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「Think about」と「Think of」の違いと使い分け
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「〇〇について考える」と英語で表現する場合は、“think about”と“think of”が使われますが、どうやって使い分ければいいか分からない人も多いのではないでしょうか?これらの表現は、国や地域によって少しだけ解釈の仕方が異なる場合があるので、今回は細かいニュアンスの違いについて掘り下げてみました。
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1) Think about
→「~のことを考える、思案する」
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“Think about”は少し漠然とした状況で何かを考えたり、あれこれ思いを巡らせるときに使われます。例えば、「幸せについて考えてください。あなたにとって幸せとは何ですか?」は、“Let’s think about happiness. What is happiness to you?”のように表現します。この場合は、「幸せについて考える=幸福の漠然とした定義について考える」ことを意味するため、“think about”が適切です。
<例文>
What are you thinking about?
(何を考えているの?)
〜会話例〜
A: I am thinking about going to Japan.
(日本に行こうと思ってるんだ)
B: Why so suddenly?
(急にどうしたの?)
A: My friend is living in Japan now and asked me if I wanted to visit.
(今、友達が日本に住んでいて、会いに来ないかって誘われたんだ)
B: Nice!
(いいねぇ!)
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2) Think of
→「~のことを考える、思い出す、思い返す」
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特定の人や物事について考えたりする場合は、“think of”が使われます。例えば、「幸せだった時のことを思い出してください。なぜ幸せに感じましたか?」は、“Think of a time when you were happy. Why did you feel happy? ”のように表現します。この場合は、「幸せだったこと=特定の出来事」を思い返しているため、“think of”が適切です。“think of”は、自分の経験や知識の中から何かを思い返す時に使う表現になります。
<例文>
What did you think of his presentation?
(彼のプレゼンについてどう思った?)
〜会話例〜
A: This ramen is so good.
(このラーメンすごく美味しい)
B: It makes me think of the time when we went to Japan.
(日本に行った時のことを思い出すよね)
A: Yeah, that ramen place in Tokyo was spectacular.
(そうだね。あの東京のラーメン屋さんは美味かったね)
B: I wish we can go again!
(また行けるといいな!)
ブログ記事URL: https://hapaeikaiwa.com/?p=25322
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無料メルマガ『1日1フレーズ!生英語』配信中!
通勤・通学などのちょとした合間を利用して英語が学べるメルマガ『1日1フレーズ!生英語』を平日の毎朝6時に配信中!ただ単にフレーズを紹介しているだけではなく、音声を使った学習プロセスが組み込まれているので、メルマガを読むこと自体が学習方法!
https://hapaeikaiwa.com/mailmagazine/
~~~~~~~~~~~~~~~~~~~
同時也有22部Youtube影片,追蹤數超過3萬的網紅tizzybacvideo,也在其Youtube影片中提到,Tizzy Bac 20週年演唱會「鐵之貝克 XX」 2019/12/14 at 天母體育館 特別感謝 Guitar:林維軒(杉特) Keyboard / Synthesizer:蘇玠亘(蛋) 嘉賓:方Q(宇宙人)、Twiggy(旺福)、弘禮(落日飛車) 𝕋𝕚𝕫𝕫𝕪 𝔹𝕒𝕔 𝟚𝟘𝕥𝕙 𝔻𝕣𝕦𝕞 ...
me time 定義 在 謙預 Qianyu.sg Facebook 的最佳解答
【一切的失敗和不足,都是最美好的安排】
All Failures & Lacks Are The Best Things to Happen to Us
三個月前,收到來自台灣客人的這封電郵時,開心和心酸交織著在心裡。
開心,因為這是一年前通過Zoom視訊的客人。他居然在我們看八字的一週年,特地寫了封感謝函給我,真有心!
