關於 they watch from the walls ，我們在網路上蒐集到這些相關的討論、資訊與評價

致我在新加坡的客人們 ❤️
To My Clients in Singapore

一、🧧

這一年來感謝大家對我的愛戴，及有時候送的小禮物，但紅包錢我從不收多。

我批八字收費是新幣$488，時不時會有客人塞多些錢，放個滿數$500在紅包內，說是一點點心意。

我怎麼就值多個$12而已啊？？*震驚🤯😂

也曾有位看風水的客戶塞了一百多塊新幣在裡頭。每個紅包我都會點算，多的我會抽出來還給您，因為無功不受祿。少一毛，我也必定會追。😂

二、🍵

我沒有辦公室，平日在外見客人。

新加坡目前法律規定，大家出外都得戴口罩。在餐館咖啡廳，得有餐飲在桌上才能脫下口罩進食。

我批八字一向包含看客人面相，再加以指點，因此需要客人脫下口罩給我看。

但我們必須遵守法律，所以請每位客人就座後，自行點個飲料或什麼的，好方便我能看您的面相。

您在等待我完成前面客人的諮詢時，就可以先看菜單並點您要的飲料。有時叫個侍應生會花些時間，您先點就能省卻我們等待的時間，好讓我多些時間為您批命。

有的客人平日節儉慣了，只喝餐館提供的免費白開水，或說已經吃飽了或什麼的。

您想想看，我們使用人家的設施一兩個小時，消費一點點是應該的，要不然我們這樣佔別人的便宜，也是在犯偷盜罪。

生意難做，您如果開門做生意，捫心自問，會喜歡別人來您的咖啡廳坐數小時，吹冷氣，而一點小錢都不花嗎？

我做人很簡單，也不喜浪費唇舌。我是來教您如何積福積德的，您不點我們就不看，因為我不能助紂為虐。🙃

三、💵

許多客人很熱情，會想幫我買單，也曾有一些客人為了感謝我，（也可能希望我不要早死😅）便以我的名義做捐款功德。

謝謝您們，您們的愛我深深感受到。🥰

我還夠錢用，可以自己買單，我每天也在勤修功德，積極的累積福報。😁

百善孝為先，捐款人的名字，請放您們父母的名字，他們比我更需要。

但請記得為自己買單。經常有客人，不知是否是看了命後太興奮，沒結帳就衝出餐廳了。我得把他們叫回來，或因為我不知他們未結帳，他們隔天得自己到餐廳「自首」。

您是來找我幫忙的，別因為大意而佔了我的便宜。

四、🏃🏻‍♀💨️🏃🏻‍♂️💨

我批八字，一天往往會見幾位客人。

在等待的客人，您認我比我認您來得容易，因此請在我看得到您的三四米內等待。

我不是費玉清，您在千里之外或隔著幾道牆等待，我看不到您呀～

以前下課時，我收拾書包特別快。我看不到人，以為您沒來，可以早收工，笑嘻嘻一溜煙我就跑人了。

遲到的客人，就算只有一分鐘，我也不會見。

改命貴在動作快，人生貴在還青春。

如讀者Danny Sew留言：要招貴人就要在給貴人看得到你的地方。

我見的客人一離開，您就趕緊對號入座，別還等我發出十二道金牌，您才慢條斯理的走千里貓步過來。我若要費時間找神出鬼沒的您，您動作又莫名奇妙的慢，會吃進我們諮詢的時間，這樣驢年馬月您才改得到命呀！

（十二生肖中沒有驢，也就是說永遠改不了命了～）

———————————————————

To My Clients in Singapore ❤️

1) 🧧

In this one year, I have received much love and care from all of you and sometimes even little presents. But when it comes to my fees in the red packet, I never take more than what I should.

My Bazi consultation fee is S$488. From time to time, some clients will stuff a bit more and round it up to $500, saying that it’s a token of their appreciation.

How can I be only worth $12 more??? *Shocked 🤯😂

Once there was also a Feng Shui client who gave me a separate red packet of S$100+. I count the monies in every red packet and will return the extra to you, because I only take what I should. Similarly, if you give me one cent less, you bet I will chase you for it. 😂

2) 🍵

I do not have an office so I usually meet my clients outside.

Singapore law currently stipulates that we must all wear masks once we are out of our homes. At F&B establishments, we can only remove our masks when we are eating/drinking ie. there are food/drinks on our table.

All along, I do face-reading for clients, as part of my Bazi consultation. Hence, I would need you to remove your mask so that I can read more accurately.

