Today I felt the need to share few words… 💭
That quarantine has been a good way to have some reflection time. But the deeper i went to, the more anxiety I felt. I’m not sure if i’m asking myself the right question or if I know myself enough. I’m someone who always had goals in my life, always had a big picture of what I want to become. However after reaching some goals I had, that picture started to change and now it’s just a blurry one. I found myself under some spotlights without looking for them, got attention I never asked for and terribly grew that impostor syndrome within me.
Social media doesn’t help. Maybe i’m using it the wrong way but it started to become an obligation, a burden, rather than a pleasure, with all kind of negative psychological effects it can bring. Forcing to be exposed without feeling to be social. I feel narcissism became a strength nowadays and to be honest i’m having hard time following the trend.
If I look outside that box made up by my mind, there are plenty of things to be grateful for, plenty of reason to be happy, but somehow I have those questions marks spinning around.
I see vulnerability as a first step to change so here are my current thoughts shared with you 🖋
同時也有3部Youtube影片,追蹤數超過361萬的網紅Dan Lok,也在其Youtube影片中提到,Who wants to join Team Dan Lok and work side by side with me, Sifu Dan Lok, and a team of ultra-high-performers? In the past year, I’ve hired dozens ...
「you got me looking for attention」的推薦目錄:
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- 關於you got me looking for attention 在 半瓶醋 Facebook 的最佳貼文
- 關於you got me looking for attention 在 李怡 Facebook 的最佳解答
- 關於you got me looking for attention 在 Dan Lok Youtube 的最佳解答
- 關於you got me looking for attention 在 Bubzvlogz Youtube 的最佳解答
- 關於you got me looking for attention 在 BEAUTYQQ Youtube 的最佳解答
you got me looking for attention 在 半瓶醋 Facebook 的最佳貼文
【水世界】的前製設定與現場劇照
WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD
The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.
Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.
This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.
The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.
Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.
Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,
“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.
He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.
As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.
Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.
The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.
The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.
The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.
Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,
“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”
The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.
During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.
They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.
Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.
The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.
Shooting out on the open sea presented a series of logistical problem as Reynolds describes,
“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.
And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.
Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.
And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”
The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.
Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.
During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.
The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!
Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.
sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.
There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.
This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.
Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.
In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.
Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.
Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.
Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.
As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,
“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.
And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.
Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.
And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,
“Well, it didn’t suck.”
It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.
During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.
As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.
The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,
“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.
When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,
“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.
Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,
“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”
Written by John Abbitt | Follow John on twitter @UKFilmNerd
If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
If you want more deep dives visit
https://www.facebook.com/groups/crewstories/?ref=share
you got me looking for attention 在 李怡 Facebook 的最佳解答
The silent revolution (Lee Yee)
Before democrats’ primaries, except for one or two Hong Kong government officials jibber-jabbering sporadically, major bureaucrats from Beijing and Hong Kong had been very reticent about it. But afterward, Hong Kong and Macau Affairs Office, the Liaison Office of the Central People's Government and Carrie Lam denounced in tandem that the primaries were a breach of the Basic Law, the National Security Law as well as the electoral law, yet without uttering which article of them. Why? Perhaps it was due to another wrongly projected scenario by the Chinese Communist Party. In view of the media being nonchalant about the primaries and Tai Yiuting being unconfident in drawing in one-tenth of the pro-democracy electorate(170 thousand voters), they had thought that citizens were apathetic towards the primaries. If that was what it all amounted to, there was nothing to worry about, and they would surely be glad to see it end in fiasco.
Who would have thought that as many as 610 thousand voters who had kept a low profile would have swarmed the polling stations to take the whole world aback? Though the communist China and Hong Kong hastily took remedial actions right away, it was already too late. The primaries already shocked the world.
A wise young man has called on me lately. He put forward a few questions, the first of which was: Which four among all major events in the past year including 6.9, 6.12, 6.16, 7.1, 7.21, 8.31, siege to the Chinese University of Hong Kong and Hong Kong Polytechnic University do you pick to best encapsulate the entire course of the movement?
