張國榮開着車,在泥路上朝目的地疾馳。
鏡頭的設計是,汽車停下來時,車頭格柵剛好在攝影機正前方,佔滿鏡頭。
但當他剎車時,車子離攝影機是那麼的近,我抓起攝影機就跳開了。
張國榮氣沖沖下車,說「我是專業的,Chris,你也應該是。你給我回去就位。我會把車停在你一呎之前,包在我身上。」
我很驚訝:張國榮很少這樣揚起聲線,我也很挫敗,畢竟不能辯稱自己跳開是為了拯救那台攝影機。
很可惜的是,這場戲似乎沒有放到正片中,讓我想到這究竟是不是幻象?都是無中生有的。在我來看,它始終是真實,因為Leslie本性如此。
Leslie Cheung is driving full speed down a Philippines dirt road toward his destination.
The shot is designed so the cars front grille ends full frame. He brakes so fast so close that I grab the camera and jump out of the way.
Leslie jumps out to the car. He is furious. “I’m a professional Chris. And you should be professional too. Get back there, on your mark. I’ll stop one foot short of you. You can count on me.”
I am shocked : Leslie rarely raises his voice. And I am humbled. I can’t claim I was only trying to save the camera.
Unfortunately this scene is not in the final cut of the film. Which makes me wonder if I am just imagining it ? That it’s a myth. But it’s a true for me because it’s true to how Leslie really was.
影片來源Video:《阿飛正傳》 “Days of Being Wild”(1990)
#912哥哥生日快樂 #張國榮 #哥哥 #阿飛正傳 #王家衛 #現實與幻象
#912GorGorhappybirthday #LeslieCheung #GorGor #DayOfBeingWild #WKW #realorimagined
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張國榮開着車,在泥路上朝目的地疾馳。
鏡頭的設計是,汽車停下來時,車頭格柵剛好在攝影機正前方,佔滿鏡頭。
但當他剎車時,車子離攝影機是那麼的近,我抓起攝影機就跳開了。
張國榮氣沖沖下車,說「我是專業的,Chris,你也應該是。你給我回去就位。我會把車停在你一呎之前,包在我身上。」
我很驚訝:張國榮很少這樣揚起聲線,我也很挫敗,畢竟不能辯稱自己跳開是為了拯救那台攝影機。
很可惜的是,這場戲似乎沒有放到正片中,讓我想到這究竟是不是幻象?都是無中生有的。在我來看,它始終是真實,因為Leslie本性如此。
Leslie Cheung is driving full speed down a Philippines dirt road toward his destination.
The shot is designed so the cars front grille ends full frame. He brakes so fast so close that I grab the camera and jump out of the way.
Leslie jumps out to the car. He is furious. “I’m a professional Chris. And you should be professional too. Get back there, on your mark. I’ll stop one foot short of you. You can count on me.”
I am shocked : Leslie rarely raises his voice. And I am humbled. I can’t claim I was only trying to save the camera.
Unfortunately this scene is not in the final cut of the film. Which makes me wonder if I am just imagining it ? That it’s a myth. But it’s a true for me because it’s true to how Leslie really was.
影片來源Video:《阿飛正傳》 “Days of Being Wild”(1990)
#912哥哥生日快樂 #張國榮 #哥哥 #阿飛正傳 #王家衛 #現實與幻象
#912GorGorhappybirthday #LeslieCheung #GorGor #DayOfBeingWild #WKW #realorimagined
realorimagined 在 Christopher Doyle 杜可風 Facebook 的最佳解答
[出走地平線:單調的紅]
Flattening The Curve: Flat red
導演(張藝謀):這紅色會不會太單調?
攝影師(杜可風):角色當下是甚麼情緒?
武術指導(程小東):張曼玉瘋了,拼命的打。
攝影師:一看就知,瘋得想吃人。
導演:那她怎樣死?
武術指導:她給章子怡一劍擊倒。
導演:用甚麼光?
攝影師:要是光線跟她一起「消逝」呢?
導演:看上去會怎樣?
武術指導:緩慢而痛苦吧。
導演:好,就用「緩慢而痛苦的光」,管這是啥意思。我只關心紅色別太單調。
Director (Zhang): Is the red too flat?
Cameraman (Du): What’s the character feeling?
Marital Arts Director (Dong): Maggie’s mad. Fighting mad.
Cameraman: That’s pretty obvious. She’s looking dangerously mad.
Director: So how will she die?
Martial Arts Director: Zi Yi’s sword cuts her and she falls down.
Director: In what light?
Cameraman: What if the light dies with her?
Director: What will that look like?
Martial Arts Director: Slow and painful, I hope.
Director: Fine. We’ll go for ‘slow and painful light', whatever the hell that means. All I really care about is that the red is not too flat.
攝於拍攝《英雄》(2002)
Photo was taken in shooting “Hero” (2002)
#英雄 #張藝謀 #顏色 #現實與幻象
#Hero #Zhangyimou #color #realorimagined
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