西班牙選手Quintero真的超像從《龍虎之拳》走出來的角色……😳不排除有朝一日《鐵拳》、《街霸》真的會有類似角色出現……#佬味重吸引過靚仔多多聲
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同時也有18部Youtube影片,追蹤數超過1萬的網紅translation,也在其Youtube影片中提到,#'93年にADKが稼働させた、AC用対戦格闘作品であり、シリーズ2作目。前作が格ゲーの流れに上手く乗り、龍虎の拳や餓狼2等のネオジオ格闘作品も大ヒットし、アルファ電子自体もワーヒー1のヒットにより社名を変え会社も大きくなったという経緯から生まれた作品。 主な特徴としては、新キャラ6人追加、攻撃判...
龍虎 舞 師 在 Facebook 的最佳貼文
「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
龍虎 舞 師 在 Facebook 的最佳貼文
[職場不順或換工作時,要不要去算命?]
(職場易經筆記-4)
前天做直播,看著工作人員忙著調整各種設備,聽到他們說有一場事先都檢查過,萬事OK,哪裡知道直播時出了狀況,後來有人搬出水晶石才逆轉情勢,設備又突然好了。這時候主管跳出來安撫大家:「不用擔心,今天是水逆最後一天,明天就好了。」突然地看到他們跳起來說,吔,水逆要過了!
我在旁邊看著他們一會兒憂心﹑一會兒開心的模樣,覺得有意思極了!這就是我們的日常,準備萬全的事,總是發生莫非定律,不知哪裡出了錯,搞不定了。怎麼辦?這時候就需要一個說法,這在心裡學稱為「過度理由效應」,凡事都需要一個理由,人才會安心。而且推給水逆,也能讓人不必被咎責而感到輕鬆。
這也是為什麼當我們遇到難關時,會去算命的原因,為的是找到一個理由,而且不是自己造成的理由,比如命中注定就會發生,這會讓人覺得罪不在己,也就不必自責,甚至可以有一種天地悠悠,突然頓悟的豁然開朗。
在我的fb私訊,也經常有人會來問我各式各樣職場的困擾,十之八九最後都問我:「老師你認為我要不要換工作?」有時我真覺得大家把我當算命的,不過我的態度是儘量「勸合不勸離」,提幾個問題幫助大家做自我分析,來回幾次也就能梳理出一個理路來,對方慢慢就能夠自己找到答案。
沒錯,我不由自己給答案,而是像心理諮商師一樣,由對方去找到答案。但是有人性子急,不想思考,一股腦兒只想著要答案,這種人我幫不了,也不想幫。因為人生是自己的,有不能控制的部分,也有能控制的部分,一定要盡人事再聽天命。光是要答案的人是懶惰的人,懶於思考,也懶於努力﹑懶於突破。
除了問專家之外,很多人遇到職場不順,會去問算命。我年輕時,也會。可是多半我都覺得沒那麼準啊,或是他們說得模棱兩可,根本無所適從,或是到最後好像在做人格解新,沒得到答案。後來年事漸長就不算,不過我仍有一位好友是從事占星,當有事時,他會幫我「開示」,指點一些該注意的事項,我很信任他。
所以對於算命,我跟大家一樣,覺得有準有不準,覺得有時候有用﹑有時候沒用。即使如此,職場就是會有些事讓人煩心與躊躇,我們多半還是會去算。那麼對於算命,我們究竟要抱持什麼態度才是正確的,是今天我想跟大家談的主題。
首先,我們來看為什麼要算命?只有一個目的,是問事情會成功還是會失敗,會成功就去做,會失敗就不去做。比如換工作更好就換,不會更好就不換;或是跟公司爭取加薪,會成功就去談,會失敗就不去談。說起來,我們是看結果成敗來決定行動與否。有一次我聽曾仕強教授談易經,他直白就說:
「這就是小人!」
我不禁噗斥笑了出來!這是我在聽曾教授講課時,經常有的反應。他說,君子只問事情該不該做,不問結果成敗,這是有理想的人;小人才問事情是成是敗才來決定做與不做,這是缺乏理想。很多人以為學易經是為了卜卦,可是唯有懷抱理想才能讓人超越吉凶。這個主張,我非常認同,但是我想平凡人難以做到。
他還舉了一個例子,說有個朋友很懂命理,經常有人來找朋友算命。這個朋友都會問兩個問題,第一個是問對方貴庚,然後年輕的不算,因為人生大有可為,不可去限制他們的未來發展;年紀大的也不算,因為到了這個年紀還在算命,表示活得糊塗,算了也沒用。第二個則問:
「你希望我算得準,還是不準?」
這題,我真想不出來有人會回答「希望不準」。偏偏他只算這種人,因為他們會突破命運的侷限性,創造自己的命運。至於希望算得準的,朋友認為都是沒出息的人,也就全部不算。這個例子告訴我們一件事,每個人的命包含三個特性:
1. 侷限性
2. 創造性
3. 自主性
還有,曾教授也談到,西方科學有「測不準定理」,其實算命也是。為什麼?因為時間一變,命運就變了。否則所有都是命中注定,那麼注定你是有錢人,躺著啥事都不做也會成為有錢人;注定你會婚姻幸福,閉著眼睛挑對象也會找到好伴侶。這麼一說,期待算命師百分之百準確,是過份期待,也是不合理的期待。
