with disabilities and the minder

每次購買5至7張正價門票可獲九折優惠
每次購買8張或以上正價門票可獲八五折優惠
10% off for each purchase of 5-7 standard tickets;
15% off for each purchase of 8 or more standard tickets

票務查詢Ticketing Enquiries 3761 6661
信用卡購票Credit Card Booking 2111 5999
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其他優惠 Other Discounts
凡持有以下有效會員証，到城市售票網售票處購買正價門票，即獲八五折優惠：
城市當代舞蹈團「舞蹈靈」卡
香港藝術行政人員協會會員
香港演藝學院校友會會員
中英劇團「能量粉團plus」
一路青空「雲寶寶」會員

15% Discount at URBTIX Outlets only upon presentation of valid membership card:
CCDC Dance Inspirations
Members of Hong Kong Arts Administrators Association
Members of HKAPA Alumni Association
Chung Ying Theatre “Energy Fun Club plus”
The Radiant Theatre Member

JASON ROBERT BROWN 集作曲、填詞、指揮、編曲、配器師、導演和表演者於一身，被Philadelphia Inquirer 譽為「百老匯繼Stephen Sondheim 之後最聰穎和細膩的作曲家。」由Marsha Norman改編自同名暢銷小說的音樂劇The Bridges of Madison County，為他帶來第二個東尼獎最佳作曲獎。突破傳統敘事方式的外百老匯音樂劇The Last Five Years 於2015年上映電影版《留給最愛的情歌》，並由安娜．姬妲妮及謝洛美．佐敦主演。其他主要作曲及填詞音樂劇包括：Honeymoon In Vegas, 13, Parade (Drama Desk Awards及 New York Drama Critics’ Circle Awards 最佳新音樂劇及東尼獎最佳作曲獎) 及Songs for a New World。

JASON ROBERT BROWN is an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer. He has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer). The Bridges of Madison County, a musical adapted with Marsha Norman from the bestselling novel, earned him his second Tony Award for Best Original Score. A film version of his epochal Off-Broadway musical The Last Five Years has been released in 2015, starring Anna Kendrick and Jeremy Jordan. His major musicals as composer and lyricist include: Honeymoon In Vegas, 13, Parade (Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, Tony Award for Best Original Score), and Songs for a New World.

www.musicaltrio.hk

音樂劇作主辦
Presented by Musical Trio

Songs for a New World Facebook Page: https://www.facebook.com/events/859606444162851/
BONBON Facebook Page: https://www.facebook.com/wongsuetip.bonbon/

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