A Christmas Story 一個聖誕節的故事
There is much good in the world. Merry Christmas and Happy Holidays!
世上仍有許多美好的事物。聖誕快樂!
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About a week ago, I saw a family receiving help from a charity. The volunteer gave them secondhand clothes and a pair of shoes to a little girl. Her father thanked the volunteer while the little girl looked so happy and jumped around in her new shoes. It deeply touched me. How fortunate I am to live in the comfort of my home without needing to worry about food or clothes on these cold winter days. It also reminded me of my childhood.
大概一個星期前,我看到某戶人家獲得慈善機構的協助。志工提供他們二手衣物,並將一雙鞋子送給了一位小女孩。小女孩的父親看見自己的女兒洋溢著幸福的笑容,連忙向志工道謝,一旁的小女孩則穿起鞋子手舞足蹈。這樣的畫面,深深觸動了我。現在的我無疑是幸運的,無須挨餓受凍,卻不禁使我想起自己的童年。
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When I was younger, my family was also disadvantaged, and I relied on government aid just to be able to eat at times. I still remember wearing secondhand clothes that don't fit and gluing my shoes together because the sole would detach whenever I ran too fast. Now, I have my own educational platform, live a comfortable life, and have a tiny bit of influence. I can and must do much more to help.
年幼時,我生長在相對弱勢的家庭,須仰賴政府補助,才能享用學校的營養午餐。我記得自己穿著完全不合身的二手衣褲,必須用強力膠把鞋子黏好,以防我跑動時鞋底又脫落。如今,我有了自己的教育平臺,生活無虞而有餘裕,也累積了些許影響力。我想,自己必須做的更多。
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I began researching possible ways to contribute to needy children, who honestly do not need English learning more than they need food in their bellies and a coat on their shoulders.
由於聖誕節將近,我開始找尋可能的途徑,來幫助那些有需要的孩子。他們需要的不是學習英語的資源,而是能夠裹腹的食物與得以禦寒的衣物。
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Taiwan has a comparatively low poverty rate, partly due to government efforts and its definition of poverty as being low-income. However, what of those not listed in the government tax records? What about those without a roof over their heads? Even when a family is making what is considered the poverty line—anywhere from 170 to 350 USD per month depending on the area—they still suffer from the lack of resources. Think of how much you are currently earning. Would a family of four or five be able to survive on that if they did not have housing?
臺灣的貧困比例相對較低,部分原因在於政府的努力,另一方面則因「貧困」的定義--低收入。但是,那些政府未登記在案亦未申報所得稅者,以及無住房供給的人,又該如何是好?即便一個家庭的所得在貧窮線以上(視地區而定,每月所得約介於170至350美元之間),仍缺乏足夠的資源。想想我們現有的所得,如果一家四口無住房供給,他們是否能夠以此為生?
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I came across a charity program and was inspired by the following (now defunct) charity fundraiser.
我偶然發現了一個慈善計劃,並受到這個慈善募款活動(現已結束)的啟發:http://bit.ly/2WByk8q
We are five international exchange students at NTU who feel welcomed to Taiwan with open arms. In the spirit of the generosity and warmth of the Taiwanese people, we would like to give back by partnering with Andrew Charity Association to provide children in the Taipei area with Christmas gifts in addition to their monthly food boxes delivered by Andrew Charity Association.
我們五位是到臺大交換的國際生。來臺交換期間,承蒙臺灣人熱情的招待,讓離鄉甚遠的我們備感溫暖。因此,我們想與臺灣本土的慈善團體「安得烈食物銀行」合作,於歲末時以「寒冬送暖」的方式,為臺北地區的弱勢兒童送上聖誕小禮、食物箱與新年祝福,讓這份溫暖傳遞給社會中更多的人。
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因此,我立刻搜尋了安得烈慈善協會:
The food boxes from Andrew Food Bank are what these children look forward to the most every month. With the Christmas holidays coming up very soon, we hope to give them another reason to smile in addition to their boxes of food…something small but enough to surprise them and let them know that someone out there cares about them.
