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❤️螃蟹大戰《螫戰︰敗者蟹鍋》Steam繁中版7月底上市❤️
🔜吃螃蟹囉~~
✅海洋生物系列格鬥新作《螃蟹大戰-螫戰︰敗者蟹鍋》（Fight Crab）預計在 7 月 30 日上市，遊戲支援繁體中文。
✅本作即是以螃蟹角度模擬硬派（物理）格鬥，除了徙手把對手翻倒之外，還可以使用各種武器，例如劍、槍、鏈錘、噴射器、秋刀魚等，還可以利用鉗子或在牆上橫行奔跑來競爭輸贏。
✅遊戲中有 23 種螃蟹、48 種武器、11 款別具特色的戰鬥舞台供玩家挑選。對戰以 1v1、2v2 為主，支援單人與線上對戰，以及在線或離線等對戰模式。
https://youtu.be/YJSngap-Rcw
一封給國家地理頻道「Dog: Impossible」節目負責人的公開信:
An open letter to the leadership team of Nat Geo Wild Dog Impossible:
Translate: Yu-Hwa Su 翻譯: 蘇昱華
Proof: Yen Ke 校對: 葛雁
The International Association of Animal Behavior Consultants (IAABC) applauds National Geographic’s mission to offer intelligent, relevant and captivating non-fiction entertainment. This is a crucial objective, especially as an introduction to children and viewers largely relying on television for their scientific information.
國際動物行為諮詢師協會（IAABC）對於國家地理頻道致力於提供電視觀眾正確知識與科學內容表示讚賞。這是一個非常重要的目標，特別是對依賴電視得到這些知識的兒童與其他觀眾們來說。
However, your stated mission is in direct conflict with your show Dog: Impossible. In fact, the irresponsible treatment of the dogs and people on this show flies in the face of all best practices in animal training and behavior. Rather than promoting science and scientifically-proven methodology, Dog: Impossible sacrifices learning science for more dramatic television.
然而，貴頻道所提供的節目「Dog: Impossible」卻與貴頻道「提供正確的科學知識」的一貫立場衝突。節目中對犬隻以及飼主的不負責處理方式與應有的動物訓練及行為操作的準則相違背。「Dog: Impossible」並沒有提倡科學以及經科學驗證的方法，這節目犧牲了對科學的學習，轉而追求吸睛的電視節目效果。
Matt Beisner appears to have no credentials or education in training and behavior, yet he refers to himself as a behaviorist. His claim that “energy is the one language that every animal on the planet speaks” makes clear he is not one.
Matt Beisner並沒有動物訓練或行為學的相關學習經歷與證照，卻宣稱自己是一位行為學家。從他的主張：「能量是地球上所有動物都會使用的共通語言」，便能明白他並不是行為學家。
His statement, “You don’t need tricks, you don’t need treats, you don’t need force,” shows just how unaware of his own actions he is. His misuse of scientific terminology leads viewers to believe they are learning demonstrated, safe and accepted strategies in helping their dogs. In fact, Mr. Beisner is forcing these dogs from start to finish of each episode. His own “tricks” are that of over-stressing dogs until they’re in a state referred to in psychology and science as “learned helplessness.”
他主張「你不需要技巧、零食、或蠻力 (去訓練狗)」，這顯示出他對於自己的所做所為一無所知。他對科學術語的濫用也會誤導觀眾，讓觀眾以為他們正在學習經證實有效而且安全可接受的方法來幫助狗狗。但這位訓練師在每一集節目上從頭到尾都是在逼迫這些狗，而他所擁有的「技巧」，就是讓狗進入過度緊迫的狀態，直到牠們進入心理學和科學上所指的「習得無助」（learned helplessness）狀態。
Learned helplessness occurs when a subject endures repeated aversive stimuli beyond their control. Originally thought to show a subject's acceptance of their powerlessness, for more than half a century it’s been known instead to be the emotional “shutting down” of the subject. Anxiety, clinical depression, and related mental illnesses are common consequences of this technique in humans.
