桑布伊在「跟著走」這首輕搖滾曲風的歌曲裡所要分享的是「祈禱」。「祈禱」不僅只是一種宗教的行為,也可以是每個人心裡覺得能帶給自己勇氣、自信、力量、反省、撫慰、平衡的呼求或祈求方式。
桑布伊認為祈禱是每個人都需要的。只要向自我精神力量的來源,隨時隨地靜下心來祈禱與自我反省,藉以得到更多內在的力量,就可以帶著自信迎向任何的挑戰與不可知的未來。
#祈禱祝福臺灣平安平安再平安🌿🌿🌿
Sangpuy believes that people should pray, pray to those what or whom you believe in, pray for courage, pray for confidence, pray for strength, pray for forgiveness and pray for the abilities to get along well with the world.
==========================
【跟著走 - Iturusanay】
詞/Songwriter:桑布伊/SANGPUY、楊慕仁/ Ushiw Pakaruku
曲/Composer:桑布伊/SANGPUY
編曲/Arrangements:曾仁義/NINE G
我們群坐在祖靈屋前
kemayan ta i ngawayan za na karuma’an
一同牽手祈求
mukasaya ta kianun kemakezeng ta
祖先們自古的步伐與歲月痕跡
tu inlrangan na awatanan kana maa’izangan
長輩們呀 對您們身懷感恩
kana maa’izangan kalrayuwayu
父親 母親呀
ama ina
父親 母親呀 撫慰著我
ama ina aperezaw mi
父親 母親呀 護佑著我
ama ina pulihu mi
啊伊呀歐 啊伊呀歐
ah yi ya oh ah yi ya oh
啊伊呀伊呀歐 啊伊呀歐
ah yi ya yi ya oh ah yi ya o
啊伊呀歐 啊伊呀歐
ah yi ya oh ah yi ya oh
啊伊呀伊呀歐 啊伊呀歐
ah yi ya yi ya oh ah yi ya o
==========================
【ついて行こう】
祖先の屋敷の前に皆で座り
一緒に手を繋いで祈ろう
祖先の古来からの足跡と時間の軌跡
先人たちに
心からの感謝を
父よ 母よ
父よ 母よ 慰めてください
父よ 母よ 見守ってください
アイヤオ アイヤオ
アイヤイヤオ アイヤオ
アイヤオ アイヤオ
アイヤイヤオ アイヤオ
==========================
【Follow your steps】
We gather in front of the ancestral house,
holding each other’s hands to pray.
Steps ancestors ever took and footprints they left along the river of time,
ancestors,
we sincerely appreciate what you have done for us.
Father, mother.
Father, mother, please comfort me.
Father, mother, please bless me.
Ah Yi Ya Oh Ah Yi Ya Oh
Ah Yi Ya Yi Ya Oh Ah Yi Ya Oh
Ah Yi Ya Oh Ah Yi Ya Oh
Ah Yi Ya Yi Ya Oh Ah Yi Ya Oh
==========================
吉他/Acoustic Guitar:曾仁義/NINE G
電吉他/Electric Guitar:曾仁義/NINE G
貝斯/Bass:甯子達/Michael Ning
鋼琴/Piano:洪子龍/HUNG Tzu-lung
打擊/Percussion:吳政君/Alex Wu
爵士鼓/Drums:張浩嘉/CHANG Hao-chia
爵士鼓技師/Drum Technician:汪博緯/Bryan Wang
錄音/Recording Engineer:鄭皓文/Howard Tay
混音/Mixing Engineer: 王俊傑/Mr. K
母帶後製/Mastering Engineer:Ted Jensen (Sterling Sound)
錄音室/Recording Studio:Lights Up Studio
混音室/Mixing Studio:強力錄音室 MEGA FORCE STUDIO
==========================
影像團隊 MV Credit
導演Director | Uki Bauki潘昱帆
執行製片Line Producer | 高芯妤Nikar
攝影Cinematographer | 闕宇良Chueh Yu-Liang、Uki Bauki潘昱帆、盧彥中Adiong LU、高芯妤Nikar、張海諾Chan Hai-Nuo
妝髮 Groomer | 吳惠敏Fifi Wu、瑞莎
剪接 Editing | Uki Bauki潘昱帆
==========================
特別感謝 Special Thanks
雲門劇場 Cloud Gate Theater
鐵花村 音樂聚落‧慢市集 Tiehua MUSIC VILLAGE
MV演出樂手 Video Musicians:
吉他/Guitars:曾仁義/NINE G、郭一豪/KUO Yi-hao
貝斯/Bass:江力平/JIANG Lee-Ping
鋼琴/Piano:洪子龍/HUNG Tzu-lung
打擊/Percussion:吳政君/Alex Wu
爵士鼓/Drums:沈威成/James Shen、陳錦勝/Mavaliw
合聲/Backing Vocal:曾志浩/Ponay Tseng、孔亞明/Morikilr、王傑/Siyang。
==========================
專輯【得力量】暨MV製作出品:卡達德邦文化工作室
專輯【得力量】發行:風潮音樂國際股份有限公司 (著作暨詞曲版權代理)
Album “pulu'em” & MV “Life in a day” were both produced by Katatepan Cultural Studio.
