關於 break into meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

我最喜歡鍛煉臀腿的動作-相撲硬舉 🍑

#相撲硬舉 是複合式訓練動作，意味著可以啟動多個主要肌群！這個動作拿來練臀超棒，但前提是動作要正確👌🏽
⠀
1️⃣雙腳張開（相撲姿勢）站多寬取決於個人髖關節的靈活度及舒適度，然後將腳趾向外轉
2️⃣胸部位於槓鈴的上方，垂直下放雙手抓住槓鈴
3️⃣拉起來之前，將臀部向下坐，挺胸並順勢拉起
4️⃣注意膝蓋是全程朝外的，不要讓他們向內旋轉
5️⃣在頂部用力擠你的臀部，但要確保不要過度伸展，否則會傷害到背部
6️⃣向下放並重複動作

——————————————-
My FAVORITE exercise ever👉🏽 SUMO DEADLIFTS🙂 Let’s break them down👇🏽
⠀
Sumo deadlifts are a COMPOUND movement, meaning they work multiple major muscle groups!
⠀
They are a PHENOMENAL exercise to build your glutes🍑 but ONLY if you’re doing the exercise properly.
⠀
1️⃣Set up with your feet wide (sumo stance) - “how wide” varies on your hip anatomy, flexibility & comfort. Toes turned outwards
2️⃣Chest right above the bar. As you open up your hips & push your knees OUT, drop straight down & grab the bar
3️⃣Before you even lift the weight, sit back into your hips, bring your chest up & draw your lats down...now lift.
4️⃣PUSH YOUR KNEES OUT THE ENTIRE TIME - do not let them cave-in! This will keep your glutes from engaging in the exercise & wreck your knees
5️⃣At the top, squeeze your glutes! Be sure not to over-extend at the top, it’ll hurt your back.
6️⃣Drop the weight down & repeat!
⠀
If you like this, press like and share💙

#fitness #cardio #workout #sportoutfit #instagood #photooftheday #臀腿日 #imperiumapps #cardio #cardioworkout #有氧 #梁子淇 #子淇的健康生活 #蜜桃臀 #美尻 #健身 #重訓 #減脂 #子淇運動課表

新刊預覽 👀⚡️⚡️⚡️

Voices of Photography 攝影之聲
Issue 29 : #被攝影史──成為影像的台灣
History of the Photographed:
Taiwan as an Image

延續我們對於攝影史的關注，本期審視屬於我們自身的攝影經驗──被攝影的歷史。從台灣的殖民史出發，自十九世紀中葉以降歷經的人類學調查採集、二十世紀初隘勇線推進下的暴力顯影，到帝國博覽會裡的「台灣」意象與人種展示──這是一段最為系統性地將台灣影像化的初始時期。我們如何成為被攝影的對象？如何化為一具科學標本和一幅想像圖騰？如何在視覺上被納編（或排除）於國族與文化的整頓編程，並糾結至今？此一影像的潛歷史──被攝影的歷史──是我們返視「攝影史」的一處起點。

藉此，本期試圖反詰「歷史」，思考致使我們「成為影像」、「進入攝影史」的支配與佈局，嘗試突破以往「攝影（者）的歷史」框架，開啟我們的「被攝影（者）的歷史」覺察，或許將能發現對我們而言更為重要的攝影的歷史遺產，生成屬於我們的另翼影像史觀。

專題中收錄的影像與文論，標記了我們在「被攝影」的歷史經驗裡的複雜和衝突──我們從已故人類學者胡家瑜對早年台灣人類學田野調查至戰後發展的介紹專論開始，探看影像採集的知識化歷程及當代意涵；黃翰荻追尋日本人類學者鳥居龍藏與森丑之助在殖民年代的台灣原住民族群踏查足印，細述二人巨大的歷史身影；高俊宏在總督府「理蕃時期」的諸多「討伐」寫真帖中，重新諦視「歸順者」肖像裡的幽微目光；瓦歷斯．諾幹以解／反殖民書寫，展現自身與族人生命經驗裡實切的影像歷史感知；松田京子則以東京拓殖博覽會中對殖民地的活人陳列展演，析解形塑「台灣」的視覺策略。