「習得無助」發生在動物沒有任何控制權，且重複地被施加嫌惡刺激的時候。最初，人們認為習得無助狀態意味著動物「接受」了自身無法改變、無能為力的情形，超過半個世紀以來，人們認為這是動物情緒「關機（shutting down）」的表現。在人類身上，習得無助的常見結果包含焦慮、憂鬱症、以及相關的心理疾病。
Allow us to note some aspects of the trailer and his shows, but first, to point out a few well-documented and commonly understood aspects of dog behavior so that we may better make our points understood.
在我們解釋為何我們認為此節目的預告片與內容不適當之前，我們希望先闡述一些正確的犬隻行為常識，以便您能更理解我們的觀點。
Canine body language indicating stress and severe stress:
顯示出壓力以及嚴重緊迫的犬隻肢體語言：
Compressed bodies
Dry, raspy panting
Wide, open eyes with dilated pupils
Heavy drooling
“Whipping” head and body back, pushing off a handler in order to get away
Growling
Fighting
Biting
縮緊身體
急促的喘氣
睜大雙眼、散瞳
大量流口水
甩頭、用前爪推抱著狗的人以退後、試圖掙脫
低吼
打架
開咬
Eleven seconds into the trailer, Mr. Beisner rubs his hands together, smiling, and says, “This is going to be gnarly.” All professionals know from that statement what the series will spotlight: A poorly (if at all) educated non-professional pushing dogs way beyond therapeutic limits, in the name of “results.”
在預告片11秒的地方，Beisner先生搓手並笑著說「等一下會很精采喔」。所有專業人士都知道這句話代表這個節目的亮點將會是：一名缺乏適當教育的訓練師，逼迫狗到超過其能承受的極限，並把這樣的結果稱為是良好的改善。
Flooding, the term for inundating a subject with their fears, phobias and triggers, is ethically questionable at best, cruel and unnecessary, always. There's also a common danger of spontaneous recovery of the phobia. This is because flooding doesn't replace the fear-response with a different response, it just replaces it with no response. “No response” is simply suppression, not cure.
「洪水法」，指的是故意將動物置於恐慌或恐懼的觸發刺激情境，這樣的方法不道德、殘忍、而且沒必要。另外，恐懼的自發性回復（spontaneous recovery）也是洪水法常見的風險，這是因為洪水法並沒有將害怕的反應重新制約成其他不同的情緒行為，它只是讓動物沒有反應。「沒有反應」只是壓抑，動物並沒有因此感到不害怕或恐慌。
Throughout the trailer dogs are flooded with aversive stimuli such as other dogs, people and equipment, something an ethical professional would not, and could not do per any answerable guidelines of animal training and behavior care.
在整個預告片中，狗狗被迫接受各種嫌惡刺激的洪水法訓練，例如其他狗、其他人類和物品，這是具有道德的專業訓練人員不會做的，任何負責任的動物訓練及行為照護準則也不會如此建議。
Systematic desensitization and counterconditioning, gradual exposure to the feared object, and replacement of a negative emotional association with a more pleasant one, are the recommended techniques used to treat such fear and aggression cases, per all legitimate veterinary, training and behavior organizations.
系統性減敏與反制約，也就是逐步與少量的讓狗接觸其本來會害怕的事物，並且將引發的少量負面情緒與其非常喜愛的事物配對給予，是用來處理恐懼及攻擊案例的建議方法，也是每個好的獸醫師、訓練及行為機構會推薦的方法。
Beisner’s statement that “We know at the Zen Yard that dogs help other dogs come out of their shell and face their fear and get past their aggression” isn’t just scientifically unsupportable, his words ring hollow during the very scene playing while he says those words: Beisner restraining one dog, while his co-host pulls a leashed dog to the first in a completely unnatural gesture perhaps intended to either mimic natural dog greeting (it doesn’t) or to flood the heavily drooling dog who is unable to move or get away. The dogs end up in a fight. They have been set up to fail, and the outcome is inevitable.