心酸,因為他寫在電郵裡的低落心情,我完完全全明白。
他的經歷,是我的曾經。我當初也是很難,很久才能走出來。
有一回,我為一位芳華正茂的女子批八字時,她很用心的寫下我說的話。
論寫筆記的完整,她是我客人當中的佼佼者。
寫到一半,我注意到她的右手開始微微顫抖。我以為是空調的風太大了,冷到她,便問她要不要披巾。
她說,是她的焦慮症發作。
「我沒在兇你,也沒對你嚴厲,你為何突然焦慮?」
「我.....打從今年疫情打亂了我的計畫,我就一直很焦慮。我覺得我很沒用,同學們都前進了,只有我現在什麼都不是,亂糟糟的。我就一直很緊張,萬一我一直都是這樣,怎麼辦?」
說著,她眼眶一紅,眼淚像斷了線的珍珠鏈似的灑下來。
我的媽呀!是我的樣子長得很催淚,還是我的聲音聽起來很虐心?怎麼客人,不分男女老少,東南西北,看到我好像都很容易哭?
我抓起一張紙巾遞給她。
「所以,我不是來了嗎?你來找我,就是要問個明路,而你很幸運那麼快就看到我啦!你看你的筆記寫得多工整,多齊全。我很多客人都不如你啊!我今天的工作,就是來給你答案的。我沒有把握,也不會接你這份差事。我接了,就代表還可以補救。你照著我的指示去做,一定柳暗花明又一村。」
又另一回,一位四十多歲的媽媽請我看兒子的八字。
我在批著八字時,這位媽媽點頭認同,然後就聲淚俱下。
我轉頭看著她沈默不語的先生。我說錯了什麼嗎?太太哭成淚人,你怎麼連紙巾也不拿給她啊?
「我是個沒有用的母親,很不稱職的母親。我沒有辦法教好孩子。我很愛他,可是很多時候我都不知道要怎麼做,我就會對他發脾氣,說狠話,過後我又後悔。我忍下來,可是後來還是會一樣!」
我沒打斷她,等她的哭聲逐漸小聲後,我柔柔的說:「我來啦!我坐在你前面了。你已經看到我,就是有辦法了。你知道你自己不行,會去找辦法,就代表你願意去學習做個好媽媽啊!」
我把紙巾遞給她,再說:「不要哭了,要不然,別人看了以為是我不要借你錢,才把你弄得那麼傷心。」
曾幾何時,我們都會以外在所擁有的,來定義自己的人生是否值得自己喜歡。
從原生家庭、樣貌、健康、身型、智力、天賦等,到後來的學歷、友情、事業、財富、婚姻、子女......
哪一樣沒有,而偏偏是我們最想要的,我們就會認定自己失敗的一塌糊塗。
我認為這就是普通教育最大的問題所在。父母老師都是這樣把我們「分門別類」的。值不值得父母疼愛或向親朋戚友炫耀,也離不開那幾點。
久而久之,我們也只會以「成功」來定義自己是否有價值,甚至來衡量自己是否有活下去的勇氣。
我比較喜歡佛法的定義。我們每個人都是一尊佛,六道眾生皆有佛性,只因一時的迷,因此墮落在苦輪不停的輪迴。
可正因為我們有佛性,我們都有無窮無盡的可能。每個人的內在有著很強大的力量,等著我們遇到明師後,去發掘、探索和了解。
而這天生俱來的力量,就是你改命立命的資本。
如果人生順風順水,我們永遠不會想要出離,誤把人間當極樂,所以一定要有苦,我們才會意識到,為什麼我們會在這鬼地方?要怎麼樣才可以離開這鬼地方去到極樂?
反過來,我們都應該感恩自己遇到的挫折,因為從這些苦中,我們才能生出智慧。
沒有一個八字是完美的。一切的失敗和不足,都是最美好的安排,如此你才會有出離心,返本歸源。
_______________________
3 months ago, when I received this email from my Taiwan client, there was this feeling of bittersweetness.
I was happy because this was the client I did a Zoom consultation last June. He sent me this email on the one-year anniversary date of our Zoom call, to express his gratitude. How sweet!
On the other hand, I could relate to the emotional turmoil he felt at that point in his life.
His experience was my past. It also took me a very long time to walk out from my gloominess.
Once, I analysed the Bazi of a very young lady. She was meticulously jotting down notes as I spoke.
