關於 visual live score ，我們在網路上蒐集到這些相關的討論、資訊與評價

【第93屆美國奧斯卡金像獎｜入圍名單】揭曉！

最佳電影Best Picture
The Father
Judas and The Black Messiah
Mank
Minari
Nomadland
Promising Young Woman
Sound of Metal
The Trial of The Chicago 7

最佳國際電影Best International Feature Film
Another Round
Better Days少年的你
Collective
The Man Who Sold His Skin
Quo Vadis, Aida?

最佳導演Best Director
Thomas Vinterberg (Another Round)
David Fincher (Mank)
Lee Isaac Chung (Minari)
Chloe Zhao (Nomadland)
Emerald Fennell (Promising Young Woman)

最佳女主角Best Actress
Viola Davis (Ma Rainey’s Black Bottom)
Andra Day (The United States vs. Billie Holiday)
Vanessa Kirby (Pieces Of A Woman)
Frances McDormand (Nomadland)
Carey Mulligan (Promising Young Woman)

最佳男主角Best Actor
Riz Ahmed (Sound of Metal)
Chadwick Boseman (Ma Rainey’s Black Bottom)
Anthony Hopkins (The Father)
Gary Oldman (Mank)
Steve Yeun (Minari)

最佳女配角Best Supporting Actress
Maria Bakalova (Borat Subsequent Moviefilm)
Glenn Close (Hillbilly Elegy)
Olivia Colman (The Father)
Amanda Seyfried (Mank)
Youn Yuh-jung (Minari)

最佳男配角Best Supporting Actor
Daniel Kaluuya (Judas and the Black Messiah)
Sacha Baron Cohen (The Trial of the Chicago 7)
Leslie Odom Jr. (One in Night Miami)
Paul Raci (Sound of Metal)
Lakeith Stanfield (Judas and the Black Messiah)

最佳攝影Best Cinematography
Judas and the Black Messiah
Mank
News of the World
Nomadland
The Trial of the Chicago 7

最佳改編劇本Best Adapted Screenplay
Borat Subsequent Movefilm
The Father
Nomadland
One Night in Miami
The White Tiger

最佳原著劇本Best Original Screenplay
Judas and the Black Messiah
Minai
Promising Young Woman
Sound of Metal
The Trial of the Chicago 7

最佳紀錄片Best Documentary
Collective
Crip Camp
The Mole Agent
My Octopus Teacher
Time

最佳動畫片Best Animated Feature
Onward
Over the Mood
A Shaun the Sheep Movie: Farmageddon
Soul
Wolfwalkers

最佳原創配樂Best Original Score
Da 5 Bloods
Mank
Minari
News of the World
Soul

最佳主題曲Best Song
Fight for You (Judas and the Black Messiah)
Hear My Voice (The Trial of the Chicago 7)
Husavik (Eurovision Song Contest)
Io Sí (Seen) (The Life Ahead)
Speak Now (One Night In Miami)

最佳音效設計Best Sound
Greyhound
Mank
News of the World
Soul
Sound of Metal

最佳服裝設計Best Costume Design
Emma
Ma Rainey’s Black Bottom
Mank
Mulan
Pinocchio

最佳美術設計Best Production Design
The Father
Ma Rainey’s Black Bottom
Mank
News of the World
Tenet

最佳化妝和髮型設計Best Makeup and Hairstyling
Emma
Hillbilly Elegy
Ma Rainey’s Black Bottom
Mank
Pinocchio

最佳視覺效果Best Visual Effects
Love and Monsters
The Midnight Sky
Mulan
The One and Only Ivan
Tenet

最佳動畫短片Best Animated Short
Burrow
Genius
Loci
If Anything Happens I Love You
Opera
Yes-People

最佳實境短片Best Live-Action Short
Feeling Through
The Letter Room
The Present
Two Distant Strangers
White Eye

最佳紀錄短片Best Documentary Short
Colette
A Concerto Is A Conversation
Do Not Split不割蓆
Hunger Ward
A Love Song For Latasha

The meaning of re-provoking 721 | Lee Yee

LIHKG forum started a thread titled “Congratulations to the Hong Kong Police Force (HKPF) for Raising Global Awareness Again for the Jul. 21 incident (721).” There were continuous comments on the thread that linked to international media reports on the HKPF’s various deliberate misrepresentations. Many social media were also swept by a flood of all the videos previously published since 721: live broadcasts, subsequent comprehensive reports including Hong Kong Connection’s “721 Yuen Long Nightmare” which had 8.32 million views in just over five months since the clip was published, and “Truth of 721” which had over 1.3 million views since its upload last month. The large amount of visual media trending on social media is the explosion of citizens actions to challenge the copious amount of lies.