Beisner宣稱「我們在Zen Yard（他的訓練中心）知道狗會去幫助其他狗融入外界、面對牠們的恐懼並且克服攻擊行為」，這句話不只是缺乏科學支持，在影片中他講出這句話時搭配的畫面，亦表現出他的說詞缺乏支持：Beisner限制了第一隻狗的行動，由節目的共同主持人以牽繩將另一隻狗以一個完全不自然的姿勢拉到第一隻狗身邊，他們可能是在試著模仿狗狗自然的社交打招呼行為（但並不是），或使用洪水法訓練那隻狂流口水（顯示牠很緊張）並且無法逃脫的狗。最終兩隻狗打起來，訓練師製造的這個情境，讓失敗的結果無可避免。
In the trailer, the assistant host, Stefanie DiOrio, states, “Nervousness can easily turn to fear which can lead to aggression.” This is an accurate statement, which is why it’s so confusing that the entire show would be predicated on pushing dogs to the very edge of survivable stress and into predictable aggression, doubling down on the issues that their owners are struggling with.
在預告片中，節目的共同主持人Stefanie DiOrio說「緊張不安很容易變成真正的恐懼，並且導致攻擊行為」，這句話是正確的，但也讓人更加困惑為何整個節目的走向都在將狗推向牠們所能承受壓力的極限、觸發根本可預測的攻擊行為、並使飼主所面對的問題加倍惡化。
We know that the dramatic changes in behavior, from stressed and wildly aggressive to “calm” dogs, make for compelling TV. To an average pet owner it looks like these dogs are making huge improvements. All clients just want their dog to “Stop being aggressive.” However, we also know that behavior suppression is not the same as behavior modification, that a stressed and shut-down dog is a more dangerous animal than one who is actively showing aggression, and that the long-term prognosis of this kind of intervention is poor for both the client and their dog.
我們知道行為上戲劇性的變化，從一隻緊迫且兇猛攻擊的狗轉變成“冷靜”的狗，這個過程代表了高收視率，在不十分了解行為學的飼主眼中看來，這些狗狗似乎有巨大的進步。飼主都只是希望他們的狗「不要再有攻擊性」，然而我們也知道單純抑制攻擊行為的出現，並不是真正的行為改善技術。舉例來說一隻高壓力但看似沒有反應的狗，遠比一隻會表現出攻擊性的狗要危險許多 (譯註: 因為這樣的狗可能會沒有徵兆地開咬)，因此這種抑制攻擊行為的訓練法，以長遠來看對飼主以及狗狗都是有害的。
It is also worth pointing out that, like his predecessor, Mr Beisner’s assessment of cause for much of the issues he’s asked to address is simple, made especially clear in episode 4 where he not only saves a dog, he “saves a marriage:” Women are unable to effectively lead, must be stronger, must change their ways.
另一個值得注意的事是Beisner先生，如同他在同一個頻道的前輩，西薩，對導致問題的原因評估也過於簡化，例如第四集中他聲稱他不只拯救了狗狗，他還「拯救了這段婚姻」，因為女主人無法有效的領導狗狗，因此她必須更堅強，必須改變他們之間的相處模式。
Misogyny, it seems, cures dog behavior problems. Real exploration and explanation regarding the antecedents and consequences around behaviors are ignored in favor of client blaming.
這段貶抑女性的解釋，看起來似乎能改善犬隻的行為問題，然而關於行為問題真正的前因後果卻被指責客戶所取代，並沒有真正的被探討與解釋。
The clients on the show represent thousands of clients throughout the US and beyond with whom we work every day, helping them to help their dogs. Far from being dogs “other people won’t work with,” the dogs on your show are exactly the clients and dogs that IAABC Certified Dog Behavior Consultants, as well as all members of the American College of Veterinary Behaviorists, Certified Applied Animal Behaviorists, and other certified behavior specialists see and successfully work with every day.