開始學易經,主要是學易理,還沒學卜卦。但是引起我的好奇心,這兩天上網抽籤,總共問了五件事。這次,五件事都神準,籤詩的內容跟我內心原來預想的完全相應和,我驚訝到不行!本來這五件事都有些待決的部分,馬上我就有了定見,知道方向怎麼走﹑方法怎麼使,對於下一步的指引起了帶頭作用。
你是不是好奇,在讀籤詩時,我在讀什麼?學了易經之後,我比較不看結果的成敗,因為世間萬事萬物都是一陰一陽,禍福相倚,失敗是成功之母,成功也是失敗之父呀!所以如果成功才做,它卻同時隱藏著失敗之因,最後都是一樣的結果。我讀的是該注意的地方,比如:
有個籤說與某人合作是山中龍虎相會,最終有可能不愉快拆夥,我讀到的不是結果如何,而是在選擇合作者必須慎始。孔子說,慎始而敬終,就是這個道理。
再有個籤說這是極幸運的籤,但是它同時提醒你小心滿招損,因為今天十五月圓,明天十六就開始月缺,因此要把實力做滿,也要待人謙誠。
結論來了,今天「職場易經筆記」給你劃兩個重點:
1. 職場不順時,可以算命,但是不必期待算得準,因為命運是可以創造。
2. 算命時,不是去看結果成功或失敗,而是看過程要注意哪些事項。
如果你覺得本文有受益,再幫我在下面寫+1,我會受到鼓舞,再努力寫下去。
攝影:旅居加拿大的畫家吉仔冰GiABing
龍虎 舞 師 在 translation Youtube 的最佳解答
#'93年にADKが稼働させた、AC用対戦格闘作品であり、シリーズ2作目。前作が格ゲーの流れに上手く乗り、龍虎の拳や餓狼2等のネオジオ格闘作品も大ヒットし、アルファ電子自体もワーヒー1のヒットにより社名を変え会社も大きくなったという経緯から生まれた作品。
主な特徴としては、新キャラ6人追加、攻撃判定の外でCボタンを押すと可能な挑発が追加、一部のキャラに接近して立ち弱Pを連打すると発動する連続技が追加、投げ返しの追加、飛び道具をぎりぎりでガードすると跳ね返して相手に当てる事が可、同キャラ対戦が可、ハンゾウとフウマが別性能化等が挙げられる。
BGMは前作から引き続き清水氏、山本氏、渡辺さんといった、ADK SOUND FACTORYからの3名による共同作曲。
ドライバ作成: 千葉真木夫氏
作曲: ADK SOUND FACTORY(清水浩昭氏, 山本秀樹氏, 渡辺夕香さん)
Manufacturer: 1993.04.28(mvs),1993.06.04(ng) ADK
computer: MVS,NEO GEO
Hardware: YM2610
Sound Programmer: Makio Chiba
Composer: Hiroaki Shimizu, Hideki Yamamoto, Yuka Watanabe
---------------------------------------------
00:00 01.ネオジオロゴ
00:09 02.HELL'S GODDESSの囁き / タイトル
00:32 03.プレイヤーセレクト
01:06 04.マップ
02:11 05.VS
02:16 06.白夜のフィヨルド / エリックのテーマ *'94年~'00年迄、ニュースJAPANのOPにてアレンジ版が使用されていた
04:58 07.風舞うや花散るが如く / リョウコのテーマ
08:14 08.TIGER NAIL / シュラのテーマ
11:21 09.七つの海のナイスガイ / キッドのテーマ
13:40 10.JONNY LET'S DANCE / マキシマムのテーマ
15:52 11.M'MADMEEEEN! / マッドマンのテーマ
17:26 12.先に手が出る足が出る / フウマのテーマ
21:22 13.異寇の女剣士 / ジャンヌのテーマ
24:06 14.MIGHTY STROKE / ドラゴンのテーマ
26:42 15.RUSSIAN SPECULATOR -ロシアの山師- / ラスプーチンのテーマ
29:05 16.ドイツ機甲師団鎮魂歌 #9 / ブロッケンのテーマ
31:26 17.モンゴリアンダイナマイト / J・カーンのテーマ
33:42 18.BLACK OUT #1 / マッスルのテーマ
35:34 19.INTUITION / ハンゾウのテーマ
37:46 20.A WAY OF ESCAPE / デスマッチモード、スクラップステージ
39:46 21.THE LAND OF HOLY / デスマッチモード、戦場ステージ
41:44 22.NOT NEW YORK / デスマッチモード、酒場ステージ
45:25 23.FORESIGHT SONGS / デスマッチモード、リングステージ
46:55 24.ステージクリア
