船家十市乘載村民出城,他一直無親無故,載人渡河成了他生命的依歸。但河流上游正興建一座橋,不久之後,沒有人再需要他和他的船。
電影基本上只有三位主要角色,和一個場景:靠在河邊的木屋。河流是十市的生命,它在夏季時的流水特別湍急,水從山上的溶雪而來,對我們拍攝增添危險和難度。然而變化是這部電影的主題,隨季節造成的河流和地貎變化,是整齣戲的核心和要帶出的感覺。
導演小田切讓一直叫我慢慢拍,讓影像說話,他不想拍得太「花巧」。他不停跟我說「拍得像傳統風景畫一樣便好」,不斷着我往後退,讓構圖盡可能地寬闊。我常跟他說笑「如果觀眾用手提電話看這齣戲,恐怕看不到主角,他們在畫面上太微小了。」
我們在夏天開拍。第一日,劇組便有三人因為在空曠而又接近40度高温下工作而中暑,但我們也持續拍了好幾星期。之後到一月,我們再回來拍攝,當時的温度已下降至零下20度,寒風刺骨,漫天飛雪。
所有藝術都是摯誠之作,它的展現應是不多不少,恰如其分。它是自然而然生成的結果。電影最終有這效果,完全因為河流的形態:當你尊重它、從它身上學習,天氣、山脈和變幻無常的天空自然交織成作品今天的模樣。你只要忍耐,退一步欣賞。大自然為我成就了這作品一大部分。
Boatman Toichi ferries passengers across the river that separates the villagers from the town. He lives alone and this is the only life he has known. But upstream a bridge is being built, so soon no one will need him or his boat anymore.
There are basically only three characters in the film. There is basically only one set:the boatman’s hut by the river. The river is Toichi’s life. The river runs very fast in summer, watered by the mountains melting snow. So it was very dangerous and difficult to film. Since change is the main theme showing the seasons and the river and landscape at different times of day was basic to our story and the feel of the film.
Director Joe Odagiri kept telling me to slow down. To let the image talk, he didn’t want any “film tricks”. “ Make it look like a traditional landscape scroll “ he kept saying. And he would always ask me to pull back, to make the frame as wide as possible. I often joked “ people watching this on their phone would even see the characters, they are so small on the screen “.
We start in Summer. First day three of my crew had heat stroke working in this vast open space under the 40-something degrees Celsius. We worked for a few weeks like this, then came back in January, for the minus 20 °C windy winter and the snow.
All art has to be true to itself. It has to be no more or less than what it is about. It has to be what it will be. This film is the way it is because the river is the way it is: you have to respect it and learn from it. And this film looks the way it does because of the climate, the mountains, the changing sky. You have to be patient, to step back to appreciate. In this film, nature did most of my work for me.
影片來源Video:《從不一漾》 “They Say Nothing Stays The Same”(2018)
購買影片請前往/Buy DVD at:
https://www.amazon.co.jp/dp/B0897KGDMW/ref=cm_sw_em_r_mt_dp_p7dCFb4B6Y78P
#從不一漾 #小田切讓
#TheySayNothingStaysTheSame #JoeOdagiri
#ある船頭の話
同時也有55部Youtube影片,追蹤數超過1萬的網紅translation,也在其Youtube影片中提到,#DMA Design(Rockstar Northの前身)が開発、シグノシスが発売した、Amiga用アクションパズル('91年)からのMD移植版。歩き続けているレミング(タビネズミ)達にコマンドにより指示を与えて一定数をゴールへ導く。 指示出来るコマンドは8つあり、コマンドはステージにより使用数が...