安得烈的食物箱是孩子們每個月最期待收到的禮物,聖誕節即將到來,在這個溫馨的節日,我們希望能夠幫助這群孩子的食物箱需用費用之外,同時另外預備適合孩子的聖誕禮物,如文具、保溫瓶等,一份額外的小驚喜,讓他們感受到愛和關懷,也是為他們打氣加油,鼓勵他們在困境中不灰心,帶著希望和勇氣迎接2020年。
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I contacted Andrew Food Bank asked them the procedure for donation. I then researched the organization before thinking about what I could do to help.
我聯絡了安得烈食物銀行,詢問了捐贈的相關程序。我研究了並且認同機構的服務宗旨,並思考著如何提供協助。
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Of course, I could start crowdfunding like the original fundraiser, but with Christmas so close, that would take far too long. I needed funding immediately, and then a Christmas miracle happened.
當然,我可以仿效原先的慈善活動開始募資,但聖誕節將至,這會花太多時間。我需募得資金,以實現聖誕奇蹟。
★★★★★★★★★★★
That night, out of nowhere, I saw a picture of a sponge scrubber exceeding my new book in sales, so I thought it would be humorous to post the picture with a link to the book. That very night, we sold about 600 books! Now I have the funding needed to purchase about 150 gifts! I only make a percentage of the total revenue, so I decided to donate double of all my proceeds from the sale to purchase gifts in addition to the food boxes for these disadvantaged children. It's my small way of saying Merry Christmas to you and giving a little warmth to the needy.
當天晚上,我猛然看見一塊菜瓜布的銷量,在博客來網上超過我出版的新書,當下感到莫名的搞笑,就將之截圖下來,在粉絲專頁中發布貼文,並附上新書的連結。不知為何,當晚我們竟奇蹟般地售出近600本書!現在,我已募得足夠的資金,得以購買150份禮物。由於我只能獲得銷售總額的一小部分,因此我將盡綿薄之力,以我個人銷售所得的兩倍為捐款金額,用於購買這些弱勢孩童的禮物,為有需要的人傳遞些許溫暖,並以此向支持我的朋友們獻上聖誕節的祝福。
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The most basic principle of education is caring for those around you and letting them know you care, whether they are your family, friends, or total strangers.
教育最基本的準則是關懷身邊的人,並讓他們知道你在乎他們,無論他們是你的家人、朋友,抑或是素未謀面的人。
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I am not asking you to donate. Instead, let us just remember this principle of caring. Bring a little warmth into other people's lives. There are many who need your help, and we're all capable of giving so much love and care.
我並非在請求各位捐贈,而是我們都該記得這個有愛的冬天,以及這樣的生活原則。當我們行有餘力之時,不要忘了為身邊的人伸出援手,把愛傳出去。
There is much good in the world. Merry Christmas and Happy Holidays!
世上仍有許多美好的事物。聖誕快樂!
★★★★★★★★★★★
安得烈慈善協會: http://www.chaca.org.tw/
Eric’s English Lounge 宗旨與目標: https://bit.ly/2BaENzJ
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資料來源:
https://www.gvm.com.tw/article/72938
https://borgenproject.org/poverty-in-taiwan/
https://www.brain.com.tw/news/articlecontent?ID=45670
https://www.chaca.org.tw/happinessangel/foodbank.aspx
https://www.dodoker.com/index.php?r=project%2Fview&id=367
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【水世界】的前製設定與現場劇照
WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD
The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.
Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.
This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.
The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.
Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.
Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,
“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.
He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.
As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.
Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.
The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.
The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.
The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.
Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,
“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”
The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.
During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.
They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.
Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.
The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.
Shooting out on the open sea presented a series of logistical problem as Reynolds describes,
“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.
And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.
Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.
And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”
The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.
Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.
During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.
The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!
Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.
sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.
There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.
This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.
Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.
In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.
Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.
Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.
Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.
As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,
“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.
And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.
Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.
