關於 dirt jump frame ，我們在網路上蒐集到這些相關的討論、資訊與評價

張國榮開着車，在泥路上朝目的地疾馳。

鏡頭的設計是，汽車停下來時，車頭格柵剛好在攝影機正前方，佔滿鏡頭。

但當他剎車時，車子離攝影機是那麼的近，我抓起攝影機就跳開了。

張國榮氣沖沖下車，說「我是專業的，Chris，你也應該是。你給我回去就位。我會把車停在你一呎之前，包在我身上。」

我很驚訝：張國榮很少這樣揚起聲線，我也很挫敗，畢竟不能辯稱自己跳開是為了拯救那台攝影機。

很可惜的是，這場戲似乎沒有放到正片中，讓我想到這究竟是不是幻象？都是無中生有的。在我來看，它始終是真實，因為Leslie本性如此。

Leslie Cheung is driving full speed down a Philippines dirt road toward his destination.

The shot is designed so the cars front grille ends full frame. He brakes so fast so close that I grab the camera and jump out of the way.

Leslie jumps out to the car. He is furious. “I’m a professional Chris. And you should be professional too. Get back there, on your mark. I’ll stop one foot short of you. You can count on me.”

I am shocked : Leslie rarely raises his voice. And I am humbled. I can’t claim I was only trying to save the camera.

Unfortunately this scene is not in the final cut of the film. Which makes me wonder if I am just imagining it ? That it’s a myth. But it’s a true for me because it’s true to how Leslie really was.

影片來源Video:《阿飛正傳》 “Days of Being Wild”(1990)

#912哥哥生日快樂 #張國榮 #哥哥 #阿飛正傳 #王家衛 #現實與幻象
#912GorGorhappybirthday #LeslieCheung #GorGor #DayOfBeingWild #WKW #realorimagined

張國榮開着車，在泥路上朝目的地疾馳。

鏡頭的設計是，汽車停下來時，車頭格柵剛好在攝影機正前方，佔滿鏡頭。

但當他剎車時，車子離攝影機是那麼的近，我抓起攝影機就跳開了。

張國榮氣沖沖下車，說「我是專業的，Chris，你也應該是。你給我回去就位。我會把車停在你一呎之前，包在我身上。」

我很驚訝：張國榮很少這樣揚起聲線，我也很挫敗，畢竟不能辯稱自己跳開是為了拯救那台攝影機。

很可惜的是，這場戲似乎沒有放到正片中，讓我想到這究竟是不是幻象？都是無中生有的。在我來看，它始終是真實，因為Leslie本性如此。

Leslie Cheung is driving full speed down a Philippines dirt road toward his destination.

The shot is designed so the cars front grille ends full frame. He brakes so fast so close that I grab the camera and jump out of the way.

Leslie jumps out to the car. He is furious. “I’m a professional Chris. And you should be professional too. Get back there, on your mark. I’ll stop one foot short of you. You can count on me.”

I am shocked : Leslie rarely raises his voice. And I am humbled. I can’t claim I was only trying to save the camera.

Unfortunately this scene is not in the final cut of the film. Which makes me wonder if I am just imagining it ? That it’s a myth. But it’s a true for me because it’s true to how Leslie really was.

影片來源Video:《阿飛正傳》 “Days of Being Wild”(1990)

#912哥哥生日快樂 #張國榮 #哥哥 #阿飛正傳 #王家衛 #現實與幻象
#912GorGorhappybirthday #LeslieCheung #GorGor #DayOfBeingWild #WKW #realorimagined

まさかこんなにハマるとは思っていなかったアニメ「鬼滅の刃」。決定的だったのは第19話「ヒノカミ」の「竈門炭治郎の歌」をバックにしたアニメーション！禰豆子の「血鬼術　爆血！」は最終回かと思うくらいのクライマックスでした！炭治郎がお父さんから「必ず途切れさせず継承していってくれ」「約束なんだ」と言われた耳飾り。僭越ながら作ってみました。
「俺と禰豆子の絆は誰にも、引き裂けない！」