「bridge theme」的推薦目錄:
- 關於bridge theme 在 Christopher Doyle 杜可風 Facebook 的最佳貼文
- 關於bridge theme 在 Elvina C. Facebook 的最讚貼文
- 關於bridge theme 在 Tiara Jacquelina Facebook 的最佳解答
- 關於bridge theme 在 translation Youtube 的最佳解答
- 關於bridge theme 在 婷婷的世界 Ting Ting's World Youtube 的最佳解答
- 關於bridge theme 在 masa - masa Youtube 的最佳解答
- 關於bridge theme 在 How to Make a WordPress Website With the Bridge Theme 的評價
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bridge theme 在 Elvina C. Facebook 的最讚貼文
What do you like to see most when you travel?
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To me, great view and nature are totally a must-see. That’s why I always search for rooftop church/bar and mountain top.
Then, old architecture are my favourite: cathedral, temple, museum, bridge & castle🥰
Places that I don’t opt to visit if there’s no time: instagrammable café, shopping streets/mall (okay, unless it’s Japan or Seoul :p) & theme park (pricy & it takes up a whole day!)
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🔖Stay home & Save it for next year
📍Old Royal Naval College, Greenwich, London
#londonlife #londontown #londonist #prettycitylondon #london_only #thisislondon #mysecretlondon #prettylittlelondon #igerslondon #toplondonphoto #ig_london #visitlondon #ilovelondon #londonbylondoners #mylondon #instalondon #londonblogger #london🇬🇧 #londonphotography #londoncalling #londonsbest #londonbloggers #ukblogger #oldroyalnavalcollege #greenwich
bridge theme 在 Tiara Jacquelina Facebook 的最佳解答
Reading this post by @Shacind Ananthan
(@shacindananthan) made me cry tears of joy and pride, I felt compelled to share it with all of you...
"This is for all my fellow Malaysians who are still abroad; I hope this gives you a little insight on what went on during my journey from the UK all the way to the hotel I am quarantined in in KL. To my non-Malaysian friends, this is me unabashedly showing off the exemplary work by our government. This is my tribute to the countless men and women in duty who assisted us with so much care and respect.
It all started on the plane from Doha to KL, where I had transited from Manchester. With a mere 50 people on the plane, we were all fairly separated to sit in isolation from one another. After taking off, we were handed a Health Declaration form to fill up. In addition to the general information (name, age, etc), COVID specific questions were also asked. It even asked for our flight and seat number- I figured it was to track down those who came in contact with a suspected COVID-19 patient.
When I landed in KLIA, we were greeted warmly by 2 men in uniform at the end of the jet bridge. One was coordinating us to queue, strictly keeping in mind the 1m gap, and the other was guiding us to the skytrain on a Segway. As we approached the skytrain, another policewoman took over and brought us to the bus lounge, where we boarded a bus to the arrival hall. Each bus had a maximum of only 10 people, and the seats were marked with an ‘X’ to make sure we sat adjacent to each other. In the bus was another policewoman who made sure we went in one by one, and only allowed the next person to enter once the previous one had sat down. A recurring theme you would find is that at every ‘checkpoint’ there were at least 1-2 officers who did their job so diligently, that there was no hold up, making the process very smooth. It felt as if this was an extremely well thought out procedure that had been going on for years. All the i’s were dotted and t’s crossed.
Once we alighted the bus, we walked to the immigration counters and were screened by an infra-red thermometry system. After passing it, we were guided towards a team of health officials from KKM on the right. I was very impressed with the number of health officials and the amenities provided for them. There were around 10 officials in what looked like full hazmat suits, each provided with a chair and table. I was greeted by this lovely woman, who asked for my health declaration form and reaffirmed if I had any symptoms. The constant glee on her face and referring to me as “adik” made me feel like I was in safe hands. The first step to addressing a crisis is to calm the stakeholders. It is the little things like these that reassures one in an anxiety driven situation. She then gave me a home assessment form where I had to monitor and report my symptoms daily.
After clearing the immigration, we queued up to sanitize our hands, and then were given another form to register our particulars and emergency contacts. We sat down and filled up the forms while waiting for 3 more batches of people to arrive. After 20 minutes passed, a police officer gave us a short briefing on the do’s and don’ts while in quarantine. The question on everyone’s minds was “where are we being taken?”. I overheard conversations of people praying that it was a five-star hotel in KL. However dire the circumstances, the innate Malaysian tendency to always expect luxury never fades, does it? The policeman politely replied that he wasn’t sure where we were going to be quarantined, but assured us it was going to be a good place nevertheless.