However we must abide by the law, thus please place a food/drink order once you are seated.

If you are waiting for me to finish my consultation with another client, it will be more efficient if you look through the menu beforehand and order first. Calling for a waiter sometimes take time. Placing your order early will save us waiting time and I can proceed with your consultation earlier.

Some clients are thrifty by nature and only consumes the free water provided by the restaurant, or say that they have just eaten.

Think over this: if we use the facilities of a place for 1-2 hours, it is very fair enough to spend a bit of money. Otherwise, we are just taking advantage of other people, and that is equivalent to committing the sin of stealing.

It’s hard to do business. Put yourself in the shoes of the business owner: would you like it if there are freeloaders taking up space in your restaurant for a few hours, enjoying the free air-con and not spending a single cent?

I’m a simple person and don’t like waste too much time explaining. If you are adamant about not placing any order, then I will not proceed with the consultation because I cannot be aiding a sin. 🙃

3) 💵

I often meet friendly clients who wish to pay for my bill. There are also clients who made donations under my name, as a way to thank me for my help. Either that or they are hoping that I won’t die early with more merits under my karma belt. 😂

Thank you so much. I really do feel the love and care you have for me. 🥰

I still have enough money to spend so I can pay for myself. I make it a point to do meritorious acts every day and am diligently gathering good fortune too. 😁

Filial piety is the most important of all virtues. So please donate under your parents’ names instead. They will need it more than me.

Just remember to pay for your bill. There are many instances where the Bazi client gets too excited after our consultation ends and takes flight without paying. Don’t end up taking advantage of my kindness when you are here to seek my help.

4) 🏃🏻‍♀💨️🏃🏻‍♂️💨

I see a few clients in a day when I do Bazi consultations.

For my clients who are next in line, it’s easier for you to recognise me than the other way round. So please wait 3-4 meters from where I am seated.

I’m not Fei Yu Ching. If you stand Faaaaaaraway, or behind a few walls and pillars, my eyes just can’t see you.

Back in my schooling days, I’m especially quick to pack my bag when the class dismissal bell rings. If I can’t see anyone, I will assume you pull a no-show, and run off gleefully before you can say Abracadabra, thinking that I can knock off early.

Clients who come late, even if it is just one minute, I will opt to cancel the consultation.

The crux of destiny transformation is in your speed and action. The essence of life is in your youth.

Like what my reader Danny Sew commented: if you wish to beckon more benefactors, then stand at the place where your benefactors can see you.

Once the client I’m meeting leaves, please storm in to take your seat. Don’t wait for me to send out an entourage to invite you, and watch you slowly sashay a thousand miles to my table.

If I have to spend time hunting for you hiding in the shadows, and you aren’t any faster than my pet tortoise, this will eat into your consultation time. Alas! Your Destiny can then only be changed in the year of the Donkey.

(There isn’t any Hee Haw in the 12 Chinese zodiac signs, and that means never are you going to be able to change your destiny.)

I am sharing a vision that one of our readers, Heather Snell, received. It bears witness with my spirit. Hopefully it will show you how to pray for the destruction of COVID-19.

I received in my spirit that the COVID-19 is a man-made biological agent—not something that just happened to come from wild animals.

Without further ado, here is the vision Heather received.

28 March 2020 vision:

Fasting, praying, worshipping retreat: 10 hours straight praying in the spirit.
These words were coming to me: “Shifting things, shifting things, moving!”

2AM. Sitting in the silence and peace, listening to a recording of shofar. I began to notice the room was fading and the form of its space was becoming transparent, fading from existence.

My eyes were becoming aware of space beyond the natural. The walls and ceiling seemed to disappear. I was sensing angels busy and active doing errands?

Then I see a space with no limits or confinements, huge, no ending, but it was special in its form. There appeared to be rooms within rooms.

I heard the word “COZ”. Then I could see lines and strands of mathematical equations.

Seemed to be shifting and moving things, changing things. Then it changed from a line to a coil, never-ending, actively doing things. It is a live, living organism, but mathematical.

While continuing to pray all the while seeking to find answers, I saw more information on this.

The Holy Spirit whispered, “Coronavirus”. The Holy Spirit said, “While you have been praying in the spirit these last few hours, you have been working on shifting and moving things, the structural genetic DNA, which is the mathematical structure of the form of coronavirus at the root.

A flawed DNA genetic structure cannot stand—it will implode, and self destruct, be dismantled from within. It will wipe itself out.

As a man-made virus and constructed DNA of mathematical equations, the answer is to remove part of the mathematical pattern.

