關於 indian meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

Happy Deepavali everyone!

As a half Indian Malayalee myself, I am guilty to admit that at my age, I have very little knowledge about the cultural side of Deepavali.

Let me ask you (without asking our best friend Mr.Google), how many of you here knows the meaning or the symbolism of having jasmine flowers around the house? Comment down below if you know. ☺

I came across this campaign initiative by our dear friends from TNB and their new festive film, #DoubleTroubleDeepavali, in conjunction with the festivities and I got excited-lah with the interactive 360 experience.

I've managed to explore the cultural elements of Deepavali with TNB's Deepavali film setting in my own house. Hint, I even got to learn some stuff about the elements that helps make your celebration sparkle and shine.

Had to share this lovely initiative with you so you can experience what I experienced.

Btw, I'm waiting for some Indian treats 😏 anybody? hints hints

Link in my bio. Happy Deepavali friends!

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#DoubleTroubleDeepavali
#TNBMalaysia
#Deepavali
#culturalexcitement
#AdamLobo
#AdamLoboTV
#love #Indianinme
#dontsayInevershare @ Deepavali

DIMPY BHALOTIA

Poche, pochissime erano le foto in casa di Henri Cartier-Bresson; una, forse due. Una, per cui il grande fotografo aveva una vera e propria ammirazione, era “Three Boys at Lake Tanganika” di Martin Munkácsi. Tre ragazzini immortalati di spalle che sprigionano un’incontenibile vitalità mentre corrono verso le acque del lago. Perché Cartier-Bresson amava quella fotografia? Perché, come ha detto lui stesso: “Ho capito improvvisamente che la fotografia può fissare l’eternità in un momento”. Osservando la fotografia “Flying Boys” di Dimpy Bhalotia, e con la quale si è aggiudicato il Female in Focus Award 2020 del British Journal of Photography, sembra che i tre ragazzini di Munkácsi siano tornati dopo un viaggio lungo novant’anni. Di più, pare che siano tornati per spiccare il volo e catturati nel preciso momento in cui occhio, cuore e mente del fotografo sono perfettamente allineati come una costellazione lontana. C’è, nelle fotografie della giovane indiana di Londra, qualcosa che arriva da una precisa tradizione fotografica e che àncora saldamente la composizione a quelle tre fondamentali componenti cui si faceva cenno, orientandola verso la ricerca del momento in cui un episodio umano – e non solo – ha la capacità di espletare il suo senso. Irripetibilmente. I riferimenti non mancano, e sono segno di una solida cultura visiva. Quanto guardiamo nelle fotografie di Dimpy Bhalotia sembra fuoriuscire da un racconto riscritto con nuove parole, nuovi cenni ma fermamente determinato a essere interpretato attraverso un lessico che costringe a sostare nello spazio citazionista giusto il tempo che occorre prima di assumere una vita propria. E questa sottile e aggraziata visione delle cose che plana sugli avvenimenti, ha quel respiro che sta dentro in una visione poetica della vita, perché per scattare fotografie che sappiano restituire la bellezza d’un gesto occorre amare la vita e i suoi interpreti. Ecco che uomini e animali, colti singolarmente o al crocevia della reciproca interazione, ci appaiono come soggetti appena involontariamente dialoganti ma che, a ben guardare, sono catturati nell’esatto momento di un dialogo segreto. La forza delle fotografie di Dimpy Bhalotia viene da lontano e dunque è ben strutturata. E si vede soprattutto nell’azzardo di forme, nella scommessa formale giocata sul corpo dei soggetti animali, da cui, in altre circostanze, cogliamo una felice traccia surrealista, un terreno ideale nel quale risolvere talune spericolatezze compositive. Il lavoro di Dimpy Bhalotia sosta alla confluenza di due differenti correnti fotografiche: l’umanesimo e il surrealismo (lo stesso Cartier-Bresson sperimentò un delicatissimo surrealismo prima di fondare la Magnum), maneggiati entrambi con disinvoltura e sicurezza. La sua è una voce limpidissima, minimale. Le composizioni obbediscono al comandamento d’essere rigidamente impostate su un registro essenziale, al limite del calligrafico, ma la sobrietà ci convince del risultato. Il solco della tradizione è tracciato, ma seguirne il percorso senza aggiungere le proprie impronte è come non averci camminato. La fotografia è un libro che non finisce mai di essere scritto, a patto d’avere qualcosa da dire. Come in questo caso.

