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SMT V Limited Edition releasing in Japan. It includes:
1. SMTV Game
2. Series medley string quartet arrangement songs + SMT V advance mini-soundtrack (35 songs, 2 CDs)
3. Demon Art Book (116 pages, A5 size)
4. Naobino T-Shirt
5. Special Case
https://personacentral.com/smtv-gameplay-trailer/
離散序MV 已登陸 Youtube
連結： https://bit.ly/2RPrrRI
2021 年，很多人要面對"離散“ 兩字，
每人要面對的離別各有不同，
有的是暫別，有的是分隔兩地，有的是最不願看到的生離死別。
很多情況人類根本無法控制。
我們深信"離散”後再“序" 絕對的。
已離世的人，可能以作品或回憶去令我們從新出發。
移民了的人，更有可能有一天回來香港再開始等等。
"離散"是無常，再"序"是信念。
每一次相遇都是離別的開始。
每一次分開都是重逢的序章。
※※※※※※※※※※※※※※※※※※※※※※※
Music production
Music production: Mars Music Limited
Programming by ToNick
Backing vocal by 甯浩基
String recording and program by Janet Yung
Recording at ToNick studio
Mixing by Adrian Chan
※※※※※※※※※※※※※※※※※※※※※※※
MV Production
Director : Gary bb CHAN / roytse8850
Producer : Roy Tse
Starring：Christine 鄭嘉欣 / Hangjai 趙善恆
Director of photography : andyngphotography
Camera Assistant : 艾文
Gaffer : Son Son Lam
Grips : Ken Lau
Editor : Gary bb CHAN
Colourist : kcolorist_
Art Director : Ceci Lau / Elsa Tse
Fashion Styling : roytse8850
Production Assistants : Ash Cheng / Ceci Lau / Elsa Tse
Make up & Hair stylist : Kylah Chan
Graphic Designer : Ricky Leung
Artist Management: Vlogger Entertainment Limited
Support & sponsor: 小寶 & Bows Productions
Tonick Apparel sponsor : Levi's
Christine Apparel sponsor : Midwest
※※※※※※※※※※※※※※※※※※※※※※※
#離散序
#ToNickHK #ToNick2021
趙善恆 恆仔＠ToNick Ryan Chan ToNick Siugwai Yip Sen Hei
加入👉 ToNick 合作社
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。
沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。
畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。
而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！
他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？
蝴蝶雖僅活了一天，已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。
或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！
我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。
這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）
〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。
祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。
〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。
我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。
欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。
憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉
我在塵世見到仙子的美，
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
2021 年，很多人要面對"離散“ 兩字，
每人要面對的離別各有不同，
有的是暫別，有的是分隔兩地，有的是最不願看到的生離死別。
很多情況人類根本無法控制。
我們深信"離散”後再“序" 絕對的。
已離世的人，可能以作品或回憶去令我們從新出發。
移民了的人，更有可能有一天回來香港再開始等等。
"離散"是無常，再"序"是信念。
每一次相遇都是離別的開始。
每一次分開都是重逢的序章。
※※※※※※※※※※※※※※※※※※※※※※※
APPLE MUSIC: https://apple.co/3eBEfE9
JOOX: https://bit.ly/3eBt6mT
KKBOX: https://bit.ly/3eDhrUs
MOOV: https://bit.ly/3ezH6NW
SPOTIFY: https://spoti.fi/3ezGojK
YOUTUBE MUSIC: https://bit.ly/3f4C23c
※※※※※※※※※※※※※※※※※※※※※※※
離散序
作曲：小龜@ToNick
作詞：小龜@ToNick/恆仔@ToNick
編曲：ToNick/Adrian Chan
監製：ToNick/Adrian Chan
人海 中擦肩每天有幾千遍
感謝你讓我對你虧欠
陪伴冒險很多年
曾經 相信一起總會撐得過
不敢想像你已留低我
剪影遺失很多
愈是想抱住卻沒法撫摸
愈是想喊停卻殘留不可
風中飄過了灰煙
回想起低窪中並肩
緊握手裡的照片
深知花好但花缺難避免
來來去去 人總要經歷散聚
有一天 再相見
誰可 捉住燦爛過後的花火
流星再美也會閃過
凝望著身邊空座
