【だからキミは負けるんだ】
今日は、仕事のノウハウみたいなではなくて、僕が今、一番熱を入れている映画『えんとつ町のプペル』のお話をしたいと思います。
僕は、もともと漫才師としてスタートして、漫才を書いていて、自分を育ててくれた師匠と呼べる人が「後藤ひろひと」という劇作家ですから、舞台の脚本も書いていて……
そこから絵本作家に転職して、絵を描いて、ストーリーを描いて、で、絵本の曲も作るんですね。
あの「♪ハロハロハロハロウィン」って曲を作った人です。
https://youtu.be/Rihe2JOyLQA
劇場の楽屋に小道具のギターがあるもんですから、空き時間に触っているうちに、ギターが弾けるようになりました。
ちなみに、次々回作の絵本『夢幻鉄道』のテーマソングもいいのが作れたので、YouTubeで検索してみてください。
https://youtu.be/PkoCXybjrrw
そんな感じで仕事をしているので、映画『えんとつ町のプペル』における僕の役割は、「原作・脚本・製作総指揮・宣伝・作詞作曲」という忙しいことになっています。
このことを受けて、時々、「ゴーストライターがいるんでしょ!」と時々言われるんです(笑)
これに関しては、「西野がこんなに素晴らしいものを作れるハズがない」という意味なので、褒め言葉でしかないのですが、残念ながら、僕、ゴーストライターなんていないんです。
分業している場合は、「分業しています」と公表しています。
その方がいいんですよ。
いろんなクリエイターさんに「西野の仕事に参加したい」と思ってもらった方が得なので、絶対に、その人の名前を出す。
出さない場合もありますが、それは出すべきではない場合です。
たとえば、三日前にYouTubeチャンネルにアップした『えんとつ町のプペル』の動画の備考欄には、歌詞の他に、「歌、作詞作曲、編曲、振付」のスタッフの名前しか入っていません。
照明さんや美術さんや衣装さんの名前は入っていないんですね。
あくまで、あそこは音楽に関する情報を載せる場所として位置付けているので。
関わったスタッフの名前を全員書いてしまったら、80人ぐらいになっちゃう。
ああいった、いわば「CM」の場合は、基本、スタッフの名前は載せません。
テレビCMの最後に「ディレクター=○○」と出ないのと同じです。
ただ、ストーリーを書いたり、音楽を作ったりする場合、僕には「ゴーストライター」と呼ばれる人はいません。
珍しいパターンだと思いますが、こと「ビジネス書」においても、僕はライターを雇っていません。
自分で書いた方が圧倒的に早くて、自分の仕事が減るからです。
パフォーマンスでも何でもなくて、5万部売れるビジネス書でよければ、5〜6時間で書けます。
すでに自分の中にある体験と考察を文字起こしするだけなので。
「キー!」となるかもしれませんが、「ゴーストライターだろ!」と言っちゃたり、思っちゃったりする人が、コンパしたり、ナンパしたり、家族旅行に行ったり、ワイドショーを観てタレントの不倫にとやかく言ったり、何も考えずにボケーっと受験勉強している間、僕は、一つでも踏み誤ると死んでしまう戦場でずっと戦ってきました。
かれこれ20年ほど、平均労働時間は19時間です。
でもって、この20年というのは、「勝ちパターンを捨て続けた20年」で、コツを掴んだ職は、どんどん捨てて、新しい領域に挑戦し続けた20年です。
なもんで、能力と知識量に圧倒的な差が生まれるのは当たり前の話で、僕は「努力は報われる」ということを言っていきたいので、ここは隠したくありません。
反則技を使っているわけでも何でもなくて、「キミの1000倍努力してるから、キミの1000倍の結果を出しているんだよ」というだけの話だと思っています。
そして、この現実を受け入れず、「いやいや、ドーピング的な…何か特別な力が働いているに違いない」という思ってしまっているうちは、一生始まらないまま人生が終わっちゃうので、それが嫌なら受け入れてください。
「僕、こんな努力をしてますよ」と自分から言う奴、なかなかいないと思うのですが、いい機会なので言っておきます。
今日も映画『えんとつ町のプペル』のアフレコがあるわけですが、そこでは、声優さんから質問があったり、「ここは、こんな感じでお願いします」と指示を出さなきゃいけない。
なので、家で「指示を出す練習」をしていくんです。
自分も、実際にやれるようにしておく。
たとえば…
「えんとつ町は煙突だらけ。
そこかしこから煙が上がり、頭の上はモックモク、黒い煙でモックモク。
朝から晩までモックモク。
えんとつ町に住む人は黒い煙に閉じ込められて、青い空を知りやしない。輝く星を知りやしない。
見上げることを捨てた街で、一人の男が上を見た。
町を覆った黒い煙に、男が想いを馳せたのは、酒場で出会ったお喋りモグラが聞かせてくれた夢物語。
煙の向こうの世界の話。光り輝く世界の話。