本期Artist’s Showcase單元，我們與藝術家葉偉立進行長篇訪談，呈現他這些年來以行動介入所構成的獨特影像場域，記錄其未曾間斷的勞作沉思。而在影像論述單元，本期新闢由影像研究者李立鈞執筆的科學攝影專欄，揭示平時隱沒在科學實踐中的「影像問題」，首篇從圖繪細菌與拍攝細菌在十九世紀引發的論爭談起，一探科學家對於攝影「客觀性」的認知辯證。謝佩君接續前期對於影像／視覺理論的引介，深入闡論歐美學界近年如何反駁過去以視覺機具作為現代性發展的線性觀點。黎健強探究香港攝影源流的連載系列，揭載「作為影像的香港」在1850年代末首次出現於可供西方觀眾賞玩的遠東立體照片。此外本期亦特邀黃建宏撰文紀念近期辭世的法國哲學家貝拿爾．斯蒂格勒，記述其影像哲理綿延的技術與時間之論。

在本期出版（焦頭爛額）之際，也正是《攝影之聲》邁入第十年的開端，回想起來真是一段不可思議的旅程。感謝所有的讀者共同撐起這份小刊，也要再次感謝參與《攝影之聲》、支持我們的朋友與工作伙伴，給予我們面對艱困的勇氣，繼續在蜿蜒的道路上行進。
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

購書 Order | http://bit.ly/vop-29
台灣讀者免運費優惠中！
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

As we continue on the topic of the history of photography, we turn to our own photography experiences in this issue – our history of being photographed. It takes root in Taiwan’s colonial history, from the collection of anthropological surveys in the 19th century, to the acts of violence at the defence lines as they pushed on during the Japanese colonial era in the early 20th century, as well as the exhibition of the “Taiwanese” imagery and ethnicity at various expositions held during the Japanese colonial rule. These form the beginnings of a systematic effort to visualize Taiwan. How did we become the photographed, a scientific specimen, a totemic image? How did we become visually part of (or excluded from) the rectification process of nationality and culture, that continues to trouble us till now? The veiled history of such an image – the history of being photographed – guides the beginning of our journey of looking back at the “history of photography”.

With this, we attempt to cross-examine “history” and think through the control and disposition that led us into “becoming an imagery” and “going into the history of photography”, hoping to break free from the existing framework of “the history of the photograph(er)” and enlighten our awareness of the “history of the photographed”. We reckon this could allow us to discover the historical heritage of photography that is even more important to us and generate our very own alternative view of the history of photography.

The collection of imagery and essays in this series marks the complexity and conflicts in our historical experience of “being photographed”. We begin with the late anthropologist Hu Chia-Yu’s field research of Taiwan’s anthropology from the early years to the post-war period as we explore the knowledge-based development and contemporary meaning of imagery collection. Huang Han-Di traces the footsteps of Japanese anthropologists Torii Ryuzo and Mori Ushinosuke in their study of the Taiwanese indigenous peoples in the colonial era, detailing the historical impact that they had. Kao Jun-Honn takes a second look at the faint gaze in the eyes of those who had pledged allegiance, as captured in the many portraits of the “submissives” kept at the Governor-General’s office during the Japanese rule. Walis Nokan expresses his and his fellow people’s real perception of the history of photography as they had experienced it in his de-/anti-colonization writings. Matsuda Kyoko analyses the visual strategy of shaping “Taiwan” through the living displays at the Tokyo Colonization Exposition of 1912.