節目中所出現的客戶正代表了我們日常工作中所會幫助的人們與他們的狗，呈現的就是我們在美國跟其他國家的上千位客戶。節目中所出現的這些有著行為問題的狗絕對不是「其他訓練師都不想要處理的狗狗」，事實上這些客戶與狗正是IAABC認證的狗行為諮詢師、美國獸醫行為學家、認證的應用動物行為學家或是其他受認證的行為學專家，每天工作的日常。
We do so using the best practices of our field (see https://m.iaabc.org/about/ethics/), adopted by the leading behavior and training organizations, without psychologically or physically harming the animals we work with.
我們在這個領域也使用最嚴謹的訓練師專業道德守則（英文版參見https://m.iaabc.org/about/ethics/，中文版參見https://reurl.cc/72eVkl），這個守則受領先的行為及訓練機構所採用，使訓練師與行為諮詢師在工作時，不對我們經手的動物造成生理或心理上的傷害。
The IAABC urges Nat Geo WILD to stop promoting this public miseducation. The tactics employed in the name of entertainment are unnecessarily harsh and potentially dangerous to the public, and they teach yet another generation of Nat Geo watchers absolutely incorrect and harmful practices.
IAABC呼籲國家地理頻道（Nat Geo WILD）停止傳播此系列誤導公眾的資訊。以娛樂包裝節目的策略對於觀眾是不必要的粗糙而且有潛在風險的，甚至是向頻道的年輕一代觀眾灌輸完全不正確且有害的做法。
It remains a mystery why your network is so intent on harming dogs. After years of Cesar Milan, to now bring in a man equally unskilled, who equates terrified, angry or entrapped dogs to his own addiction history is remarkable. Are we really satisfied conflating ego with compassion, self-focus with an understanding of animal behavior? Is this the “science” your mission stands for?
我們仍然不知為何貴頻道這麼多年來如此堅持持續傷害狗的這些作為。在西薩 (Cesar Milan) 的節目播映多年之後，現在又引進一個同樣缺乏正確訓練技巧，以自身藥物成癮困擾歷史去錯誤的同理恐懼或憤怒的狗的人。我們能接受一個膨脹自我，而非真正擁有同情心、適當自我聚焦、了解動物行為的「專業人士」嗎？這就是貴節目所宣稱的「科學」立場嗎？
The damage Nat Geo is doing to dogs by choosing this type of programming is astounding. We can only assume that the producers are unaware of this, as it’s hard to imagine such harm and cruelty would be deliberate.
國家地理頻道選擇製作這類節目對於狗狗的傷害甚鉅，我們只能假定節目製作人並沒有意識到這點，因為我們難以想像會有人故意去做這樣有害且殘忍的事情。
Would you show a reality program on heart surgery with a photogenic “self-taught” practitioner, simply stating the star was not a doctor before showing him mutilating a real patient?
想問貴節目是否會採用一個上鏡的“自學”外科醫生錄製心臟手術的實境節目，告知觀眾他並非真正的醫生，然後播放他對病患動刀的畫面？
I leave you with the clearest image of suffering and abuse from your trailer: the Aussie, stressed to the breaking point, thick ropes of drool streaming from its mouth, being choked by a slip lead to compensate for the host’s inability to even effectively muzzle a dog. This dog is at the point of collapse. This dog is being tortured, and that is not hysteria. That is an assessment by any educated measure.
