The Tragedy of “Almost”
“For the king knows of these things, to whom also I speak freely. For I am persuaded that none of these things is hidden from him, for this has not been done in a corner. King Agrippa, do you believe the prophets? I know that you believe.” Agrippa said to Paul, “With a little persuasion are you trying to make me a Christian?” Paul said, “I pray to God, that whether with little or with much, not only you, but also all that hear me today, might become such as I am, except for these bonds.” The king rose up with the governor, and Bernice, and those who sat with them.” (Acts 26:26-30 WEB)
The passage above records a very tragic moment. King Agrippa was on the verge of believing in Jesus as Lord, but he hardened his heart and stood up, rejecting the free gift of eternal life.
His actions are essentially saying this, “Stop it. I don’t want to hear anymore. I refuse to accept Jesus Christ as Lord.”
Other translations render Agrippa’s words like this:
“Then Agrippa said to Paul, “In a short time [and with so little effort] you [almost] persuade me to become a Christian.”” (Acts 26:28 AMP)
The word “almost” is the great tragedy.
It is like coming so close to the finish line in a race but fainting and being disqualified when you are just a hair’s breadth away.
Hell contains many souls who are “almosts”.
“I should have responded when that preacher asked for us to place our faith in Jesus. Why did I harden my heart? I almost got saved, but now it is too late...”
“Therefore, even as the Holy Spirit says, “Today if you will hear his voice, don’t harden your hearts, as in the rebellion, like as in the day of the trial in the wilderness, where your fathers tested me by proving me, and saw my deeds for forty years. Therefore I was displeased with that generation, and said, ‘They always err in their heart, but they didn’t know my ways;’ as I swore in my wrath, ‘They will not enter into my rest.’”” (Hebrews 3:7-11 WEB)
It is possible to know with the mind that Jesus is the Son of God and everything that He claims to be, and yet not be saved.
A person has to believe and confess Him as Lord. If you just believe that He is the Son of God but don’t receive Him as Lord, you are not saved.
Even the demons believe that God is real, but they don’t submit to Him as Lord.
The Holy Spirit convicts the hearts of unbelievers about their sinfulness and woos them to receive Jesus Christ as Lord. But they can choose to reject it. Every individual must choose to accept or reject the gift of eternal life.
Yet, it is God’s will for all to hear the Gospel and to be saved. No matter how dark someone’s past is, he can freely receive forgiveness of sins when he places his faith in Jesus as Lord!
If you are already a born-again believer, through faith in Jesus, you have entered God’s rest—the rest of your conscience and also rest from works-based justification.
You are a saint who is already sanctified, justified, saved, holy, righteous, pure, and blameless. The next time you read these words in the Bible, don’t feel condemned or shrink away. These words describe who you already are in Christ.
“Beware lest anyone cheat you through philosophy and empty deceit, according to the tradition of men, according to the basic principles of the world, and not according to Christ. For in Him dwells all the fullness of the Godhead bodily; and you are complete in Him, who is the head of all principality and power.” (Colossians 2:8-10 NKJV)
Dear brethren, you are not an “almost”. You are complete in Christ.
Let someone know the Gospel so that they are not almost, but fully saved through faith in Jesus Christ!
If you are blessed by the daily teachings/devotionals I share freely on this page, you can become a patron on Patreon if you want to receive an additional daily Bible Study teaching, as well as all my eBooks! Your patronage supports this ministry and enables us to “reach more and teach more” in the body of Christ: http://Patreon.com/miltongohblog
同時也有68部Youtube影片,追蹤數超過0的網紅CarDebuts,也在其Youtube影片中提到,ชมสายการผลิต All-New Hyundai Santa Cruz 2022 ฮุนได ซานตาครูซ รถกระบะปิกอัพขนาดเล็ก โครงสร้างแบบ Unibody (Monocoque) Hyundai Motor Manufacturing Alaba...
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hidden through time 在 Facebook 的最讚貼文
My interpretation of TIME TIMEPieces project theme ‘Building A Better Future’ is expressed through a little girl character where she looks toward a future with the option to begin her adventure with either Fiat Money or Crypto.
This little girl is from Borneo, and the mountain in the background is Mount Kinabalu, the highest mountain in Borneo. Lush forests surround the mountain, and the land is rich and healthy. The banknote in the centre reflects a changing perception of currencies and their role in our time. This banknote is issued by Memebank, a parody central bank that pokes fun at fiat currencies with crypto meme culture. Hidden in this banknote are “easter eggs” such as morse codes, a very pixelated “decentralised” text, and even smaller pixelated icons.
