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Two individuals may have the same culture and yet practice different religious practices. Indian culture is the characteristics and knowledge of a particular group(Hindu) of people, encompassing language, religion, cuisine, social habits, music and arts. Culture focuses on the human beings which is its social heritage, while religion is associated with the God or the Creator of the whole universe. Culture is concerned with the evolution of humans and their beliefs and practices.
細佬正在讀year 2
在英國的 National Curriculum的架構內是Key stage 1 （year 1 & 2)
主要的科目有 English, Mathematics & Sciences
而基礎科目則有 Art and design, Computing, Design and Technology (DT), Geography, History, Music, Physical education (PE) and Religious Education
其實之前我都只知道他們上課的概括
反而因為現在都在家上課
所以我都像在一起學習
今天想談談Religious Education（宗教的教育）
原來學校都會透過這個「宗教的教育」科目來教小朋友不同宗教的分別
老師會用故事來介紹宗教的起源
也會用一些活動來講解信奉這個宗教的人會做些什麼事
好讓小朋友了解一下那宗教的資料
也帶出我們應該尊重不同宗教的人
我覺得這種從不同的課題來提出互相尊重的重要真的非常好
老師說之前曾經講解過聖誕節
今次要介紹的宗教是印度教 Hindus
上星期我們看了關於印度教的故事
故事中提到其中一位印度神叫 Vishnu 是他們的守護之神
今天的其中一個活動就是叫小朋友想像一下這位印度神的樣子然後畫出來
細佬把他畫成坐在雲上面的樣子
另外也有提及 celebration of Holi
也可以叫做 festival of spring, festival of colours or festival of love
它是一個慶祝春天來臨，冬天完結的活動
也象徵邪不能勝正
人們都會聚集一起來慶祝（現在可能都要靠視象吧）
今日有另一個活動來叫小朋友把活動分類成對信奉印度教的人重要/不重要
還有著小朋友想想如果不讓信奉印度教的人來慶祝他們的節日，他們會有什麼感覺
讓小朋友反思一下
不過初時細佬都答不知道
然後我說：那如果我們都不慶祝聖誕節，那你會有什麼感覺﹖
他立即就能說出他的感覺～哈哈～
果然要切身處地的事情才有深刻的體會
今天宣布了學校在3月8日前都不會開放
可能已經有了心理準備
反正現在好像都習慣了在家上課的節奏
這個時間留他們在家我也感到放心一點
在輔助 home school 的時候我也學習到新的知識
不過這算是苦中作樂嗎﹖
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卡文媽媽的網頁
https://ukmama.raycar.net/
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#英國學習
[English below]
Từ nhiều thế kỷ nay, tín ngưỡng thờ Mẫu đã và vẫn đóng vai trò là một dòng chảy mạnh mẽ, một điểm sáng đầy cảm hứng trong văn hoá Việt Nam. Theo TS. Nguyễn Ngọc Mai (thuộc Viện nghiên cứu Tôn giáo, Viện Hàn lâm Khoa học Xã hội Việt Nam), việc thờ thánh nữ thể hiện “nguyện vọng được tự do, tự chủ và hạnh phúc của phụ nữ Việt Nam”. Trong thực hành tín ngưỡng Đạo Mẫu, hầu đồng là một nghi lễ độc đáo với các thầy đồng trong trang phục rực rỡ, múa trên nền nhạc hát văn diễn xướng các tích. Bộ sưu tập 'Mộng Mị' lấy cảm hứng từ bốn màu chủ đạo của Đạo Mẫu là đỏ, xanh lá, trắng và nâu đất; tái hiện hình ảnh của mây trời, sóng nước, cây rừng…, là những yếu tố thiên nhiên gắn liền với nền tảng tâm linh của tôn giáo này. Bộ trang phục trưng bày ở đây được ca sĩ Bích Phương mặc trong MV ‘Bùa Yêu’.