The album “pulu'em” is published and distributed by Wind Music.
yu footprints 在 VOP Facebook 的最佳貼文
【新刊發行 NEW RELEASE】
▒ Voices of Photography 攝影之聲 ▒
Issue 14 : 謎途 Journey Into Mystery
在這期開始之前,我們追思藝術家陳順築。
生於1963年的陳順築,其濃烈的家族記憶與原鄉羈愁所轉印建構的複合影像及攝影裝置作品,是當代台灣藝壇重要的標誌與代表。在台北市立美術館正為陳順築舉辦首次個人大型回顧展之際,他卻於2014年10月和我們告別遠行……。為了紀念他,我們重新刊載三年前在《攝影之聲》和陳順築的對話,並再收錄藝術家陳界仁與姚瑞中寫給順築的信,以及我們從他1989年至近期的個人札記中,節錄出的隨筆、塗鴉與奇想。他說,藝術就是心裡的事,而我們試著跟隨他的喃喃私語,想像他這一生創作總念念不忘的家。
本期我們特別介紹藝術家赤鹿麻耶、宇田川直寬和付羽,他們的作品令人陷入當代攝影看不清的謎霧中——赤鹿奇異佈局的詭祕時刻、宇田川在家庭照片上綿密塗畫的燥灼抒發,以及付羽冷峻枯寂的形骸景象,我們嘗試前往他們自身也難以剖解的影像謎團中尋路。專欄中,張世倫則以攝影家張乾琦的錄像新作《Side Chain》切入析論攝影的毀壞與創生 ; 顧錚書寫捷克攝影家斯沃博達的攝影生涯,追尋他的自傳性內心影像 ; 黃翰荻帶我們重返1940年代,細數台灣前輩攝影家張才在上海留下的鏡頭足跡。而這期夾帶的《SHOUT》第六輯,是台灣新一代攝影創作者鄭弘敬的獨白詩篇,他遊移於日常卻捉摸不定的破格視線,則是另一個謎題。
新的一年準備開始,我們也回顧2014年的攝影出版。在VOP編輯室被愈來愈多來自世界各地的攝影書淹沒的情況下,我們特別增加頁數、一口氣邀集了五位不同國家的攝影評論人與攝影書收藏者——陣容包括獨立攝影書庫創辦人Larissa Leclair、亞太攝影書資料庫創辦人Daniel Boetker-Smith、法國Le Bal藝術總監Sebastian Arthur Hau、德國卡塞爾攝影書節創辦人Dieter Neubert,以及日本資深藝評家大竹昭子——在2014年的攝影書海中,評選出他們最喜歡的攝影書單推薦給大家。如果你和我們一樣是攝影書迷,那麼絕對不能錯過這些精彩的書。
蕭永盛的「台灣攝影史」連載五,此次回望甲午戰爭時期日人龜井茲明與其寫真班在台灣留下的戰爭影像紀錄 ; Q單元,我們則專訪中國《老照片》主編馮克力,這份18年來由讀者投稿、蒐集整理民間照片資料的叢刊,是庶民影像史觀的珍貴報告。
然而在埋首編務的同時,我們接獲中國海關查禁《攝影之聲》並出動「文化市場執法總隊」接連查抄書店據點、全面下架雜誌的消息,其中更特別針對了《攝影之聲》上期的「抗議、行動與影像」專題,試圖以非法進口的理由在中國進行打壓淨化。此舉非但證實了中國政府對於出版與表意自由已更加限縮,同時也說明了即使是一份小小的刊物也足以讓強權畏怕。我們在這裡要再次聲明,《攝影之聲》將堅持獨立刊物的精神,寧做異音,也不會配合任何掌權者的和諧曲調。在此特別感謝關心及支持我們的讀者。
---
關於本期 ABOUT :
http://www.vopmagazine.com/vop014/
購買本期 ORDER:
www.vopmagazine.com/vop014shop/
訂閱SUBSCRIBE:
www.vopmagazine.com/subscribe/
---
This issue of VOP pays tribute to artist Chen Shun-Chu.