In this issue’s “Artist’s Showcase”, we feature an in-depth interview with artist Yeh Wei-Li, showing our readers his unique field of imagery that extends from his art of intervention, a record of his neverending contemplation with regard to labor and art. Moving on to essays on visual imagery, we present a new scientific photography column by imagery researcher Lee Li-Chun, who unveils the “imagery problem” that underlies scientific practice, beginning with cognitive dialectics of “objectivity” of photography by scientists that stemmed from the debate sparked by illustrating and photographing bacteria in the 19th century. Hsieh Pei-Chun continues with her introduction to imagery/visual theory from an earlier issue, and explains in detail how Western academia has refuted the existing linear view of visual machinery as a modern development. Edwin K. Lai’s series on the origins and development of Hong Kong photography tells us about the first 3D photograph from the Far East that aimed to entertain a Western audience with “Hong Kong as an image” in the late 1850s. In addition, we specially invited Huang Chien-Hung to commemorate the French philosopher Bernard Stiegler, who had recently passed, and the continuous techniques and time that stems from his philosophy of imagery.

At the same time as we (run off our feet to) prepare for the publication of this issue, Voices of Photography is going into its 10th year, and what an incredible journey it has been. We sincerely thank all our readers for keeping us going, and express our heartfelt gratitude once again to all our friends and partners who have worked with us and given us the courage to overcome our difficulties to march on on this winding road.
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

本期目錄 Contents
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

文化調查、標本收藏與攝影
——十九世紀中葉起的台灣調查採集動力與歷史脈絡
Cultural Investigations, Material Collections and Photography:
Agencies and Historical Contexts in Taiwan Since the Mid 19th Century
#胡家瑜 Hu Chia-Yu

「空中鳥跡」與「依風彩畫」——寄鳥居龍藏與森丑之助
“The Trail of Birds in Flight” and “Paintings in the Wind”: A Letter to Torii Ryuzo and Mori Ushinosuke
#黃翰荻 Huang Han-Di

「不看」的能指——關於理蕃攝影中的「歸順者」之眼
The Significance of “Not Seeing”: On the Eyes of the “Submissives” in the Photography of the Aboriginal Taiwanese
#高俊宏 Kao Jun-Honn

關於日據時期老照片的解／反殖民書寫練習
Interpreting Old Photographs from the Japanese Occupation Period De-/Anti-Colonization Practice Writings
#瓦歷斯諾幹 Walis Nokan

人類的「展示」與殖民地再現——以1912年拓殖博覽會為中心
The “Exhibition” of Mankind and the Resurgence of Colonization: A Look at the Tokyo Colonial Exposition of 1912
#松田京子 Matsuda Kyoko

如何「做」視覺民族誌？——讀《學做視覺民族誌》
How to “do” a visual ethnography?: Understanding Doing Visual Ethnography
#顧錚 Gu Zheng

我們可以祛除帝國主義嗎？——《潛在的歷史》的指引
Can We Unlearn Imperialism?
Methods and Lessons from Potential History by Ariella Azoulay
史蒂芬．席海 #StephenSheehi

Artist’s Showcase: #葉偉立 Yeh Wei-Li

故事之野——訪葉偉立
A Field of Stories: Interview with Yeh Wei-Li
#李威儀 Lee Wei-I

「可怖的客觀性」——十九世紀的顯微攝影
“Dreadful Objectivity”: Photomicrography in the 19th Century
#李立鈞 Lee Li-Chun

偉大的否定——負影像史
The Great Disavowal: A Counter History of Image
#謝佩君 Hsieh Pei-Chun

追夢人的藥控——離散的「貝拿爾．斯蒂格勒」影像
Pharmakon by Dreamer: Discrete Image of Bernard Stiegler
#黃建宏 Huang Chien-Hung

浴火重生的香港攝影（上）——最早為香港留下照片的攝影師
Hong Kong Photography: Rising from the Ashes (I) – The Photographer Who Left Behind the First Images of Hong Kong
#黎健強 Edwin K. Lai