Then we were escorted by another officer to the baggage claim area where our luggage had already been taken off the baggage carousel and organized for us to simply go and grab them. I figured that this was to reduce the contact between people in case we crowd around the conveyer belt. This also significantly reduced the time taken for us to get re-organized. Take note of the little details that the authorities paid attention to.
Later on, the same police officer led us to the arrival hall where 3 Smart Selangor buses had already been parked for us to board. Before entering the bus, a fireman proceeded to fumigate our luggage and backpacks one by one, while we sanitized our hands once more before being handed a bag full of snacks by another officer. In the bus was a lady who helped us load our luggage. It was very systematic, only allowing one person in the bus at a time to maintain social distancing.
We waited for around 30 minutes for all 3 batches of people to board the buses. My mind was still in a state of disbelief, I and kept wondering how much manpower and logistics it must have taken to make the process as smooth as possible and achieve this insane level of efficiency. Before leaving, the bus driver announced that we were being taken to Impiana KLCC Hotel. Mental gasps could be heard from the 15 people in the bus.
The journey to the hotel was just short of 50 minutes. We were all aghast looking at the sight before us when we reached the hotel. People were busy clicking pictures and taking videos of the scene that frankly seemed like it belonged to a distant dystopian future. Dozens of people in full hazmat suits were standing by a long table which looked like an assembly line, busy screening and registering us aliens. Before we got off the bus, a man in a PASKAU uniform briefed us on the next course of action. He told us to keep our passports ready for registration. We patiently helped each other with the luggage (still maintaining an appropriate distance) and queued up according to yellow tapes on the ground. I was standing in line between two sisters, so I offered the one behind me to take my spot but she politely declined. Soon enough, it was my turn.
The lady at the start of the table proceeded to check my temperature with a temperature gun and passed me another form, similar to the home assessment one. I then handed my passport to the next guy who immediately photo stated it with the photocopier behind him. While waiting for my passport, the following person asked for my phone number and my place of origin. After I received my passport, I was given the room key along with two masks and was quickly thrusted into the hotel. While it seemed quick and rushed, it was effective as the primary goal was to limit as much contact with others as possible.
As I walked in, I saw the girl who was in front of me struggling with her 4 huge bags, so me and another KKM personnel assisted her into the lift. We had a brief conversation and I got to know that she was a third-year student who had to leave the UK and pack her things for good overnight. Laughing at the fact that our rooms were next to each other, we bid goodbye and stormed into our rooms. In the room were two boxes of bottled water, plastic bags for the contaminated clothes, a huge bag filled with coffee, biscuits and snacks and so on. We are being served good nutritious food three times a day and housed in a four star (some five star) hotel all for free of charge. There is 24/7 surveillance and a medical team at our doorstep at all times. I bow down to this great nation with utmost humility, thank you for this Malaysia.
This lockdown/ quarantine has really cultivated the sense of community and the innate feeling of unity that we had lost. Though the time frame of when this epidemic will end is still unclear, it became clear to me that we will pull through, because that’s what Malaysians do best. This was further proven when all 74 of us quarantined at Impiana KLCC were added into a WhatsApp group by Lieutenant Zakee (who was in charge of our welfare in the hotel) for ease of communication. The group was instantly flooded with messages of hope, optimism and love and gratitude for the lieutenant, health workers and other officers who heroically put our welfare in front of their own lives.
Why am I writing this? This is a primary account of someone who experienced the plight of leaving a foreign country overnight with an uncertain future. This is to counter the fake narratives online that seek to defame our great nation. The entire ecosystem functioned like a well-oiled machine, NO stone was left unturned. It is not an overstatement when I say that Malaysia has been one of the most proactive countries with tackling the menace of COVID-19. Therefore, I urge the armchair economists at home, the constant naysayers- if you cannot acknowledge the good our government is doing, at least don’t stand in their way.
