#NewItemUpdate คนสนใจคอลนี้กันเยอะเลย ทาง GUCCI เลยขอฝากข่าวมายั่วๆ และ #แจกWallpaper เซฟเอาไปใช้กันเลยจ้า
Gucci ร่วมต้อนรับเทศกาลตรุษจีน ผ่านคอลเลคชั่นพิเศษ Doraemon X Gucci ฉลองการครบรอบ 50 ปีของการ์ตูนโดราเอมอน และครบรอบ 100 ปี ของ Gucci
โดยคอลเลคชั่นนี้มีโดราเอมอนทั้งในรูปแบบสีฟ้าที่คุ้นตา และแบบที่ได้รับการออกแบบขึ้นเป็นพิเศษเพื่อฉลองปีฉลูนี้โดยเฉพาะ ในโทนสีทองและเพิ่มเขาจิ๋วสองข้างบนศีรษะของโดราเอมอนเพื่อแปลงกายโดราเอมอนให้เป็นวัว
พบคอลเลคชั่นพิเศษนี้ได้ที่ Gucci Pin, Thara Hall ชั้น M ไอคอนสยาม ตั้งแต่วันนี้ถึง 15 กุมภาพันธ์นี้
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gucci wallpaper 在 Gucci Facebook 的精選貼文
Inside Gucci’s exhibition ‘No Space, Just a Place. Eterotopia’, held at the Daelim Museum in Seoul. Propelled by Creative Director Alessandro Michele’s meditations on society, the exhibition proposes a new definition of what an “other space” might be: a place to build a different, desirable future with new ways for humans to relate to each other and to their surroundings. Every project is thematically tied to the idea of the alternative spaces as a utopian place in which to set new empowering narratives, dwelling on the understanding of otherness, the exploration of minoritarian identities and queer politics. The acknowledgment of the moment of great uncertainty that humanity is currently experiencing now furtherly encourages reflections on alternative modes of being and consuming in relation to one’s environment. Curated by Myriam Ben Salah—recently appointed Executive Director and Chief Curator of the Renaissance Society at the University of Chicago—the exhibit features independent and alternative art spaces as well as international artists’ works including Martine Syms’ video installation ‘Notes on Gesture’ (image 1), Olivia Erlanger’s ‘Ida, Ida, Ida!’ (image 2), Kang Seung Lee’s wallpaper installation ‘Covers (QueerArch)’ and Meriem Bennani’s ‘Party on the CAPS’ (Image 4). Set up by Archivio Personale, the exhibit will run until July 12, 2020.
gucci wallpaper 在 Gucci Facebook 的最讚貼文
The ethical and aesthetic value of the relationships between genres and gender, the notion of learnscapes, the urgency of self-expression and an ageless anthropological manifesto are key themes of #Gucci Creative Director Alessandro Michele’s meditations on society, which are reflected in the mission and ambitions of the alternative spaces featured in the new exhibition ‘No Space Just A Place’. To add to the dialogue, curator Myriam Ben Salah asked a selection of local and international artists to exhibit their works, in the form of immersive installations inspired by the near future or by fantastic mythologies. Kang Seung Lee’s wallpaper installation
‘Covers (QueerArch)’ (pictured in image 1 and) centers on QueerArch’s archival collection to present an alternative view of the queer community and its history in South Korea during the past four decades, honoring personal narratives that have been marginalized by mainstream history. Martine Syms’ video installation ‘Notes on Gesture’ (image 3) is a reflection on the
way gesture, body language and actual language are shaped by cultural forces and allow to perform identity—implying that the latter is a construct and opening up possibilities for alternative identities. Cécile B. Evans’ installation ‘What The Heart Wants’ (seen in images 4 and 5) explores the person-to-machine exchanges that have come to define the contemporary
human condition. Amidst the paradoxes of a future-turned-now, a negotiation emerges about who or what constitutes a person and how systems shape the terms of what it means to be “human”. Held at the Daelim Museum in Seoul—a location part of the Gucci Places network— the exhibit will run until July 12, 2020. Take a virtual tour of the exhibition with a special 360 video
available on.gucci.com/_NoSpaceJustAPlace360.
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