攝影書製作現場⑤ : 便利堂
Photobook Making Case Study #5: Benrido
#羅苓寧 Lo Ling-Ning

七等生 : 重回沙河
Qi Deng Sheng(1939-2020): A Return to Sand River
李威儀 Lee Wei-I

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更多訊息 More info :
www.vopmagazine.com

Voices of Photography 攝影之聲
Issue 29 : #被攝影史──成為影像的台灣
History of the Photographed:
Taiwan as an Image

延續我們對於攝影史的關注，本期審視屬於我們自身的攝影經驗──被攝影的歷史。從台灣的殖民史出發，自十九世紀中葉以降歷經的人類學調查採集、二十世紀初隘勇線推進下的暴力顯影，到帝國博覽會裡的「台灣」意象與人種展示──這是一段最為系統性地將台灣影像化的初始時期。我們如何成為被攝影的對象？如何化為一具科學標本和一幅想像圖騰？如何在視覺上被納編（或排除）於國族與文化的整頓編程，並糾結至今？此一影像的潛歷史──被攝影的歷史──是我們返視「攝影史」的一處起點。

藉此，本期試圖反詰「歷史」，思考致使我們「成為影像」、「進入攝影史」的支配與佈局，嘗試突破以往「攝影（者）的歷史」框架，開啟我們的「被攝影（者）的歷史」覺察，或許將能發現對我們而言更為重要的攝影的歷史遺產，生成屬於我們的另翼影像史觀。

專題中收錄的影像與文論，標記了我們在「被攝影」的歷史經驗裡的複雜和衝突──我們從已故人類學者胡家瑜對早年台灣人類學田野調查至戰後發展的介紹專論開始，探看影像採集的知識化歷程及當代意涵；黃翰荻追尋日本人類學者鳥居龍藏與森丑之助在殖民年代的台灣原住民族群踏查足印，細述二人巨大的歷史身影；高俊宏在總督府「理蕃時期」的諸多「討伐」寫真帖中，重新諦視「歸順者」肖像裡的幽微目光；瓦歷斯．諾幹以解／反殖民書寫，展現自身與族人生命經驗裡實切的影像歷史感知；松田京子則以東京拓殖博覽會中對殖民地的活人陳列展演，析解形塑「台灣」的視覺策略。

本期Artist’s Showcase單元，我們與藝術家葉偉立進行長篇訪談，呈現他這些年來以行動介入所構成的獨特影像場域，記錄其未曾間斷的勞作沉思。而在影像論述單元，本期新闢由影像研究者李立鈞執筆的科學攝影專欄，揭示平時隱沒在科學實踐中的「影像問題」，首篇從圖繪細菌與拍攝細菌在十九世紀引發的論爭談起，一探科學家對於攝影「客觀性」的認知辯證。謝佩君接續前期對於影像／視覺理論的引介，深入闡論歐美學界近年如何反駁過去以視覺機具作為現代性發展的線性觀點。黎健強探究香港攝影源流的連載系列，揭載「作為影像的香港」在1850年代末首次出現於可供西方觀眾賞玩的遠東立體照片。此外本期亦特邀黃建宏撰文紀念近期辭世的法國哲學家貝拿爾．斯蒂格勒，記述其影像哲理綿延的技術與時間之論。

在本期出版（焦頭爛額）之際，也正是《攝影之聲》邁入第十年的開端，回想起來真是一段不可思議的旅程。感謝所有的讀者共同撐起這份小刊，也要再次感謝參與《攝影之聲》、支持我們的朋友與工作伙伴，給予我們面對艱困的勇氣，繼續在蜿蜒的道路上行進。
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

購書 Order | http://bit.ly/vop-29
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

As we continue on the topic of the history of photography, we turn to our own photography experiences in this issue – our history of being photographed. It takes root in Taiwan’s colonial history, from the collection of anthropological surveys in the 19th century, to the acts of violence at the defence lines as they pushed on during the Japanese colonial era in the early 20th century, as well as the exhibition of the “Taiwanese” imagery and ethnicity at various expositions held during the Japanese colonial rule. These form the beginnings of a systematic effort to visualize Taiwan. How did we become the photographed, a scientific specimen, a totemic image? How did we become visually part of (or excluded from) the rectification process of nationality and culture, that continues to trouble us till now? The veiled history of such an image – the history of being photographed – guides the beginning of our journey of looking back at the “history of photography”.