The biggest effect of HKPF re-provoking 721 is to let those Hongkongers, especially foreigners, whose memories of the incident have faded, to remember it again. How can people believe the fabricated lies when they once again witness the scenes and listen to the people who lived through it recount the experience? In that case, what is the purpose of reviving people’s memory? Surely it is not because the trust score of Carrie Lam’s regime is not low enough?

Hong Kong has realized the words of the Russian author and dissident, Aleksandr Isayevich Solzhenitsyn, of whom I once quoted: “We know they are lying. They know they are lying. They also know that we know they are lying. We also know that they know that we know they are lying. But they are still lying.”

A reader asked me the source of this quotation but I could not find it. It was only based on the Internet, nevertheless it is fantastic. Solzhenitsyn had written so many articles on deception and the authoritarian regime so it is possible that he had said it just once during a conversation. Another Russian writer, Elena Gorokhova, said something similar in a book published in 2010: “The rules are simple: they deceive us, we know they are lying, they know that we know they are lying, but they keep on lying to us, and we keep on pretending to believe them.” The significance of re-provoking 721 is spelled out in these two passages.

Why are they still lying when they know that we know that they are lying? This is because, under the tyranny of totalitarianism, the fabrication of lies is not to make the people believe but to make one’s case sound plausible when justifying with the superior. 721 was a defining moment in the timeline of the anti-Extradition Law Amendment Bill (anti-ELAB) movement that reversed the perception of the people of Hong Kong and the international community towards the HKPF and HKSAR government. In other words, after the incident, the image of the HKPF tumbled from the protector of the people to a tool of tyranny. Therefore, the distortion of facts is not for the people to believe but to let their “own people” including their superiors to “pretend to believe” so as to maintain the “legitimacy pretense.”

Another implication of re-provoking this incident is that the behavior of lying even when knowingly they cannot deceive proves the existing regime is a true tyranny.

Solzhenitsyn said, “Tyranny finds its only refuge in falsehood and falsehood in tyranny finds its only support.” “Tyranny must be interwoven with falsehood. Between them, they have the closest and deepest natural union.” Because of this intimate natural bonding, in the presence of deceptions regardless of whether people will believe it or not, it is tantamount to proclaiming the existence of tyranny.

The significance of re-provoking this incident is threefold. It also illustrates the greatest crisis in Hong Kong. It is not those in power and the pro-Beijing camp pretending to believe in the distorted facts, but that the increasing number of Hongkongers willing to tolerate the lies and also pretending that the stag is a horse. The Czech dissident writer and former President of Czechoslovakia, Václav Havel said that when people “have to acquiesce, endure and drift along with the lies, then every person can only survive in lies. People do not need to accept lies, it is enough that they endure a life of living in and with lies. In this way, people validate, perfect, create and become this system.”

The Chinese have “become this system.” Hongkongers must not only protect the truth, but also be wary of themselves and the people around them to not pretend to believe in lies and not participate in distorting facts for personal gain. Solzhenitsyn said, “If we are fearful even to detach from the participation of lying, then we are worthless and hopeless.” The sarcasm of Russian writer, Alexander Sergeyevich Pushkin, is most applicable to us: “Why give animals freedom? Their fate is to be bound by chains and flogged with whips, generation after generation!”

Hongkongers must take heed of this heart-wrenching remark!

