關於 shooting incident ，我們在網路上蒐集到這些相關的討論、資訊與評價

敝小團新專輯#噤夢 MV-- #孤燈微微 #BytheLoneLight 終於上線！敬請支持分享！

想買專輯的朋友，歡迎來專輯巡迴場購買，12/11首賣！
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★【夢迴】Crescent Lament X 暴君 ◆ 噤夢 專輯巡演首賣 ★
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#高雄場：2020/12/11 W5 🤘 https://reurl.cc/n0XxKd
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#台中場：2020/12/20 W7 🤘 https://reurl.cc/j5pVzD
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#台北場：2021/01/09 W6 🤘 https://reurl.cc/Q3DNrM
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#完成歌詞歌曲介紹：
https://www.youtube.com/watch?v=TNqA6eHiLVc
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台灣民謠金屬樂團 Crescent Lament 恆月三途，將於2020年底推出第三張專輯 —【噤夢 Land of Lost Voices】。【噤夢】以終戰後國民政府來台前期的台灣社會為背景，除了在音樂上融入更豐富的民俗樂器，也將上張專輯【花殤 Elegy for the Blossoms】的主角阿香再度帶入歌曲中，藉著藝妲阿香與戀人明風兩人未完的緣分，娓娓道出歷史洪流中台灣人民遭遇的悲傷故事。
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首支MV —「孤燈微微 By the Lone Light」，從阿香及明風的視角出發，描述二二八事件發生後，無數台灣人面臨的生離死別。
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--- 專輯歌詞本節錄 ---
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……如同那年代無數台灣有志青年，受過現代教育的明風，對台灣的未來懷抱無比熱忱。1947年3月8日，即將出門的明風說道：「聽講基隆港咧欲出代誌矣，為著妳佮囡仔的未來，我愛去看覓（聽説基隆港快要出事了，為了妳跟孩子的將來，我必須去看看）。」接著他擁著阿香，繼續說：「我下暗就會轉來。若是趕袂轉來，我會先去社寮島的阿兄兜蹛一暝（我傍晚就會回家。倘若趕不回來，我會先去社寮島的大哥家住一晚）。」
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然而，明風再也沒有回來。隔日，阿香從鄰居口中得知，中國來的援軍已從基隆港登陸，船還沒靠岸就架起機槍掃射民眾，岸上軍隊也沿街瘋狂開槍；成群學生被軍隊割掉耳鼻及生殖器後，用刺刀戳死；其餘沒死的市民被軍隊抓起來，三、五人一組遭鐵線刺穿手掌足踝，串成一排排帶到港邊，朝頭上開一槍後踢到海裡。幾天後，浮起的屍體漂滿基隆港，隨著浪一波波打回岸邊。阿香經不起如此巨大打擊，終日以淚洗面。
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明風的屍體從來沒被找到。接下來兩個月，國民政府在全台進行血腥鎮壓及恐怖清鄉，約兩萬名民眾遭軍隊屠殺，青壯世代傷亡猶重；而醫師、律師、教授、議員等台灣菁英，更遭大規模處決，整個世代的台灣人被集體消音……
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--- 專輯歌詞本節錄 ---
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噤聲的人，無聲的夢。
每個殷切期盼的背後，往往都是永盼不到一面的魂斷夢空。
紀念那些為了成就心中的台灣夢，而被噤聲的台灣人。
Crescent Lament第三張專輯 —【噤夢】，2020年12月11日，正式發行。
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* Turn on the caption to activate the English subtitle of this video.*

Crescent Lament’s third album "Land of Lost Voices" will be released on December 11, 2020. A sequel to our second album, the story continues from where "Elegy for the Blossoms" left off: the unfinished romance between A-hiong and her lover, Bîng-hong. They once believed that they would not see each other again, but fate has brought them back together. They would go through the collapse of Taiwanese society in the post-WWII era, experience horrifying days that were even more miserable than wartime, and finally witness the destined tragedy of the 228 Incident.

The current MV “By the Lone Light” recounts the bereavement that A-hiong suffered, after realizing Bîng-hong has died from the indiscriminate massacre in March 1947.

(Excerpt from the lyrics booklet)…… Like all young Taiwanese of that era, Bîng-hong, who had received modern education, was passionate about Taiwan’s future. “I heard something happened at Keelung harbor, I need to check it for you and our kid,” Bîng-hong told A-hiong before he headed out on 8 March 1947. “I’ll be back in the evening—if I don’t return before nightfall, I’ll spend the night at my brother’s home at Sia Liao Island,” he said, giving A-hiong a hug as he left.