Born in 1963, Chen’s composite images and photographic installation art pieces, which capture the vivid memories of his family and longing for his ancestral home, are iconic pieces in Taiwanese contemporary art. Chen passed away in 2014 just as his major retrospective exhibition was being held in the Taipei Fine Arts Museum. We interviewed him in 2011, and published the interview in the now out-of-print third issue of VOP. We decided to re-publish the interview in this issue, alongside letters to Chen Shun-Chu from artists Chen Chieh-Jen and Yao Jui-Chung, as well as some drawings, words and musings from his personal notebooks. He once said that art is something that comes from deep in his heart, and we try to imagine the home and family that were always on his mind from his murmurings.
Also in this issue, we introduce artists Akashika Maya, Utagawa Naohiro and Fu Yu, seeking a path through their mysterious images that perhaps even they themselves would find difficult to decipher—Akashika’s eccentric layouts, Utagawa’s frustrated graffiti on his family photos and Fu Yu’s indifferent images of animal remains. In their columns, Chang Shih-Lun analyses the deconstruction and creation of photography through Side Chain, a new film by photographer Chang Chian-Chi; Gu Zheng writes about the life and works of Czech photographer Jan Svoboda in search of the autobiographic images in his photographs; Huang Han-Di brings us back to the 1940s and shows us footprints of Taiwanese photographer Chang Tsai in Shanghai through his pictures. The 6th issue of the bonus zine SHOUT is a soliloquy by teikoukei, one of the new generation of Taiwanese photographers. Through his lenses, we enter yet another mysterious journey and break free of normal points of view.
At the start of 2015, we look back at the publications of 2014. The VOP team has been —gladly—overwhelmed by recommendations from all over the world. We decided to increase the number of pages for this issue and invited 5 photography critics and photobook collectors from 5 different countries to submit a list of their favorite photobook lists of 2014. The panel includes the founder of Indie Photobook Library Larissa Leclair, Director and founder of Asia-Pacific Photobook Archive Daniel Boetker-Smith, Creative Director of Le Bal Books Sebastian Arthur Hau from France, founder of Kassel Photobook Award Dieter Neubert from Germany and renowned critic Akiko Otake. If you, too, love photobooks, then these titles are definitely worth your time.
In “History of Photography in Taiwan” Part V, Hsiao Yong-Seng looks back at the wartime images left by Japanese photographer Kamei Koreaki and his Photography Unit in the army; Q features a special interview with Feng Keli, editor-in-chief for Old Photographs, a publication that has become a valuable archive of photography from the historical perspective of the common people through 18 years of collecting, organizing and publishing photographs sent in by its readers.
As we were busy working on this issue of VOP, we received word that VOP has been banned from import by China customs. In addition, the authorities have also sent the “Integrated Law Enforcement in Cultural Market Team” to VOP retailers in China to remove and confiscate issues of VOP from the stores, especially our recent issue on “Protests, Activism and Images”. This act confirms that the Chinese government is still oppressing freedom of speech and publishing, and also proves that even a small magazine like ours can cause great fear to a totalitarian regime. Although we are concerned about the impact of such a policy on cultural and ideological dialogue, as an independent magazine, VOP will continue on its path and risk being different, rather than dance to the tune of the oppressor. We sincerely thank our readers for your concern and support.
---
Voices of Photography 攝影之聲
Issue 14 : 謎途 Journey Into Mystery
www.vopmagazine.com
yu footprints 在 VOP Facebook 的最佳貼文
【即將發行 NEW ISSUE COMING SOON】
封面獻給順築。
更多新刊訊息,請留意我們的動態。
▒ Voices of Photography 攝影之聲 ▒
Issue 14 : 謎途 Journey Into Mystery
在這期開始之前,我們追思藝術家陳順築。
