關於 80s synth music ，我們在網路上蒐集到這些相關的討論、資訊與評價

Bowers & Wilkins Hong Kong

【音樂】
英國女歌手 Bat for Lashes 闊別 3 年的新作《Lost Girls》可說是食正近年流行的懷舊熱潮，就像 Netflix 電視劇《怪奇物語》（Stranger Things）那樣，佈滿 80 年代色彩。她在外媒訪問中提到，新碟的靈感來自 80 年代的流行曲如 Cyndi Lauper、Bananarama 的作品，以及 John Williams 的電影配樂，於是《Lost Girls》當中，歌曲都是充滿 Synth-pop 氣息，電子元素特別豐富，而且著重氣氛營造，聽起來都很有畫面，向她喜愛的 80 年代科幻、奇幻電影致敬。

【Music】
British female singer, Bat for Lashes is set to release her latest work “Lost Girls” after 3 years of break. Just like the Netflix drama, “Stranger Things”, “Lost Girls” is full of the features of the 80s. Bat for Lashes mentions her ideas refer to the works of Cyndi Lauper, Bananarama and John Williams's movie soundtrack. This makes her songs full of Synth-Pop and electronic elements and shows her respect for the 80s Sci-fi movies.

//A Cantopop star publicly supported Hong Kong protesters. So Beijing disappeared his music.

By AUGUST BROWN

The 2 million pro-democracy protesters who have flooded the streets of Hong Kong over the last few months have been tear-gassed, beaten by police and arrested arbitrarily. But many of the territory’s most famous cultural figures have yet to speak up for them. Several prominent musicians, actors and celebrities have even sided with the cops and the government in Beijing.

The protesters are demanding rights to fair elections and judicial reform in the semiautonomous territory. Yet action film star Jackie Chan, Hong Kong-born K-pop star Jackson Wang of the group GOT7 and Cantopop singers Alan Tam and Kenny Bee have supported the police crackdown, calling themselves “flag protectors.” Other Hong Kong cultural figures have stayed silent, fearing for their careers.

The few artists who have spoken out have seen their economic and performing prospects in mainland China annihilated overnight. Their songs have vanished from streaming services, their concert tours canceled. But a few musicians have recently traveled to America to support the protesters against long odds and reprisals from China.

“Pop musicians want to be quiet about controversy, and on this one they’re particularly quiet,” said Anthony Wong Yiu-ming, 57, the singer and cofounder of the pioneering Hong Kong pop group Tat Ming Pair.

Wong is a popular, progressive Cantopop artist — a Hong Kong Bryan Ferry or David Bowie, with lyrics sung in the territory’s distinct dialect. But he, along with such singer-actors as Denise Ho and Deanie Ip, have made democratic reforms the new cause of their careers, even at the expense of their musical futures in China. Wong’s on tour in the U.S. and will perform a solo show in L.A. on Tuesday.

“It’s rebelling against the establishment, and [most artists] just don’t want to,” Wong said. “Of course, I’m very disappointed, but I never expected different from some people. Freedom of speech and civil liberties in Hong Kong are not controversial. It’s basic human rights. But most artists and actors and singers, they don’t stand with Hong Kongers.”

Hong Kong protesters
Hundreds of people form a human chain at Victoria Peak in Hong Kong on Sept. 13.(Marcus Yam/Los Angeles Times)
The protests are an echo — and escalation — of the Occupy Central movement five years ago that turned into a broad pro-democracy effort known as the Umbrella Movement. Those protests, led by teenage activist Joshua Wong (no relation), rebelled against a new policy of Beijing pre-screening candidates for political office in Hong Kong to ensure party loyalty.

Protesters were unsuccessful in stopping those policies, but the movement galvanized a generation of activists.

These latest demonstrations were in response to a proposed policy of extraditing suspected criminals from Hong Kong to mainland China, which activists feared would undermine their territory’s legal independence and put its residents at risk. The protests now encompass a range of reforms — the withdrawal of the extradition bill, secured voting rights, police reform, amnesty for protesters and a public apology for how Beijing and police have portrayed the demonstrations.

Wong, already respected as an activist for LGBT causes in Hong Kong, is one of vanishingly few musicians to have put their futures on the line to push for those goals.

Wong’s group Tat Ming Pair was one of the most progressive Cantonese acts of the ’80s and ’90s (imagine a politically radical Chinese Depeche Mode). When Wong spoke out in favor of the Umbrella Movement at the time, he gained credibility as an activist but paid the price as an artist: His touring and recording career evaporated on the mainland.