I took this revelation, released in prayer and decreed the command into the earth. I sat overwhelmed at this revelation as it was far beyond myself, my education, intelligence and my own thoughts.

(End of Heather’s vision)

On Sunday 29 March 2020, Pastor Prince shared something like this in his sermon:

Exodus 14:24-25 - The morning watch is the darkest part of the night, between 3am to 6am.
It is at this dark time that the Lord took off the Egyptian chariots’ wheels.
Pastor Prince has been praying for the Lord to mess up the DNA/ RNA of COVID-19 and destroy them.

“In the morning watch, Yahweh looked out on the Egyptian army through the pillar of fire and of cloud, and confused the Egyptian army. He took off their chariot wheels, and they drove them heavily; so that the Egyptians said, “Let’s flee from the face of Israel, for Yahweh fights for them against the Egyptians!”” (Exodus‬ ‭14:24-25‬ ‭WEB)

This is confirmation that we should be praying for God to dismantle the DNA/ genetic structure of COVID-19 so that it will implode and destroy itself.

This is probably how the swift end to the pandemic will happen. Praise Jesus!

Let’s pray:
Dear Abba God, we know You are in control. Thank You for teaching us how to pray for COVID-19’s swift destruction. In Jesus’ name, we declare for COVID-19’s genetic DNA structure to be messed up. Dismantle it by Your power and let us see a swift end to this pandemic. Heal all those who have been infected and protect everyone else from COVID-19. We plead the blood of Jesus over all the nations of the world. Amen!

———

In the meantime, keep feeding on God’s love for you. Stay focused on Jesus and not the raging waves all around!

At this link you can read more Christ-centered Bible Studies, devotionals, sermon notes and books to feed your faith ===> https://smart.bio/miltongohblog

#Pray #Faith

Alumine Five of Stenheim

Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.

I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.

Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.

The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.

The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.

So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.

The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.

The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.

Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).

Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................

Price: $60,000 per pair.
Warranty: Five years parts and labor.

(Source: The Audio Beat)

=============== Set It Off - Medley 11 Songs =================
Vocal : ToNy_GospeL
All Music : ToNy_GospeL
Illust : Nutgie
Special Thanks : JayVounter
Animator : ToNy_GospeL
Mix & Masterings : ToNy_GospeL
================ Original Song by Set It Off ==================

Medley first version : https://youtu.be/evZh79yp1c8

"Merry Christmas 2020" and Hello everybody and say my name ToNy_GospeL

This video is an extension of the medley that has been done before, according to this clip in 2018. To be honest, I'm a huge fan of Set it off.I'm still listening Duality ,Cinematic ,Up side Down albums.
I used to cover the songs of "Set it off" 3 songs on my YouTube channel.
I hope you enjoy this medley and stay awesome dude.

Lyrics

(I'LL SLEEP WHEN I'M DEAD) : shorturl.at/bfrX6

I’m stuck self torturing
My meds are failing me
Internal clock in smithereens
Can’t fix this, I’m hopeless

My eyes are stapled open wide
As I lay down on my side
I am bouncing off these walls
As I focus on the clock
Time stands still but I cannot
I should strap myself in bed
I guess I'll sleep when I am dead...

(I'D RATHER DROWN) : shorturl.at/cnOU9

Thanks for treating me like every boy you meet
So please, come in and take a seat
Here's the part where I learn and you will teach
On how to treat people like a piece of meat

(HORRIBLE KIDS) : shorturl.at/cinFW

Why is it me they're after?
Couldn't they pick another one?
One day I'll spit their laughter
And bite their tongue

Horrible kids, would you look what you did?
It was your ignorance that formed a beast with your wit

Ba-da-da-da-bum-

(NIGHTMARE) : shorturl.at/zU049

I hear it creeping from the corner
And all I know is that I don't feel safe
I feel the tapping on my shoulder
I turn around in an alarming state
But am I losing my mind? I really think so
Not a creature in sight
But what you don't know...

(KILL THE LIGHTS) : shorturl.at/wABT1

So we all stand enthralled by this bland curtain call
And the truth we pursue as we all, we all beg you to

Kill the lights, kill the actor, kill the actress
I'm afraid that the spotlight dried you up, whoa, whoa oh

Don't even think about it
Don't even think about it, no
We're begging you
To kill the lights, kill the actor, kill the actress
Or kill us all

(N.M.E.) : shorturl.at/huCIS

Remove the gag and step away he's suffocating!
You pull the strings day after day, that's why he needs a-
-break! From you! Bid your ass adieu!
A break! From you! Bitch, your ass is through!

