接下來!
5/08(Sat) Bei City Rock Festival 春響音樂節
Bei City Rock Festival 春響音樂節 2021
photo by Leon's Photography × 周愚民
Seven hours of indie rock bands and four food vendors set in the heart of Maji Square! You ready to rock this town!?!
準備好迎接這個春天最大的LIVE音樂盛會! 七個全台最紅最屌的獨立搖滾樂團連唱七小時,從放克、金屬、迪斯可、流行到搖滾唱好唱滿,陪你嗨整夜! 唱累了還有多款特色調酒及四家異國美食攤販,讓你吃飽喝足後繼續跳! 這麼炸的組合僅此一夜在Maji集食行樂轟炸你的小宇宙,錯過就再也沒有!還在等什麼?我們5/8見!
★ 樂團 ★
晚上 7-8 - Gold Seal
晚上 8-9 - Pangolin
晚上 9-10 - The Getaway Pricks
晚上 10-11 - P!SCO
晚上 11-12 - 88Balaz
晚上 12-1 - Mary Bites Kerry
ϟϟϟ P!SCO ϟϟϟ
2010年成立於台北,P!SCO被樂迷封為「最能挑戰肌耐力極限的跳舞搖滾樂團」,2016年入圍金音獎最佳現場演出獎,由主唱、吉他、bass、鼓和鍵盤組成的五人編制,強調視覺與聽覺兼具的表演方式,其獨特亮眼的舞台魅力絕對要看現場才能體會!
融合搖滾、電子、古典等元素的多元曲風難以被定義,non-stop表演形態讓演出絕不冷場。此外,P!SCO也非常重視與台下的互動,從簡單的手勢、吶喊口號到大合唱,讓所有來看表演的樂迷們都成為參與者,創造出台灣前所未見的演出風格,吸引受眾目光。
每場演出,P!SCO都會在舞台上掛一面彩虹旗,表達對LGBT與弱勢族群的支持。2019年釋出新歌〈光圈〉,描述從小因性別傾向被欺負而不斷質疑自己的痛苦,此曲在網路平台的播放成績十分亮眼,也使P!SCO的彩虹形象變得更加鮮明。
由於總是能將場子搞熱,P!SCO時常受邀參與大大小小的音樂祭。成軍九年以來,不僅走遍台灣各大live house與大型音樂活動,亦曾參與過日本富士電視台、愛知電視台錄影,並前往日本、韓國、馬來西亞、新加坡、港澳中國等數個國家、超過20個城市進行演出。
ϟϟϟ. 88Balaz ϟϟϟ
88balaz是一隻來自台北的標準4件式搖滾樂團,現場常常加上打擊樂手和手風琴手音樂以藍調搖滾為基調,大量的龐克能量和噪音吉他。歌詞描述人在每個成長時期荒謬卻日常中實在上演發生的掙扎。看似率性諷刺,藏著細膩的意念。用粗糙直接的方式撞進你心裡,持續不間斷在台灣,日本,中國,美國,東南亞巡演。曾經多次獲得台灣各種音樂獎項,包括最佳專輯,最佳樂團,及最佳現場演出。要讓搖滾樂充滿你生活的每個地方、每個大。小。洞。讓你每個毛細孔都不再鬱悶大噴發!在最絕望的時候,像是最粗的沙紙一般,抹平藏在心裡的那些坑坑洞洞!
ϟϟϟ Mary Bites Kerry ϟϟϟ
2009年成立的瑪莉咬凱利,是台灣少數融合管樂的 大編制搖滾男子團體。曲風是台灣難得的 ska 加上 punk 還有 ska-punk 融合而成,雖然已經從新鮮有趣變成靠經 典曲目生存的老牌樂團,但活力依然不減,他們在舞台上 蹦蹦跳跳,大唱大叫,歡樂的氣氛總是能感染台下的老老 少少。團員人數最多曾經來到十一人,雖然這樣的優勢一直沒有反應在臉書粉絲頁上,但至少現場不會呈現台上比台下還多人的情況。想要笑一下、跳一下、發洩一下、放鬆一下,或者只是想看一下帥哥,那來看瑪莉咬凱利絕對是個好選擇!
ϟϟϟ Pangolin ϟϟϟ
2013在台北成立的英美四人樂團。樂團第三代成員擅長受龐克影響的搖滾曲風和斯卡風的迪斯可情歌。Pangolin習慣讓樂團的存在慫恿觀眾活動筋骨,每首歌越跳越嗨。
ϟϟϟ The Getaway Pricks ϟϟϟ
要來像颱風、地震般搖滾你的身心。他們唯一的要求就是要你百分之百進入派對模式來玩。還有你的靈魂。他們可能也會給你要那個。
———————————————
GENERAL ADMISSION PRICING 票
超級早鳥 400NT
早鳥 500NT
門票 600NT
➤包含一杯330ml 的啤酒或調酒
➤室內場地。別擔心天氣
———————————————
🥙美食🥙
- SKB Burger
- Sausage Shack
- Chinita's Cubanos
- Wei's Bakery
———————————————
———————————————
———————————————
ENGLISH VERSION
Get ready for the biggest live music party of the spring! Seven hours of indie rock bands and four food vendors set in the heart of Maji Square! You ready to rock this town!?!