【 第92屆奧斯卡公布候選名單 】

將於香港時間2020年2月10日早上舉行的《第92屆奧斯卡頒獎典禮》（The 92nd Annual Academy Awards），周一晚（13／1）由美籍韓裔男星趙約翰（John Cho）與著名黑人女演員Issa Rae一同公布候選名單（http://bit.ly/35OPUbd）。

於我而言是嚴重過譽的《JOKER小丑》（JOKER）勇奪11項提名，為今屆獲得最多提名的電影，相信戲中演得甚為出色的華堅馮力士（Joaquin Phoenix）有望成功奪得小金人封影帝。至於馬田史高西斯（Martin Scorsese）執導的Netflix電影《愛爾蘭人》（The Irishman）、昆頓塔倫天奴（Quentin Tarantino）執導的《從前，有個荷里活》（Once Upon A Time...In Hollywood）以及森文達斯（Sam Mendes）執導的《1917：逆戰救兵》（1917）就各自有10項入圍，位列次席。而由Netflix製作及播放的電影，《愛爾蘭人》、《婚姻故事》（Marriage Story）、《教廷白煙》（The Two Popes）已累積19項提名，連同動畫及紀錄片入圍作品，合共獲得24項提名。

而今屆的焦點當然是由韓國導演奉俊昊掌鏡的《上流寄生族》（Parasite），入圍6項提名，分別是最佳電影、最佳導演、最佳國際電影獎（International Feature Film，前稱最佳外語片）、最佳原創劇本、最佳剪接和最佳美術指導，其中前三個獎項都是第一次有韓國電影入圍，相當厲害。事實上，《上》雖然要勇奪最佳電影可謂機會甚微，但最佳國際電影獎則幾乎十拿九穩，憑極其出色的故事佈局，甚至有機會奪得最佳原創劇本一獎，只要看過這套電影的人，必然會認同這個觀點。

【 第九十二屆奧斯卡足本入圍名單 】

＊最佳電影（Best Picture）
《1917：逆戰救兵》
《極速傳奇：福特決戰法拉利》（Ford v Ferrari）
《愛爾蘭人》
《JOKER小丑》
《陽光兔仔兵》（Jojo Rabbit）
《小婦人》（Little Women）
《上流寄生族》
《從前，有個荷里活》
《婚姻故事》

＊最佳導演（Best Director）
奉俊昊《上流寄生族》
森文達斯《1917：逆戰救兵》
Todd Phillips《JOKER小丑》
馬田史高西斯《愛爾蘭人》
昆頓塔倫天奴《從前，有個荷里活》

＊最佳男主角（Best Leading Actor）
阿當載華（Adam Driver）《婚姻故事》
安東尼奧班特拉斯（Antonio Banderas）《萬千痛愛在一生》（Pain and Glory）
華堅馮力士《小丑》
Jonathan Pryce《教廷白煙》
里安納度狄卡比奧（Leonardo Dicaprio）《從前，有個荷里活》

＊最佳女主角（Best Leading Actress）
查理絲花朗（Charlize Theron）《爆炸性醜聞》（Bombshell）
Cynthia Erivo《Harriet》
茜爾莎羅倫（Saoirse Ronan）《小婦人》
施嘉莉祖安遜（Scarlett Johansson）《婚姻故事》
雲妮絲惠嘉（Renée Zellweger）《星夢女神：茱地嘉蘭》（Judy）

＊最佳男配角（Best Supporting Actor）
阿爾柏仙奴（Al Pacino）《愛爾蘭人》
畢彼特（Brad Pitt）《從前，有個荷里活》
湯漢斯（Tom Hanks）《在晴朗的一天出發》（A Beautiful Day in the Neighborhood）
Joe Pesci《愛爾蘭人》
安東尼鶴健士（Anthony Hopkins）《教廷白煙》

＊最佳女配角（Best Supporting Actress）
Florence Pugh《小婦人》
嘉菲比絲（Kathy Bates）《李察朱維爾：驚世疑案》（Richard Jewell）
羅娜丹（Laura Dern）《婚姻故事》
瑪歌羅比（Margot Robbie）《爆炸性醜聞》
施嘉莉祖安遜《陽光兔仔兵》

＊最佳原創劇本（Best Original Screenplay）
森文達斯、Krysty Wilson-Cairns《1917：逆戰救兵》
Noah Baumbach《婚姻故事》
Quentin Tarantino《從前，有個荷里活》
奉俊昊、韓進元《上流寄生族》
Rian Johnson《神探白朗：福比利大宅謀殺案》（Knives Out）

＊最佳改編劇本（Best Adapted Screenplay）
Steven Zaillian《愛爾蘭人》
Todd Phillips、Scott Silver《JOKER小丑》
Taika Waititi《陽光兔仔兵》
Greta Gerwig《小婦人》
Anthony McCarten《教廷白煙》