Her detailed note-taking skills easily took the top place among my clients.
Halfway through, I noticed her right hand was trembling slightly. I thought it was due to the cold draft from the air conditioning, so I asked if she needed a shawl.
She replied that it was her anxiety disorder acting up.
“I was not fierce or strict with you. What caused your sudden anxiety?”
“I…ever since the pandemic disrupted my plans, I have been in this state of anxiety. I kept feeling useless. All my classmates are progressing expect me. I have nothing to show for and my life is in a mess. I am very anxious. What if I continue to be like this? What am I going to do?”
As she spoke, her eyes turned red and tears started rolling down like a broken strand of pearl necklace scattering onto the ground.
Oh dear! I am beginning to wonder if I have a tear-jerker face or a heart-tormenting voice. Why do my clients, regardless of gender and age, North South or East West, seem to cry easily when they see me?
I grabbed a piece of tissue and handed it to her.
“Ain’t I here already? You came to me for a roadmap and you are very lucky to see me so soon. Look at how precise and neat your notes are! Many of my clients aren’t even on par with you. My job today is to give you answers. If I didn’t have the confidence, I would not have taken up your request. Now that I did, that means there is still hope. If you follow my instructions, you will see things looking up very soon.”
On another occasion, a mother in her forties came to me for her son’s Bazi consultation.
As I was analysing, the mother nodded her head in agreement. The next thing I know, she started weeping loudly.
I turned to look at her husband, who had been silent all along. Did I say something wrong? And hello, your wife was crying. Why weren’t you gentleman enough to give her a tissue paper?
“I am a useless mother. I am incompetent. I do not know how to teach my son well. I love my son very much. But many times, I do not know what to do and thus I flare up at him and speak harshly. I always regret afterwards. I tried enduring but it still ends badly!”
I did not interrupt her and waited for her cries to soften, before speaking gently, “I’m here! I’m already sitting in front of you. You are looking at me now and that means help is here. You know that you are incompetent, so you went looking for solutions. That means you are willing to learn how to be a better mother!”
I handed a piece of tissue and said, “Don’t cry anymore, otherwise, other patrons will think that it’s because I refuse to lend you money.”
Since young, we have been using external possessions to define whether our lives are worth liking.
The family we are born into, our looks, health, body shape, intellect, talents, and then we move on to compare our academics, friendships, career, wealth, marriage and children.
If we are lacking in the area we covet most, we grade our lives as a failure.
I think this is the biggest problem in societal education. Our parents and teachers categorized us that way. Whether we as children are worthy of their love and bragging, depends on the few points above too.
Thus over time, we can only use the term “success” to determine whether we are of value, for some people, whether they should live on to take their next breath.
I very much prefer the definition in Buddhism. We are all Buddhas. Each and every sentient being in the six realms has a Buddha nature in them. But they got lost momentarily and fell into the endless wheel of reincarnation.
Yet, because of our Buddha nature, we have an unlimited source of potential. Every one of us has a very powerful strength inside us. It is just waiting for us to meet an accomplished teacher, so that we have the tools to explore and understand it:
And this strength that we are born with is the capital for us to transform and establish our own destiny.
If life is smooth-sailing, we would never want to leave and would mistake this mortal realm for Pureland. Thus, we all need sufferings, to realise that we should break out of this hell of a place. There has to be a better world somewhere. So how we get there?
We should, in fact, be grateful for all the setbacks and failures we have. Because it is from these sufferings, our wisdom arise:
No single Bazi is perfect. Every failure and lack we experience is the best arrangement for us, so that the heart of renunciation will arise in us and we will return to where we came from.