如果 心裏的話比沒說的多
眨眼的瞬間已經錯過
感觸留低給我
愈是想說話卻沒法開口
愈是想放下卻連綿不休
風中飄過了灰煙
回想起低窪中並肩
緊握手裡的照片
深知花好但花缺難避免
來來去去 人總要經歷散聚
有一天 再相約
星火軌跡閃過宇宙
交叉點終會再重頭遇見
天空散落的雨點
像花瓣散落了窗邊
捉摸不到的碎片
水點化作那白雲難倖免
回頭那句 也許是最終的一句
有一天 再跟你
探索歷險
再相約
在那邊相見
OP: MARS MUSIC LIMITED
SP: MARS MUSIC LIMITED
※※※※※※※※※※※※※※※※※※※※※※※
Music production
Music production: Mars Music Limited
Programming by ToNick
Backing vocal by 甯浩基
String recording and program by Janet Yung
Recording at ToNick studio
Mixing by Adrian Chan
※※※※※※※※※※※※※※※※※※※※※※※
MV Production
Director : Gary bb CHAN / roytse8850
Producer : Roy Tse
Starring：Christine 鄭嘉欣 / Hangjai 趙善恆
Director of photography : andyngphotography
Camera Assistant : 艾文
Gaffer : Son Son Lam
Grips : Ken Lau
Editor : Gary bb CHAN
Colourist : kcolorist_
Art Director : Ceci Lau / Elsa Tse
Fashion Styling : roytse8850
Production Assistants : Ash Cheng / Ceci Lau / Elsa Tse
Make up & Hair stylist : Kylah Chan
Graphic Designer : Ricky Leung
Artist Management: Vlogger Entertainment Limited
Support & sponsor: 小寶 & Bows Productions
Tonick Apparel sponsor : Levi's
Christine Apparel sponsor : Midwest
How to draw paint with acrylic (Easy, simple, quick ),
Jay Lee is a painting youtuber. He paints beautiful world on the canvas, and share videos for you and everyone. Put Jay Lee's painting in your space, and make world beautiful.
❖ Jay Lee Store :
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Jay Lee是韓國人住在台灣，畫畫YouTuber。他在畫布上繪製了美麗的世界，然或分享給大家影片。把Jay Lee的畫放在你的空間裡, 讓世界美麗
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Simple Sonata by Sir Cubworth
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Pinterest : /jayleepainting
........................................................
現在 才明白了
當時的祝福是什麼
是 我們都幸福
你笑了
我也笑了
有什麼不值得笑的呢
我們有最好的結局
而且是兩個
/
劉若英2021全新專輯 [ 各自安好 ] René / Each Well
🎶線上聽：https://rene.lnk.to/EachWell
✧限量珍藏版內含
✧48頁凝雪映畫紙材歌詞寫真冊
❍ 3.17 珍藏版 限量預購
❍ 3.24 相信音樂 全面發行
/
劉若英 / 各自安好 / 珍藏版
相信音樂線上購物 http://bit.ly/3vswIya
博客來 https://bit.ly/38DznuS
誠品音樂 http://bit.ly/38Mko1X
五大唱片 https://bit.ly/2OPoHCq
佳佳唱片 http://bit.ly/3eF7XJ2
滾石購物網 http://bit.ly/3qMHCuZ
劉若英 / 各自安好 / 正式版
相信音樂線上購物 http://bit.ly/30Lx58A
博客來 https://bit.ly/3bNdGe0
誠品音樂 http://bit.ly/38JSZxk
五大唱片 https://bit.ly/2OPoHCq
佳佳唱片 http://bit.ly/3eF7XJ2
滾石購物網 http://bit.ly/3rOblVr
/
發行：相信音樂國際股份有限公司
製作：英兒工作室有限公司
媒體統籌：相信音樂 / 微觀娛樂
監製：陳勇志 @相信音樂 B’in Music
統籌：謝芝芬
藝人統籌：葉如婷
造型：方綺倫
造型助理：楊孟築
化妝：姚純美
髮型：Johnny Ho@ HC Hair Culture
平面攝影：陳明聖、周浩詠
側拍：劉筱妍
各自安好
詞：葛大為
曲：張簡君偉
製作人：陳建騏 George Chen
編曲：張晁毓 Dato Chang、柯遵毓 Jack Ko
鼓：楊凱淋 Kyle Yang
貝斯：柯遵毓 Jack Ko
吉他：詹賢哲
弦樂監製 String Producer：張晁毓 Dato Chang
弦樂 Strings：曜爆甘音樂工作室 Just Busy Music Studio
第一小提琴 First Violin：蔡曜宇 Shuon Tsai、沈羿彣 Yi-Wen Shen、朱奕寧 Yi-Ning Ju
第二小提琴 Second Violin：黃雨柔 Nala Huang、駱思云 Ssu-Yun Lo、黃瑾諍 ChinCheng Huang
中提琴 Viola：甘威鵬 Weapon Gan、牟啟東 Wayne Mau
大提琴 Cello：葉欲新 Shin Yeh、張心維 Hsin-Wei Chang
助理錄音師 Assistant Engineer：張閔翔 Min-Hsiang Chang、朱品豪 Pin-Hao Ju
錄音師 Recording Engineer：陳以霖 Yi Lin Chen、楊敏奇（大米音樂）Micky Yang
錄音室 Recording Studio：大小眼錄音室 Twin Eyes Studio、白金錄音室 Platinum Studio
混音師 Mixing Engineer：林正忠 Cheng Chung Lin
混音錄音室 Mixing Studio：錄堡工作室 Robot studio
OP：銀翼文創有限公司 Mr. Wing Creative
admin by MUSIC BRAVO TECH. CO., LTD.