47:02 25.ガンガン行くべー / ボーナスステージ
48:40 26.THE INCARNATION OF A DEVIL / ネオ ギガスのテーマ
51:07 27.MURDER -D- / DIOのテーマ
53:19 28.DADY'S WONDER STORIES / エリックエンディング
54:21 29.表に出ようよ / リョウコエンディング
56:57 30.美しき兄弟愛 ~ SHURACHAN ONDO DE B?RABURA / シュラエンディング1
57:22 31.美しき兄弟愛 ~ SHURACHAN ONDO DE B?RABURA / シュラエンディング2
58:39 32.'ANA'-THE-WORLD / キッドエンディング1
59:18 33.'ANA'-THE-WORLD / キッドエンディング2
59:23 34.戻れない時を抱いて / マキシマムエンディング1
01:00:38 35.戻れない時を抱いて / マキシマムエンディング2
01:00:40 36.RUDDY DRAMING / マッドマンエンディング
01:01:54 37.SHAKE THE COKE / フウマエンディング
01:03:18 38.LADY ON THE SHINING HEIGHTS / ジャンヌエンディング
01:05:10 39.TURN RIGHT THE KNOB! / ドラゴンエンディング
01:06:04 40.OH! VANITY MOON / ラスプーチンエンディング
01:06:32 41.BROCKEN, UPSIDE-DOWN / ブロッケンエンディング1
01:06:58 42.BROCKEN, UPSIDE-DOWN / ブロッケンエンディング2
01:07:07 43.星は南中 / J・カーンエンディング
01:07:33 44.もう1発NO.1 / マッスルエンディング
01:08:20 45.必○でござる / ハンゾウエンディング
01:09:25 46.SYMPHONY OF EVIL -邪悪の交響曲- / スタッフロール
01:11:58 47.ゲームオーバー
01:12:05 48.風舞うや花散るが如く / リョウコのテーマ *別ver.
01:16:26 49.NOT NEW YORK / デスマッチモード,酒場ステージ *別ver.
01:20:01 50.先に手が出る足が出る / フウマのテーマ *別ver.
01:24:18 51.MURDER -D- / DIOのテーマ *別ver.
01:27:22 52.もう1発NO.1 / マッスルエンディング *別ver.
01:29:21 53.bgm 01
01:30:29 54.bgm 02
01:31:03 55.bgm 03
---------------------------------------------
龍虎 舞 師 在 Boba ETtoday Youtube 的最佳貼文
訂閱《料理之王》頻道:https://bit.ly/32n7bIS
訂閱播吧YT https://bit.ly/2TZO7ep
全新廚藝節目《料理之王》每周五晚上9:00於料理之王、播吧Youtube頻道首播。
EP4分段重點:
00:42 賽制、飛行導師介紹
03:15 火山烏骨雞:洪士元、歐家瑋、路巧因、游星淵
23:28 永安龍虎斑:林立群、安妮、黃晶晶、周皓軒
41:15 萬里蟹:陳柏翔、吳貞蓁、施捷夫、陳思吟
01:01:01 高接梨:阮紹榮、呂政緯、陳首宏、林聖智
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01:35:17 料理週記
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龍虎 舞 師 在 MPWeekly明周 Youtube 的精選貼文
提起江富強,大家未必知道他是誰?不過當看到他的樣子,一定覺得他熟口熟面;入行三十多年的他,曾經加入動作藝員訓練班,之後擔任動作特技演員、助理指導及動作設計,最擅長擔任電單車飛車替身,拍電影《監獄風雲 逃犯》時曾在高處墮下受傷,由發哥以擔架牀送院,後來加入無綫成為龍虎武師,在拍《火舞黃沙》時再受傷骨折,從此不能再拍動作戲,轉為幕前演員,他難忘在最拮据之時,曾領綜援過活,不過他認為香港地有手有腳一定不會餓死人,平日不用拍劇會去開專線小巴,又會擔任活動保安人員,八月即將約滿無綫的他,暫時也未知去向,天無絕人之路,是他一直擁抱的信念。全文:https://bit.ly/34BjpOx
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