Oh I hope he hears these words
Maybe next time he will learn

(PLASTIC PROMISES) : shorturl.at/jGHPY

Please, don't tell me that we're fine
I've got too much on my mind!
Isn't this too plain to see? Maybe, yeah!
'Cause we lost too much to gain
We were dancing in the rain
Tell me what am I to do?
With a double dose of

(PARTNERS IN CRIME) : shorturl.at/gjNS3

You'll never take us alive
We swore that death would do us part
They'll call our crimes a work of art
You'll never take us alive
We'll live like spoiled royalty
Lovers and partners...
Partners in crime!

(Wolf in Sheep's Clothing) : shorturl.at/swNP1

So could you
Tell me how you're sleeping easy
How you're only thinking of yourself
Show me how you justify
Telling all your lies like second nature
Listen, mark my words, one day (one day)
You will pay, you will pay
Karma's gonna come collect your debt

(Bleak December) : shorturl.at/djvC5

Watch you pretend, you know it all
Shift any blame aside
Vending the victim when it sells
How do you even sleep at night?
As I drive and drive
In that bleak December, you're just too cold
But I need the answer, before you'd fold
You would hold your cards inside your chest
I think I drove too far for that bleak December
And how full of shit you are

(The Haunting) : shorturl.at/aftLN

No one will love you like I did,
Will treat you like I did,
So go on wear that scarlet letter.
No one will love you like I did,
Will touch you like I did,
So good luck finding something better.

Playlist ที่น่าสนจายยย
- (All TEASER) บทเพลงของฆาตกร IdentityV : https://bit.ly/2WNy2sw
- รวมคลิปเกม Identity V (อัดเกม) : https://bit.ly/2FcgzEb
- HigH LigHT | (จับภาพตาดูฉากนี้!?) IdentityV : https://bit.ly/31DtFnN
สมัครสมาชิก Youtube Member : https://bit.ly/2ZgMOMD
อันนี้ช่องใหม่ TG GameCaster (LIVE เกมยาวๆ) : https://bit.ly/31FvmRG

Contact Me

สำหรับคนที่ไม่เคยได้ทำบุญ ไม่เคยได้สงเคราะห์คน(!) ก็สามารถ

Donate : Paypal ให้กระผมได้นะครับ
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Donate : True Wallet / True Money
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LINKS DISCORD OFFICIAL : https://discord.gg/PuNVVTCJ5F

นี้เป็น Web page ใน Facebook ของผมนะครับ
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#Setitoff #Medley #TG

** Tải miễn phí ebook Hack Não Phương Pháp - bản đồ học tiếng Anh thông minh cho người mất gốc: https://bit.ly/taiebook8free

Cover & English Version by Step Up
Original Version: Da LAB - Toc Tien
English lyrics: Hoang Dai
Vocalist: Thuy Duong, Hai Son
Cameraman & Editor: Phan Duy

NƯỚC MẮT EM LAU BẰNG TÌNH YÊU MỚI | Da LAB ft. Tóc Tiên (Official MV)
https://www.youtube.com/watch?v=GQ4F9k4USfA

Lyrics:

[Chorus] Da LAB
Lost in my own pains
Come to my own place
To feel every note of the sad song that is played
There’s no more “hand in hand”, your new love wiped away your tears
This town got smaller, we can not make up
Just to hurt ourselves one more time, that’s enough
Tonight, please let me sleep so my memory of you won’t recall

[Rap] Da LAB
I can’t stop myself from taking all these old steps
I keep going but before me there’s nothing left
No direction, I have no idea where I’ll go
Look around and everything I see is blurry
All the promises you made they have already gone
Prejudice against our love became so freaking strong
Seems like everything’s scripted

I can’t help but leave it wrong
I just want to get away from this world
I just want to leave it all behind
Wanna take you to somewhere far away
Nobody around us ‘til sunrise
But things never happen as we planned
Right here only me myself and I
Saddest melody is playing back
All the memory I had of you has come back

[Chorus] Tóc Tiên
Lost in my own pains
Come to my own place
To feel every note of the sad song that is played
There’s no more “hand in hand”, your new love wiped away your tears
This town got smaller, we can not make up
Just to hurt ourselves one more time, that’s enough
Tonight, please let me sleep so my memory of you won’t recall

