五年前買了這本書,是一本捷克在08-09年舉辦一個捷克同波蘭的電影海報展覽圖集。眾所周知,波蘭的電影海報世界知名,然而其實捷克都曾經輝煌。這本書介紹兩地海報設計歷史同發展,把兩地同一電影但設計唔同的海報並排(左捷克右波蘭)進行比較,看到兩大設計巨頭在設計上的分別。
這本書很難找,花了我許多時間。首先找過各大網上書店,但都無功而回。後來我直接聯絡出版商(Terry Posters, 捷克出版社),他們也無存貨,不過卻找了兩間捷克小書店的網址給我。我再問了那兩家店,終在其中一家找到那本書。
小店負責人電郵我商討付款方法,但因他們沒有paypal,要直接匯款。我問過數間銀行,又上網查看過,弄了一週才找到方法從香港匯款到捷克。結果又花多數星期,書才到手。
從書中抄了Intro 數小段 (這本書是捷克語/波蘭語/英語三語對照), 可了解多少少兩地海報發展:
//Let's mention a few widely known facts. Polish posters are, as opposed to the Czechoslovak posters, more pictorial. Polish graphic designers used collage, photo collage, montage, plucking of paper or unique author typorgraphy to a much lesser extent than Czechoslovak artists. The core of their posters lied in their perfectly mastered painting itself. Also, letters on posters are often written by hand (Franciszek Starowieyski, Jerzy Flisak), unlike famous examples of an imaginative typography and playing with letters in the Czechoslovak poster (Zdenek Ziegler, Zdenek Kaplan, Karel Vaca, Milan Grygar). //
//The czechoslovak film poster in the early 1960s when it was dynamically shaping into its form absorbed modern art styles like Czech infomral, abstraction, op art, pop art or others, more than the poster art in Poland. Many Czechoslovak Posters use a play with letters, cutouts, plucking and often a very wild and daring combination of techniques. It is quite an interesting fact that among Czechoslovak graphic designers there were more "non-painters" than in Poland.//
//After the fall of the Iron Curtain in 1989, Pollish and Czechoslovak graphic design posters found themselves in a much worse situation. [...] Producers of foerign films which started to flood Czechoslovak and Polish cinemas supplied the filmes with commercial material typical for the West and the USA with a governing elements of photography - a portrait of an actor in the centre of a poster. The Producers also included a new condition into their contracts - taht posters printed in Ploand and in Czechoslovakia must look just like the original photography, commercial promotion materials which were the same all over the world. The possibilitiy of creating new graphic design posters was, in fact, eliminated. However, the situation in both countries may differ today. Twenty years after the change of conditions, the balance is clear and evertyhing points to Poland as the country in a more favorable situation. One might want to say - and it would not be too far fetched - that the Polish poster, unlike the Czech poster, has managed to survive.//
P.S. 這是那家捷克小店的網址:
http://levnyantikvariat.cz/czech/index.php
#現在不宜消費
#唯有回顧以往買到的心頭好
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
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這次到溫哥華除了參與溫哥華藝術書展VABF之外,我們的好朋友Jon Vaughn認為除了書展應該再來點有趣的東西,很快的,我們決定在溫哥華舉辦 《Realms II》聯展(目前《Realms II》已在多倫多、溫哥華舉辦),這次到《Realms II》展覽場地看見28位來自世界各國藝術家的原稿,覺得很感動,藝術創作是可以用許多不同形式、眼光表現的,並不是被『定型』的,自由、靈活、不受限是我在本次展覽藝術家原稿中獲得的寶貴能量,而我也很開心和榮幸自己的作品可以參與其中,這次聯展有很多我喜歡的偶像啊~~~厚!
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《Realms II》展覽活動時間為10/15~10/22,展覽免費入場,與此同時10/19號《Realms II》展覽也是溫哥華藝術書展開幕派對活動,
當天將有許多藝術家、DJ表演音樂活動,時間為晚上7點開始,位在溫哥華的你妳他她,不妨來找我們玩吧:)
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《Realms II》
日期:2018年10月15日(五) - 10月22日(一)
開放時間:12:00 – 18:00
展覽地點:Dynamo Arts Association
地址:Suite 103 - 30 East 6th Ave Vancouver, BC
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《Realms II》是一個藝術計畫,由策展人Jon Vaughn邀請100位來自各國藝術家的作品,整理成冊,出版書籍和舉辦展覽活動。本次Jon Vaughn挑選了28位藝術家的作品,其作品主要專注於繪畫、拼貼、布織品、網版印刷。本次展覽將展出來自台北、東京、溫哥華、波特蘭的藝術家為本次聯展所創作的新作品,同時他們也會參與溫哥華藝術書展。
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Gallery hours for Realms II are 12pm-6pm today at @dynamo.arts.assoc!! Feel free to stop by!