ありやしないと思ったが、全くないとも言い切れない。
なぜなら誰も行っていない。答えは誰も持っていない。
それから男は日ごと夜ごと、煙の向こうの世界の話を、何度も何度も叫んだが、バカだバカだと囃されて、ホラ吹きものだと切り捨てられた。
男が一体、何をした。
男が誰を傷つけた?
そこに理由はありゃしない。
見上げることを捨てた町では、『目立たぬように』の大合唱。
見上げることを捨てた町では、夢を語れば笑われて、行動すれば叩かれる。
黒い煙は町を飲み込み、一縷の光も許さない。
黒い煙は人を飲み込み、あらゆる勇気を認めない。
それでも男は声をあげ、震える膝をひた隠し、船に乗り込み海にでた。
暗くて怖い海にでた。
誰もいない海にでた」
これは主人公の少年の父親が、自作の紙芝居を披露するシーンのセリフなのですが、今、僕は何かを見ながら書いたわけではなくて、これぐらいは暗記してるんです。
指示を出す人間として、これぐらいは。
これって、「何回もやっているうちに覚えた」という類のものなので、才能とかセンスじゃないじゃないですか。
これがプロです。
もし良かったら、一度、僕の会社のインターン生にでもなって、僕の近くで、僕の仕事を見てみてください。
たぶん、絶望すると思います(笑)
先ほども申し上げましたが、「努力がモノを言う」というところを伝えていきたいので、今後も、この部分は包み隠さず、積極的に頑張ったアピールをしていきたいと思います。
そうそう。
映画公開は12月25日なのですが、12月25日の夜に、YouTubeの生配信をして、映画をご覧になられた方に向けて、「あそこのシーン、実は○○なんだよ」という話をしたいので、映画は初日に観に行ってください。
今のうちに、12月25日のスケジュールに印を入れておいてね。
それでは、映画『えんとつ町のプペル』のアフレコに行ってきます。
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
That's why you lose.
Today, it's not like work know-how, but I would like to talk about the movie ′′ a in the town ′′ that I'm in the middle of the day, and I'm going to have a good time.
I was originally a manzai teacher, writing a manzai, and a master who raised me is a playwright called ′′ goto hiroto...... so I also wrote the script of the stage......
I'm going to change my job to a picture book writer, draw a picture, draw a story, and make a picture book song too.
This is the one who made the song. Hallo Halloween ′′
https://youtu.be/Rihe2JOyLQA
There's a prop guitar in the theater dressing room, so I can play guitar while I'm touching the free time.
By the way, I was able to make a theme song for the picture book ′′ Phantom Railway ′′ which was made one after another, so please search for it on Youtube.
https://youtu.be/PkoCXybjrrw
I'm working like that, so my role in the movie ′′ a in the town ′′ is going to be busy called ′′ Original Script Production General command promotion lyrics,"
Sometimes it's said that sometimes," there's a ghost writer!" lol
As for this, it means ′′ Nishino can't make such a wonderful thing," so it's only a compliment, but unfortunately, I don't have a ghost writer.