And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,
“Well, it didn’t suck.”
It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.
During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.
As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.
The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,
“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.
When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,
“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.
Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,
“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”
Written by John Abbitt | Follow John on twitter @UKFilmNerd
If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
If you want more deep dives visit
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[實事英文] Peace in War 戰地裡的和平
Empathy, understanding, and open communication are the keys to peace. Do not let hate cloud your judgment and conscience.
同理,理解和開放的溝通是實現和平的關鍵。不要讓仇恨迷惑你的判斷和良知。
1. empathy 同理心
2. keys to peace 和平的關鍵
3. cloud your judgement 迷惑你的判斷
Short video: https://youtu.be/6KHoVBK2EVE
★★★★★★★★★★★★
The First World War began in Europe and then spread to other regions from July 28, 1914 to November 11, 1918. On August 3, 1914, the United Kingdom declared war on Germany due to its invasion of Belgium. During the war, both sides engaged in trench warfare and attempted to encircle the other side. Soon, from the North Sea to the Swiss border, the two sides extended their trench lines, resulting in a stalemate on both sides.
第一次世界大戰是指從1914年7月28日到1918年11月11日,始於歐洲進而波及至其他地區的大戰。1914年8月3日,英國因為德國入侵比利時而對其宣戰,作戰期間雙方軍隊都試圖以包圍對方側翼的戰略來進行殲滅,很快地,從北海到瑞士邊境的土地上,雙方各自延伸其戰壕系統,陷入苦戰。
4. invasion of... ...的侵略
5. result in a stalemate 導致陷入僵局
6. trench warfare 塹壕戰
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At the end of 1914, the first Christmas of the war, a "Christmas Open Letter" signed by 101 British women activists and sent to "German and Austrian women" called for peace. On December 7, 1914, Pope Benedict XV also called on the governments of the warring countries to consider a formal truce agreement. However, they sternly rejected these calls for peace.
1914年末,大戰期間的第一個聖誕節到來,一封由101位英國婦女參政運動者署名並寄給「德國與奧地利婦女」的「聖誕節公開信」呼籲和平,教宗本篤十五世亦在1914年12月7日,向正在交戰中的各國政府呼籲簽訂正式的休戰協定。然而,各國官方嚴正回絕這些對和平的呼喚與渴望。
7. an open letter 一封公開信
8. call for peace 呼籲和平
9. a truce agreement 停戰協議
10. warring countries 交戰的國家
11. sternly reject 嚴厲拒絕
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While there was no formal truce on both sides, about 100,000 Germans and British troops spontaneously ceased fire along the Western Front. The first truce began on Christmas Eve on December 24, 1914, when the Germans began to decorate their trenches in the Ypres region of Belgium.
儘管雙方沒有正式的休戰,仍然有大約10萬名的德軍和英軍自發性地沿著西線陸續中止了戰事。第一個休戰案例始於1914年12月24日的平安夜,當時德軍在比利時伊佩爾地區開始裝飾起他們的戰壕周遭。
12. formal truce 正式休戰
13. spontaneously ceased fire 自發地停火
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These German soldiers first adorned their trenches with candles and Christmas trees and then sang Christmas carols. British soldiers followed with carols of their own, and both sides began shouting Christmas greetings. Soon, the soldiers began to communicate in no-man's land, and exchanged small gifts such as food, cigarettes, and wine, as well as buttons and hats as souvenirs. On that night, both sides enjoyed a long-lost peace. During the truce, the two sides also brought back the bodies of their fallen comrades from the front lines and buried them. In addition, the pastors of the two sides jointly held a joint service.
