I am excited to finally announce that I am now an Innovative Percussion Artist!
I never thought I would finally be one of the representing artists for such an amazing company. IP mallets have set the standard for me when choosing exactly what mallets help get my musical voice across and make the instrument truly sing.
I look forward to this partnership with Innovative Percussion, and I hope I can do this company justice with my performances and with my teaching!
很開心的和大家分享,我正式成為美國Innovative Percussion的代言人囉!很感謝一路上的貴人們,也謝謝IP家族的真誠與熱情。我非常期待未來與公司的諸多合作!❤️
(和很多偶像前輩們一起出現在IP的網頁上,真心覺得開心、為自己驕傲!)
#innovativepercussion #IP #percussion #marimba #vibraphone #yunjupan #alicepan #thankyou #artist #buffalomarimba #una #mallets
同時也有1部Youtube影片,追蹤數超過2,250的網紅Benjamin Man — iBenTV,也在其Youtube影片中提到,[1/3] I got FULL MARKS for this composition as part of my IB Music HL composition coursework (25% of my final grade)!!!! Note: some of the dynamic mar...
vibraphone mallet 在 Pei-Ching Wu 吳珮菁 Facebook 的最佳貼文
【珮菁的擊樂世界 Pei-Ching's Percussion World】
本集節目將邀請擊樂家蔣蕎安來到節目當中,她還在念大學的時候即錄取了上海迪士尼的開園團隊,為園區年齡最小的樂手,隨即又赴芬蘭西貝流士音樂院當交換學生;想知道她學音樂的歷程和上海迪士尼與芬蘭學習擊樂的趣事,歡迎準時收聽【珮菁的擊樂世界 Pei-Ching's Percussion World】
12/20(四) 20:00 Bravo FM91.3 台北都會音樂台(首播)
12/22(六) 21:00 Bravo FM91.3 台北都會音樂台(重播)
12/20(四) 22:00 Classical FM97.7 台中古典音樂台
PC 電腦收聽
http://hichannel.hinet.net/radio.do?id=1001
Mobile 手機收聽
https://goo.gl/Y5oOcK
精選節目
http://bravo913.com.tw/index.php…
播出曲目:
1. Attraction
2. Double Concerto For Marimba and Vibraphone
3. La Bikina
4. Mallet Quartet
5. Reflections
6. Superstition
vibraphone mallet 在 Pei-Ching Wu 吳珮菁 Facebook 的精選貼文
【珮菁的擊樂世界 Pei-Ching's Percussion World】
本集節目將邀請擊樂家蔣蕎安來到節目當中,她還在念大學的時候即錄取了上海迪士尼的開園團隊,為園區年齡最小的樂手,隨即又赴芬蘭西貝流士音樂院當交換學生;想知道她學音樂的歷程和上海迪士尼與芬蘭學習擊樂的趣事,歡迎準時收聽【珮菁的擊樂世界 Pei-Ching's Percussion World】
12/20(四) 20:00 Bravo FM91.3 台北都會音樂台(首播)
12/22(六) 21:00 Bravo FM91.3 台北都會音樂台(重播)
12/20(四) 22:00 Classical FM97.7 台中古典音樂台
PC 電腦收聽
http://hichannel.hinet.net/radio.do?id=1001
Mobile 手機收聽
https://goo.gl/Y5oOcK
精選節目
http://bravo913.com.tw/index.php…
播出曲目:
1. Attraction
2. Double Concerto For Marimba and Vibraphone
3. La Bikina
4. Mallet Quartet
5. Reflections
6. Superstition
vibraphone mallet 在 Benjamin Man — iBenTV Youtube 的最佳解答
[1/3] I got FULL MARKS for this composition as part of my IB Music HL composition coursework (25% of my final grade)!!!! Note: some of the dynamic markings are messed up because im recording this on panorama mode :(
This song is a rewrite based on my previous IGCSE composition 'The Maze Runner' (https://youtube.com/watch?v=3VpPBgywVzA)!
Reflective Statement:
My initial intention for ‘Haunting’ was to compose for mallet quartet describing my own IB journey. I wanted to experiment with a 5-octave marimba, and was also intrigued by extended ternary form (AABA) in chamber music. I was inspired by the soundtrack from “Legend Of The Wind” by Studio Ghibli, but was also influenced by minimalist music such as “Mallet Quartet” by Steve Reich. A performers note has been included to help clarify the meaning of each section and to convey its meaning.
I began composing this piece on the marimba with the intention of a four-mallet marimba solo due to its wide range. However, I then decided to expand it to a small ensemble so that I could experiment with different textures, timbre and harmonies. As a result, I fragmented the main melody to include more tone colour in the piece. As a percussionist, I was aware of the many unique techniques capable of the marimba and vibraphone, thus I wanted to exploit that and transform my composition by writing in unconventional techniques and notations (such as handle- on-handle and rapid glissandi) and was able to choose more interesting rhythms. I developed my piece by adding an entire section using mainly triplets to create a contrast in rhythm, which helped create a climax.
The outcome of this piece is that I learnt how to develop ideas from fragments of melody, and how to compose a rhythmically challenging piece whilst still maintaining an overall cohesiveness. I also learnt how to compose for a repetitive melody yet still being able to add colour and maintain interest as the piece progresses. As a result, this lead me to discovering many vibraphone techniques I hadn’t learnt prior, such as mallet-dampening and learning how to use the pedal properly!
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