Bîng-hong never came home. The next day, A-hiong heard from neighbors that Chinese troops landed in Keelung the day before, and started shooting people with machine guns even before the vessels docked. Troops on land also shot people indiscriminately on the streets. Groups of students had their noses, ears, and genitals cut off, before being stabbed with bayonets. Those who survived were arrested by soldiers, and strung up with barbed wire through their palms and ankles. Then, they were shot in the back of their heads, and kicked into the harbor. Days later, innumerable floating bodies blocked the harbor, and piled up on the shore. A-hiong could not take it anymore, and was in tears all day.

Bîng-hong’s body was never found. In the following two months, the KMT government violently cracked down on uprisings, and purged rebels across Taiwan. Around 20,000 civilians were murdered by the troops, most of whom belonged to the young generation. Doctors, lawyers, professors, and councilors were executed in large numbers, and an entire generation was muted……(Excerpt from the lyrics booklet)

In memory of what happened in 1947, Taiwan.
Crescent Lament - Land of Lost Voices.

【孤燈微微 / By the Lone Light】
．導演/Director：林峻 Chun Lin
．演員/Actress & actor：黃惟, 徐肇勵

．詞/Lyrics：周慕姿 Muer Chou
．曲/Music：周岳弘 Komet Chou
．英譯/English translation：Happy Metal Guy, 賴昱伸 lok-sin LOA
．英文校正/English revision & proofread：Happy Metal Guy

．收錄專輯/Album：噤夢 Land of Lost Voices (2020)
．專輯製作人/Producer：
劉允墨 Jesse Black Liu & Crescent Lament 恆月三途
．專輯錄音/Recorded by：
劉允墨 Jesse Black Liu - 黑頻工作室 Black Frequency Studio
．音軌剪輯/Editing by：
劉允墨 Jesse Black Liu - 黑頻工作室 Black Frequency Studio
Joakim Dahlström - The Sweetspot Studio（Sweden）
．專輯混音/Mixed by：
Rickard Bengtsson - The Sweetspot Studio（Sweden）
Assisted by Joakim Dahlström
．母帶後期處理/Mastered by：
Mika Jussila - Finnvox Studios（Finland）

．Crescent Lament 恆月三途：
主唱 Soprano：周慕姿 Muer Chou
鼓 Drums：周岳弘 Komet Chou
貝斯 Bass：許至維 Wick Hsu
吉他 Guitars：邱振華 Wat Chiu
二胡 Erhu：Jedi Yeh
鍵盤 Synths & Piano：魏大昕 Sebastian Wei
嗩吶 (客座) Suona (guest)：黃博裕 Po Yu Huang

．特別感謝武雄老師 Bu-hiông 提供台語歌詞之填詞與唱法指導。
．特別感謝氫酸鉀 KCN 繪製專輯封面及團徽。
．特別感謝美術編輯總監 Hollowcorpse。

．追蹤我們的最新消息 / Stay up to date on Crescent Lament
Facebook - https://www.facebook.com/crescentlament
Website - https://crescentlament.wixsite.com/home

大家晚安，
雅琴看世界
The View~ep113, 9/2,
Topics ：

“The attack from 'Six Assurances to China'”
and
"Taiwanese internet celebrity 陳之漢’s shooting Incident”.
六項保證，摃上中國
館長陳之漢槍擊事件

#雅琴新書「和張雅琴開心學英文」雅琴英語教室Cathy abc
FB/YouTube/Podcast
#TheViewWithCatherineChang雅琴看世界

https://youtu.be/LG2VnXOQSEM

My recent article😎😎😎

https://apps.orangenews.hk/app/common/details_html…

Opinion | LegCo Member Ted Hui Chi-fung may be liable for malicious prosecution

HK Current

2020.08.24 16:41

By Athena Kung

In June 2020, Magistrate Lam Tsz Kan sitting in Eastern Court allowed LegCo Member Ted Hui Chi-fung (hereinafter referred to as "Hui") to press ahead with 2 firearm-related counts, including "discharging ammunition with reckless disregard for other's safety" and "dealing with arms in a way likely to injure or endanger other's safety". Maximum sentence for both of the above firearm-related offences is 7 years imprisonment. In addition, another count of shooting with intent which is an offence punishable by life imprisonment was added to the case.

Hui's such legal action was initiated by private prosecution, which was against the police officer who opened fire during a riot in Sai Wan Ho on 11th of November 2019. At common law, like prosecuting authorities, all citizens have the same right to institute proceedings. As time goes by, subject to certain restrictions, private prosecution continues to enjoy a respectable position in modern schemes of criminal justice. In any event, the right of private prosecution is not absolute. A private prosecutor has 2 hurdles to surmount. Firstly, he must persuade a magistrate to issue a summons. Thereafter, so long as he wishes to retain control of the case, he may have to persuade the Department of Justice not to take it over.