With this, we attempt to cross-examine “history” and think through the control and disposition that led us into “becoming an imagery” and “going into the history of photography”, hoping to break free from the existing framework of “the history of the photograph(er)” and enlighten our awareness of the “history of the photographed”. We reckon this could allow us to discover the historical heritage of photography that is even more important to us and generate our very own alternative view of the history of photography.

The collection of imagery and essays in this series marks the complexity and conflicts in our historical experience of “being photographed”. We begin with the late anthropologist Hu Chia-Yu’s field research of Taiwan’s anthropology from the early years to the post-war period as we explore the knowledge-based development and contemporary meaning of imagery collection. Huang Han-Di traces the footsteps of Japanese anthropologists Torii Ryuzo and Mori Ushinosuke in their study of the Taiwanese indigenous peoples in the colonial era, detailing the historical impact that they had. Kao Jun-Honn takes a second look at the faint gaze in the eyes of those who had pledged allegiance, as captured in the many portraits of the “submissives” kept at the Governor-General’s office during the Japanese rule. Walis Nokan expresses his and his fellow people’s real perception of the history of photography as they had experienced it in his de-/anti-colonization writings. Matsuda Kyoko analyses the visual strategy of shaping “Taiwan” through the living displays at the Tokyo Colonization Exposition of 1912.

In this issue’s “Artist’s Showcase”, we feature an in-depth interview with artist Yeh Wei-Li, showing our readers his unique field of imagery that extends from his art of intervention, a record of his neverending contemplation with regard to labor and art. Moving on to essays on visual imagery, we present a new scientific photography column by imagery researcher Lee Li-Chun, who unveils the “imagery problem” that underlies scientific practice, beginning with cognitive dialectics of “objectivity” of photography by scientists that stemmed from the debate sparked by illustrating and photographing bacteria in the 19th century. Hsieh Pei-Chun continues with her introduction to imagery/visual theory from an earlier issue, and explains in detail how Western academia has refuted the existing linear view of visual machinery as a modern development. Edwin K. Lai’s series on the origins and development of Hong Kong photography tells us about the first 3D photograph from the Far East that aimed to entertain a Western audience with “Hong Kong as an image” in the late 1850s. In addition, we specially invited Huang Chien-Hung to commemorate the French philosopher Bernard Stiegler, who had recently passed, and the continuous techniques and time that stems from his philosophy of imagery.

At the same time as we (run off our feet to) prepare for the publication of this issue, Voices of Photography is going into its 10th year, and what an incredible journey it has been. We sincerely thank all our readers for keeping us going, and express our heartfelt gratitude once again to all our friends and partners who have worked with us and given us the courage to overcome our difficulties to march on on this winding road.
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

本期目錄 Contents
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

文化調查、標本收藏與攝影
——十九世紀中葉起的台灣調查採集動力與歷史脈絡
Cultural Investigations, Material Collections and Photography:
Agencies and Historical Contexts in Taiwan Since the Mid 19th Century
胡家瑜 Hu Chia-Yu

「空中鳥跡」與「依風彩畫」——寄鳥居龍藏與森丑之助
“The Trail of Birds in Flight” and “Paintings in the Wind”: A Letter to Torii Ryuzo and Mori Ushinosuke
黃翰荻 Huang Han-Di

「不看」的能指——關於理蕃攝影中的「歸順者」之眼
The Significance of “Not Seeing”: On the Eyes of the “Submissives” in the Photography of the Aboriginal Taiwanese
高俊宏 Kao Jun-Honn