Thank you again, Malaysia, for keeping me safe. I have always been, am always, and will always be a proud citizen of this country that has given me so much.
Tanah tumpahnya darahku!
- Shacind Ananthan
(@shacindananthan)
bridge theme 在 translation Youtube 的最佳解答
#DMA Design(Rockstar Northの前身)が開発、シグノシスが発売した、Amiga用アクションパズル('91年)からのMD移植版。歩き続けているレミング(タビネズミ)達にコマンドにより指示を与えて一定数をゴールへ導く。
指示出来るコマンドは8つあり、コマンドはステージにより使用数が限られていて、中にはおよそ回数が足りなく見えるステージもあり、攻略を迫られる。
BGMは、えりかとさとるの夢冒険(FC/'88年)や、ひでむし氏でお馴染みのThe Karate Kid(NES/'87年)の高山氏が編曲、MD専用曲として「へべの大冒険」が追加されている。
ドライバ作成:塚本浩氏
編曲:高山ヒロヒコ氏
Manufacturer: 1992.11.20 SEGA
Computer: Mega drive / Genesis
Sound: YM2612,SN76489
Music driver programmer: hiroshi tsukamoto
Arranger: Hirohiko Takayama
--------------------------------------------------------------
00:00:00 01.Opening - March of the Mods (オープニング)
00:00:37 02.Stage Theme 1 (ステージ 1 *原曲:オッフェンバックの天国と地獄)
00:03:52 03.Stage Theme 2 (ステージ 2)
00:08:18 04.Stage Theme 3 (ステージ 3 *カノン/ヨハン・パッヘルベル)
00:12:33 05.Stage Theme 4 (ステージ 4 *One Way or Another)
00:17:30 06.Stage Theme 5 (ステージ 5 *Keep Your Head on Mr. Lemming)
00:22:10 07.Stage Theme 6 (ステージ 6 *She'll Be Coming Around the Mountain)
00:24:45 08.Stage Theme 7 (ステージ 7 *Ten Green Bottles)
00:29:30 09.Stage Theme 8 (ステージ 8 *Smile if You Love Lemmings)
00:33:51 10.Stage Theme 9 (ステージ 9 *Rainbow Islands)
00:37:20 11.Stage Theme 10 (ステージ 10 *Lend a Helping Hand)
00:42:16 12.Stage Theme 11 (ステージ 11 *Postcard from Lemmingland)
00:45:29 13.Stage Theme 12 (ステージ 12 *Dance of the Reed Flutes)
00:49:56 14.Stage Theme 13 (ステージ 13 *Dance of the Little Swans)
00:54:53 15.Stage Theme 14 (ステージ 14 *London Bridge is Falling Down)
00:59:13 16.Stage Theme 15 (ステージ 15 *Forest Green)
01:04:10 17.Stage Theme 16 (ステージ 16 *Rondo Alla Turca)
01:09:06 18.Stage Theme 17 (ステージ 17 *Shadow of the Beast I)
01:12:08 19.Stage Theme 18 (ステージ 18)
01:14:55 20.Stage Theme 19 (ステージ 19)
01:17:58 21.Stage Theme 20 (ステージ 20 *Awesome)
01:20:39 22.Stage Theme 21 (ステージ 21 *Shadow of the Beast II )
01:28:02 23.Sunsoft Special (サンソフトスペシャル *へべの大冒険/へべれけ MD専用曲 )
01:32:40 24.Ending Theme (エンディング)
01:37:07 25.Opening Theme (Loop Ver) (オープニング *ループVer.)
--------------------------------------------------------------
bridge theme 在 婷婷的世界 Ting Ting's World Youtube 的最佳解答
別忘記打開字母!360º VR 虛擬旅遊 - 來探索我們的家鄉!希望你們喜歡!