OP：HIM Music Publishing Inc.
特別演出：林依晨
經紀人：周美豫、陳梓郁
化妝：富富
髮型：Miumiuchien
造型：陳慧娟 @Habooffice
造型助理：林宛臻
服裝：Snidel / CHARLES & KEITH
特別演出：張孝全
經紀人：曹瑀容
化妝：Chen Yi Li @YML.makeup
髮型：Marco@Eros
造型：曹偉康Paul
造型助理：陳爰綺
服裝：Giorgio Armani
導演 Director / Sue、馬汀
副導 Associate Director / MiMi、左乙芳、Yoyo
製作公司 Production House / 知了工作室
監製 Executive Producer / Sue
製片 Producer / 張正勇
執行製片 Line Producer / 黃品禎
製片助理 Production Assistant / 蔡文祿、鄭子軒
製片場務 Set Coordinator / 林峻有、楊媄珺
攝影師 Director of Photography /
演員：傅士英
歌手：金鑫
二機攝影師 Additional Camera / 白杰立
攝影大助理 Assistant Camera /
演員：孫紀明、簡金湖
歌手：劉于豪
Movi 技師 Movi technician / 游皇修
燈光師 Gaffer / 黃柏源
攝影助理 2nd Assistant Camera / 賈世筠、郭柏翔、呂紹鵬
燈光助理 Best Boy Team / 蘇志豪、王俊淵、李厚恩、林宗賢
美術 Art Director / 林仲賢
執行美術 Property Master / 江靜玉
選角 Casting / Yoyo、鄭子軒
服裝 Wardrobe / Yoyo
演員管理 Casting Assistant / Justine
演員 Talents /
林依晨一家：林俊堯、賴艾拉
張孝全一家：陸姵予、王宥凱
協力廠商 Cooperation Studio /
攝影器材：
宏達數位影業有限公司
燈光器材：
利達數位影業有限公司
後期製片 Post-production Supervisor / 吳育璟
剪接 Editor / 尹韶良、Yoyo
字體設計 Typography / 究方社
調光TC / Kelly Lin
特效D1 / 洪振揚Young、陳怡君、林宇哲
字幕協力 / 米小華 Michelle
#林依晨
#張孝全
#劉若英各自安好
#劉若英新專輯
‥‥訂閱・相信‥‥‥‥‥‥‥‥
▶ 訂閱相信音樂YouTube官方頻道
– MV首播、新歌搶先聽、獨家花絮
http://bit.ly/YTBinMusic
按讚相信音樂官方FB Like on Facebook
– 官方訊息公佈、即時照片
https://www.facebook.com/ibinmusic
更多 劉若英 Rene Liu 相關資訊：
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Instagram：https://www.instagram.com/reneliu2021/
Weibo：https://weibo.com/reneliu2010
YouTube：@劉若英Rene Liu
父母親節小手作String art for kids #1x1stringart #stringart #stringarthk #kidsart #fathersday #fathersdaygift #釘線畫#diy #stringarthk #繞線畫#釘線工藝1x1 ... ... <看更多>
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