作為結尾，我希望指出貴節目預告片中明確顯示出狗狗受苦或受虐的畫面：那隻澳洲牧羊犬已經瀕臨壓力的極限，您可以看到口水掛在其嘴邊 (大量口水為壓力徵兆)，口罩因為沒有確實的配戴而滑脫，導致牠被勒到快要窒息，已在崩潰邊緣。具備專業與適當教育的人員指出，這隻狗因在節目上被虐待而情緒崩潰，並非其本身歇斯底里。
Please stop this cruel and dangerous programming. To do otherwise is to support that self-taught heart surgery and all the consequences it would bring; that this show is currently bringing to families struggling with their dogs.
Professionals refer to Cesar Milan’s influence on dog training as “job security” because so many dogs ruined or made far worse by his teachings are brought to us by well-intentioned, often weeping owners desperate for real help. Often it is too late.
請停止這系列殘酷且危險的節目。否則貴節目就等同於支持前面舉例的自學的心臟外科「醫師」進行手術一樣，這些危險的後果正由觀眾與他們的狗承擔。專業訓犬人士將西薩米蘭對訓犬的影響戲稱為「工作保障」，因為太多飼主使用了他教授的技巧後，狗狗的狀況變得更糟，而哭著迫切尋找真正的協助，此時通常都為時已晚。
We do not want more work due to this same phenomenon.
我們不想要因為這個節目帶來類似影響而接到更多工作。
We’d be happy to provide you with any education and resources you need to inform your producers about what would qualify as responsible, effective, safe and thoughtful work with the same “red zone” dogs you sell so well.
但我們很樂意提供貴頻道任何需要的教育與資源，讓您們的節目製作人對訓犬工作應有的品質有所理解，例如負責、有效、安全，並且理解到對於在節目中出現的這些「危險」犬隻，事實上有更合理的訓練方法。
Thank you for your consideration.
謝謝您的閱讀與理解。
Marjie Alonso
Executive Director, IAABC
For the Board of Directors
Marjie Alonso
IAABC執行長
代表董事會發言
[Paris pastry news / 巴黎甜點新聞］Easter collection of Maxime Frederic / Maxime Frédéric 主廚的復活節系列創作（中文請按「繼續閱讀」）
It was definitely not easy to come to Four Seasons Hotel George V Paris this morning because of the traffic control due to the movement of Gilet Jaune. But I have made up my mind, nothing could stop me. I made several transfers, detours, and a long walk and finally made it before the Easter pop-up closes its door tomorrow. What is there that has been alluring me? Needless to say, it’s the magnificent Easter creations presented by one of my most admired chefs Maxime Frédéric.
While everyone else is making eggs, chickens, rabbits, and fish, he let his inspirations fly high. While the shape of the balloon does remind you the shape of eggs, its aspiration to move and see further away has brought the meaning of Easter to the next level. This delicate piece has come along with its equally beautiful company, the “tablette nouage” a chocolate tablette in the form of clouds. Wouldn’t it be just amazing to free your imagination and let it bring you anywhere you want during this gorgeous season promising hopes and new life? 🎈
復活節週六的早上，我明明知道因為黃背心運動會有交通管制與移動困難的風險，但還是在查了各種資訊後決定出門。在換了數次車、繞了幾次路，最後還在豔陽下走了長長一段路之後，我終於到達喬治五世巴黎四季酒店。到底是什麼如此吸引我、無論如何都想親眼看看呢？那就是甜點主廚Maxime Frédéric今年復活節的創作。
復活節，所有的主廚都在做巧克力蛋、小雞、兔子、魚，但是Maxime的想像力帶我們到了更高更遠的地方。他的巧克力熱氣球大概是今年巴黎所有復活節創作中最引人注目、也最有創意的作品。一如以往，精緻不在話下，但將復活節萬物復甦、大地回春的寓意帶到了另一個層次。與之相伴的是他的雲型巧克力塊以及鬆軟綿密的南特蛋糕（Nantais）。在這個充滿希望與新生的季節，為什麼不讓想像力帶著你飛翔、相信自己可以到達任何想去地方呢？