If you are in the middle of labor, you are publishing ′′ division of labor,"
It's better to be.
It's better to have a lot of creators think ′′ I want to participate in nishino's work so I'll definitely name the person.
Sometimes you don't put it out, but it's if you shouldn't put it out.
For example, in the notes section of the video of ′′ a no-′′ that I uploaded to the youtube channel three days ago, besides the lyrics, there is only the name of the staff of ′′ songs, lyrics, arrangement, choreography ′′ I'm sorry.
There is no name of lighting, art, or costumes.
It's just that it's a place to put information on music.
If you write all the names of the staff involved, it will be about 80 people.
Oh well, so in case of ′′ cm I don't put the name of the basic, staff.
At the end of the tv commercial, ′′ it's the same as not going out with director.
It's just that if you write a story or make music, I don't have anyone called ′′ Ghost writer
I think it's a rare pattern, but even in the ′′ business book I don't hire a writer.
It's more overwhelming to write yourself, because my work is reduced.
If you don't have a performance or anything, you can write it in 5 TO 6 hours if you don't mind a business book that sells 5 million
I'm just going to make a character of my experience and thoughts already in my own.
It may be ′′ key!" but," it's a ghost writer, and people who think about it, are compound, flirting, family trip, and watch the shows. I've been fighting for a battlefield where I'm going to die when I'm talking about talent adultery, and I'm studying the exam without thinking about anything.
It's been about 20 years, average working time is 19 hours.
So, this 20 is," 20 years that I've been throwing away the winning pattern," and the job that grabbed the trick is more and more throwing away, and it's been 20 years since I've been trying to challenge the new area I'm sorry.
So, it's obvious that the overwhelming difference in the ability and knowledge is born, and I want to say that ′′ effort is rewarded so I don't want to hide it here.
I'm not using a foul trick, but I'm just saying that I'm trying twice as hard as you, so I'm going to have 1000 times the results of you," I'm sorry.
And I don't accept this reality," no no, it's doping... I think something special is working... my life is over without starting for a lifetime. So accept it if you don't like it.
I don't think there's a person who says ′′ I'm doing this kind of effort but I'm going to say it because it's a good opportunity.
There is also a recording of the movie ′′ a in the town ′′ today, but there is a question from the voice actor, and I have to give instructions that ′′ I'm going to have a good time here,"
So I'm going to do ′′ practice to instruct ′′ at home.
I will actually be able to do it.
For example...
′′ A town is full of chimney.
Smoke from there, moc mok on my head, black smoke and moc mok.
Moc. from morning to night.
People who live in a town are trapped in black smoke and don't know the blue sky. I don't know the shining stars.
In a city that abandoned looking up, one man looked up.
The Black smoke that covered the town, the man made his thoughts on the dream that the heyyy mole I met at the bar told me.
The story of the world across the smoke. The story of the shining world.
I thought it wouldn't be, but I can't say it at all.
Because no one has gone. No one has the answer.
Then the man shouted over and over again, day and night, the story of the world across the smoke, but he was told that he was stupid, and he was cut off as a hola.
What the hell did a man do?
Who did the man hurt?
There is no reason there.
In the town that abandoned looking up, a big choir of ′′ conspicuous,"
In a town that abandoned looking up, if you speak your dreams, you will be laughed, and if you act, you will be slapped.
Black smoke swallows the town and doesn't allow the light of all times.
Black smoke swallows people and doesn't acknowledge every courage.
And yet the man gave a voice, trembling his knees, and he got into the ship and went to the sea.
It was in a dark and scary sea.
I was in the sea with no one ′′
This is the line of the scene of the protagonist boy's father showing off his own kamishibai, but now I didn't write it while watching something, and I'm memorizing this much.
As a person who gives instructions, this is so much.
