關於 form of communication ，我們在網路上蒐集到這些相關的討論、資訊與評價

🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹

2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.

Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.

The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.

“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).

In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).

In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).

In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.

Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.

The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”

The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.

📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/

#奧地利林茲電子藝術節
​#arselectronica21 #gardentaipeiformosa

《 #籠罩下的巨大哀愁 》
正式開展啦～
歡迎各位到台北當代藝術館

/
詳細資訊｜https://reurl.cc/bXy09v

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A Dark Cloud of Sorrow Looms Over

by Yu-Jun LIN

Late mornings and sleepless nights. Frustration. Anxiety.

They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.

In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.

However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.

Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.

A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.

Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.

Chung Chih Ting｜I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.

Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.

Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?

Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.

Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.

Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?

Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
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《籠罩下的巨大哀愁》展覽資訊
展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間｜ Mon. ─ Sun. 16:00-21:00

特別感謝｜ 贊助單位
厭世會社 @mis.society

#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社

💛 BLOGGING - A POWERFUL FORM OF IMPACTFUL COMMUNICATION

I finally came to the realization, that I've been blogging for 7 years now!

When I started my blog in my bedroom in 2014, with lots of fears and no guidance, I had to figure things out on my own, make tons of mistakes, and grow my blog through pure trials and errors.

It was a messy process, and I almost gave up many times.
But I'm so glad I didn't!

To date, my blog has been organically read by half a million readers from 100+ countries worldwide. I've grown a social following of 40,000+ people.

My blog has helped me authentically build my personal brand. I was invited to speak on TEDx 5 times. I accepted the first 3 invitations and said no to the last 2. A publisher asked me to write my first book. So I had a book deal before I had a manuscript.

In the last 5 years, I've made a beautiful living exclusively from my coaching business. When I launched my practice in 2016, my readers were among the first to sign up for my coaching programs.

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#可能性調查署第二季 #依戀風格 #海苔熊 #童話心理學

「如果我走了怎麼辦？他有時候還是對我很好啊......」「不要愛我，可是請你愛我。」「你有沒有想我？為什麼不理我？你不愛我了嗎？」你是否曾經有過這些感嘆？😖你知道你的 #戀愛風格 是什麼嗎？

《小紅帽》、《拇指姑娘》、《睡美人》，這些聽到快爛掉的童話故事，原來也隱藏著戀愛困擾的解答？！👸🤴

❤️【章節重點】
01:35 童話裡的共同記憶
03:10 你是哪種依戀關係？
06:35 焦慮依戀－－拇指姑娘
10:00 逃避依戀－－睡美人
12:39 你是自己童話的主人

❤️【追蹤我們】
如果你喜歡我們💙
除了按讚影片、訂閱頻道，開啟小鈴鐺🔔
還可以到這些地方和我們一起聊生活中📱、時事裡📰、課本上📚沒有的科學 ↓↓↓
PanSci 科學新聞網｜https://pansci.asia/
FB粉絲專頁｜https://www.facebook.com/PanSci/
Instagram｜https://www.instagram.com/pansci/
Telegram｜https://t.me/pansciasia

💻【新增工作人員】
助理剪輯｜楊詠鈞
助理美術｜陳紫含

❤️【參考資料】
👉海苔熊
(1)網頁｜https://haitaibear.tw/
(2)FB粉絲專頁｜https://www.facebook.com/Haitaibear/

👉論文
(1)Shared everyday decisions and constructive communication: Protective factors in long-distance romantic relationships｜https://reurl.cc/20zqqr
(2)Excessive Reassurance Seeking: Delineating a Risk Factor Involved in the Development of Depressive Symptoms｜https://reurl.cc/V6NVVZ
(3)The Experiences in Close Relationship Scale (ECR)-Short Form: Reliability, Validity, and Factor Structure｜https://reurl.cc/j730np
(4)大學生親密關係中依附類型、衝突因應與關係適應之相關研究｜https://reurl.cc/20zqn6

เปิดตัว All-New Honda Jazz / Fit 2020 ฮอนด้า แจ๊ส โฉมใหม่ล่าสุด

Honda unveiled the new “FIT” scheduled to be released in February 2020 at the 46th Tokyo Motor Show 2019 for the first time in the world. This model will be on display at the Honda booth during the exhibition period (press day: October 23-24, public release date: October 25-November 4).

The 4th generation new fit was developed with the aim of becoming a new standard for compact cars in the new era, while maintaining the wide interior space and ease of use inherited from previous models. In pursuit of “sensibility value” that cannot be expressed in numerical values ​​as a way of thinking about creating new cars, we have embodyed four comforts that are close to our customers' lives. In addition, we have five types that can be selected according to your lifestyle and life stage.