When deciding whether to issue a summons, the magistrate who has a discretion should consider at least the following factors:
(1) whether the allegation is of the offence known to law, and if so, whether the essential ingredients of the offence are prima facie present;
(2) that the time limits have been complied with;
(3) that the court has jurisdiction;
(4) whether the informant has the necessary authority to prosecute;
(5) whether the allegation is vexatious.

Once the summons has been issued, like the case initiated by Hui, it is open to the Secretary of Justice to intervene, which may be with a view to continuing or terminating such private prosecution. To prevent the abuse of private prosecution, it is thus necessary to seek to achieve a balance between the citizen's right to prosecute and the responsibility of the Secretary for Justice so as to ensure that unworthy prosecutions do not proceed. Under section 14 of the Magistrates Ordinance, Cap 227, Laws of Hong Kong, the Secretary of Justice enjoys wide power of intervention and "may at any stage of the proceedings before the magistrate intervene and assume the conduct of the proceedings."

What has really happened on the day of incident on 11th of November 2019? According to "The footage of the shooting" which was a broadcast live in the Facebook by a bystander, an officer drew his sidearm in the district of Sai Wan Ho while trying to detain a masked man at a blockaded junction. Then, another masked man attempted to liberate the other, appearing to take a swipe at the officer's pistol before being shot in the midriff. After all, police could successfully detain both men onto the ground. The first man had a pool of blood next to him. His body limped as police officers moved him around. Apparently, the officers tried to tie his hands. The second man appeared to be conscious.

No doubt, according to the above footage, Hui's private prosecution is misconceived. Hui has completely turned a blind eye to the imminent danger confronted by the officer at the particular moment. With ulterior motives, Hui intentionally and wrongfully misled both the court and public by alleging that the police officer's such dedication and discharging his duty to maintain law and order during the riots amounted to abusing of police power and police brutality.

Obviously, Hui's private prosecution should have no prospect whatsoever of success. On the contrary, Hui's such an action even constituted an abuse of prosecution process. Justice can only be achieved by the Secretary of Justice's termination of Hui's private prosecution. It explains why the Department of Justice has applied to the court to intervene the case. A hearing date between 24th to 28th of August 2020 has been applied for the Department's making formal application to terminate the case in open court. Indeed, according to Article 63 of the Basic Law, the Department of Justice shall control criminal prosecutions, free from any interference.

May the police officer wrongfully prosecuted by Hui seek any legal remedy? Historically, the tort of "malicious prosecution" in English law refers to an unreasonable criminal prosecution. All along, malicious prosecution has been generally brought as an aftermath of unsuccessful criminal proceedings.

In Hong Kong, in the decisive authority of Pathak Ravi Dutt v Sanjeev Maheshwari [2015] HKCA 595, the Court of Appeal had summarized that in an action for malicious prosecution, the plaintiff must prove 4 essential elements:
(1) The Plaintiff was prosecuted by the Defendant, that is to say, the law was set in motion against the Plaintiff by the Defendant on a criminal charge ;
(2) The prosecution was determined in the Plaintiff's favour ;
(3) The prosecution was without reasonable and probable cause ; and
(4) The prosecution was malicious.

On the facts of the Hui's private prosecution case, following the intervention of the Department of Justice at the end of August 2020, it will be a case terminated by the Secretary for Justice instead of being ruled by the court with a verdict in favour of the police officer. Thus, it is advisable for the police officer to commence a tort of malicious prosecution action against Hui once the male shot by the police officer has been found guilty by the court. Then, the police officer may rely upon the male's conviction to support the assertion that his shooting under the particular circumstances was necessary and secure his civil claim against Hui.

The author is Barrister-at-law.

The views don't necessarily reflect those of Orange News.