This is the kind of thing that ′′ I remembered while I've been doing it many times," so it's not talent or sense.
This is the professional.
If you'd like, once you'd like to be my company intern student, near me, take a look at my work.
I think I'm probably going to despair lol
I said it earlier, but I want to tell you that ′′ effort is saying things," and in the future, I would like to make an appeal that I have been actively working hard.
That's right.
The movie is on December 25th, but on the night of December 25th, I'm going to have a live broadcast on Youtube, and I'm going to have a good time with the movie," the scene over there, actually ○○ I want to talk about ′′ what is it so go see the movie on the first day.
While you're in the middle of the day, mark your schedule for December 25th.
Well, I'm going to go to the recording of the movie ′′ a in town ′′
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishinoTranslated
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06 từ vựng giúp bạn chạm tới band 8 IELTS
1/ Embrace (nắm lấy thời cơ)
(Speaking) “I embraced the opportunity to study abroad”.
(Writing Task 2) “Thus, it is clear that students who embrace the study of another language are positioning themselves for future academic and professional opportunities.”
2/ Contrary (trái ngược)
(Speaking) “Contrary to my personality, my sister is very outgoing and tends to make friends
(Writing Task 2) “On the contrary, several disadvantages stem from the use of technology in the
3/ Volatile (sự thay đổi, không kiên định)
(Speaking) “Because of the volatile nature of my work, I find it difficult to maintain hobbies. I tend to exercise when I can, but I wouldn’t say there is a regular pattern to it.”
(Writing Task 1) “The figures exhibit volatility between the years 1996 and 2000; however, a reversion to stability is seen in 2002.”
(Writing Task 2) “For example, the volatile nature of weather in Caribbean countries can make tourism industries unpredictable and, therefore, unreliable. For these countries, providing people with greater access to the Internet would empower workers and allow them to both educate themselves and develop online businesses in the services sector. Because a varied economy promotes stability, tourist dependent countries should clearly do what they can to establish other
4/ Precursor (điềm báo)
(Speaking) “My interest in geography was the precursor to my studies in cartography.”
(Writing Task 2) “Thus, this example makes it clear that a university education acts as a precursor to career growth.”
5/ Hinder (cản trở)
(Speaking) “Distraction has definitely been a challenge for me. Being social, I feel, is a big part of the university experience. However, being too social can hinder a student’s ability to focus, and this can directly impact academic performance.”
(Writing Task 2) “Firstly, addressing corruption around the world can bring protection to the rights of the poor, and this helps better the economic situation of those in need. For example, corruption in China has historically hindered the development of a legal system able to protect the poor against extortion. However, recent anti-corruption campaigns have shed some light on this problem, and this has led to modest improvement in the rights of those that lack wealth.”
6/ Retain (duy trì, giữ lại, ghi nhớ)
(Speaking) “Yes, I believe I will someday. I’ve travelled quite a bit, but I’ve always retained a feeling that I’d like to live in my home country long term.”
(Writing Task 2) “Firstly, if a single language is spoken and taught the world over, this could make it difficult for people to retain their cultural identity.”
(Collected)
(Chia sẻ để nhận bài hay
Bình luận để tôi nghe thấy bạn)
BY QUYNH
2000 light years from home 在 多益達人 林立英文 Facebook 的最佳解答
【NASA發現了與地球相似的新行星
NASA Says Data Reveals Kepler 452b, an Earth-Like Planet】
(New York Times, Jul. 24, 2015) —by Dennis Overbye
Inching ahead on their quest for what they call Earth 2.0, astronomers from NASA’s Kepler planet-hunting spacecraft announced on Thursday that they had found what might be one of the closest analogues to our own world yet.
美國太空總署(NASA)克卜勒行星探測太空船專案的天文學家們在尋找「地球2.0」的工作中取得了些許進展。本週四,他們宣佈發現了一顆或許與地球極為接近的行星。
It is a planet a little more than one and a half times as big in radius as Earth. Known as Kepler 452b, it circles a sunlike star in an orbit that takes 385 days, just slightly longer than our own year, putting it firmly in the “Goldilocks” habitable zone where the temperatures are lukewarm and suitable for liquid water on the surface — if it has a surface.