#yingspastryguide #paris #maximefrederic #fsparis #paques #easter
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將要碰壁的一刻，你要做一個決定，換一個立場，還是轉身逃跑？Songs for a New World 以歌曲捕捉這一瞬間，探討生命、愛和抉擇，屬於今天的故事和人物，再以音樂開展新世界。作曲及填詞Jason Robert Brown將觀眾由1492年西班牙船艦的甲板上，帶到紐約第五大道，遇上立志用籃球脫貧的年輕男子，再見證終日幻想能嫁個有錢人的女子，終於如願以償卻發現沒靈魂的一段婚姻。Songs for a New World 是個組曲音樂劇 (Song Cycle)，17首歌曲蘊含著17個故事。自1995年於外百老匯首演後，已經於全球上演數百場。
It's about one moment. It's about hitting the wall and having to make a choice, or take a stand, or turn around and go back. These are the stories and characters of today, the Songs For A New World. This moving collection of powerful songs examines life, love and the choices we make. Brown transports his audience from the deck of a 1492 Spanish sailing ship to a ledge 57 stories above Fifth Avenue to meet a startling array of characters ranging from a young man who has determined that basket-ball is his ticket out of the ghetto to a woman whose dream of marrying rich nabs her the man of her dreams and a soulless marriage. Songs for a New World, a theatrical song cycle, which played Off-Broadway in 1995, and has since been seen in hundreds of productions around the world.
作曲及填詞 Music and Lyrics：Jason Robert Brown
導演及歌唱指導Director and Singing Coach：李頴康* Wing-hong Li*
音樂總監及鋼琴 Music Director and Pianist：邵天慈 Tin-chi Siu
主演Cast：
原子鏸 Marsha Yuan 劉榮豐 Rick Lau 黃雪燁 BonBon 魚旦Ronny Yuen
現場樂隊 Live Band：劉君豪 Isaac Lau 鄧應祈Ying-ki Tang 王梓豪Charlie Wong
編舞 Choreographer：陳雅珊 Shan Chan
佈景及服裝設計 Set and Costume Designer：王詩華（樹蛙）Suwa Wong
燈光設計 Lighting Designer：蕭健邦 Leo Siu
音響設計 Sound Designer：馮璟康 King-hong Fung
宣傳平面設計 Promotional Graphic Designer：鍾凱飛 Fei Chung
舞台監督 Stage Manager：吳紫靈 Kami Ng
導演助理 Assistant to Director：尹溥程* Edwin Wan*
助理監製 Assistant Producer：鄒棓鈞 Alastor Chow
監製 Producer：陳健迅 Seth Chan
*承蒙香港演藝學院允許參與製作
With the kind permission of the Hong Kong Academy for Performing Arts for joining the production
21 – 24 / 7 / 2016 8:15 pm
23 – 24 / 7 / 2016 3:15 pm
沙田大會堂文娛廳 Cultural Activities Hall, Sha Tin Town Hall
$260 $190
英語演出，中文字幕概要
Presented in English with Chinese surtitles
節目全長約1小時30分
Approximately 1 hour 30 minutes
門票由5月21日起於城市售票網公開發售 Tickets available at URBTIX from 21 May
全日制學生#、六十歲或以上長者#、殘疾人士及看護人獲八折優惠。
[#] 優惠票數量有限，先到先得。
20% discount for
-Senior citizens aged 60 or above (limited offer)
-Full-time students (limited offer)
-People with disabilities and the minder
每次購買5至7張正價門票可獲九折優惠
每次購買8張或以上正價門票可獲八五折優惠
10% off for each purchase of 5-7 standard tickets;
15% off for each purchase of 8 or more standard tickets
票務查詢Ticketing Enquiries 3761 6661
信用卡購票Credit Card Booking 2111 5999
網上購票Online Booking www.urbtix.hk
節目查詢Programme Enquiries 9874 0232
流動購票應用程式My URBTIX (Android及iPhone/iPad版) 購票