[Sing-talk] Da LAB
Nobody comes and stays for long enough in my head, I’m depressed
The old affair happened so long ago is coming back
You were right there, sipping on your drink asking me ‘bout how I’m doing with my life
Asking me how many people I have loved
Being drunk and getting laid
Whispers in bed that will fade
Looking for some to have fun and then what now I’m here all alone in this room with the dark, I miss you much
Buried our love that we shared but deep down inside I still care

[Rap] Da LAB
My thoughts of you still come up from nowhere
Though I tried to forget they are still in the air
Turning sour as I think ‘bout the lipstick you wear
I realized that you’re gone but I’m so unprepared
For something you said or something that you’ll never
Wake up in the morning I don’t feel any better
Had I no idea how I got home and I wonder
Sun is coming up but we won’t be together
All the days we been through never seem to vanish
Reminiscent of you they’re gonna flourish
Got me in the fire but I can’t extinguish
Trapped inside them walls with my bare hands to demolish
All the walk that we had, on the sidewalk that day
In my mind they will last but we’ll go different ways

[Chorus] Tóc Tiên + DaLAB
Lost in my own pains
Come to my own place
To feel every note of the sad song that is played
There’s no more “hand in hand”, your new love wiped away your tears
This town got smaller, we can not make up
Just to hurt ourselves one more time, that’s enough
Tonight, please let me sleep so my memory of you won’t recall

[Outro]
Nobody come and stay for long enough in my head, I’m depressed
The old affair happened so long ago is coming back
You were right there, sipping on your drink asking me ‘bout how I’m doing with my life
Asking me how many people I have loved


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----------------------------------------------/-------------
© Bản quyền thuộc về Step Up English
© Copyright by Step Up English ☞ Do not Reup

All rights go The Lonely Island.
YOLO is available on iTunes: http://smarturl.it/lonelyIslandYolo
Lyrics taken from the official video of YOLO: http://www.youtube.com/watch?v=z5Otla5157c

LYRICS:
Adam Levine: YOLO
Andy: YOLO, you only live once.
The battle cry of a generation.
This life is a precious gift.
So don't get too crazy,
it's not worth the risk.

Chorus
Adam Levine:
You know that we are still young.
So don't be dumb.
Don't trust anyone,
cause you only live once.

Verse 1
Kiv: Ugh, you only live once,
thats the motto.
So take a chill pill,
ease off the throttle.

Jorm: Never go to loud clubs
cause it's bad for your ears.
Your friends will all be sorry
when they can't hear.

Andy: And stay the hell away from drugs
cause they not legal.
Then bury all your money in the backyard
like a beagle.

Kiv: Cause you should never trust a bank
They've been known to fail.
And never travel by car, a bus,
boat or by rail.

Jorm: And don't travel by plane.
And don't travel at all.
Build a bomb shelter basement
with titanium walls.

Andy: And wear titanium suits
in case pianos fall on ya.
And never go in saunas
cause they're crawlin' with piranhas.

Kiv: And never take the stairs
cause they're often unsafe.
You only live once,
don't let it go to waste.

CHORUS
Adam Levine:
You know that we are still young,
so hold off on the fun.
Cook your meat 'til it's done,
cause you only live once.

Verse 2
Jorm: Yeah,
and here's another piece of advice:
Stay away from kids
cause their hair is filled with mad lice.

Andy: There's no such thing
as too much Purell.
This a cautionary tale,
word to George Orwell.

Kiv: So don't 1980 force
any plugs into sockets.
Always wear a chastity belt
and triple lock it.

Jorm: Then hire a taster
make him check your food for poison.
And if you think your mailman is a spy
then destroy him.

Andy: No blankets or pajamas
they can choke you in your sleep.
Two words about furniture:
killing machines.

Kiv: Board your windows up
the sun is bad for your health.
And always wear a straight jacket
so you're safe from yourself.

Kendrick Lamar:
Take no chances (no chances)
Stop freelancin' (right now)
Invest in your future,
don't dilute your finances (uh huh)
401K, make sure it's low risk
Then get some real estate (how much?)
4.2%Thirty year mortgage,
that's important, that's a great deal
And if you can't afford it,
don't forge it on your last bill
Renting is for suckers right now
A dependable savings,
and you'll retire with money in your account.
Beast.

All:
YOLO, say no no.
Isolate yourself
and just roll solo
Be care-folo
You oughta look out
also stands for YOLO.

Chorus
Adam Levine:
You know that we are still young.
Burn the prints off your thumbs.
Then pull out all your teeth,
so you can't bite your tongue.

Only on this earth for a short time, time
So don't go outside, cause you don't want to die, die.
Just take our advice and hide
and scream YOLO to the sky.

Andy: You oughta look out.