This NFT represents my aspiration and hope for a future where little girls are empowered to choose their adventures and determine their own choices - a world that celebrates nature, technology, art and the human race (little icons within the banknote representing these four elements through icons of a rocket, a cat, a kite and a human). This piece is also a special tribute to little girls from Borneo and Southeast Asia. 💚
Find out more at NFT.time.com! @time
I can’t thank the TIME team enough for this incredible opportunity, and also for my team who worked on this project with me!
hidden through time 在 Facebook 的精選貼文
100 PHIM CHÂU Á XUẤT SẮC
1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
2. Rashomon (Kurosawa Akira, 1950) – Japan
3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
4. The Apu Trilogy (Satyajit Ray) – India
5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
6. Seven Samurai (Kurosawa Akira, 1954) – Japan
7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
8. Spring in a Small Town (Fei Mu, 1948) – China
9. Still Life (Jia Zhang Ke, 2006) – China
10. The Housemaid (Kim Ki-young, 1960) – Korea
11. Close Up (Abbas Kiarostami, 1990) – Iran
12. A One and a Two (Edward Yang, 2000) – China
13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
14. Oldboy (Park Chan-Wook, 2003) – Korea
15. Late Spring (Ozu Yasujiro, 1949) – Japan
16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
19. The Music Room (Satyajit Ray, 1958) – India
20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
22. Raise the Red Lantern (Zhang Yimou, 1991) – China
23. Sopyonje (Im Kwon Taek, 1993) – Korea
24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
25. Spirited Away (Miyazaki Hayao, 2001) – Japan
26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
27. Mother (Bong Joon-ho, 2008) – Korea
28. Poetry (Lee Chang-dong, 2010) – Korea
29. A Separation (Asghar Farhadi, 2011) – Iran
30. A Touch of Zen (King Hu, 1969) – Taiwan
31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
32. Mandala (In Kwon Taek, 1981) – Korea
33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
35. The River (Tsai Ming-Liang, 1997) – Taiwan
36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
37. Awaara (Raj Kapoor, 1951) – India
38. Floating Clouds (Naruse Mikio, 1955) – Japan
39. Pyaasa (Guru Dutt, 1957) – India
40. The Lonely Wife (Satyajit Ray, 1964) – India
41. The Cow (Dariush Mehrjui, 1969) – Iran
42. Red Sorghum (Zhang Yimou, 1987) – China
43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
44. Farewell My Concubine (Chen Kaige, 1993) – China
45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
52. The House is Black (Forough Farrokhzad, 1963) – Iran
53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
54. Scattered Clouds (Naruse Mikio, 1967) – Japan
55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
60. Children of Heaven (Majid Majidi, 1997) – Iran
61. Osama (Siddiq Barmak, 2003) – Afghanistan
62. West of Tracks (Wang Bing, 2003) – China
63. Paradise Now (Hany Abu Assad, 2005) – Palestine
64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
66. The Goddess (Wu Yonggang, 1934) – China
67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
68. Street Angels (Yuan Mizhi, 1937) – China
69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
70. Mother India (Mehboob Khan, 1957) – India
71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
72. Good Morning (Ozu Yasujiro, 1959) – Japan
73. Paper Flowers (Guru Dutt, 1959) – India
74. The Naked Island (Shindo Kaneto, 1960) – Japan
75. Intentions of Murder (Imamura Shohei, 1964) – Japan
76. A Man Vanishes (Imamura Shohei, 1967) – Japan
77. Holiday (Lee Man-hee, 1968) – Korea
78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
79. Insiang (Lino Brocka, 1976) – Philippines
80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
81. Batch ’81 (Mike de Leon, 1982) – Philipines
82. Taipei Story (Edward Yang, 1984) – Taiwan
83. The Runner (Amir Naderi, 1985) – Iran
84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
85. Ju Dou (Zhang Yimou, 1990) – China
86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
91. The White Balloon (Jafar Panahi, 1995) – Iran
92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
93. Hana-bi (Kitaro Takeshi, 1997) – Japan
94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
95. Chunhyang (Im Kwon Taek, 1999) – Korea
96. The Color of Paradise (Majid Majidi, 1999) – Iran
97. The Poet (Garin Nugroho, 1999) – Iran
98. Blackboards (Samira Makhmalbaf, 2000) – Iran
99. The Circle (Jafar Panahi, 2000) – Iran
100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran
#whatever
hidden through time 在 CarDebuts Youtube 的最佳貼文
ชมสายการผลิต All-New Hyundai Santa Cruz 2022 ฮุนได ซานตาครูซ รถกระบะปิกอัพขนาดเล็ก โครงสร้างแบบ Unibody (Monocoque)
Hyundai Motor Manufacturing Alabama Celebrates Launch of All-New 2022 Santa Cruz
Montgomery, Ala. June 22, 2021 – Hyundai Motor Manufacturing Alabama (HMMA) celebrated the launch of the all-new 2022 Santa Cruz Sport Adventure Vehicle on Tuesday, June 22, 2021. The Santa Cruz joins the Sonata and Elantra sedans and Santa Fe and Tucson SUVs on the Montgomery assembly line. This addition marks the first time HMMA has produced five vehicles at once.