這些德國士兵先是在他們的戰壕與聖誕樹上擺上了蠟燭,並唱起聖誕頌歌來慶祝;英國士兵則以英文聖誕頌歌做為回禮,接著兩邊開始互相對彼此喊出聖誕節祝福。很快地,雙方開始在無人地帶交流,士兵們互相交換起食物、香菸和酒等小禮物,還有像是鈕扣與帽子等作為紀念品。在那一夜,戰區享受了久違的平和。而這次休戰期間,雙方也各自將陣亡的同袍帶回戰線後方集體埋葬。此外,雙方的牧師更共同舉行了聯合禮拜。
14. exchange gifts 交換禮物
15. long-lost peace 久違的和平
16. fallen comrades 陣亡同袍
17. front lines 前線
18. hold a joint service 舉行聯合禮拜儀式
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Sir Heras Smith-Dorren, the commander of the British Second Army, was furious upon learning about these unofficial truces. An order strictly forbidding any communication between the British and enemy soldiers was issued. In the next few years of the war, the artillery shellers were explicitly ordered to ensure that the fighting would not be interrupted again on Christmas Eve. The soldiers were reassigned to different fronts so that they would not fraternize with the enemy. Despite such orders, there was still deliberate suppression of fighting on various fronts. Soldiers, for example, would fire artillery at a fixed time to minimize casualties.
英國第二軍團指揮官赫拉斯·史密斯-多倫爵士在得知這些非官方的休戰行為後相當生氣,發布命令嚴格禁止英軍與敵方士兵有任何交流。大戰接下來的幾年內,砲隊砲擊手受命在平安夜仍要確保戰鬥不會再次中斷。軍隊也被輪流調防到前線各地的不同防區,以免他們與敵人過於熟悉。儘管上層如此命令,但各地還是有故意抑制戰鬥的狀況,像是雙方火砲在固定的時間打到固定的地點上,以免對方發生傷亡。
19. upon learning... 一得知...
20. strictly forbid 嚴禁
21. issue an order 發出命令
22. explicitly order to 明確地命令
23. fraternize with the enemy 與敵人友好相處
24. deliberate suppression of... 故意鎮壓...
25. fire artillery 發射火砲
26. minimize casualty 減少傷亡
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On the Christmas Eve of 1915, a football from the German front became a symbol of peace. Bertie Felstead, a private of the Royal Welch Fusiliers, recalled the historic moment. At Christmas, he recalled, soldiers of both sides spontaneously climbed out of their trenches at dawn, ceased hostilities, and partook in friendly exchanges. "It wasn't a game as such, more a kick-around and a free-for-all. There could have been 50 on each side for all I know. I played because I really liked football. I don't know how long it lasted, probably half an hour," he recalled.
而在1915年的平安夜裡,一顆來自德軍戰線的足球,成了和平的象徵。英國皇家威爾斯燧發槍團的二等兵柏堤·費爾斯特德(Bertie Felstead)在聖誕節唱了一夜的聖誕歌之後,回想起那時雙方士兵在黎明時自發地爬出各自戰壕,那高漲起來的友好氣氛:「這件事本身來說,與其說是場足球賽,更像是人人都可參加的到處踢球活動,就我所知那時每一邊都可能有約有50人加入活動。由於我個人很喜歡足球,於是我也參加了。我不清楚那場足球賽持續了多久,可能有一個半小時吧。」
27. a symbol of peace 和平的象徵
28. cease hostilities 停止戰鬥/戰爭行為
29. historic moment 歷史性時刻
30. partake in friendly exchange 參與友好交流
Complete story: https://youtu.be/WUlPNWDvk-c
★★★★★★★★★★★★
Sources:
Alleyne, R. (2001, July 26). Veteran of 1915 soccer game dies. Retrieved August 6, 2019, from https://www.telegraph.co.uk/news/uknews/1335265/Veteran-of-1915-soccer-game-dies.html
Condell, Diana (2001-08-03). "Obituary: Bertie Felstead". The Guardian. ISSN 0261-3077.