THIS IS GONNA BE EPIC!!!
———————————————
ϟϟϟϟ Pangolin ϟϟϟ
A four-piece Anglo–American musical outfit originally formed in Taipei in 2013. Now on their third iteration of band members and armed with punk-infused rock chops and ska-inspired disco thrash ballads, Pangolin habitually stare into the abyss of their own existential existence, taunting their audiences to get little looser and dance a little harder with each song.
ϟϟϟ The Getaway Pricks ϟϟϟ
The Getaway Pricks are here to rock you like a typhoon, and shake you like an earthquake.The only thing they ask for in return is that you show up in Full Party Mode®️.
ϟϟϟ Mary Bites Kerry ϟϟϟ
Founded in 2009 Mary Bites Kerry is one of the rare Taiwanese bands to mix a brass section to a punchy rock structure. It's one of the even more rare Ska band of Taiwan that also plays Punk, which makes it the only Ska Punk band of the island.
Started with a fresh sound and the sweet taste of youth (back at that time), Mary Bites Kerry has become a veteran band in the Taiwan scene, but don't be fooled: Mary has teeth and still bites with energy. When it's about getting a crowd crazy with music, MBK sets the tone and -and the bar- high. Once with up to 11 musicians on stage, the now 8 pieces formation has always met warm enthusiasm all around Taiwan and abroad.
ϟϟϟ. 88Balaz ϟϟϟ
88BALAZ is a standard 4-piece rock band from Taipei. The live performance often accompany by percussion and accordion. The music is based on blues rock and bring in strong punk energy and noise guitar. The lyrics describe the struggles and ridiculous in growth period. The lyrics seem to be satirical, but they contain delicate ideas, hit into your heart in a rough and straightforward way.
ϟϟϟ P!SCO ϟϟϟ
P!SCO is and has been one of the hottest Indie band on the scene for the last 10 years! Get ready for the non stop, jaw dropping action that is P!SCO!
ϟϟϟ Gold Seal ϟϟϟ
Gold Seal combines heavy grooves and hot improvisations with embellishments of classic roots. Gold Seal is affected by progressive and heavy rock sensitivity, creating all the original music with depth and variability to make you move.
—————————————————
➤ RULES & REGULATIONS
➤Family Friendly ( children under 12 Free)
➤No Animals allowed
➤Drink Responsibly. If you are deemed too intoxicated you may be asked to leave
➤No outside food or drinks permitted
➤About refunds pleas see accupass rules.
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//A Cantopop star publicly supported Hong Kong protesters. So Beijing disappeared his music.
By AUGUST BROWN
The 2 million pro-democracy protesters who have flooded the streets of Hong Kong over the last few months have been tear-gassed, beaten by police and arrested arbitrarily. But many of the territory’s most famous cultural figures have yet to speak up for them. Several prominent musicians, actors and celebrities have even sided with the cops and the government in Beijing.
The protesters are demanding rights to fair elections and judicial reform in the semiautonomous territory. Yet action film star Jackie Chan, Hong Kong-born K-pop star Jackson Wang of the group GOT7 and Cantopop singers Alan Tam and Kenny Bee have supported the police crackdown, calling themselves “flag protectors.” Other Hong Kong cultural figures have stayed silent, fearing for their careers.
The few artists who have spoken out have seen their economic and performing prospects in mainland China annihilated overnight. Their songs have vanished from streaming services, their concert tours canceled. But a few musicians have recently traveled to America to support the protesters against long odds and reprisals from China.
“Pop musicians want to be quiet about controversy, and on this one they’re particularly quiet,” said Anthony Wong Yiu-ming, 57, the singer and cofounder of the pioneering Hong Kong pop group Tat Ming Pair.
Wong is a popular, progressive Cantopop artist — a Hong Kong Bryan Ferry or David Bowie, with lyrics sung in the territory’s distinct dialect. But he, along with such singer-actors as Denise Ho and Deanie Ip, have made democratic reforms the new cause of their careers, even at the expense of their musical futures in China. Wong’s on tour in the U.S. and will perform a solo show in L.A. on Tuesday.
“It’s rebelling against the establishment, and [most artists] just don’t want to,” Wong said. “Of course, I’m very disappointed, but I never expected different from some people. Freedom of speech and civil liberties in Hong Kong are not controversial. It’s basic human rights. But most artists and actors and singers, they don’t stand with Hong Kongers.”
Hong Kong protesters
Hundreds of people form a human chain at Victoria Peak in Hong Kong on Sept. 13.(Marcus Yam/Los Angeles Times)
The protests are an echo — and escalation — of the Occupy Central movement five years ago that turned into a broad pro-democracy effort known as the Umbrella Movement. Those protests, led by teenage activist Joshua Wong (no relation), rebelled against a new policy of Beijing pre-screening candidates for political office in Hong Kong to ensure party loyalty.