該行星名為「克卜勒452b」(Kepler 452b),其半徑較地球的一倍半略大。它環繞著一顆類似於太陽的恆星運動,週期為385天,只比地球上的一年略長一點,因此確定地處在「宜居帶」,溫度不冷不熱,表面適合液態水存在—如果它有表面的話。
The new planet’s size puts it right on the edge between being rocky like Earth and being a fluffy gas ball like Neptune, according to studies of other such exoplanets. In an email, Jon Jenkins of NASA’s Ames Research Center, home of the Kepler project, and lead author of a paper being published in The Astronomical Journal, said the likelihood of the planet’s being rocky was 50 percent to 62 percent, depending on uncertainties in the size of its home star. That would mean its mass is about five times that of Earth.
根據對其他此類系外行星的研究推斷,以這顆新行星的大小而論,它正好介於地球這樣的岩石星球和海王星那樣的氣體星球之間。Jon Jenkins來自負責克卜勒項目的NASA艾姆斯研究中心(NASA Ames Research Center),也是《天體物理學報》(The Astronomical Journal)上即將刊發的一篇相關論文的第一作者。他在電子郵件中表示,該行星屬於岩石構造的可能性為50%至62%,具體取決於其主星大小的不確定性。這將意味著,它的質量大約是地球的五倍。
Such a planet would probably have a thick, cloudy atmosphere and active volcanoes, Dr. Jenkins said, and twice the gravity of Earth. Describing the planet during a news conference, Dr. Jenkins lapsed into lines from John Keats’s poem “On First Looking Into Chapman’s Homer”: “Then felt I like some watcher of the skies / When a new planet swims into his ken.”
Jenkins博士表示,這樣的一顆行星很可能擁有較厚的渾濁大氣層及活火山,引力是地球的兩倍。在新聞發佈會上描述這顆行星時,他引用了約翰•濟慈(John Keats)在《初讀查普曼譯荷馬有感》(On First Looking Into Chapman’s Homer)中的詩句「於是我有如夜觀星象,忽見有新星游入眼底。」
The star that lights this planet’s sky is about 1.5 billion years older than our sun and 20 percent more luminous, which has implications for the prospects of life, Dr. Jenkins said.
為這顆行星提供光照的恆星比太陽古老約15億年,亮度則高出20%。Jenkins博士表示,這或許表示該行星存在孕育生命的可能性。
“We can think of Kepler-452b as an older, bigger cousin to Earth, providing an opportunity to understand and reflect upon Earth’s evolving environment,” he said. “It’s awe-inspiring to consider that this planet has spent six billion years in the habitable zone of its star, longer than Earth. That’s substantial opportunity for life to arise, should all the necessary ingredients and conditions for life exist on this planet.”
「我們可以把克卜勒452b想成是地球的一個表親,但它年齡比較大,塊頭也更大。它提供了一個機會,讓我們理解和思考地球上不斷演化的環境」,他說。「這顆行星在它的恆星的宜居區域內已經活動了60億年,比地球更長,令人驚歎。如果它具備生命出現的各種必要成分和條件,那麼它孕育生命的機會就相當可觀。」
Asked if any radio telescopes had pointed at the planet to try to detect exterrestrial radio broadcasts, Dr. Jenkins said, “I hope so.”
當被問及是否已經有電波望遠鏡指向這顆行星,以檢測外星生命無線電波時,Jenkins博士回道:「我希望已有此行動了。」
To determine whether Kepler 452b deserves a place on the honor roll of possible home worlds, however, astronomers have to measure its mass directly, which requires being close enough to observe the wobbling of its star as it is tugged around by the planet’s gravity. For now that is impossible, as Kepler 452 is 1,400 light-years away.
