〔頭盔王招聘Digital Marketer/店務助理/文書助理〕
頭盔王電單車
去年全港電單車架數增長數目近10000架,作為少數在疫情下逆市擴展的行業,我們正積極擴充業務並急需新血加入!如果你熱愛電單車,希望將這份熱誠分享給更多初次接觸電單車的人,歡迎你加入頭盔王的團隊成為我們的一份子,保障更多騎士行車安全之餘,令更多人愛上駕駛電單車的樂趣!
〔Digital Marketer〕
Work location: Sheung Wan/ Yau Ma Tei
Salary: 22K +, negotiable based on experience
5 Days work
Key Responsibilities:
-Responsible for increasing online sales through connecting with the right audiences, design and execute creative campaigns and continuously improving UI and UX.
-Handle weekly advertising (Digital Marketing) and Commercial strategies
-Lead and plans in brand strategy and providing strategic solutions in fast-paced environment
-Review business priorities, practical solution to business problems proactively
-Work closely with the creative and production team of 50 people.
-Analyse, design, implement lead generation systems on website
-Design and implement Loyalty Program and reduce Abandon Carts
-Conduct user research, user testing, AB testing to optimize customer experience
-Analyze user journey to understand motivation, expose pain points, issues and improvement opportunities
-Responsible for planning, budgeting, executing, monitoring promotion plans to boost business growth.
50% work on general marketing, 50% work on UI/UX
To be successful in this role you will exemplify our CORE values and:
-Degree in Marketing, Journalism, Communications is preferred
5+ years marketing experience at agencies or in-house is preferred
-Experience in Shopify is a bonus
-Strong market business sense and well knowing of the market
-Experience in marketing plans and brand building activities including social media, search engine, digital and media planning
-Strong analytic with good presentation and communication skills, and able to work under pressure
-Excellent command of written and spoken English and Chinese
-Be proactive approach, with extreme confidence in taking ownership of your work and the results it drives
-Attention to detail, consistency and accuracy
-Last but not least, you should be a motorcycle enthusiast and able to share the joy of riding to your audience!
Interested candidate please send your CV to info@helmetking.com
〔店務助理〕
店員(12K - 18K,另有花紅,視乎經驗)
基本要求
-有上進心,肯搏肯捱
-做事細心、有條理
-喜歡與人溝通
-有零售經驗
-有興趣了解電單車
-親善有禮、成熟穩重、主動進取
工作內容
-負責店面日常運作,包括銷售/鋪面上架
-和各間供應商聯繫
-回覆客人查詢
學歷及技能要求
-中五畢業,年齡性別不限
-兩年或以上工作經驗
-中文打字,良好粵語,一般英語及普通話
-通曉普通話、英文優先
工作詳情
-5天半輪更工作、需要周六、周日及假日工作,每天工作10小時
-長短周(可彈性調配)
-勞工假期
員工福利
-醫療保險
-交通津貼
-12天有薪年假
-員工進修資助
-有薪病假﹑婚假、恩恤假
-員工購物優惠
工作地點
-油麻地
如果你自問對人唔生外,鐘意同一班同樣熱愛電單車好玩的同事相處,歡迎聯絡我們!請將簡單的CV email到info@helmetking.com期待你的加入!
〔文書助理〕
〔Administrative Officer/ Administrative Assistant〕
Job Description
-Prepare invoicing
-Execution and monitoring of all regular purchasing duties
-Review payments and receipt transactions
-Prepare company secretarial documents
-Provide clerical and administrative support to the office team
-Assist in ad-hoc job assignments, Pick up and deliver documents.
-Coordinate with team and suppliers in the purchasing scope of work
-Maintain complete and updated purchasing records/data and pricing in the system
-Book Keeping and Data Entry
Requirements:
-Higher Diploma, Associate Degree or above in Business
-Administration or other related disciplines
-1-3 years’ experience in administrative field
-Responsible, good team player, detailed-oriented and organised
-Proficiency in MS Office applications and Chinese Word Processing
-Good command of both written and spoken English and Chinese
-Candidates with more experience and qualifications will be considered as Administration Officer
-Holder of a valid HK driving license (Class 3, 22) is preferred
-Fresh graduates will be considered
We offer competitive remuneration package and comprehensive fringe benefits including:
-5-day work per week
-Discretionary Performance Bonus
-Marriage Leave
-Annual Company Trip
-Staff Shopping Discount
-9 Days Annual Leave
-To embrace the idea of work-life balance, we also endeavor to create a fun and enjoyable environment for our team members.
Interested candidates please apply with FULL RESUME with SALARY EXPECTATION and AVAILABILITY. Please send your CV to info@helmetking.com
同時也有1部Youtube影片,追蹤數超過23萬的網紅Appleが大好きなんだよ,也在其Youtube影片中提到,今日は7月前半を終えてニュースや噂が結構出てきましたのでまとめています。iPhone 12やApple Silicon Macのタイムスケジュールなども予想が出てきています。 <引用させていただいたサイト> Macお宝鑑定団 http://www.macotakara.jp/blog/news/e...
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license key design 在 喜劇演員 Facebook 的最佳解答
Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share
The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris
Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.
According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.
According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.
When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.
Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.
This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article
Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.
During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”
Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.
"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."
The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.
At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.
The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.
Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.
The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened
From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.
license key design 在 詩詩酒樂園 CC Wine Voyage Facebook 的精選貼文
試咗城中熱話新開扒房Wolfgang's Steakhouse同友人賀生日。重點係可以BYOB(因酒牌未出),見到每枱都自備靚酒,呢個畫面好棒!我地3個女生都帶咗3支!😆🍷好鍾意佢好classic美國扒房室內設計,蟹餅唔錯,重點係牛,叫咗Porterhouse 2人份, 3個人都食唔晒,味道ok! 因為每枱都叫牛扒,所以油煙都勁,食完行出街會聞到自己變咗牛扒!😂甜品芝士蛋糕同青檸批都好食!送上閨蜜2掛飾比閨蜜!好高興嘅一晚!