關於日據時期老照片的解／反殖民書寫練習
Interpreting Old Photographs from the Japanese Occupation Period De-/Anti-Colonization Practice Writings
瓦歷斯．諾幹 Walis Nokan

人類的「展示」與殖民地再現——以1912年拓殖博覽會為中心
The “Exhibition” of Mankind and the Resurgence of Colonization: A Look at the Tokyo Colonial Exposition of 1912
松田京子 Matsuda Kyoko

如何「做」視覺民族誌？——讀《學做視覺民族誌》
How to “do” a visual ethnography?: Understanding Doing Visual Ethnography
顧錚 Gu Zheng

我們可以祛除帝國主義嗎？——《潛在的歷史》的指引
Can We Unlearn Imperialism?
Methods and Lessons from Potential History by Ariella Azoulay
史蒂芬．席海 Stephen Sheehi

Artist’s Showcase: 葉偉立 Yeh Wei-Li

故事之野——訪葉偉立
A Field of Stories: Interview with Yeh Wei-Li
李威儀 Lee Wei-I

「可怖的客觀性」——十九世紀的顯微攝影
“Dreadful Objectivity”: Photomicrography in the 19th Century
李立鈞 Lee Li-Chun

偉大的否定——負影像史
The Great Disavowal: A Counter History of Image
謝佩君 Hsieh Pei-Chun

追夢人的藥控——離散的「貝拿爾．斯蒂格勒」影像
Pharmakon by Dreamer: Discrete Image of Bernard Stiegler
黃建宏 Huang Chien-Hung

浴火重生的香港攝影（上）——最早為香港留下照片的攝影師
Hong Kong Photography: Rising from the Ashes (I) – The Photographer Who Left Behind the First Images of Hong Kong
黎健強 Edwin K. Lai

攝影書製作現場⑤ : 便利堂
Photobook Making Case Study #5: Benrido
羅苓寧 Lo Ling-Ning

七等生 : 重回沙河
Qi Deng Sheng(1939-2020): A Return to Sand River
李威儀 Lee Wei-I

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更多訊息 More info :
www.vopmagazine.com
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This excerpt is from: Ask Big, Ask Bold (16 May 2021)
Get the full message:
Joseph Prince app - https://josephprince.app.link/OvgtUkS0ogb
JosephPrince.com - https://bit.ly/3hDPhL5

Child of God, come boldly to your heavenly Father and ask Him for big things! In this revelation-packed message by Joseph Prince, learn powerful truths from the story of Caleb and his daughter Achsah that will inspire you to start possessing all the blessings that God has in store for you. Discover keys to your breakthroughs and more when you see how you can:

• Operate in faith and ask big of your heavenly Father when you see the abundant inheritance He has for you.
• Break free from self-condemnation and pride—the two barriers that stop you from seeing your miracles.
• Become stronger through every struggle as you gain heaven’s perspective on your challenges.
• Start walking in your blood-bought blessings such as healing and provision when you have a revelation of your true identity in Christ.
• Be delivered from self-occupation into Christ-occupation and be effortlessly transformed from glory to glory.

Beloved, when you see your Father’s heart to bless you with every good promise, you can’t help but come to Him with a spirit of bold faith!

Excerpt Summary:
0:00 God's Word Is Our Inheritance Book!
2:01 Every Name In The Bible Has Meaning
3:34 A Study On Caleb And Achsah's Story (Joshua 15)
5:38 What Are The Upper And Lower Springs?
10:36 The Significance Of The Valley Of Achor (Hosea 2)
12:49 How Do We Read The Old Testament?