The hybrid model is equipped with a 2-motor hybrid system developed with the aim of achieving both high environmental performance and comfortable driving for the first time as a Honda compact car, and will be deployed under the name "e: HEV".

The Main features of the new fit
Four comforts for everyday life
·Pleasant sight
the front pillar as well as the different cross-sectional structure from the conventional, at the time of event of collision employs a structure to flow a load to the body. It has both sufficient collision safety performance and wide and excellent visibility.
In addition, the interior panel has a horizontal and linear design, and the wiper is difficult to see from inside the vehicle, providing a comfortable view during driving.
・Sitting comfort The
front seat uses a new-generation body stabilizing seat that was newly developed with a view to mounting it on a high-end sedan. By adopting a surface support structure that holds the body firmly, the seat structure is designed to give you a soft sitting comfort that does not get tired even if you drive for a long time.
The rear seats have the same seat arrangement as conventional seats, and the seats are wide and thick enough for adults to sit without stress.
・Ride comfort
Most of the daily scenes are smoothly driven by a motor with a compact two-motor hybrid system. Along with excellent environmental performance, it provides a comfortable ride with comfortable driving and powerful acceleration.
・Ease of use While maintaining
the same large indoor space as the previous-generation fit, it offers comfort that supports movement, such as a storage layout that can be used without stress, so that all passengers can comfortably enjoy daily life and long-distance driving.
5 unique type settings
·BASIC (basic)
as the basic type of which includes a design and comfort, the front face to create a soft facial expression, such as form, such as through a seamless, was a simple design that feel familiar.
・HOME
We aim to create a space where you can relax with a high texture and a wide range of colors and materials, such as natural textured fabric seats made from high-quality materials, genuine leather steering wheel and prime smooth soft pad. .
·NESS (Ness)
along with the color coordination mood swells, adopted a highly water-repellent material to the skin of the seat and the instrument panel soft pad. In order to make driving more enjoyable, it is a light and fashionable type like fitness sports.
·CROSSTAR (Closter)
adopted the exterior design and the large-diameter tire of CROSSTAR dedicated to become even outdoors in the city. The interior is made of a highly water-repellent material for the seat and the instrument panel's soft pad.
・LUXE
A special genuine leather seat that pursues the feel of the material and feel is standard equipment, aiming for an elegant and comfortable space. The exterior uses platinum-like chrome plating and a specially designed 16-inch aluminum wheel to enhance the quality.
More advanced advanced driving safety support technology
A front wide view camera that detects the front in a wide angle has been newly adopted in the advanced safe driving support system “Honda SENSING” * 1 that supports safe and comfortable driving . In combination with a total of eight sonar sensors mounted on the front and rear of the vehicle, the conventional functions have been expanded, and Honda's first short-range collision mitigation brake * 2 has been added. All types are standard equipment * 3 .
Connected services that make car life more secure and comfortable
Honda's first in-vehicle communication module "Honda CONNECT" is installed in Japan. Remote operation using a smartphone * 4 , trouble support * 5 where the car itself connects to an emergency support center in the event of an emergency such as an accident, and quick and accurate response is possible, and Honda ALSOK can dispatch a guard man when an abnormality is detected Services * 6 and “Honda Total Care Premium” * 7 , which provides these services, will be developed from the new Fit.

Once You Know How Storytelling Is The Best Form Of Communication, Click Here To Discover Dan Lok's Best-Kept Secrets To Communicating Your Way Out Of Financial Struggles In His News Book, Unlock It: http://thebestcommunication.danlok.link

Communication is one of the most powerful skills you must master if you want to be successful. The problem is, most people have weakened their verbal communication because of the internet. But in this video, Dan Lok and his mentor, Dan Pena the 50 billion dollar man, discuss effective communication and how you can master storytelling.

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Fast forward to today, Dan is now an official Forbes Book author with over 13 internationally best-selling books. He’s the founder and chairman of several multimillion dollar businesses. And outside of his business success, he is one of the most-watched, most quoted and most followed educators of our time. In total, his videos have been watched over 100-million times across his social media platforms. His emails are read by over 2,000,000 people every month.

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★☆★ CONNECT WITH DAN ON SOCIAL MEDIA ★☆★
YouTube: http://youtube.danlok.link
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Podcast: http://thedanlokshow.danlok.link

#DanLok #DanPeña #Storytelling

Please understand that by watching Dan’s videos or enrolling in his programs does not mean you’ll get results close to what he’s been able to do (or do anything for that matter).

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Entering any business is going to involve a level of risk as well as massive commitment and action. If you're not willing to accept that, please DO NOT WATCH DAN’S VIDEOS OR SIGN UP FOR ONE OF HIS PROGRAMS.

This video is about How Storytelling Is The Best Form Of Communication With Dan Peña
https://youtu.be/k4qmgj2bxYw
https://youtu.be/k4qmgj2bxYw