Protesters were unsuccessful in stopping those policies, but the movement galvanized a generation of activists.
These latest demonstrations were in response to a proposed policy of extraditing suspected criminals from Hong Kong to mainland China, which activists feared would undermine their territory’s legal independence and put its residents at risk. The protests now encompass a range of reforms — the withdrawal of the extradition bill, secured voting rights, police reform, amnesty for protesters and a public apology for how Beijing and police have portrayed the demonstrations.
Wong, already respected as an activist for LGBT causes in Hong Kong, is one of vanishingly few musicians to have put their futures on the line to push for those goals.
Wong’s group Tat Ming Pair was one of the most progressive Cantonese acts of the ’80s and ’90s (imagine a politically radical Chinese Depeche Mode). When Wong spoke out in favor of the Umbrella Movement at the time, he gained credibility as an activist but paid the price as an artist: His touring and recording career evaporated on the mainland.
The Chinese government often pressures popular services like Tencent (the country’s leading music-streaming service, with 800 million monthly users) to remove artists who criticize the government. Artists can find longstanding relationships with live promoters on ice and lucrative endorsement deals drying up.
“This government will do things to take revenge on you,” Wong said. “If you’re not obedient, you’ll be punished. Since the Umbrella Movement, I’ve been put on a blacklist in China. I anticipated that would happen, but what I did not expect was even local opportunities decreased as well. Most companies have some ties with mainland China, and they didn’t want to make their China partners unhappy, so they might as well stop working with us.”
Censorship is both overt and subtly preemptive, said Victoria Tin-bor Hui, a professor and Hong Kong native who teaches Chinese politics and history at the University of Notre Dame.
“Every time artists or stars say anything even remotely sympathetic to protesters or critical of the government, they get in trouble,” Hui said. “You can literally have your career ruined. Denise Ho, after she joined the Umbrella Movement, everything she had listed online or on shelves was taken off. Companies [including the cosmetics firm Lancôme] told her they would have nothing more to do with her, and she started doing everything on her own.”
So Wong and other artists like Ho have been pushing back where they can.
Wong’s recent single, “Is It a Crime,” questions Beijing crackdowns on all memorials of the Tiananmen Square massacre, especially in Hong Kong, where there was a robust culture of activism and memorials around that tragedy. The single, which feels akin to Pink Floyd’s expansive, ominous electronic rock, has been blacklisted on mainland streaming services and stores.
Wong plans to speak out to commemorate the anniversary of the Umbrella Movement on this tour as well.
“The government is very afraid of art and culture,” Wong said. “If people sing about liberty and freedom of speech, the government is afraid. When I sing about the anniversary of Tiananmen, is it a crime to remember what happened? To express views? I think the Chinese government wants to suppress this side of art and freedom.”
The fallout from his support of the protests has forced him to work with new, more underground promoters and venues. The change may have some silver linings, as bookers are placing his heavy synth-rock in more rebellious club settings than the Chinese casinos he’d often play stateside. (In L.A., he’s playing 1720, a downtown venue that more often hosts underground punk bands.)
“We lost the second biggest market in the world, but because of what we are fighting for, in a way, we gained some new fans. We met new promoters who are interested in promoting us in newer markets. It’s opened new options for people who don’t want to follow” the government’s hard-line approach, Wong said.
Hui agreed that while loyalty from pro-democracy protesters can’t make up for the lost income of the China market, artists should know that Hong Kongers will remember whose side they were on during this moment and turn out or push back accordingly.
“You make less money, but Hong Kong pro-democracy people say, ‘These are our own singers, we have to save them,’” Hui said. “They support their own artists and democracy as part of larger effort to blacklist companies that sell out Hong Kong.”
Ho testified before Congress last week to support Hong Kong’s protesters. “This is not a plea for so-called foreign interference. This is a plea for democracy,” Ho said in her speech. A new bill to ban U.S. exports of crowd-control technology to Hong Kong police has bipartisan support.
No Hong Kong artists are under any illusions that the fight to maintain democracy will be easy. Even the most outspoken protesters know the long odds against a Chinese government with infinite patience for stifling dissent. That’s why support from cultural figures and musicians can be even more meaningful now, Hui said.
“Artists, if they say anything, that cheers people on,” Hui said. “Psychologists say Hong Kong suffers from territory-wide depression. Even minor symbolic gestures from artists really lift people’s morale.”
Pro-democracy artists, like protesters, are more anxious than ever. They’ve never been more invested in these uprisings, but they also fear the worst from the mainland Chinese government. “If you asked me six months ago, I was not very hopeful,” Wong said. “But after what’s happened, even though the oppression is bigger, we are stronger and more determined than before.”
Anthony Wong Yiu-ming
Where: 1720, 1720 E. 16th St.
When: 7 p.m. Tuesday
Tickets: $55-$150
Info: 1720.la //
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