Mobile Ticketing App My URBTIX (Android and iPhone/iPad versions) Booking
其他優惠 Other Discounts
凡持有以下有效會員証，到城市售票網售票處購買正價門票，即獲八五折優惠：
城市當代舞蹈團「舞蹈靈」卡
香港藝術行政人員協會會員
香港演藝學院校友會會員
中英劇團「能量粉團plus」
一路青空「雲寶寶」會員
15% Discount at URBTIX Outlets only upon presentation of valid membership card:
CCDC Dance Inspirations
Members of Hong Kong Arts Administrators Association
Members of HKAPA Alumni Association
Chung Ying Theatre “Energy Fun Club plus”
The Radiant Theatre Member
JASON ROBERT BROWN 集作曲、填詞、指揮、編曲、配器師、導演和表演者於一身，被Philadelphia Inquirer 譽為「百老匯繼Stephen Sondheim 之後最聰穎和細膩的作曲家。」由Marsha Norman改編自同名暢銷小說的音樂劇The Bridges of Madison County，為他帶來第二個東尼獎最佳作曲獎。突破傳統敘事方式的外百老匯音樂劇The Last Five Years 於2015年上映電影版《留給最愛的情歌》，並由安娜．姬妲妮及謝洛美．佐敦主演。其他主要作曲及填詞音樂劇包括：Honeymoon In Vegas, 13, Parade (Drama Desk Awards及 New York Drama Critics’ Circle Awards 最佳新音樂劇及東尼獎最佳作曲獎) 及Songs for a New World。
JASON ROBERT BROWN is an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer. He has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer). The Bridges of Madison County, a musical adapted with Marsha Norman from the bestselling novel, earned him his second Tony Award for Best Original Score. A film version of his epochal Off-Broadway musical The Last Five Years has been released in 2015, starring Anna Kendrick and Jeremy Jordan. His major musicals as composer and lyricist include: Honeymoon In Vegas, 13, Parade (Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, Tony Award for Best Original Score), and Songs for a New World.
www.musicaltrio.hk
音樂劇作主辦
Presented by Musical Trio
Songs for a New World Facebook Page: https://www.facebook.com/events/859606444162851/
BONBON Facebook Page: https://www.facebook.com/wongsuetip.bonbon/
#SNANWHK
■English Title : Anpanman picture becomes fighter graffiti card battle shooting down the King game center sister showdown popular children's arcade game
■中文標題 : 面包超人的畫可以變成戰鬥機擊落王最新日本兒童街機遊戲
■한국어 제목 : 호빵맨의 그림이 전투기가 될거야 낙서 카드 배틀 격추 왕 게임 센터 자매 대결 인기 키즈 아케이드 게임
■中文标题 : 面包超人的画可以变成战斗机击落王最新日本儿童街机游戏
■チャンネル登録はこちら / Channel subscript → https://goo.gl/in9442
■動画内容説明・概要
新ジャンル、お絵かきアミューズメントマシンの登場です。
カードは2タイプ、好きな絵を描ける「無地カード」、小さなお子様でも楽しめる「ぬり絵カード」が有ります。
お絵かきしたカードをモニタ上に置くと、描いた絵が飛び出し、複数の戦闘機とバトルを繰り広げます。
子供が大好きな「カード」「お絵かき」「競う」「戦う」がたっぷり詰まった小さなお子様から大人までファミリーが一緒に、平等に遊べる新感覚ゲームです。
■Video Description / Overview
New genre, is the emergence of drawing amusement machine.
Card 2 type, draw their favorite picture "plain card", "paint a picture card" is there to enjoy even a small child.
When you place the drawing the card on the monitor, the picture that drew the jump out, engaged in a multiple of fighter and battle.
Together family from small children to children "compete", "card", "drawing" love "fight" is filled with plenty to adults, is a new sense of game play equally.