My answer was: Being a watcher and critic, I’m far from being able to encapsulate the entire movement, but since the start of the anti-extradition movement, there have been a lot of incidents boggling my mind, or more specifically getting me awakened, while changing my perceptual knowledge thoroughly.
The first event is 6.12. Before that day, I had not believed the extradition amendment bill would be laid aside for the communist China and Hong Kong’s resolve was so decided and the pro-establishment faction, the majority in the Legislative Council, had declared support for it, not to mention the government proclaimed on the night right after the 6.9 one million people demonstration that the Second Reading debate on the bill would be resumed. I was concerned about the safety of the protesters who charged, and deemed the radical behaviors useless. Though I understood why the young people did so, I did not find the valiant attempts in the protests desirable. After 6.12, my conception has altered and the five appeals put forward since have been prevailing.
The second event is 6.28. Nothing happened in Hong Kong that day when leaders of various countries converged for G20 summit in Osaka, Japan. Less than a week before, some young people had advocated crowdfunding 3 million dollars for advertising on front pages of influential newspapers in different languages all around the world. Fundraising aside, based on my half-a-century experience in news publication, it is hardly possible to pull it off. But they did it jaw-droppingly well beyond doubt. Even though the leaders of G20 did not react forthwith, the global attention being drawn to Hong Kong and the Hong Kong’s story being ushered into the international arena by the advertisement are indisputable facts. The thought-provoking courage of the young people reshaped my appraisal of the new generation of Hong Kong.
The third event is 7.21+8.31. This two-in-one incident totally transmuted my impression on Hong Kong police. Citizens come into contact with police officers more than any civil servants. The complexion of the police is the complexion of the city. When police officers become public security officers, Hong Kong becomes a place I am no longer familiar with.
The forth event is siege to the Chinese University of Hong Kong and Polytechnic University plus the District Council election. Before the District Council voting, young people had kept on charging valiantly with support from the public, and some citizens had complained about traffic inconvenience caused by the protests. When the day of election was nearing, the society was surprisingly peaceful. Would ordinary citizens, mostly self-absorbed, support the protest? In the end, the turnout and results of the election were dumb-founding. The misjudgement by communist China and Hong Kong became laughingstock. The Chinese officials in charge of Hong Kong affairs stepped down or got demoted.
Every time my mind was boggled, I came at something in one way or another and was somehow awakened through self-reflection. Looking at the primaries of democrats under the threat of the National Security Law, I realized that Hong Kongers on the whole have completely mutated in the past year. All the events that all citizens can take part have been undergoing fundamental changes. Those who keep a low profile will creep into our view to take us aback.
A silent revolution is ongoing. There is no turning back for Hong Kong. When Hong Kongers reminisce about the current “darkest hour” in future, they will find out that in fact that was the “best time”.
(Lee Yee, a prominent political commentator in Hong Kong who embarked on a career of writing and subediting in 1956, has been contributing unremittingly political commentaries to the local press.)
you got me looking for attention 在 Dan Lok Youtube 的最佳解答
Who wants to join Team Dan Lok and work side by side with me, Sifu Dan Lok, and a team of ultra-high-performers?
In the past year, I’ve hired dozens of my mentees to join me in Team Dan Lok. And right now, I am looking for someone to fill:
★ 1 x full-time Social Media Genius (with a strong focus on Quora & Reddit, so experience on these platforms are a plus)
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★ 1 x full-time Social Media Genius (with a strong focus on Instagram & Facebook, so experience on these platforms are a plus)
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So my question to you is this.
Do you have what it takes to join Team Dan Lok?
If you are not, then you can stop reading here. If you are interested, just know this: Team Dan Lok is NOT for the weak.
When you’re on the team, you will be challenged.
You will be thrown into high-pressure, high-stake situations and be expected to perform ON YOUR OWN.
And you will be pushed to your ABSOLUTE limits. (Some say I put people through hell before I officially accept them to be on my team)
So this opportunity is NOT for everyone.
Seriously.
But if you’re looking for a team of high-performance individuals who you can push you to the best version of yourself then maybe… just maybe… you might be able to make the cut.