責任編輯：CK Li
編輯：Whon

◆【噤夢】數位專輯搶先聽：https://reurl.cc/a5V5qX
◆ 博客來實體專輯：https://reurl.cc/R1x2m6
◆ Listen to the album here: https://reurl.cc/a5V5qX

台灣民謠金屬樂團 Crescent Lament 恆月三途，於2020年底推出第三張專輯 —【噤夢 Land of Lost Voices】。【噤夢】以終戰後國民政府來台前期的台灣社會為背景，除了在音樂上融入更豐富的民俗樂器，也將上張專輯【花殤 Elegy for the Blossoms】的主角阿香再度帶入歌曲中，藉著藝妲阿香與戀人明風兩人未完的緣分，娓娓道出歷史洪流中台灣人民遭遇的悲傷故事。

首支MV —「孤燈微微 By the Lone Light」，從阿香及明風的視角出發，描述二二八事件發生後，無數台灣人面臨的生離死別。

--- 專輯歌詞本節錄 ---
……如同那年代無數台灣有志青年，受過現代教育的明風，對台灣的未來懷抱無比熱忱。1947年3月8日，即將出門的明風說道：「聽講基隆港咧欲出代誌矣，為著妳佮囡仔的未來，我愛去看覓（聽説基隆港快要出事了，為了妳跟孩子的將來，我必須去看看）。」接著他擁著阿香，繼續說：「我下暗就會轉來。若是趕袂轉來，我會先去社寮島的阿兄兜蹛一暝（我傍晚就會回家。倘若趕不回來，我會先去社寮島的大哥家住一晚）。」

然而，明風再也沒有回來。隔日，阿香從鄰居口中得知，中國來的援軍已從基隆港登陸，船還沒靠岸就架起機槍掃射民眾，岸上軍隊也沿街瘋狂開槍；成群學生被軍隊割掉耳鼻及生殖器後，用刺刀戳死；其餘沒死的市民被軍隊抓起來，三、五人一組遭鐵線刺穿手掌足踝，串成一排排帶到港邊，朝頭上開一槍後踢到海裡。幾天後，浮起的屍體漂滿基隆港，隨著浪一波波打回岸邊。阿香經不起如此巨大打擊，終日以淚洗面。

明風的屍體從來沒被找到。接下來兩個月，國民政府在全台進行血腥鎮壓及恐怖清鄉，約兩萬名民眾遭軍隊屠殺，青壯世代傷亡猶重；而醫師、律師、教授、議員等台灣菁英，更遭大規模處決，整個世代的台灣人被集體消音……
--- 專輯歌詞本節錄 ---

噤聲的人，無聲的夢。
每個殷切期盼的背後，往往都是永盼不到一面的魂斷夢空。
紀念那些為了成就心中的台灣夢，而被噤聲的台灣人。
Crescent Lament第三張專輯 —【噤夢】，2020年12月11日，正式發行。


----------------------------------------------------------------------------------------------------
* Turn on the caption to activate the English subtitle of this video.*

Crescent Lament’s third album "Land of Lost Voices" is released on December 11, 2020. A sequel to our second album, the story continues from where "Elegy for the Blossoms" left off: the unfinished romance between A-hiong and her lover, Bîng-hong. They once believed that they would not see each other again, but fate has brought them back together. They would go through the collapse of Taiwanese society in the post-WWII era, experience horrifying days that were even more miserable than wartime, and finally witness the destined tragedy of the 228 Incident.

The current music video “By the Lone Light” recounts the bereavement that A-hiong suffered, after realizing Bîng-hong has died from the indiscriminate massacre in March 1947.

(Excerpt from the lyrics booklet)…… Like all young Taiwanese of that era, Bîng-hong, who had received modern education, was passionate about Taiwan’s future. “I heard something happened at Keelung harbor, I need to check it for you and our kid,” Bîng-hong told A-hiong before he headed out on 8 March 1947. “I’ll be back in the evening—if I don’t return before nightfall, I’ll spend the night at my brother’s home at Sia Liao Island,” he said, giving A-hiong a hug as he left.

Bîng-hong never came home. The next day, A-hiong heard from neighbors that Chinese troops landed in Keelung the day before, and started shooting people with machine guns even before the vessels docked. Troops on land also shot people indiscriminately on the streets. Groups of students had their noses, ears, and genitals cut off, before being stabbed with bayonets. Those who survived were arrested by soldiers, and strung up with barbed wire through their palms and ankles. Then, they were shot in the back of their heads, and kicked into the harbor. Days later, innumerable floating bodies blocked the harbor, and piled up on the shore. A-hiong could not take it anymore, and was in tears all day.

Bîng-hong’s body was never found. In the following two months, the KMT government violently cracked down on uprisings, and purged rebels across Taiwan. Around 20,000 civilians were murdered by the troops, most of whom belonged to the young generation. Doctors, lawyers, professors, and councilors were executed in large numbers, and an entire generation was muted……(Excerpt from the lyrics booklet)

In memory of what happened in 1947, Taiwan.
Crescent Lament - Land of Lost Voices.