■↓↓↓↓↓↓↓↓次のおすすめ動画/Next Recommend Video/下一個推薦視訊/下一个推荐视频/다음의 추천 동영상↓↓↓↓↓↓↓↓■
Hane&Mari'sWorld | 魔法使いプリキュア おもちゃ | Maho Girls PreCure TOYS | 魔法使 光之美少女 玩具 | 마법사 프리큐어 장난감
https://www.youtube.com/playlist?list=PLXiDlOQjp9BuLW2KPIF_i6w2qmZ_sb4oL
Hane&Mari'sWorld | アンパンマン おもちゃ 紹介動画 | 日本麵包超人玩具介紹 | Japan Anpanman Toys | 일본 호빵맨 장난감
https://www.youtube.com/playlist?list=PLXiDlOQjp9BuF1-qE2UZ_hKcFr3JHFjvR
Hane&Mari'sWolrd | マクドナルド ハッピーセット おもちゃ | McDonald Toys | 麥當勞歡樂兒童套餐玩具
https://www.youtube.com/playlist?list=PLXiDlOQjp9BsErHhmhB8V-w_uo8pOWNoH
Hane&Mari'sWorld | かみさまみならい ヒミツのここたま おもちゃ | Himitsu no Kokotama Toys
https://www.youtube.com/playlist?list=PLXiDlOQjp9BtCrjrdL3rQ7LV6EMuehJyG
Hane&Mari'sWorld | 食玩おもちゃ開封紹介動画 | Candy Toy Chocolat Eggs Review Videos | 日本食品玩具開箱介紹視訊 | 日本零食附赠玩具开箱视频
https://www.youtube.com/playlist?list=PLXiDlOQjp9BsE7XPT_X8rDqiLQ8dSG6GG
Hane&Mari'sWorld | めばえ 小学館の学習絵本 | JAPAN KIDS MAGAZINE Mebae | 日本益智幼兒雜誌 | 日本益智幼儿杂志 | 일본 유아 교육 잡지
https://www.youtube.com/playlist?list=PLXiDlOQjp9BuALZB4fobNF1rHuHPw6aPl
Hane&Mari'sWorld | カードゲーム データカードダス | Japan Card Game DATA CARDDASS
https://www.youtube.com/playlist?list=PLXiDlOQjp9BvpIWj5DaRlZyaeGAYb4IeH
Hane&Mari'sWorld | こども知育玩具おもちゃ | Kids Educational toys | 小孩子智力开发玩具 | 兒童益智玩具
https://www.youtube.com/playlist?list=PLXiDlOQjp9BsZLR1WhbtebEniScSe8cJ8
Hane&Mari'sWorld | プリパラ | Pripara | 뿌리빠라
https://www.youtube.com/playlist?list=PLXiDlOQjp9BubVuMQ6weTZaJ863klnEys
Hane&Mari'sWorld | メルちゃん ぽぽちゃん 女の子人形玩具 | Baby Doll Toy Mell-Chan Popo-Chan | 咪露娃娃 波波娃娃 女孩子娃娃玩具
https://www.youtube.com/playlist?list=PLXiDlOQjp9BuJY7FAPm_8F_HrgrCdxccw
Hane&Mari'sWorld | ツムツム ディズニー | TSUMTSUM Disney | ツムツム アーケード版 | TSUM TSUM ARCADE
https://www.youtube.com/playlist?list=PLXiDlOQjp9BvcqEapGDiS7e_aMcR17EKr
Hane&Mari'sWorld | Go！プリンセスプリキュア おもちゃ | Go!PRINCESS PRECURE Toys | 光之美少女公主玩具 | Go! 프린세스 프리큐어 장난감
https://www.youtube.com/playlist?list=PLXiDlOQjp9BuqxzXMasRP8aYffrj7QGCj
■撮影機材/Photographic Equipment → キャノン Canon EOS 80D + EF-S18-135mm F3.5-5.6 IS USM
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