Subscribe for free official sermon notes at: http://josephprince.com/sermon-notes
Download the Joseph Prince app at: http://app.josephprince.com

Find us at:
https://www.facebook.com/JosephPrince
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#josephprince #2021sermon #josephprincelatest

We all want to live the blessed life—enjoying family relationships, robust health, peace, joy, and meaning. So what stops us from receiving all these blessings?
Brand-new series: Breaking The Barriers To Your Blessings—Live Out God’s Best Life For You (4-sermon series)

Get the series:
Joseph Prince app - https://josephprince.app.link/QY5DKb0va4
JosephPrince.com - http://bit.ly/3bBOepw

In this power-packed 4-sermon series by Joseph Prince, break free from the barriers that have hindered you from experiencing the victorious life God meant for you to live. The foundational messages in this series will help you:

• Uproot wrong beliefs and see God’s supply flow into your life like never before.
• Walk in all of God’s blessings that are rightfully yours because of the divine exchange at Calvary.
• Reign over sickness, addictions, bad habits, and every attack of the enemy.
• Live the abundant life that’s filled with hope for the future.

Child of God, it’s time to rid yourself from the chains that have held you back from receiving God’s best!

Find out more about this new 4-sermon series here: http://bit.ly/2SyUWoO

Subscribe for free official sermon notes at: http://josephprince.com/sermon-notes

Find us at:
https://www.facebook.com/JosephPrince
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#josephprince #breakingbarriers #blessings

今回は
⬇︎「MAN WITH A MISSION」さんの「FLY AGAIN 2019」（フル）をカバーしました！

「スーパーラグビーサンウルブズ 2019シーズン公式テーマソング」主題歌
フジテレビ系月9ドラマ「ラジエーションハウス～放射線科の診断レポート～」挿入歌

▶︎歌い手「HARAKEN」さん✨ &「ケイト・エヴォラ」さん✨

ご視聴お願いします♪

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⬇︎本家さま

MAN WITH A MISSION 『FLY AGAIN 2019』
https://youtu.be/KA1O3Ce46Bc

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⬇︎チャンネル登録はこちら♪
http://bit.ly/MikiFujisue

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⬇︎クレジット

・歌　　　　：HARAKEN & ケイト・エヴォラ
・音楽制作　：藤末樹
・映像編集　：藤末樹
・企画構成　：藤末樹

・Associate Art Director：Mark Kobayashi (GAIKEI)
・Executive Producer：Miki Fujisue

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⬇︎藤末樹 - Miki Fujisue（SNS）

Twitter : https://twitter.com/MikiFujisue_Tw
Instagram : https://instagram.com/miki.fujisue
Facebook Page : https://facebook.com/Miki.jpn

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⬇︎HARAKEN（SNS）
Twitter : https://twitter.com/HARAKEN75766631

⬇︎HARAKEN カバー動画集
https://www.youtube.com/playlist?list=PLZRggFcpoLzKIYvbOTEEQZZKMleoxayov

米津玄師 - 馬と鹿
https://youtu.be/aTuS0CSOlQI

折坂悠太 - 朝顔
https://youtu.be/OSSo706lQE8

手塚翔太（田中圭）- 会いたいよ
https://youtu.be/wBV6uBLRtg0

RADWIMPS - スパークル
https://youtu.be/aGhfsJnPHCM

RADWIMPS - 前前前世
https://youtu.be/Y7kDIhxsbC8

サカナクション - モス
https://youtu.be/TAMZWMDrOJc

RADWIMPS - なんでもないや
https://youtu.be/75OvfaO_UV8

山崎まさよし - One more time, One more chance
https://youtu.be/06sYj8ssdTU

BUMP OF CHICKEN/月虹
https://youtu.be/z0nVb74dHFI

MAN WITH A MISSION/FLY AGAIN 2019
https://youtu.be/4ZFDQqjiMD8

RADWIMPS feat.三浦透子/グランドエスケープ
https://youtu.be/LcULkAfuoiA

米津玄師/海の幽霊
https://youtu.be/PgEREb6Zos8

MAN WITH A MISSION/Remember Me
https://youtu.be/WmqROVgmJxQ

菅田将暉/いいんだよ、きっと
https://youtu.be/UT3nZQeNDYg

菅田将暉/まちがいさがし
https://youtu.be/expHyXp1fpQ

RADWIMPS/愛にできることはまだあるかい
https://youtu.be/BcK3fFejTnY

Aimer/STAND-ALONE
https://youtu.be/A5qZjKfC3dM

亀梨和也/Rain
https://youtu.be/EfCh3sBkRMI

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⬇︎ケイト・エヴォラ - Cato Evora（SNS）