Sản phẩm hiện đang được trưng bày tại "Áo dài: Xưa đến ngày sau", triển lãm Mộng Bình thường ❤️
ÁO DÀI VAI DỰNG
BST: Mộng Mị
Chất liệu: Phi, Lụa
Thương hiệu: Thủy Design House
____________________________________
Đạo Mẫu, or ‘Mother Goddess’ worship, has been a source of strength, inspiration and spirituality in Vietnamese culture for centuries. Devoted to female deities, ‘[Mother Goddess worship] represents Vietnamese women's burning desire for freedom, independence and happiness’ says Dr. Nguyễn Ngọc Mai, head of religious studies at the Vietnam Academy of Social Sciences. The most popular celebration of Đạo Mẫu is the hầu đồng, a ritual or trance ceremony featuring a number of artistic elements including music, singing, dance and the use of colourful costumes. The Mộng Mị (Reverie) collection takes its inspiration from the four main colours of Đạo Mẫu - red, green, white and earthy brown - reflected in such motif as clouds, trees, waves, evoking the spirit of Nature and its control over humankind.This dress was worn by singer Bích Phương, in her music video ‘Bùa Yêu’.
The artwork is displayed at "Áo dài: Future Creation", An Everyday Dream exhibition:
SUPER-BOLD ÁO DÀI
Collection: Mộng Mị
Material: Fearmouth, Silk
Brand: Thuy Design House
#'88年に日本テレネットが発売した、オリジナル版となる88用ARPG作品。
主な特徴は、店への出入りが柔軟に変更、買い物がまとめて可能、スクロールの高速化、グラフィックの重ね合わせ採用、マップやビジュアルシーンの増加、シナリオの増加、チップデータ増加による背景アニメーション、ボスごとに専用ルーチンを用意等が挙げられる。
前作でカリフ暗殺を成し遂げたサドラー。
しかしカリフはいまわの際にイスラムの伝承"イルファーンの涙"を残す。
サドラーは天使ジブリールにより時空を越え20世紀末に戻り、再び正統派との戦いを開始する。
BGMは小川氏と佐藤氏による共同作曲。前作の持つ中近東アレンジは影を潜め、時代と宗教を表現するが如く、より多彩な楽曲が作られた。
音源にはopna版、opn版が存在する。
作曲 : 小川史生氏, 佐藤天平氏
manufacturer: 1988.12.16 nihon telenet
computer: PC-8801mkIISR series
Hardware: YM2608 (sound board II)
composer: shinobu ogawa,Tenpei Satou
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00:00 01.赤の予感
02:08 02.流浪の神話
04:54 03.RELIGIOUS WOMAN
09:13 04.ベクトルの憂鬱
10:56 05.真夜中のメリーゴーランド
12:57 06.LITTLE RAM
16:17 07.STRANGE N.YORKER
17:37 08.狩りの歌
18:55 09.SERENADE・1
20:16 10.平安京
21:22 11.マジカル・ダンス
23:15 12.BIG JUNCTION
25:08 13.SCRAMBLE BONES
26:38 14.FREEZING BRASS
28:00 15.王子を救え
29:39 16.オリンピア
31:01 17.SERPENT
32:57 18.蜘蛛女
34:24 19.SHOP-SHOP
35:18 20.OVER THE EARTH
35:32 21.SIGN
36:47 22 エピローグ
38:55 23.ある勇者の物語
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Every year, Mazu (the patron goddess of seafarers) sets off on a pilgrimage from her home at Zhenlan Temple in Taichung’s Dajia District. This is the biggest Mazu pilgrimage in Taiwan in terms of the number of official participating brigades, or processional teams. It also has the largest number of followers who spontaneously join the procession along the way. The route of the nine-day, eight-night procession follows the path of early immigrants as they spread out across Taiwan. Apart from revisiting historical paths, the procession also strengthens the faith of local believers and helps them gain a deeper understanding of the significant cultural value behind this event. This ancient and elaborate sacrificial rite is a precious cultural asset. In recent years, the scale of the event has grown, becoming a classic example of how folk religion evolves in response to societal changes. In recent years, Dajia’s Mazu Pilgrimage has been named one of the world’s three biggest religious festivals by the Discovery Channel, and UNESCO has included Mazu beliefs and customs on the Representative List of the Intangible Cultural Heritage of Humanity.