The highly-anticipated Santa Cruz Sport Adventure Vehicle shatters both SUV and truck segments, creating an entirely new vehicle category. The Santa Cruz features a secure, open bed area which includes a lockable tonneau cover and hidden bed storage for diverse gear-carrying flexibility.
“Santa Cruz, with its bold styling, breaks open an all new segment territory, both for Hyundai and the industry as a whole. Open-bed flexibility coupled with closed-cabin security meets the changing everyday needs of its adventure-oriented buyers, while powerful and efficient engines and superb maneuverability ensure it is a pleasure to drive in urban or off-road environments. Our customers will wonder just how they managed before owning one,” said Jose Munoz, president and CEO, Hyundai Motor North America.
HMMA recently completed a plant expansion project to support adding the Santa Cruz to HMMA’s product mix. The addition of the Santa Cruz will further enhance HMMA’s ability to adjust its vehicle production with market demand and stay competitive in the ever-changing automotive market.
“We are excited and honored to be producing Hyundai’s first open bed vehicle for the North American market,” said HMMA President and CEO, Ernie Kim. “The launch of the Santa Cruz is a further testament to the trust Hyundai Motor company puts in HMMA and our Alabama home. I am so proud of our Team Members for accomplishing this achievement while the world is going through such difficult times. We can’t wait for our customers to experience the innovative design and world class quality the Santa Cruz will bring to the table.”
The addition of the Santa Cruz will continue to sustain high-quality jobs at HMMA and throughout its supplier base.
The 2022 Hyundai Santa Cruz will begin arriving in U.S. dealerships later this summer.
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hidden through time 在 JJ Lin林俊傑 Youtube 的最佳解答
JJ Lin 林俊傑 《倖存者· 如你》維度二 首張全英文EP《Like You Do》
OUT NOW 全面數位發行 https://jjlin.lnk.to/LYDAY
Have you imagined a world where
You’re more than just You?
What would that be like?
Drifter • Like You do - a Double-dimensional, deluxe EP creatively led by JJ Lin, from music productions to visual concepts. The music narrative of DRIFTER • LIKE YOU DO is inspired by a concept JJ has been ruminating on - the possibility of a parallel universe.
In this latest release which marks JJ’s 14th album, as well as his first english EP throughout his illustrious career of 18 years, JJ delves into his innermost thoughts and feelings, redefining his music perspectives to put forward a stripped down and introspective representation of his music and self.
In Quantum Theory
Space and time are not continuous
A parallel universe is a possibility
Could it be possible that somewhere, somehow
In an obscure corner of the universe
An infinite number of us exist?
Where perhaps, I could be you, and you could be me?
I seem to be a Drifter in this vast expanse... Like You Do.
-
[DRIFTER • LIKE YOU DO ]
Part One: The 1st Dimension - DRIFTER
Music has always been an expression of self for JJ. His journey of self-discovery could be traced back to his From M.E. To Myself (2015) album, with him eventually finding the connection between himself and the world, and shared through his Message in a Bottle (2017) album.
In the recent years, JJ embarked on a different route to self-discovery as he shifts the focus of his music from self to “you”. Conveyed through his double EP DRIFTER • LIKE YOU DO, JJ propounds a new direction for self-reflection.