不過,為了判斷克卜勒452b是否應該在具備居住潛力星球的榮譽榜上佔有一席之地,天文學家們必須直接測量它的質量,而這就需要近距離觀測它圍繞的恆星在被其引力拖拽時的擺動狀態。目前來說,這是不可能實現的,只因克卜勒452b距離地球1400光年。
The planet is the first to be confirmed in a new list of candidates unveiled by Kepler astronomers on Thursday. It brings the number of possible planets discovered by Kepler to 4,696, many of them small like Earth. “We are the bread crumbs of the universe,” said Jeff Coughlin, of the SETI Institute in Mountain View, Calif., who compiled the catalog.
克卜勒專案的天文學家們週四公佈了一份新的候選名單,而452b是其中第一個有待確認的。克卜勒發現的潛在行星的數量至此增加至4696個,其中很多跟地球大小相近。加州山景城外星文明探測計畫研究所(SETI Institute)的Jeff Coughlin提到了,「我們(及其他星球)都是宇宙的小小麵包屑。」而他就是編成了這份包含眾多行星的目錄作者。
The spacecraft, launched in 2009, spent four years staring at a patch of the Milky Way on the border between the constellations Cygnus and Lyra, looking for the dips in starlight caused by the passage of planets. Its pointing system failed in 2013, but astronomers are still analyzing the data Kepler collected. Every time they sift through it, new planets pop out.
於2009年發射的克卜勒太空船在四年的時間裡觀測銀河系天鵝座與天琴座的交界處,以發現行星通過導致的恆星亮度的減弱。克卜勒的指向系統在2013年失靈,但天文學家們仍在分析它此前搜集到的資料。每次整理資料時,他們都會發現新的行星。
In the meantime, Kepler has switched to a different mode of observing in a mission called K2.
與此同時,克卜勒已切換到另一個觀測模式,並執行名為K2的任務。
The NASA news conference coincided with a major anniversary: It was only 20 years ago this fall that Michel Mayor and Didier Queloz, of the University of Geneva, discovered a planet circling the star 51 Pegasi, about 50 light-years from here. It was the first planet known to belong to a sunlike star outside our solar system, and its discovery ignited an astronomical revolution.
NASA舉行此次新聞發佈會的時間恰好也是一個重要的周年紀念:在20年前的秋季,日內瓦大學(University of Geneva)的Michel Mayor和Didier Queloz發現了一顆圍繞著距離地球50光年的恆星飛馬座51(51 Pegasi)旋轉的行星。這是人類發現的第一顆屬於類似太陽的恆星的太陽系外行星。這一發現引發了一場天文學革命。
Dr. Queloz, who is now at the University of Cambridge in England, told the news conference, “This is a great time we live in.”
目前在英國劍橋大學(University of Cambridge)任職的Queloz博士在本次新聞發佈會上表示,「我們生活在一個偉大的時代。」
“If we keep working so well and so enthusiastically,” he went on, it is not too optimistic to think that in the future, “the issue of life on another planet will be solved.”
「如果我們保持這種出色而熱情的工作,」他補充道,並認為將來「(人類)會解決在另一顆行星發現生命的問題」並非一個過於樂觀的想法。
Astronomers say they now know from Kepler that about 10 percent of the 200 billion stars in the Milky Way have potentially habitable Earth-size planets, Kepler 452b probably among them. This means that of the 600 stars within 30 light-years of Earth, there are roughly 60 E.T.-class abodes, planets that could be inspected by a future generation of telescopes.
天文學家們表示,通過克卜勒望遠鏡,他們現在知道在銀河系2000億顆恆星中,大約有10%可能擁有與地球大小相近的具備居住潛力行星,而克卜勒452b很可能就是其中之一。這意味著,在距離地球不超過30光年的600顆恆星中,大約有60顆地球級別的宜居行星,而這些行星或許可以透過將來新一代的望遠鏡觀測到。
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