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Realms II 28 artists curated by Jon Vaughn
(Official Vancouver Art Book Fair Opening Party @vancouverartbookfair)
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October 15-22, 2018.Dynamo Arts Association
@dynamo.arts.assoc
Suite
103 - 30 East 6th
Ave Vancouver, BC
_____________________________________________
Reception: Friday Oct 19. 7pm-late.
Musical program:
7pm Scant Intone DJ set
8pm Pluto aka Ben Marcus DJ set
9pm Phull Collums (Live)
930pm Sara Gold (Live)
10pm Aptorian (DJ)1045pm Regularfantasy (DJ)
1130pm pm Lisa Frank (DJ)
12am Aptorian/Regularfantasy/Lisa Frank/VC Vibes Mega Tag
_____________________________________________
Visual Art Exhibition:
108 (Italy)
Aaron Read (Canada)
Bea Parsons (Canada)
Boris Détraz (France)
Chloë Lum + Yannick Desranlau (Canada)
Chou Yi (Taiwan)
Ekta (Sweden)
Extra Vitamins (USA)
Gwendoline Desnoyers (France)
Jack Sachs (UK/Germany)
Jeremy Boulard Le Fur (France)
Jon Vaughn (Regina, SK)
Juli Majer (Vancouver, BC)
Julie Eckert (Victoria, BC)
Joseba Eskubi (Spain)
Loïc Doussin (France)
Ludovic Boulard Le Fur (France)
Makiko Furuichi (France)
Quentin Chambry (France)
Stefany Y Lozano (Germany)
Sean Christensen (Portland, OR)
Tara Booth (USA)
Tylor MacMillon (Vancouver, BC)
Vince McKelvie (USA)
(query)Oracle (Vancouver, BC)
Yusuke Nagaoka (Tokyo,Japan)
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Realms II is a project that brings together 100 artists across the pages of a book and a exhibition of works. For Dynamo Arts Association Vaughn has selected the works of 28 artists focusing on painting, collage, drawing, fibre and print-based work. The exhibition will feature new pieces made especially for this edition by artists-in-attendance from Taipei, Portland and Vancouver who will also be tabling at the Vancouver Art Book Fair.
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More info here:
https://www.facebook.com/events/699797183709917/
collage painting artists 在 美國在台協會 AIT Facebook 的最佳解答
AIT官邸藝展系列之十一:甘泓儒〈渺渺 -1〉
除了獲選在AIT官邸藝展展出的〈轉移 – 01〉之外,我們還想表揚三件參加徵選的台灣年輕藝術家的優秀作品。其中一件是甘泓儒的〈渺渺 -1〉。甘泓儒畢業於台灣藝術大學書畫藝術學系。由於甘泓儒長年練習書法,他嘗試在畫作中將書法的「剛硬」,化作「水」一般的「柔」,並結合當代拼貼手法,激盪出新的創意。仔細觀察便可從他的作品當中見到「剛柔並濟」的東方元素。
渺渺 -1, 2016
19.6 x 19.6 英吋 (含框20 x 20)
墨汁、宣紙、壓克力
藝術家本人提供,台灣台南
Art in AIT: Kan Hung-ju’s Aerial - 1
The Art in AIT call for artwork is honored to recognize three young artists as runner-ups. One of them is Aerial -1 by Kan Hung-ju. Kan graduated from the Department of Painting and Calligraphy Arts at National Taiwan University of Arts. Having practiced calligraphy for a long time, Kan’s work transforms the rigidity in calligraphy into smoothness as fluid, and also incorporated contemporary collage techniques to spur creativity.
For image comment:
Aerial -1, 2016
19.6 x 19.6 in. (WF 20 x 20)
Ink, rice paper and acrylic
Courtesy of the artist, Tinan, Taiwan