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- References -
- Ahn, P. (2009). Harisu: South Korean cosmetic media and the paradox of transgendered neoliberal embodiment. Discourse, 31(3), 248-272.
- Arora, S., Singhai, M., & Patel, R. (2011). Gender & Education determinants of individualism — Collectivism: A study of future managers. Indian Journal of Industrial Relations, 47(2), 321-328.
- Berry, C. (2001). Asian values, family values: Film video, and lesbian and gay identities. In Sullivan, G., & Jackson P. (Ed.), Gay and lesbian Asia: Culture, identity, community. (pp. 211-232). Binghamton, NY: Harrington Park Press.
- Bong, Y. D. (2008). The gay rights movement in democratizing Korea. Korean Studies, 32(1), 86-103.
- Cho, J. P. (2009). The wedding banquet revisited: "Contract marriages" between Korean gays and lesbians. Anthropological Quarterly, 82(2), 401-422.
- Choi, J. S. (2014). Korean culture orientation: Daily-life and religious culture volume. Sonamoo Publishing.
- Jang, H. S. (n.d.). Resource center of young women service review (늘푸른 사업 리뷰). Retrieved from http://www.seoul.go.kr/info/organ/center/1318_new/info/review/1253299_13874.html
- Kim, H. Y., & Cho, J. P. (2011). The Korean gay and lesbian movement 1993-2008: from "identity" and "community" to "human rights". South Korean Social Movements: From Democracy to Civil Society, 206-223.
- Kim, Y., & Hahn, S. (2006). Homosexuality in ancient and modern Korea. Culture, Health & Sexuality, 8(1), 59-65.
- Kwak. L. G. (2012, April 25). Who murdered a 19-year old LGBT teen (누가 열아홉살 동성애자를 죽였나). Oh My News. Retrieved from http://www.ohmynews.com/nws_web/view/at_pg.aspx? CNTN_CD=A0001724998
- Lee, J. E. (2006). Beyond pain and protection: Politics of identity and iban girls in Korea. In Khor, D., & Kamano, S. (Ed.), Lesbians in east Asia: Diversity, identities, and resistance. (pp. 49-67). Binghamton, NY: Harrington Park Press.
- Novak, K. (2015). The problem with being gay in South Korea. Retrieved from http://edition.cnn.com/2015/10/18/asia/south-korea-being-gay/
- Park, H., Blenkinsopp, J., Oktem, M., & Omurgonulsen, U. (2008). Cultural orientation and attitudes toward different forms of whistleblowing: A comparison of South Korea, Turkey, and the U.K. Journal of Business Ethics, 82(4), 929-939.
- Seo, D. J. (2001). Mapping the vicissitudes of homosexual identities in South Korea. Journal of Homosexuality, 40, 65-79.
- Song, J. (2014). Living on your own: Single women, rental housing, and post-revolutionary affect in contemporary South Korea. SUNY Press.
- Do Koreans Support LGBTQ+? (Ft. Seoul Queer Parade) | ASIAN BOSS https://youtu.be/p_vsIEs72p8
- Koreans React To K-pop Singer Coming Out As Bisexual [Street Interview] | ASIAN BOSS https://www.youtube.com/watch?v=BKL9VrqLJZE
- Is South Korea's LGBT+ community being scapegoated for COVID-19 spread? https://www.dw.com/en/is-south-koreas-lgbt-community-being-scapegoated-for-covid-19-spread/a-53423958
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