Twitter : https://twitter.com/cato_evora
Instagram : https://instagram.com/cato_evora
YouTube : https://youtube.com/channel/UC9RlV6d0aSJIdXNYy9SrJ6w

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⬇︎歌詞

FLY AGAIN 2019 - MAN WITH A MISSION
(作曲︰Kamikaze Boy / 作詞︰Kamikaze Boy・Jean-Ken Johnny)

Searching for the meaning
Looking back what’s leaving
Falling down again you
Lose control so easy

Yet, the only reason
There goes one more season
Can’t you see what you can do?
All the thing’s that you should lose

Find what is the truth, life just seems so cruel
Winner, loser never know who’ll finally be the fool
Just release your heart
Light it on, Alert
The one and only matter that’s the story and the start

Notice that you are not alone
Yeah come with us now,
Break the wall down, yes we can

Fly Again, yeah yeah oh
Fly Again, yeah yeah oh
Fly Again, yeah yeah
Fly Again, yeah yeah ye-ye-ye-ye-yeah

Life just comes and go
Tomorrow never knows
Stand up once again to
Walk into the world for you

The feeling is so new
Believe in what you do
Don’t you ever be afraid in losing
That’s the clue

Find what is the truth, life just seems so cruel
Winner, loser never know who’ll finally be the fool
Yes you are not alone
Yeah come with us now
Let us start it on, here we can

Fly Again, yeah yeah oh
Fly Again, yeah yeah oh
Fly Again, yeah yeah
Fly Again, yeah yeah ye-ye-ye-yeyeah

We know where we should go
We know where we should go
We know where we should go
We know where we should go

Falling down again
We meet again my friend
Life just comes and go
But tomorrow never knows

Searching for the meaning
Looking back what's leaving
Falling down again you
Lose control so easy」

Find what is the truth, life just seems so cruel
Winner, loser never know who’ll finally be the fool
But you are not alone we are not alone
We know what’s waiting out there
We know where we should go

Living in the world is as he said
Running like a rolling stone we go down
The riddle and the rhyme is up to you
Feel the beat and this sound
You got to know You got to seize this now
Ready when you are, we’re always here.
Off we go

Yeah…

Fly Again, yeah yeah oh
Fly Again, yeah yeah oh
Fly Again, yeah yeah
Fly Again, yeah yeah ye-ye-ye-yeyeah

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⬇︎関連リンク

MAN WITH A MISSION - 日本クラウン公式ページ
http://www.crownrecord.co.jp/artist/mwam/whats.html

MAN WITH A MISSION - ソニーミュージック公式ページ
http://www.sonymusic.co.jp/artist/manwithamission/

MAN WITH A MISSION - Ameba Blog
https://ameblo.jp/mwamjapan

MAN WITH A MISSION - Myspace
https://myspace.com/mwamjapan

MAN WITH A MISSION - Twitter
https://twitter.com/mwamjapan

MAN WITH A MISSION - Facebook
https://www.facebook.com/MWAMjapan

ラジエーションハウス～放射線科の診断レポート～ - HP
https://www.fujitv.co.jp/radiationhouse/

ラジエーションハウス～放射線科の診断レポート～ - Twitter
https://twitter.com/radiation_2019

ラジエーションハウス～放射線科の診断レポート～ - 1話60秒予告
https://youtu.be/HdgB-fH9Yis

#MANWITHAMISSION #FLYAGAIN2019 #ラジエーションハウス