me time 定義 在 彭紹宇 Peng ShaoYu Facebook 的最佳貼文
#MuseumProject #FINALE
這個月與Art Fund合作的博物館企劃來到了最後一集,位於倫敦南部的杜爾維治美術館 (Dulwich Picture Gallery)是英格蘭第一間開放給大眾的藝廊,館藏以十八世紀前的歐洲古典繪畫為主,一進入大廳就能感受到以深紅與靛藍色調勾勒出的氣派感,館內不大,但以一間連接一間展廳的形式形塑寬敞感,抬頭也能看見天窗,讓午後自然光溫暖灑進。
這次也參觀正展出的特展,名為Unearthed: Photography's Roots(發掘:攝影的根源),展現不同時代下人們如何用攝影捕捉花朵與大自然。從19世紀上半葉攝影技術出現, 20世紀彩色相片逐漸普及,一路到21世紀科技和網路世代的革新,攝影不斷被重塑與定義,或透過不同媒材表達出全新的創作樣貌。從過去走到現今,和館內一牆之隔的歐洲古典畫廊有著很有趣的對照。
光是倫敦就有許多有趣的博物館和美術館值得探索,從月初的#巴比肯藝術中心,月中的#花園博物館,和這次#杜爾維治美術館,都可以看見倫敦的不同姿色。我每去一個新的地方,都喜歡去逛當地博物館或藝廊,因為那是最能理解他們故事的場景,以及發現他們在乎什麼、對什麼感興趣的方式。我也特別喜歡英國人看待博物館的態度,已經是生活的一部份,很多都是可愛的爺爺奶奶,透過加入會員、博物館之友或時時關心何時有新展開幕,作為對藝術,對文化產業的支持。
謝謝大家跟我走完整個博物館企劃,我也收穫好多!
As the first public art gallery in England, Dulwich Picture Gallery has presented its collections of art for more than 200 years. It’s a beautiful place where you can walk into the stunning history of European paintings by masters like Rembrandt, Gainsborough and Canaletto. From the portraits in paintings, we imagine the emotions the painter wanted to show us and the stories behind those faces.
Not only European art here but there are also opportunities to discover the beauty reflected through the progress of photography. The exhibition Unearthed: Photography's Roots shows us how plants and botany can be reimagined through photography from the 1840s to nowadays. It’s also inspiring to see the desire to capture the wonders of nature for many years still influences us from generation to generation.
When arriving in a new place, what I do first is visit the local museums. It’s a place where you can understand their stories and what they care for. Throughout this month, it’s a great time visiting #BarbicanCentre, #GardenMuseum, and #DulwichPictureGallery with #StudentArtPass , and there’re still more worth-visiting museums in London waiting for you to discover.
Thanks for #MuseumTripping with me this summer! Let me know how you feel, and see you in museums!
Ralph #WeAreArtful
me time 定義 在 tizzybacvideo Youtube 的最佳貼文
Tizzy Bac 20週年演唱會「鐵之貝克 XX」
2019/12/14 at 天母體育館
特別感謝
Guitar:林維軒(杉特)
Keyboard / Synthesizer:蘇玠亘(蛋)
嘉賓:方Q(宇宙人)、Twiggy(旺福)、弘禮(落日飛車)
𝕋𝕚𝕫𝕫𝕪 𝔹𝕒𝕔 𝟚𝟘𝕥𝕙 𝔻𝕣𝕦𝕞 ℂ𝕒𝕞 精選【安東尼 / Tissue Time / 我不想一個人睡】
▎COVER老杯難易度等級★★★★☆
▎關於這首歌......祖媽の碎語......