＊最佳剪接（Best Film Editing）
《極速傳奇：福特決戰法拉利》
《JOKER小丑》
《陽光兔仔兵》
《愛爾蘭人》
《上流寄生族》
《從前，有個荷里活》

＊最佳原創歌曲（Best Original Song）
《I Can’t Let You Throw Yourself Away》《反斗奇兵》（Toy Story 4）
《(I’m Gonna) Love Me Again》《搖滾太空人》（Rocketman）
《I'm Standing With You》《Breakthrough》
《Into the Unknown》《魔雪奇緣2》（Frozen 2）
《Stand Up》《Harriet》

＊最佳配樂（Best Original Score）
Thomas Newman《1917：逆戰救兵》
Hildur Guðnadóttir《JOKER小丑》
Alexandre Desplate《小婦人》
Randy Newman《婚姻故事》
John Williams《星球大戰：天行者崛起》（Star Wars: The Rise of Skywalker）

＊最佳攝影（Best Cinematography）
Roger Deakins《1917：逆戰救兵》
Rodrigo Prieto《愛爾蘭人》
Lawrence Sher《JOKER小丑》
Jarin Blaschke《燈塔》（The Lighthouse）
Robert Richardson《從前，有個荷里活》

＊最佳服裝設計（Best Costume Design）
Mark Bridges《JOKER小丑》
Mayes C. Rubeo《陽光兔仔兵》
Sandy Powell、Christopher Peterson《愛爾蘭人》
Jacqueline Durran《小婦人》
Arianne Phillips《從前，有個荷里活》

＊最佳化妝及髮型設計（Best Makeup and Hairstyling）
Naomi Donne、Tristan Versluis、Rebecca Cole《1917：逆戰救兵》
Kazu Hiro、Anne Morgan、Vivian Baker《爆炸性醜聞》
Nicki Ledermann、Kay Georgiou《JOKER小丑》
Jeremy Woodhead《星夢女神：茱地嘉蘭》
Paul Gooch、Arjen Tuiten、David White《黑魔后2》（Maleficent: Mistress of Evil）

＊最佳音效剪接（Best Sound Editing）
Oliver Tarney、Rachael Tate《1917：逆戰救兵》
Donald Sylvester《極速傳奇：福特決戰法拉利》
Alan Robert Murray《JOKER小丑》
Wylie Stateman《從前，有個荷里活》
Matthew Wood、David Acord《星球大戰：天行者崛起》

＊最佳音效（Best Sound Mixing）
Mark Taylor、Stuart Wilson《1917：逆戰救兵》
Gary Rydstrom、Tom Johnson、Mark Ulano《星際任務》（Ad Astra）
Paul Massey、David Giammarco、Steven A. Morrow《極速傳奇：福特決戰法拉利》
Tom Ozanich、Dean Zupancic、Tod Maitland《JOKER小丑》
Michael Minkler、Christian P. Minkler、Mark Ulano《從前，有個荷里活》

＊最佳視覺效果（Best Visual Effects）
Mark Taylor、Stuart Wilson《1917：逆戰救兵》
Dan DeLeeuw、Matt Aitken、Russell Earl、Dan Sudick《復仇者聯盟4：終局之戰》（Avengers: End Game）
《愛爾蘭人》
Robert Legato、Adam Valdez、Andrew R. Jones、Elliot Newman《獅子王》（The Lion King）
Roger Guyett、Neal Scanlan、Patrick Tubach、Dominic Tuohy《星球大戰：天行者崛起》

＊最佳國際電影（Best International Feature Fiim）
《Corpus Christi》（波蘭）
《Honeyland》（北馬其頓）
《Les Misérables》（法國）
《萬千痛愛在一生》（西班牙）
《上流寄生族》（韓國）

＊最佳美術指導（Best Production Design）
Production Design: Dennis Gassner、Set Decoration: Lee Sandales《1917：逆戰救兵》
Production Design: Bob Shaw、Set Decoration: Regina Graves《愛爾蘭人》
Production Design: Ra Vincent、Set Decoration: Nora Sopková《陽光兔仔兵》
Production Design: Barbara Ling、Set Decoration: Nancy Haigh《從前，有個荷里活》
Production Design: Lee Ha-joon、Set Decoration: Cho Won-woo《上流寄生族》

＊最佳動畫（Best Animated Feature Film）
《克勞斯：聖誕節的秘密》
《馴龍記3》
《I Lost My Body》
《Missing Link》
《反斗奇兵4》