Giuseppe Cicozzetti
foto Dimpy Bhalotia
https://www.dimpybhalotia.com/

DIMPY BHALOTIA

Few, very few were the photos in Henri Cartier-Bresson's house; one, maybe two. One, for which the great photographer had a real admiration, was Martin Munkácsi's “Three Boys at Lake Tanganika”. Three kids immortalized from behind who release an irrepressible vitality as they run towards the waters of the lake. Why did Cartier-Bresson love that photograph? Because, as he himself said: "I suddenly understood that photography can fix eternity in a moment". Looking at Dimpy Bhalotia's “Flying Boys” photograph, and with which she won the British Journal of Photography's Female in Focus Award 2020, it seems that the three kids from Munkácsi are back after a 90-year journey. What's more, they seem to have returned to take flight and captured at the precise moment when the photographer's eye, heart and mind are perfectly aligned like a distant constellation. There is, in the photographs of the young Indian woman based in London, something that comes from a precise photographic tradition and that firmly anchors the composition to those three fundamental components mentioned, orienting it towards the search for the moment in which a human episode - and not alone - has the ability to carry out its meaning. Unrepeatable. There’s no shortage of references, and they are a sign of a solid visual culture. What we look at in Dimpy Bhalotia's photographs seems to come out of a story rewritten with new words, new hints but firmly determined to be interpreted through a lexicon that forces us to pause in the quotationist space just the time it takes before taking on a life of its own. And this subtle and graceful vision of things that hovers over events, has that breath that lies within a poetic vision of life, because to take photographs that are able to restore the beauty of a gesture, you need to love life and its interpreters. Here men and animals, caught individually or at the crossroads of mutual interaction, appear to us as subjects that are barely involuntary in dialogue but who, on closer inspection, are captured in the exact moment of a secret dialogue. The strength of Dimpy Bhalotia's photographs comes from afar and therefore is well structured. And it is seen above all in the balancing of forms, in the formal bet played on the body of animal subjects, from which, in other circumstances, we grasp a happy surrealist trace, an ideal terrain in which to resolve certain compositional recklessness. Dimpy Bhalotia's work stops at the confluence of two different photographic currents: humanism and surrealism (Cartier-Bresson himself experienced a very delicate surrealism before founding Magnum), both handled with ease and confidence. Her is a very clear, minimal voice. The compositions obey the commandment to be rigidly set on an essential register, bordering on calligraphic, but the sobriety convinces us of the result. The groove of tradition is traced, but following its path without adding one's footprints is like not having walked through it. Photography is a book that never stops being written, as long as you have something to say. As in this case.

Giuseppe Cicozzetti
ph. Dimpy Bhalotia
https://www.dimpybhalotia.com/

#EZTALK #你不知道的美國大小事
#redskin #football

🏈 The Washington Redskins
美國平權爭議燒向🔥美式足球：華盛頓紅皮隊隊名爭議

在進入文章之前，先來看幾個單字～✍
1. NFL「美式足球聯盟」：National Football League，是世界最大的職業美式足球聯盟，Super Bowl「超級盃」則是NFL的年度冠軍賽，一般在每年1月最後一個或2月第一個禮拜天舉行，當天也稱為Super Bowl Sunday，觀看超級盃足球賽可以說是全美運動。
2. criticism「批評」：當名詞，動詞為criticize
3. activist「社運人士」
4. settler「殖民者，開拓者」
5. negative「負面的」
6. stereotype「刻板印象」
7. offensive「冒犯的，歧視的」
8. poll「民意調查」
9. call on「呼籲，訴求」
10. merchandise「商品」

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If you’re a fan of American football, you’re sure to be familiar with the Washington Redskins. Since joining the NFL in the early 1930s, the Redskins have won two NFL Championships and three Super Bowls. Only five teams have appeared in more Super Bowls than the Redskins—the New England Patriots, Dallas Cowboys, Pittsburgh Steelers, Denver Broncos and San Francisco 49ers.
如果你是美式足球迷，想必對華盛頓紅皮隊不陌生。從1930年代初期加入美國職業美式足球聯盟NFL以來，紅皮隊已經拿下兩次NFL冠軍以及三次超級盃冠軍。目前只有五個球隊出現在超級盃的次數能超過紅皮隊──新英格蘭愛國者隊、達拉斯牛仔隊、匹茲堡鋼人隊、丹佛野馬隊，以及舊金山49人隊。

In recent years, however, the Redskins have come under increasing criticism. Although the Redskins’ last Super Bowl appearance was in 1992, this criticism isn’t about their performance on the field, but rather their name.
不過最近幾年，紅皮隊卻受到越來越多的批評聲浪。即使紅皮隊最近一次現身在超級盃已經是1992年的事情了，不過這個批評其實跟他們球場上的表現無關，而是跟他們的隊名有關。

Where does the term “redskin” come from? In the 18th century, French settlers in the Mississippi River Valley translated a word used by local Indians to refer to themselves into peau rouge. This was later translated into English as redskin, a term that was used for many years with no negative meaning, even by Indians themselves. But during the civil rights movement of the 1960s, American Indian activists began to feel that words like redskin promoted negative stereotypes about Native Americans.
「紅皮膚redskin」這個詞是怎麼來的？十八世紀移居到密西西比河流域的法國人，將當地印地安人用來自稱的字翻成peau rouge，這個法文詞後來翻成英文redskin「紅皮膚」，當時這個字並沒有任何負面含意，也這樣相安無事用了許多年，連印地安人自己也在用。不過，到一九六〇年代人權運動時期，美國印第安社運人士開始覺得，這個字會引起大家對美國原住民的負面刻板印象。