（クッキングシート使用上の注意 https://www.lion.co.jp/ja/products/246 ）

*レシピ*
１．プラバンの裏を400番のヤスリ（ダイソー）でくるくると全面ヤスル。
２．全体が白くなったらウエットティッシュなどでゴミを落とす。
３．プラバンが乾いたら、ヤスリをかけた面に鉛筆で型紙を写し取る。
４．色鉛筆で着色する。
５．ハサミで枠のほんの少し内側を切る。
６．2分ほど予熱したオーブントースターで焼く。オーブンシートにのせ、オーブントースターに入れると数秒で縮んでくるので目を離さないこと。（クッキングシート使用上の注意 https://www.lion.co.jp/ja/products/246 ）縮むのが止まったら一呼吸おいてオーブンシートごと取り出す。今回、縦長のデザインなので焼いている途中でひっくり返しになることが多かった。着色面（裏）を上にして焼き、ひっくり返って最終的に着色してない面（表）が上になるようにしました。10センチ以上の大きさのプラバンを焼くのは難しいようです。
７．熱に強い、固く平らな物の上に置き、金属のバットなどでプレスする。熱いので気をつけて！
８．冷めたら、色落ちを防ぐために水性トップコートスプレー（Mr.hobbyの つや消し）を裏面（色鉛筆面）にスプレーする。
９．1.5ミリのハンドドリル（キャンドゥ）やピンバイスで穴を空ける。
１０．手芸店（ユザワヤ）で買ったイヤリングパーツとプラバンを9ピンで繋ぎました。ラジオペンチや指かん（ダイソー）も100円ショップで買うことができます。
１１．でけた。

作る前にやっておくこと
１．プラバン（キャンドゥ）は５センチ四方に切り、板の方向を書き込んで試し焼きをする。板によって縦横の縮み方、反り方が異なるので、その板の性格を知っておくと便利です。
２．プラバンの縦横の方向と表裏が、わかるようにマスキングテープなどで印を付ける。
３．プラバンを切る。いくつか作る場合はデザインの縦横を同じ方向にする。プラバンの縮み方が揃ってきれいに仕上がる。

We never thought that the animated series "Demon Slayer: Kimetsu no Yaiba" would be so addictive!
The decisive moment was in episode 19, "Hinokami", the animation with "The song of Tanjiro Kamado" in the background!
Nezuko's " Blood Art - Exploding Blood" was a climax was worthy of being the final episode.

The earrings Tanjiro inherited from his father, saying, "Please let them pass on interrupted" with him replying "I promise." We audaciously tried to make them ourselves!

"I will let nobody break the bond between Nezuko and I!"

*Recipe*

1. File down around the back of the plastic base with a number 400 file (sold at Daiso).
2. Use a wet tissue to remove dirt etc. when the plastic base becomes white.
4. When the plastic base has dried, use a pencil to trace onto pattern paper the face that was filed down.
5. Use scissors to cut a little into the frame.
6. Bake for about two minutes in a pre-heated oven toaster. Place on an oven sheet and do not let out of your sight as it will start to shrink in a few seconds. Once it stops shrinking, take one breath and remove from the oven, oven sheet and all. This time since the design was lengthwise, there were many times when it flipped over when being baked. We decided to put the colored face (the back) face up and bake, flipping it over so that in the end, the face without color (the front) ends up on top.
It seems to be difficult to bake a plastic base that is over 10 cm.
7. Place on a hard, flat, heat-proof surface and press down with something like a metal plate. It's hot, so be careful.
8. Once it has cooled, spray the reverse side (the side that is marked with colored pencils) with topcoat spray (Mr. hobby's anti-gloss spray) to prevent discoloration.
9. Use a 1.5 mm hand drill (sold at Can-do) or a pin vice to create holes.
10. We connected the plastic base with an earring set bought at a craft shop (Yuzawaya). You can buy radio pliers or jump ring closing tools (Daiso) at 100 yen shops.
11. All done.

Preparation:

1. Cut the plastic base (Can-do) into 5 cm squares and create markings in the direction of the base, then do some trial baking. According to the base, the way that it will shrink length-wise and width-wise will differ, so it is convenient to understand the characteristics of the base.
2. Use masking tape to indicate the frontside and backside of the plastic base.
3. Cut the plastic base. If you are making several at once, make sure to cut them in the same size length and width-wise. This will ensure that the plastic base will shrink in the same way when heated and turn out nicely.

#KimetsunoYaiba #鬼滅の刃 #DIY #craft #DemonSlayer #ASMR