The Chinese government often pressures popular services like Tencent (the country’s leading music-streaming service, with 800 million monthly users) to remove artists who criticize the government. Artists can find longstanding relationships with live promoters on ice and lucrative endorsement deals drying up.

“This government will do things to take revenge on you,” Wong said. “If you’re not obedient, you’ll be punished. Since the Umbrella Movement, I’ve been put on a blacklist in China. I anticipated that would happen, but what I did not expect was even local opportunities decreased as well. Most companies have some ties with mainland China, and they didn’t want to make their China partners unhappy, so they might as well stop working with us.”

Censorship is both overt and subtly preemptive, said Victoria Tin-bor Hui, a professor and Hong Kong native who teaches Chinese politics and history at the University of Notre Dame.

“Every time artists or stars say anything even remotely sympathetic to protesters or critical of the government, they get in trouble,” Hui said. “You can literally have your career ruined. Denise Ho, after she joined the Umbrella Movement, everything she had listed online or on shelves was taken off. Companies [including the cosmetics firm Lancôme] told her they would have nothing more to do with her, and she started doing everything on her own.”

So Wong and other artists like Ho have been pushing back where they can.

Wong’s recent single, “Is It a Crime,” questions Beijing crackdowns on all memorials of the Tiananmen Square massacre, especially in Hong Kong, where there was a robust culture of activism and memorials around that tragedy. The single, which feels akin to Pink Floyd’s expansive, ominous electronic rock, has been blacklisted on mainland streaming services and stores.

Wong plans to speak out to commemorate the anniversary of the Umbrella Movement on this tour as well.

“The government is very afraid of art and culture,” Wong said. “If people sing about liberty and freedom of speech, the government is afraid. When I sing about the anniversary of Tiananmen, is it a crime to remember what happened? To express views? I think the Chinese government wants to suppress this side of art and freedom.”

The fallout from his support of the protests has forced him to work with new, more underground promoters and venues. The change may have some silver linings, as bookers are placing his heavy synth-rock in more rebellious club settings than the Chinese casinos he’d often play stateside. (In L.A., he’s playing 1720, a downtown venue that more often hosts underground punk bands.)

“We lost the second biggest market in the world, but because of what we are fighting for, in a way, we gained some new fans. We met new promoters who are interested in promoting us in newer markets. It’s opened new options for people who don’t want to follow” the government’s hard-line approach, Wong said.

Hui agreed that while loyalty from pro-democracy protesters can’t make up for the lost income of the China market, artists should know that Hong Kongers will remember whose side they were on during this moment and turn out or push back accordingly.

“You make less money, but Hong Kong pro-democracy people say, ‘These are our own singers, we have to save them,’” Hui said. “They support their own artists and democracy as part of larger effort to blacklist companies that sell out Hong Kong.”

Ho testified before Congress last week to support Hong Kong’s protesters. “This is not a plea for so-called foreign interference. This is a plea for democracy,” Ho said in her speech. A new bill to ban U.S. exports of crowd-control technology to Hong Kong police has bipartisan support.

No Hong Kong artists are under any illusions that the fight to maintain democracy will be easy. Even the most outspoken protesters know the long odds against a Chinese government with infinite patience for stifling dissent. That’s why support from cultural figures and musicians can be even more meaningful now, Hui said.

“Artists, if they say anything, that cheers people on,” Hui said. “Psychologists say Hong Kong suffers from territory-wide depression. Even minor symbolic gestures from artists really lift people’s morale.”

Pro-democracy artists, like protesters, are more anxious than ever. They’ve never been more invested in these uprisings, but they also fear the worst from the mainland Chinese government. “If you asked me six months ago, I was not very hopeful,” Wong said. “But after what’s happened, even though the oppression is bigger, we are stronger and more determined than before.”