生於1963年的陳順築,其濃烈的家族記憶與原鄉羈愁所轉印建構的複合影像及攝影裝置作品,是當代台灣藝壇重要的標誌與代表。在台北市立美術館正為陳順築舉辦首次個人大型回顧展之際,他卻於2014年10月和我們告別遠行……。為了紀念他,我們重新刊載三年前在《攝影之聲》和陳順築的對話,並再收錄藝術家陳界仁與姚瑞中寫給順築的信,以及我們從他1989年至近期的個人札記中,節錄出的隨筆、塗鴉與奇想。他說,藝術就是心裡的事,而我們試著跟隨他的喃喃私語,想像他這一生創作總念念不忘的家。
本期我們特別介紹藝術家赤鹿麻耶、宇田川直寬和付羽,他們的作品令人陷入當代攝影看不清的謎霧中——赤鹿奇異佈局的詭祕時刻、宇田川在家庭照片上綿密塗畫的燥灼抒發,以及付羽冷峻枯寂的形骸景象,我們嘗試前往他們自身也難以剖解的影像謎團中尋路。專欄中,張世倫則以攝影家張乾琦的錄像新作《Side Chain》切入析論攝影的毀壞與創生 ; 顧錚書寫捷克攝影家斯沃博達的攝影生涯,追尋他的自傳性內心影像 ; 黃翰荻帶我們重返1940年代,細數台灣前輩攝影家張才在上海留下的鏡頭足跡。而這期夾帶的《SHOUT》第六輯,是台灣新一代攝影創作者鄭弘敬的獨白詩篇,他遊移於日常卻捉摸不定的破格視線,則是另一個謎題。
新的一年準備開始,我們也回顧2014年的攝影出版。在VOP編輯室被愈來愈多來自世界各地的攝影書淹沒的情況下,我們特別增加頁數、一口氣邀集了五位不同國家的攝影評論人與攝影書收藏者——陣容包括獨立攝影書庫創辦人Larissa Leclair、亞太攝影書資料庫創辦人Daniel Boetker-Smith、法國Le Bal藝術總監Sebastian Arthur Hau、德國卡塞爾攝影書節創辦人Dieter Neubert,以及日本資深藝評家大竹昭子——在2014年的攝影書海中,評選出他們最喜歡的攝影書單推薦給大家。如果你和我們一樣是攝影書迷,那麼絕對不能錯過這些精彩的書。
蕭永盛的「台灣攝影史」連載五,此次回望甲午戰爭時期日人龜井茲明與其寫真班在台灣留下的戰爭影像紀錄 ; Q單元,我們則專訪中國《老照片》主編馮克力,這份18年來由讀者投稿、蒐集整理民間照片資料的叢刊,是庶民影像史觀的珍貴報告。
---
購買本期 ORDER:
www.vopmagazine.com/vop014shop/
訂閱SUBSCRIBE:
www.vopmagazine.com/subscribe/
---
This issue of VOP pays tribute to artist Chen Shun-Chu.
Born in 1963, Chen’s composite images and photographic installation art pieces, which capture the vivid memories of his family and longing for his ancestral home, are iconic pieces in Taiwanese contemporary art. Chen passed away in 2014 just as his major retrospective exhibition was being held in the Taipei Fine Arts Museum. We interviewed him in 2011, and published the interview in the now out-of-print third issue of VOP. We decided to re-publish the interview in this issue, alongside letters to Chen Shun-Chu from artists Chen Chieh-Jen and Yao Jui-Chung, as well as some drawings, words and musings from his personal notebooks. He once said that art is something that comes from deep in his heart, and we try to imagine the home and family that were always on his mind from his murmurings.
Also in this issue, we introduce artists Akashika Maya, Utagawa Naohiro and Fu Yu, seeking a path through their mysterious images that perhaps even they themselves would find difficult to decipher—Akashika’s eccentric layouts, Utagawa’s frustrated graffiti on his family photos and Fu Yu’s indifferent images of animal remains. In their columns, Chang Shih-Lun analyses the deconstruction and creation of photography through Side Chain, a new film by photographer Chang Chian-Chi; Gu Zheng writes about the life and works of Czech photographer Jan Svoboda in search of the autobiographic images in his photographs; Huang Han-Di brings us back to the 1940s and shows us footprints of Taiwanese photographer Chang Tsai in Shanghai through his pictures. The 6th issue of the bonus zine SHOUT is a soliloquy by teikoukei, one of the new generation of Taiwanese photographers. Through his lenses, we enter yet another mysterious journey and break free of normal points of view.
At the start of 2015, we look back at the publications of 2014. The VOP team has been —gladly—overwhelmed by recommendations from all over the world. We decided to increase the number of pages for this issue and invited 5 photography critics and photobook collectors from 5 different countries to submit a list of their favorite photobook lists of 2014. The panel includes the founder of Indie Photobook Library Larissa Leclair, Director and founder of Asia-Pacific Photobook Archive Daniel Boetker-Smith, Creative Director of Le Bal Books Sebastian Arthur Hau from France, founder of Kassel Photobook Award Dieter Neubert from Germany and renowned critic Akiko Otake. If you, too, love photobooks, then these titles are definitely worth your time.
In “History of Photography in Taiwan” Part V, Hsiao Yong-Seng looks back at the wartime images left by Japanese photographer Kamei Koreaki and his Photography Unit in the army; Q features a special interview with Feng Keli, editor-in-chief for Old Photographs, a publication that has become a valuable archive of photography from the historical perspective of the common people through 18 years of collecting, organizing and publishing photographs sent in by its readers.
---
Voices of Photography 攝影之聲
www.vopmagazine.com