Tried the talk of the town new resto Wolfgang's steakhouse & celebrated my friend's bday there. The highlight is that you can BYOB (cos the liquor license is still in process)! U can see every table has brought their wine to enjoy the dinner! The wine scene is so beautiful! We 3 ladies also brought 3 wines! 😆🍷I really like the classic US steakhouse interior design. The crabcake is quite good. The highlight is steak and we ordered porterhouse for 2. The portion is big and we 3 couldn't finish it. Since every table has ordered steak and the steak smell is so strong that u'd end up smell like a steak when u walk out from the restaurant! 😂 don't miss the cheese cake & lime pie desserts! They r really yummy! I also gave the Gals 2 key chain to my gal friends! What a lovely night!
#wolfgangsteakhouse #wolfgangsteakhousehk #steak #steakhouse #foodandwine
license key design 在 Appleが大好きなんだよ Youtube 的最佳解答
今日は7月前半を終えてニュースや噂が結構出てきましたのでまとめています。iPhone 12やApple Silicon Macのタイムスケジュールなども予想が出てきています。
<引用させていただいたサイト>
Macお宝鑑定団
http://www.macotakara.jp/blog/news/entry-40013.html
9to5Mac
https://9to5mac.com/2020/07/09/leaker-suggests-iphone-12-pro-models-will-have-6gb-of-ram/
https://9to5mac.com/2020/07/14/leaker-claims-iphone-12-will-come-with-new-lightning-to-usb-c-braided-cable/
https://9to5mac.com/2020/07/13/september-launch-for-the-iphone-12/
https://9to5mac.com/2020/07/15/apple-releasing-ios-13-6-today-with-apple-news-audio-carkey-feature-more/
https://9to5mac.com/2020/07/15/apple-releases-watchos-6-2-8-with-car-key-and-ecg-to-three-more-countries/
https://9to5mac.com/2020/07/13/apple-samsung-oled-payment/
https://9to5mac.com/2020/07/10/apple-silicon-macbook-pro/
https://9to5mac.com/2020/07/09/gartner-mac-shipments-increase-5-1-in-q2-2020-with-global-pc-market-growth/
https://9to5mac.com/2020/07/08/thunderbolt-4/
https://9to5mac.com/2020/07/08/apple-mini-led-14-inch-macbook-ipad/
Twitter
https://twitter.com/L0vetodream/status/1281349705595666437
充电头网
http://www.chongdiantou.com/wp/archives/54115.html?security_verify_data=333230302c31383030
ロイター
https://www.reuters.com/article/us-foxconn-india-apple-exclusive-idUSKBN24B2GH
MacRumors
https://www.macrumors.com/2020/07/15/apple-care-monthly-payments-canada-australia-japan/
https://www.macrumors.com/2020/06/23/kuo-24-inch-imac-new-design-4q20/
TheVerge
https://www.theverge.com/circuitbreaker/2020/7/8/21317980/apple-silicon-intel-thunderbolt-arm-macs-support-usb-c
The Wall Street journal
https://www.wsj.com/articles/softbank-explores-options-for-chip-designer-arm-holdings-11594672437?mod=e2tw
Trendforce
https://www.trendforce.com/presscenter/news/20200630-10366.html
<関連動画>
噂のiPhone 12シリーズのサイズが楽しみすぎる!特に5.4”は究極の小型?
https://youtu.be/EzsJFBz9GrM
要る?要らない?iPhone付属のイヤホンと充電器&ケーブル(アンケートもあり)・iPhone 12には付属しないかも?
https://youtu.be/p7tvPEstU2o
昨夜出た!iOS14のパブリックベータ版・インストール手順と注意点・誰にでもオススメするものではないです
https://youtu.be/vVIWM2MaY60
超楽しそう!10分でわかるiOS 14まとめ・iPhoneってやっぱ良いよね!
https://youtu.be/aWKwWPCVYUw
iPhone 12遅延?ノッチ無13?iOS14?6月上旬 iPhoneの噂とニュースまとめ・iPhone 11売れてるって!
https://youtu.be/S7vWkQLsV-I
Apple GlassにAirPods Studio、iPhone 12!Apple の噂とニュース・2020年5月まとめ
https://youtu.be/TfYmNFtPd_A
2020新型iPadの噂!どうなる新型iPad Airに無印/mini/5G Pro・サイズ感をチェック!楽しみなような心配なような
https://youtu.be/GMjhQYhX0Yk
撮影機材
・Panasonic Lumix GH5s
・Panasonic Lumix GH5
・Canon Power Shot G7X Mark II
・iPhone 11 Pro(Simフリー)
・iPhone 11(Simフリー)
・iPhone XS Max(Simフリー)
・iPhone X(Simフリー)
・iPadPro 11”(Simフリー)
・DJI OSMO Pocket
・Moment iPhone 外付けレンズ&専用ケース
動画編集
iMovie
Final Cut Pro X
Adobe Illustrator(スライド)
Adobe Photoshop(スライド)
※チャンネル全般で使っているものであって動画によって機材アプリは違います。
#Apple新製品
#iPhone12
#AppleSilicon
本編で使用した曲:Twin Musicomの「Italian Afternoon」はCreative Commons By Attribution License.(https://creativecommons.org/licenses/by/3.0/us/)によりライセンス付与されています。
アーティスト: http://www.twinmusicom.org/
license key design 在 Pin on AnyRail 6.38.0 Crack With License Key Free - Pinterest 的推薦與評價
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