Anthony Wong Yiu-ming

Where: 1720, 1720 E. 16th St.
When: 7 p.m. Tuesday
Tickets: $55-$150
Info: 1720.la //

這麼討厭有氧，
但更討厭快跑過個馬路就喘到不行的自己！
一週裡面，還是要給自己排個兩三次有氧！
希望能有趣一點，做起來心情好一點.....
所以出來了這個“好吧！我們年代感！”
“阿嬤的窈窕”咚滋咚 韻律操！！
我就是喜歡一些舊舊的東西啊，
可能是感覺自己生命中最精彩的，
通通都留在昨天了吧！

如果不是要減肥，不是要比賽，
運動對妳來說，是什麼樣的存在呢？
對我來說，就是一種生活的精神力，
一場“抗齡的暴動”
就算終究要走入舊年代裡，
也想要看起來神氣活現的！
“Nothing's Gonna Stop Us Now“音樂請下！

好啦！今天的韻律舞，認真跳！
一定要把髮帶浸濕！
循環訓練妳知道～不休息的那種喔！

1 -1 站姿肘膝轉體 右手左腳
1 -2 寬距幫浦深蹲 超開深蹲
1 -3 站姿肘膝轉體 左手右腳
1 -4 窄距幫浦深蹲 併腿深蹲
1 -5 站姿前拍抬腿 往前拍拍
1 -6 深蹲起身擴展 長成大樹
_________
2-1 分腿原地跳
2-2 左右滑冰跳
（倒帶三次）
_________
3-3 分腿蹲俯身 右腳前
3-2 站立側抬腿 太酸了
3-3 分腿蹲俯身 左腳前
3-3 深蹲側抬腿 快完了
3-3 深蹲分腿轉 分腿廢
3-3 深蹲側抬腿 最後了
_________
左右跳延展 迪斯摳魂


😼影片為私人運動筆記分享，
若有專業問題請尋求教練或專業協助喔！
--------------------------------------------------------------------------
我是Ａ力，運動是我的日常，廚房是我的療癒室，
我曾經是個圓噸噸的地方媽媽，也在九彎十八拐的減脂路上迷過路，
如果妳也在學習，我會很開心在這裡見到妳～
這裡有我老公幫我記錄的生活，我也很歡迎妳到粉專上跟我聊天，
生活是一場接力賽，我們一起陰溝裡賞星星！

粉專：地方媽媽 健身筆記 Ellie
https://www.facebook.com/ellielocalmom
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攝影- 周琨瑾 火野攝影
剪輯- 彭佳琳 Ａ力地方媽媽
音樂資訊-
OKAY by 13ounce https://soundcloud.com/13ounce
Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0
Free Download / Stream: http://bit.ly/2BA9Npw
Music promoted by Audio Library https://youtu.be/qkrpMJP4E-8
––––––––––––––––––––––––––––––
Cool Blue - 80s revisited
Danya Vodovoz - Overdrive
Prod. by Danya Vodovoz ROYALTY FREE MUSIC
https://danyavodovoz.bandcamp.com/ or https://www.paypal.com/paypalme/vodov...
Prod. by Danya Vodovoz ROYALTY FREE MUSIC

Danya Vodovoz - Don't Stop the Music (Disco Delux Edit)
Recorded, and produced by Danya Vodovoz
https://www.youtube.com/watch?v=Nn4KID1_NGQ&list=PLNNotX8H4jWwe-3XVrCaA5lX-C2DlFYk-&index=6
––––––––––––––––––––––––––––––
Music: Bitters At The Saloon by Bird Creek.
https://www.youtube.com/watch?v=tzmzOIg6i4w&list=PLNNotX8H4jWyIZGolzYua-JUW34nPL_12&index=3
––––––––––––––––––––––––––––––
Aries Beats - Beverly Hills Party (80s 90s Retro Wave Synth Pop)
Instrumental by Aries Beats
https://www.youtube.com/channel/UCVz37WOEw1mPyIpx8xPHBmg

#尷尬KOL

尷到我都唔知講咩好啦XD

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Take On Me (J-Pop cover)
【Support us on bandcamp!! 】https://satelliteyoung.bandcamp.com/
【iTunes, Amazon Music, & Google Play Music】https://linkco.re/gsSeNaHA

J-Synth trio "Satellite Young" 's first Japanese cover of "Take On Me"!!
ジャパニーズ歌謡エレクトロ・ユニット、「Satellite Young」が80sポップスの金字塔、A-ha「Take on me」を日本語カバー。

Satellite Young Take On Me (J-Pop cover)
Available on iTunes Store, Amazon Music, Google Play Music, & Bandcamp!

1. Take on me
Lyrics: Emi Kusano
Arrange: Bellemaison Sekine
Produce: Satellite Young

Original Song Written by
Magne Furuholmen, Morten Harket and Paul Waaktaar Copyright 1984, Sony/Atv Tunes Llc Obo Samp-Uk Ltd.

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Satellite Young -
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Tele Hideo

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#TakeOnMe #aha #SatelliteYoung