【孤燈微微 / By the Lone Light】
．導演/Director：林峻 Chun Lin
．演員/Actress & actor：黃惟, 徐肇勵

．詞/Lyrics：周慕姿 Muer Chou
．曲/Music：周岳弘 Komet Chou
．英譯/English translation：Happy Metal Guy, 賴昱伸 lok-sin LOA
．英文校正/English revision & proofread：Happy Metal Guy

．收錄專輯/Album：噤夢 Land of Lost Voices (2020)
．專輯製作人/Producer：
劉允墨 Jesse Black Liu & Crescent Lament 恆月三途
．專輯錄音/Recorded by：
劉允墨 Jesse Black Liu - 黑頻工作室 Black Frequency Studio
海波浪製作 Wave Productions
．音軌剪輯/Editing by：
劉允墨 Jesse Black Liu - 黑頻工作室 Black Frequency Studio
Joakim Dahlström - The Sweetspot Studio（Sweden）
．專輯混音/Mixed by：
Rickard Bengtsson - The Sweetspot Studio（Sweden）
Assisted by Joakim Dahlström
．母帶後期處理/Mastered by：
Mika Jussila - Finnvox Studios（Finland）

．Crescent Lament 恆月三途：
主唱 Soprano：周慕姿 Muer Chou
鼓 Drums：周岳弘 Komet Chou
貝斯 Bass：許至維 Wick Hsu
吉他 Guitars：邱振華 Wat Chiu
二胡 Erhu：Jedi Yeh
鍵盤 Synths & Piano：魏大昕 Sebastian Wei
嗩吶 (客座) Suona (guest)：黃博裕 Po Yu Huang

．特別感謝武雄老師 Bu-hiông 提供台語歌詞之填詞與唱法指導 。
．特別感謝氫酸鉀 KCN 繪製專輯封面及團徽。
．特別感謝美術編輯總監 Hollowcorpse。

．追蹤我們的最新消息 / Stay up to date on Crescent Lament
Facebook - https://www.facebook.com/crescentlament
Website - https://crescentlament.wixsite.com/home

2019年11月24日撮影
大久保駅（おおくぼえき）
JR東日本　総武線
駅の所属路線は中央本線だが、緩行線を走る中央・総武線各駅停車のみが停車する。
1895年（明治28年）5月5日に甲武鉄道の駅として開業。
1931年（昭和6年）3月に高架化工事完成。
2018年（平成30年）度の1日平均乗車人員は28,350人
ジャッキー・チェン主演の映画『新宿インシデント』のラストの銃撃戦で南口コンコースが登場している。
Ōkubo Station
JR East Sobu Line
Opened on May 5, 1895.
Elevated construction completed in March 1931.
The average daily number of passengers in 2018 is 28,350.
South Exit Concourse has appeared in the last shooting battle of the movie “Shinjuku Incident” starring Jackie Chan.
大久保站
JR東日本　總武線
1895年5月5日開業。
高架建築於1931年3月完成。
2018年的每日平均乘客人數為28,350。
南出口廣場出現在成龍主演的電影《新宿事件》的最後一場拍攝戰中。
大久保站
JR东日本　总武线
1895年5月5日开业。
高架建筑于1931年3月完成。
2018年的每日平均乘客人数为28,350。
南出口广场出现在成龙主演的电影《新宿事件》的最后一场拍摄战中。
오쿠보 역
JR 동일본 소부 선
1895 년 5 월 5 일에 개업.
1931 년 3 월에 고가화 공사 완성.
2018 년도 1 일 평균 승차 인원은 28,350 명
성룡 주연의 영화 '신주쿠 사건'의 마지막 총격전에서 남쪽 출구 광장이 등장하고있다.

超怖い心霊 Ghost Research 事件現場 女性の目撃が多くある隧道4ｋ画質編
廃墟探索は2017年～ 87回

今回はマイナースポット
このトンネルで女性の霊が目撃されるそうです
事件があったそです、それから女性の目撃が多く
あるそうです。

撮影時の気温は-3度でした。

Super scary spirit

Minor spot this time
It is said that the woman's spirit will be witnessed in this tunnel
That incident happened, and then there were many witnesses of women
It seems there is.

The temperature at the time of shooting was -3 degrees.
4k image quality

Semangat super menakutkan

Tempat kecil saat ini
Dikatakan bahwa roh wanita itu akan disaksikan di terowongan ini
Peristiwa itu terjadi, dan kemudian ada banyak saksi perempuan
Sepertinya ada.

Suhu pada saat pemotretan adalah -3 derajat.
Kualitas gambar 4k

超级可怕的精神

这次是小点
据说这个女人的精神将在这条隧道中见证
那件事发生了，然后有很多女性见证人
似乎有。

拍摄时的温度为-3度。
4k图像质量

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