Today, most dictionaries define redskin as an offensive term, but it’s not that simple. A number of polls have shown that the majority of football fans, the general public, and even American Indians, don’t find the word redskin offensive. And Redskins owner Dan Snyder has said the name was chosen back in 1933 to honor Native Americans, including the head coach—who was part Sioux—and four of the team’s players.
如今，多數字典都將redskin這個字定義成歧視字眼，不過事情可沒這麼簡單。一連串針對美式足球觀眾、一般大眾、甚至對美國印地安人所做的民意調查顯示，他們並不覺得redskin這個字有歧視意味。而紅皮隊老闆丹施耐德也說了，這個隊名是他們在1933年為了表彰隊上的美國原住民隊員而選定的，包含身為蘇族的總教練以及其4名球員。

But following the police killing of George Floyd, a group of investors wrote letters to Redskins sponsors like FedEx, Nike and PepsiCo urging them to put pressure on the team to change its name. On July 2, FedEx publically called on the team to change its name, and Nike removed all Redskins merchandise from its website. The next day, the team announced that it would be reviewing its name, and on July 13 made an official statement that they would retire the Redskins name and logo.
然而，發生佛洛依德之死事件之後，一群投資人寫信給FedEx、Nike、百事可樂等紅皮隊的贊助商，希望他們對紅皮隊施加壓力更改隊名。7月2日，FedEx公開呼籲紅皮隊改名，Nike則是撤下官網上所有有紅皮隊隊徽的產品。隔日紅皮隊宣布會審慎檢討隊名，並在7月13日做出官方說明，表示他們會讓紅皮隊這個名字與隊徽走入歷史。
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🔔 按下「搶先看」，每週五【美國大小事】，由 Judd 編審分享最即時美國新鮮事！想知道更多美國文化，請看 👉 http://bit.ly/EZTalk嚴選

2021 diary | ep 3: a week in my life - it's all about seeing | kim chi sun vlog

Hi, I'm Kim Chi Sun & you're watching my e-diary of 2021! I will be posting every Tuesday (or the few days after that if TECHNICAL issue happens hahaa) let's vibeee x

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Music included:
+ Throw it in the wind / Relaxing Ambient Forest Music / No Copyright Music https://www.youtube.com/watch?v=wXhZPRiKs6Q
+ @Music by Blanks​ ​ - HIGHER: https://www.youtube.com/watch?v=3gh-WFZxnd8.​
+ @prettyXIX​ ​ feat Kim Chi Sun and Sol7 of DCOD - Up In The Hills: https://youtu.be/Rl-zOTIds9Q
+ Music by Naomi - Tokyo Koen (feat. AmtWorld) - https://thmatc.co/?l=71D2A642
+ Music by VALNTN - Mona Lisa (Acoustic Version) - https://thmatc.co/?l=79FBAAB0

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我這次也有放字幕喔！請開啟字幕選擇你要看的語言！
What's up, everyone! I've finally got this Pakistani Wedding vlog episode 2 ready!

I know its been a while, so Click start and enjoy the vlog!

Massive shoutout to Hashim & Alleyna for inviting me to their wedding! It was really a whole new experience for me and for sure one of the best wedding experiences I've ever had.

第二集也終於出來囉！
還沒看第一集的限去看第一集唷！

小知識放在以下資訊欄

我參加的第三天的儀式是正式的婚禮
這天是新娘要正式出嫁 離開自己的家裡
搬去新郎的家裡 開始跟新郎一家的生活 所以會比較捨不得與感人

第四天的儀式 Walima 瓦利瑪
這是伊斯蘭婚禮兩個傳統部分的第二部分
在結婚儀式之後舉辦, 意思是團圓團聚, 是新娘嫁去夫家後的第一餐請大家吃飯. 也是婚後家庭幸福的象徵.

Takeaways:
- Walima: The second of the two traditional parts of an Islamic wedding. The Walima is performed after the marriage ceremony. The word walima is derived from alwalam, meaning to gather or assemble.
- Mehndi: A form of body art originating in ancient India, in which decorative designs are created on a person's body, using a paste, created from the powdered dry leaves of the henna plant.
- Mehndi Night: The night before the wedding or just a few nights before and is called Mehndi-Ki-Raat, which literally translates into Mehndi night. A night when everyone dances and sings in the event.

Filmed with: iPhone X
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In this episode of Tina Tries It, I’ll be testing out the Aztec Secret Indian Healing Clay. This product claims to be the “World’s most powerful facial” - does it live up to it’s claim?
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