Dearden, L. (2014, December 27). Letter describing the Christmas truce of 1914 released for the first time. Retrieved August 6, 2019, from https://www.independent.co.uk/news/uk/home-news/christmas-truce-of-1914-letter-from-trenches-shows-football-match-through-soldiers-eyes-9942929.html
Miracles brighten Christmas - HarrisonDaily.com: Opinion. (2013, January 03). Retrieved August 6, 2019, from https://archive.fo/20130103032619/http:/www.harrisondailytimes.com/articles/2009/12/25/opinion/editorials/doc4b32bc259368c715520590.txt
Patterson, David S. The search for negotiated peace: women's activism and citizen diplomacy in World War I. Routledge, 2008. ISBN 0-415-96142-4 p. 52
Woodcock, J. (2013, November 17). England v Germany: When rivals staged beautiful game on the Somme. Retrieved August 6, 2019, from https://www.telegraph.co.uk/sport/football/teams/england/10455611/England-v-Germany-when-rivals-staged-beautiful-game-on-the-Somme.html
do they know its christmas 在 Spice N' Pans Youtube 的最佳貼文
Roast chicken is one of the easiest dishes you can prepare for your parties. All you need to do is just marinate the chicken and pop it in the oven and let the oven does its magic. Instead of the usual roast chicken marinated with rosemary or thyme, Roland marinated this chicken with kaffir lime leaves. Super yummy! We would recommend that you rest the chicken for at least 10 - 15 mins before serving so that your chicken will be nice and juicy. Try this recipe and let us know what you think.
See the ingredient list below for your easy reference.
We hope you can recreate this yummy dish in the comfort of your home. Thanks for dropping by our channel.
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Ingredients:
Serves 4 - 5 pax
A handful of kaffir lime leaves - remove spines & crush
2 stalks of lemongrass (only use the white stem) - lightly smashed
2 shallots - lightly smashed
4 cloves of garlic - lightly smashed
1 tablespoon of coriander seed powder
1/2 tablespoon of grounded black pepper
15g of young ginger - lightly smashed
1 teaspoon of sugar
4 tablespoons of fish sauce
2 tablespoons of light soy sauce
1 tablespoon of oyster sauce
1.2kg whole chicken
Marinate chicken for at least 4 hours.
Remove chicken from the fridge at least 1 hour before baking.
Preheat the oven for at least 30 mins at 180C (356F) before roasting.
Add a tray of water in the oven also.
Roast chicken at 180C (356F) for 40 mins.
Then turn the chicken over and bake for another 20 mins at the same temperature.
Rest the chicken for at least 10 - 15 mins before cutting or serving.
If you’re using an airfryer, preheating is not necessary. Please check that your chicken is cooked before serving.
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Disclaimer:
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do they know its christmas 在 Smart Travel Youtube 的最佳解答
#木通果 #鰹魚湯包 #agf日本咖啡 #東京淺草雷門Ozeki超市 #KaminarimonGate #ozekiAsakusa #日式超市 #淺草平價旅館 #東京淺草酒店推薦 #日本超市採購推薦清單 #akebi
Hello大家好, 我係呀Tsar Hello, everyone.
今次為大家介紹東京淺草雷門斜對面的Ozeki平價超市 I will introduce Ozeki supermarket opposite to Kaminarimon Gate in Tokyo Asakusa.
產品種類相當豐富, 快啲來看看今日的五大必買, Are u ready? Their product range is quite rich, so take a look at today's top 5 best buy, Are u ready?
第一必買, 木通果,或者日文akebi, 外型相當特別 The 1st best buy is akebi with unique appearance.
木通果喺 開花的季節會釋出朱古力的香氣 This fruit will release the aroma of chocolate during the flowering season.
外表紫色嘅木通果, 裏面白色肉十分甜滑 Outer skin is purple while white meat inside is very sweet and fleshy.
味道有點似椰子, 一般人不會食皮 The taste is a bit like a coconut. Usually people don't eat outer skin.
其實在日本東北料理中, 經常將皮外殼炸成一道菜 In fact, in the northeastern Japanese cuisine, the skin shell is often fried into a dish.
即使你未必會這樣做, 但是能夠知道別人的飲食文化 Even if you don't eat, you learn the food culture of others.