20週年演唱會的歌單當時討論很久,後來安排了兩段組曲,這是其中一段。
〈安東尼〉創作的靈感就是Red hot chili pappers主唱安東尼;〈Tissue Time〉是很早期我們還在唸大學、在熱音社練團室就寫好的作品,沒有放在第一張反而放在第二張,只是想用鋼琴寫寫看龐克歌曲會是怎樣;〈我不想一個人睡〉印象中是先完成了編曲,聽起來好像很性感,所以嘗試寫點成人取向的歌詞,MV倒是很好玩( https://youtu.be/UgppI7wDSZo ),我們還做了一個泰文歌詞版但是用google 翻譯的,完全是因為覺得畫面很泰、我造型也很泰,覺得很酷這樣。
#TB20 #鐵之貝克XX #DrumCam
════════════════════
「鐵之貝克 XX」演唱會藍光BD
▸ 相信音樂購物網:https://reurl.cc/Ezkq4n
▸ 博客來:https://reurl.cc/MdrYOX
▸ 五大唱片:https://reurl.cc/Y6LM04
▸ 佳佳唱片:https://reurl.cc/4mEkWV
════════════════════
【安東尼】
再來 我從來不曾放棄忍受
再說 怎麼說都沒有用
這個世界有的時候總是美好幻象太多 殘酷現實太難接受
hit me just prove it how you dare
hit me just show me how you care
hit me 看看你成了什麼模樣 掉進自己的陷阱了啊
我不想生活太過明明白白 那麼聰明 究竟是要給誰交代
這樣是對 那樣是錯 又如何 反正從來不曾認識真正的我
hit me do you think I really care
hit me I only want to hold myself
hit me 沈默固執 任性遊走 不讓任何人定義我
但唉 回頭看這過往 不能說這人生得足夠堅強
都沒有留下任何遺憾 只是快樂悲傷 最後我會遺忘
沒有例外 只剩這路是我確實經過
年輕時候默默流過的淚
伴隨說過的謊不停後退 帶走了最在乎的夢 錯過的該怎麼解脫
我又如何能夠再次安慰 所有靈魂超載的負累 只能一再相信
我還有不絕的力氣
【Tissue Time】
哭的時候忘記為了什麼遺憾
笑的時候卻又不知所為何來
所有情緒複雜狂亂沒人明白
但我的沮喪不安誰都看得出來
翻來覆去 難以成眠 自找麻煩
有沒有人願意和我一起發呆
聽你說著他和他和她的舊愛
但人來人很我卻懷疑是否有誰真的傷了心
But I don's wanna take all this responsibility
Can't you just be stronger for all your needs
cause you're like a baby sitting on the ground
and crying for someone to come to ease your bleed
so meet my army here and I'll carry you to whatever
where that you've never been
【我不想一個人睡】
好難吶 戒不斷這貪戀
對你成癮的我沒有藥可解
緩慢地 你手中裊裊的煙
好羨慕 我也想燒灼在你指間
淡淡的哀愁在撫慰 這痛卻更美
我不想一個人睡 我不要一個人睡
溫柔的預感在作祟 感性在蔓延
我不想一個人睡 我要大人的滋味
擁抱吧 親吻吧 末日前 佔有吧
真叫人無法自拔 在你懷裡融化
給我再多疼愛別放我荒涼
淡淡的哀愁在撫慰 這痛不很美?
我不想一個人睡 我不要一個人睡
溫柔的預感在作祟 感性在蔓延
我不想一個人睡 我要大人的滋味
![post-title](https://i.ytimg.com/vi/ph0uvwTgWGM/hqdefault.jpg)
me time 定義 在 lilKrake小章章 Youtube 的最讚貼文
lilKrake小章章 & Toxik - Can't Define | 無法定義 Track. 02
(CC English w/ Translation / 中英雙向翻譯字幕)
《4loating Dream》 Stream/Download (數位線上聽) :
https://www.soundscape.net/a/14041
I can't define, what is wrong and is right?
Feel like the devil always gets me every single time.
不想誤入歧途,但這個世界逼我要把所有痛苦記住。
整張唯一的變奏。很多事都壞了,但我們還不能停下腳步。
Follow EVERYTHING ON @lilkrake / @toxicityishigh / @banana_kingdom105
Banana Kingdom is an independent studio of lilKrake, a zero-cost music producer from Taiwan, completed the first official Mixtape - "4loating Dream" with his team partner Toxik.
All the songs are recorded and mixed independently by lilKrake, with the help of several domestic and foreign Beat Makers, and the mixtape cover drawn by a friend, successfully completed this almost zero budget project.
In "4loating Dream", these nine songs use melodic rap and Emo style to express the emotions and thoughts of the two artists' experiences and mental illnesses. Starting from "Fading Out", nine songs will take you into a gloomy world.