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音樂是馬修做的:Anti-Trust by M-Life
Spotify: https://open.spotify.com/track/7DeA6JCVtAYsx8GPSxau7r?si=HOYvq8sBQjGwJu0r5IgkOg
Apple Music: https://music.apple.com/us/album/anti-trust/1565088288?i=1565088291
YouTube Music: https://music.youtube.com/watch?v=5OH7tCyMD-8&feature=share
KK Box: https://kkbox.fm/ma7oJY
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Follow me!
FB https://www.facebook.com/tingtingsworld
IG https://www.instagram.com/tingtings_world
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大家好我是婷婷,我是個澳洲人。我有兩個家 - 台灣跟澳洲!我在這個頻道分享美食,旅行跟學習外語的影片。如果你喜歡我影片的話歡迎考慮訂閲我(也別忘記按小鈴鐺,這樣我上傳新的影片時你會知道)。謝謝你看我的頻道囉!
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FILMING LOCATIONS 我們拍的地方:
Optus Stadium: https://goo.gl/maps/XovdnPExxqKDFWfy8
Mends Street, South Perth: https://goo.gl/maps/AjDdzNPpL4PKWWyG9
Matagarup Bridge: https://goo.gl/maps/NZ3bAzteEqCyeJRD6
The Camfield: https://goo.gl/maps/1y8P1KVVuNfWrLmH6
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Theme: www.bensound.com
bridge theme 在 masa - masa Youtube 的最佳解答
ご視聴ありがとうございます!
English comment is after Japanese.
秦基博さんの「さよならくちびる」をカバーさせていただきました。
この曲は映画「さよならくちびる」の主題歌として提供された曲で、3/17にリリースされる弾き語りアルバム「evergreen2」にセルフカバーバージョンとして収録されています。
※「evergreen2」ダイジェスト
Disc1:https://youtu.be/6dm8yI-W3tw
Disc2:https://youtu.be/7t57zs_lKx8
🎸コード自体はシンプルな構成なんですが、メロの方が結構アップダウンしたり、サビで転調するなど、思ったより複雑です。
ハルレオバージョンも好きなんですが、こちらの弾き語りバージョンもとっても素敵で、さらに大好きな曲になりました♪
※耳コピなのでコードが微妙に違っていたようですが、ご容赦ください💦
※…期間的にはフライング投稿分ですが、「秦ってみた」企画に参加させてもらえませんか?😅
※秦基博 - 「さよならくちびる」(evergreen version)
https://youtu.be/tOz1RcA6vNU
※ハルレオ - 「さよならくちびる」 Music Video
https://youtu.be/FSHbO4MUkx0
※チャプター
00:00 タイトル(Title)
00:03 1番(1st_Verse)
01:23 2番(2nd_Verse)
02:21 Cメロ(Bridge)
02:45 大サビ(Last_Chorus)
*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*
Thank you so much for watching!
I did a cover of Motohiro Hata's "Sayonara Kuchibiru (Goodbye lips)".
This song was provided by Hata-san as theme song of the movie"Sayonara Kuchibiru".
This time, he did self-cover as evergreen version, and this version will be included with new album "evergreen2" that will be released at 17th, March 2021.
The guitar chords were simple as a whole, but the melody was so complication I thought, because the pitch goes up and down and the hook modulate.
*Original song is HERE!
https://youtu.be/tOz1RcA6vNU (evergreen version)
https://youtu.be/FSHbO4MUkx0 (HARULEO Music Video)
*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*
#秦基博
#さよならくちびる
#evergreen2
#秦ってみた
#ボクはずっと秦っています😅
bridge theme 在 440 Bridge – Creative Multi-Purpose WordPress Theme ideas 的推薦與評價
Mar 11, 2020 - BRIDGE is a responsive retina multipurpose WordPress theme perfect for just about anyone. You'll find what you need in one of our fully ... ... <看更多>
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AppCompat or MaterialComponents Themes. You can incrementally test new Material components without changing your app theme. This allows you to keep your ... ... <看更多>
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