DRIFTER EP features six brand new Mandarin songs that weaved together a complete concept of: What would you do, if you, were not just you? The songs inspire us to contemplate the possibility that our consciousness could determine who we are - there could be multiple endings to every story, and when we believe so, the future will be limitless.
Part Two: The 2nd Dimension - LIKE YOU DO
An extension of Drifter, LIKE YOU DO explores a self-examining concept: What is left after you rid yourself of expectations?
When darkness descends, have you, in pursuit of survival, stumbled upon another version of yourself that is so foreign yet familiar? You could be that drifter, that is the only glimpse of hope left in a despondent world. Which version of you would emerge in face of adversity? If a parallel universe does exist, JJ is breaking out of his shell and introducing the hidden version of himself that we have yet to meet via LIKE YOU DO.
Partnered with new music collaborators Fernando Garibay, Nasri Atweh, Joshua Kissiah Cumbee, Ramiro Padilla and Daniel Padilla, JJ endeavours to offer fresh perspectives and sounds for this EP.
The journey and story of this alternate JJ Lin has just begun.
—
“All these years, one thing I’ve learnt is that it’s one of the hardest things in life to accept the flawed version of ourselves. We work so hard to be the best and to be perfect; many times we want to believe that we are unstoppable, and that only by being strong, we can be successful.
“Like You Do” to me is the opposite of that.
Every song is a reflection of the darker version of myself. And I’ve found a sense of healing, by reaching in and realising that true strength is found in embracing every version of the self. It’s only when you strip yourself of all expectations, that your every next step will be a form of gain and reward.
There is beauty in that.”
— JJ Lin
___
近年來我深深體悟到一件事:接受有缺憾的自我,是一生中最難的事情之一。
對於任何事務,我們努力做到最好、盡可能達到完美;很多時候,我們試著去相信自己是無懈可擊的,因為唯有堅強,才能成功。
然而,【Like You Do】對我而言正是相反的。
每首歌,都反映出自己的內心深處某個曾不可觸及的一面。過程中,通過自我剖白來學習擁抱自己的不完美,並找到真正的力量。而從中,我被療癒了。
當你擺脫所有期望時,每一步都將轉化為獲得和回報。
那正是最美的。
- JJ 林俊傑
【Like You Do】中的JJ Lin是一鍵歸零,
也是一步躍進。 跳脫既定模板,拋開過往的該與不該。
在【Like You Do】EP中,JJ Lin回到做音樂的本質面貌說故事,當這個語言更加直覺,遇見的自己就越加真實。捧著初衷的純粹,JJ成為昏暗夜晚中的一雙堅定眼神,穿透情感與歲月的虛與實。一刻明亮的獲得,是歷經所有的願與不願,坦然面對這些擁有與失去,於是回歸誠實後的純粹,如這世界上的每一個你,重新擁抱世界附加在自己身上的能量。
為帶給這張全英文EP更完整的體驗,JJ遠赴異地,尋找更多不同的聲音,當沒有任何模板框架,跳脫以往的創作模式,他的音樂更加自我也更加自由。JJ邀請多次獲得葛萊美獎項提名之專輯製作人- Fernando Garibay、Joshua Kissiah Cumbee、Ramiro Padilla、Daniel Padilla等多位專業音樂人攜手創作。與全新的音樂夥伴合作,無論曲、詞,JJ自在地享受,完全地吸收來自不同的音樂人所給予的能量,共同激盪出不同以往的音樂風格。一切不經設定、沒有設限也沒有包袱,放下習慣的唱腔,衝撞出全新的聲音。所有面貌都是最原始最嶄新,也是翻面後的第一頁。
歸零的同時,就會遇見真實的自己。
這個挑戰,是JJ 17年來從未有過的經驗,在華語市場中多年的累積,逐漸締造屬於最JJ的音樂版圖。但這一次,林俊傑顛覆一切的認知、放下一切的理所當然與成長脈絡,為了自我實現的這一刻,成為了歸零的JJ Lin,勇敢擁抱陌生的環境與不同的音樂文化,JJ已經不是JJ,但也不再只是原本的JJ。
#JJLINLikeYouDo
#JJXIV
hidden through time 在 フブキCh。白上フブキ Youtube 的最讚貼文
ホロライブ所属の白上フブキです(^・ω・^§)ノ
秘密のヒントを使って!ステージ中にあるお宝?を探す!探索ゲーム‼‼‼
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