If you want to apply, here’s what to do.
First you must meet all of the following requirements:
You must be coachable.
If you are not, you will not last on my team. Sifu fires FAST.
1) You must be someone who proactively looks for solutions to problems - even when you’re not assigned to fix certain problems
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you got me looking for attention 在 Bubzvlogz Youtube 的最佳解答
Hello Youtube Family,
Today’s Vlog:
Say Cheese!
Laugh for mummy,
Don’t go, Uncle!
Bracelet Update,
Kai’s DIY mask
How are you all, my loves? I'm so sorry this vlog is so long overdue. Only another week to go till Tim returns to the UK from Hong Kong. Life has been keeping me busy once again. It's never hard looking after Isaac but he has been taking up all of my time these days since he's totally in my care while I recover from a slight chest infection. He is so much more active and demands my attention so I nearly even have time to open up my laptop. I really do miss you guys! Can you believe it that in one month time, Isaac will be one? He will officially be toddler status ^_^ I hope you are all well.
Love, the Bubz family xo
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you got me looking for attention 在 BEAUTYQQ Youtube 的最佳解答
There are thousands of newborn babies everyday.
Stories to be told in many corners around the world.
My name is Queenie Chan, my dad was a Shanghainese and he was an architect. Mum is Taiwanese. They're both Virgo, clean freak and a perfectionist.
Dad was 22 yrs older than mum, dad took mum's virginity and moved to HK after they get married. And I was told his tricks were conventional, writing love letters which could potentially make you diarrhea and it worked well apparently ..
I almost split my mum's vagina when a head coming out other way around, my head that is.
Mum was screaming how painful she felt and I was screaming how tight her vagina was which almost suffocated me.! Dad named ^me after his daughter at his previous marriage whom passed away from drug overdosed.
One Night, Two months after I was born, I got locked from the inside of my room,
mum and dad were both like .. OMG IS IT THE END OF WORLD....
I was crying my arse off, louder than the thunderstorm outside of the windows, dad just got back from a dinner meeting, went straight ahead to the kitchen and grab a chopper then started banging the door knob.
Dad managed to crack open my door, but he also cracked few his blood vessels at the same time and passed away, Mum lost her first love and I lost a lovable dad on the same night. I hardly remember how my dad looks apart from the picture mum shown.
I haven't had a chance to talk to either Bruce or my dad. But I admire them both
There weren't no 'Dummies For Widow' or 'How To Be a Widow In 5 days' books available back then, so Mum flew back to Taiwan with me, and grandparents took over mum's duty so mum get to go search for love.
Because I was the only child, I got all the attention and love from my grannies, and the feeling of being loved has been deep rooted in my brain ever since.I left Taiwan to HK when I was 4 ^to attend pre school, my grannies were so upset and weren't able to eat well for days..It wasn't easy for me to adapt the new environment and I was so used to be around my grannies. Mum were like a stranger to me then. Too bad being a child of 4 yrs old, I didn't have a say at all.
But,Wait for it... That wasn't it, I only then found out there was another man at my new home in hk. My mum second husband, he was in jewelry business..
Mum was still young, she gave most of her attention and love to her new husband. And i started to become a 'world destroyer", I tended to break anything comes in my way. I guess I was just trying to seek attention from my mum, and being an attention whore was one of my jobs.
......
The rest of story is in my video...
Now, being 41 years of age.... skin a bit lose, butt a bit saggy, no big house ,no cars, but what really matter is I love what I do, I do what I love,
Happiness is not given, happiness is an attitude, and it can be DIY.
Always try to give your very best in whatever you do, You are not living to please every single person on planet earth.
Don't waste time, make use of every second cuz we only live once.
I used to think : damn !I m 41 now, half of my life gone pass already
But now I m like, 2nd half of my life has just began, I m looking forward to whats goanna come next.
If I can live for another 40 yrs, I will definitely make draw my life part 2, hope you all enjoy my sharing, good luck and see you soon!
With much Love,
Queenie xoxoox
Music:
Tea For Two
Young Woman
On A Good Day.