都是可以增廣見聞, 這種水果優點亦都好多 It can widen your knowledge and the fruits have a lot of advantages.
含豐富的維他命C、葉酸、鉀和食用纖維,有清火利尿、敗毒抗癌等功效, Rich in vitamin C, folic acid, potassium and dietary fiber, it has the effects of cool down inner body heat, diuresis, detox and anti-cancer.
消除色斑、美白皮膚方面亦表現不俗。It also performed well in eliminating pigmentation and whitening skin.
木通自然成熟期一般為 9 月下旬至 11 月下旬。 The natural maturity of Akebi is generally from late September to late November.
由於它們產量不多, 所以有可能有些日本人都不知道有這種水果 Because they don’t produce much, it’s possible that some Japanese don’t know about this kind of fruit.
但它的價錢不算很貴, 一包三個198 Yen, 即是十四港元 But its price is not very expensive, a pack of 3 charging 198 Yen, i.e 14HKD
下次去日本,如果你見到,記得買回家試試 Worth to buy 1 for your next visit to Japan.
第二必買, 鰹魚湯包, 高湯是日本料理之中一個好重要的角色, The 2nd best buy is dashi stock powder pack which play a main role in Japanese cuisine.
主要使用昆布、鰹魚、小魚乾等食物經過長時間熬煮而成。Main ingredients such as bonito fish, kombu kelp seaweed n small dried fish stew for long time.
為了方便快捷, 聰明的日本人當然會推出袋裝高湯包 For convenience, smart Japanese will of course launch a soup podwer packing.
每次放一包湯包落去煮食, 幾分鐘就可以整到一個完美的鰹魚高湯湯底 Every time you drop a bag to cook, you can get a perfect Dashi in a few minutes.
用完即棄, 平日返工咁忙, 冇可能花太多時間去淆製一煲湯 Disposable! How can I afford the time to boil such a dashi with tons of workload in work.
我在家煲湯都是大約一星期一至兩次 I usually spend 1 or 2 times a week for boiling soup at home.
有了這個湯包, 實在為大家在廚房帶來太多方便啦 With this product, it is really convenient for everyone in the kitchen.
它還可以用嚟煮餸、炒菜、煲湯,用嚟調味一樣得 It can also be used to cook dishes, stir-fry and broth.
不用只懂得用雞粉, 一於換下新口味啦 Don't just use chicken stock powder, give yourself more options.
.....................
DHA係2,850mg, EPA係2,090mg, DHA同EPA 主要係對眼和記憶提供營養 DHA is 2,850mg, EPA is 2,090mg, DHA n EPA provide nutrition for eyes and memory.
保存期為三年, 無論是放落公仔麵,抑或做三文治,相當方便 The 3 years for storage peroid. Super convenient whether it is eat with instant noodles or sandwiches.
大家又對日本的食品又多了少少認識啦, 下次去日本, Does everyone learn little more of the Japanese food today?
是否又多個選擇呢?記得留表情符號以示支持 More options for your next visit to Japan. Remember to give me an emoji
我哋下一條片講妝藥好嗎 Shall I talk about drugs and cosmetics next time?
約定你, 下一條片再, 88! Remember our date and with that said until next time, 88.
請用片右下角調4K睇片。
do they know its christmas 在 MakeLearningFun Youtube 的最讚貼文
Does your kid know about Christmas, such as the name of Christmas holidays, Christmas decoration and Christmas Vocabulary?
This video cover the common vocabulary such as silent night, candle, angle, boxing day, stocking, santa claus, reindeer, snowman, wreath, Christmas tree, candy cane, bell.
The video only show the static picture for each vocabulary, but also add animation for each of them in order to help your kid easier to memories the pronunciation and spelling, it is much more efficient than traditional Christmas vocabulary worksheets.
At the end, we prepare two special presents which is fun and educational for kid as well, they are two special animal which your kid can learn animal name and animal sound from it, may be it is a good Christmas idea for your kid as well! Hope you and your kid will enjoy the video and Wish you Merry Christmas!
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