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Banana Kingdom 香蕉王國 為 lilKrake小章章 的個人獨立工作室,來自台灣的零花費音樂全製作主理人,與團隊夥伴 Toxik 共同完成了首張正式的 Mixtape - "4loating Dream",所有歌曲的錄音混音皆由 lilKrake小章章 獨立完成,加上幾位國內外 Beat Makers 的協助及朋友所繪製的封面,用貼近零成本的方式製作完成。
"4loating Dream" 中的9首歌曲以旋律饒舌及Emo的方式,饒唱出了兩人一生中因各種經歷、及精神上相關疾病所產生的各種情緒及想法。以 "Fading Out" 為此系列的開端,九首歌將帶你進入一整個陰鬱氛圍的世界。
詞 & 曲 | Lyrics & Composed by lilKrake小章章 & Toxik
錄音 | Recorded by lilKrake小章章
混音 | Mixed by lilKrake小章章 @lilkrake
母帶 | Mastered by lilKrake小章章
圖文設計 | Art Design by lilKrake小章章
封面繪製 | Cover Painted by Ilya Galayda @the_magnetic_cat
編曲 | Beat produced by Txxzy @tommyjane_
.Asia Taiwan.
#CantDefine #Toxik #lilKrake小章章
Instagram: @lilkrake
(https://instagram.com/lilkrake)
Instagram: @toxicityishigh
(https://www.instagram.com/toxicityishigh/)
Instagram: @banana_kingdom105
(https://www.instagram.com/banana_kingdom105/)
Youtube: lilKrake小章章
(https://www.youtube.com/channel/UCdQb0dUDEk9T3BlFAtNTQrA?view_as=subscriber)
Youtube: Toxik
(https://www.youtube.com/user/alexhahaful)
Facebook: LilKrake小章章 @LILkrakeNW
(https://www.facebook.com/LILkrakeNW)
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me time 定義 在 韋禮安 WeiBird Youtube 的精選貼文
🎧 Podcast 數位平台點播 : https://weibird.fanlink.to/BirdBirdTalkS01
🔔 訂閱韋禮安官方頻道 : https://pse.is/WeiBird_Sub
創作歌手韋禮安跟他的朋友們或不是朋友的人們聊天
Singer Songwriter WeiBird chats with his friends and nonfriends.
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♪ Podcast ♪ 韋禮安跟你鳥鳥天 Season 01 EP46 孫盛希|WHERE is SHI NOW?原來我是在享受一個人的浪漫
在第三十屆金曲獎,以《希遊記》抱回最佳國語專輯獎的孫盛希,帶著充沛的能量,迎接第五張創作專輯《出沒地帶 Where is SHI?》;希希說,這是一張「享受孤獨」的專輯,她邀請米奇林、剃刀蔣聯手製作;以及Sunkis、呂士軒、HUSH共同featuring,期許讓大家看到、聽到不同面向,屬於孫盛希的R&B。
〈查無此曲〉是本張專輯第一首完成的歌曲,希希笑說:「這是一首繞公園繞出來的歌,歡迎大家在公園遇到我的時候跟我打聲招呼。」
她認為人的心靈都有個黑洞,不斷地把東西倒進去,卻永遠填不滿。
而今年正巧三十歲的她分享,隨著年齡增長,越來越需要更多的Me Time淨化自己。
〈還不夠〉描述成功的定義是什麼?已經獲得最佳國語專輯獎肯定的希希,除了事業外,她認
為人生應該要有圓滿的家庭和愛情,才能活得完整。
WHERE is SHI NOW?
雖然2021第一天,有個荒唐地開始;時常猶豫不決的她,已下定決心,今年要學編曲、學獨立,更要學會照顧自己。
ISRC|TWFG72001147
──♫─ 更多韋禮安 ─────────────────────────
韋禮安 WeiBird FB|https://www.facebook.com/Weibird.official
韋禮安 WeiBird IG |https://www.instagram.com/weibirdmusic/
韋禮安 WeiBird WeiBo 微博|https://www.weibo.com/weibird
#韋禮安 #韋禮安跟你鳥鳥天 #BIRDBIRDTALK
![post-title](https://i.ytimg.com/vi/mI9Vgmbhoes/hqdefault.jpg)