＊最佳紀錄長片（Best Documentary Feature）
《American Factory》
《The Cave》
《The Edge of Democracy》
《For Sama》
《Honeyland》

＊最佳紀錄短片（Best Documentary Short Subject）
《In The Absence》
《Learning To Skateboard》
《Life Overtakes Me》
《St Louis Superman》
《Walk, Run, Cha-Cha》

＊最佳動畫短片（Short Film - Animated）
《Dcera (Daughter)》
《Chair Love》
《Kitbull》
《Memorable》
《Sister》

＊最佳短片（Short Film - Live Action）
《Brotherhood》
《Nefta Football Club》
《The Neighbors’ Window》
《Saria》
《A Sister》

（14012020）

＃游大東 ＃游大東影視筆記 ＃奧斯卡 #OSCARS Edko Films Ltd. 安樂影片 #上流寄生族 #奉俊昊 Written on the Wind（電影資訊） #寄生上流

［YJ Podcast］此系列播放清單連結 → https://goo.gl/lUuCyu
訂閱我看更多´▽`ʃ♡ƪ → http://goo.gl/IhcGR6
IG → https://www.instagram.com/yjpodcast/

Piper Pixar Disney

《2017第89屆奧斯卡金像獎完整得獎名單》

＊最佳影片Best Picture
《月光下的藍色男孩Moonlight》

＊最佳導演Best Director
Damien Chazelle《樂來越愛你》

＊最佳男主角Actor in a leading role
凱西艾佛列克Casey Affleck《海邊的曼徹斯特》

＊最佳女主角Actress in a leading role
艾瑪史東Emma Stone《樂來越愛你》

＊最佳男配角Actor in a supporting role
馬赫夏拉阿里Mahershala Ali《月光下的藍色男孩》

＊最佳女配角Actress in a supporting role
维奥拉戴维斯Viola Davis《藩籬》

＊最佳改編劇本 Adapted Screenplay
《月光下的藍色男孩》

＊最佳原創劇本 Original Screenplay
《海邊的曼徹斯特》

＊最佳動畫片 Animated Feature Film
《動物方城市Zootopia》

＊最佳攝影 Cinematography
《樂來越愛你La La Land》

＊最佳原創音樂 Original Score
《樂來越愛你》

＊最佳原創歌曲 Original Song
〈City of Stars〉《樂來越愛你》

＊最佳服裝設計 Costume Design
《怪獸與牠們的產地》

＊最佳剪輯 Film Editing
《鋼鐵英雄》

＊最佳化妝及髮型 Makeup and Hairstyling
《自殺突擊隊Suicide Squad》

＊最佳道具與佈景設計 Production Design
《樂來越愛你La La Land》

＊最佳音效剪輯 Sound Editing
《異星入境Arrival》

＊最佳混音 Sound Mixing
《鋼鐵英雄Hacksaw Ridge》

＊最佳視覺效果 Visual Effects
《與森林共舞》

＊最佳紀錄片 Best Documentary
O.J.: Made in America

＊最佳外語片 Foreign Language Film
The Salesman

＊最佳紀錄短片 Documentary Short Subject
The White Helmets

＊最佳實景短片Live Action Short Film
Sing

＊最佳動畫短片 Animated Short Film
Piper

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　⊂⌒(　･ω･) 　＜　我會繼續努力的 　｜
　　＼_っ⌒/⌒c　\ 　！！！！！！！ ／
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ＰＳ：
我用的相機：Sony RX100 M3（個人認為這代cp值最推薦）
麥克風：Blue Yeti + Adobe Audition（好重可是cp值也很不錯）
手寫字插畫→cgua： https://www.instagram.com/c.gua/
Podcast插畫→羊羹： https://www.facebook.com/wo4yokan/?fr...

ＰＳ２：
關於著作權『合理使用』的法條聲明

【中華民國法律】
民國十七年（1928年）首次制訂。現行中華民國《著作權法》第四十四條至第六十五條規定了著作財產權的限制，除了第六十五條規定合理使用的判斷標準外，第六十五條前各條規定需在合理範圍內得使用，而著作財產權人之權利受限制的各種狀況，是屬於廣義範圍中的合理使用概念。
第52條
為報導、評論、教學、研究或其他正當目的之必要，在合理範圍內，得引用已公開發表之著作。