Search
16歲的時候第一次寫歌，當時寫了兩首歌…..一樣的chord但兩種感覺….鋼琴譜已經不見了，但竟然還記得兩首歌的Intro😂
還記得一首歌是寫給當時暗戀的男生的…..你們猜猜是開心的那個還是悲傷的那個😛
#當時也是用這個鋼琴作曲的天啊鋼琴陪了我很久了 🥲
.
When I was 16, I composed my very first song for fun…..same chords but two different vibes……I already lost the piano sheets but who knew I still remember the intros to the two songs 😂
One of the songs was written to a crush at that time, guess if it’s the happy one or sad one lmao🤪
#iusedthispianobackthentocomposetoo #keyboardsbeenwithmeformanyyears 🥲
#GTpiano
‘A Note to Harmonica Folks’
What’s next?
Since the day I was born, I have known the most prestigious harmonica competition in the world, The World Harmonica Festival (WHF). Every harmonicist around me see this as the olympics of harmonica, especially when they are both held once every four years.
My father’s ensemble King’s Harmonica Quintet was one of the very first few Asians harmonicist that appeared in the competition in Germany after the format of the competition turned from taped recording to live performance. In 1997, 3 years after I was born, they won their ‘World Championship’ in the WHF. I witnessed it.
It was a historical moment not only because was it a massive honour to be crowned in such reputable competition, it was the period when Asian harmonicists were approved by the Western.
Since then, the global harmonica community started to merge and interact. While harmonicists from the West continue to develop their artistry and career under a relatively strong cultural foundation for instrumental music, harmonica music to be exact, by virtue of the legends such as Tommy Reilly, Larry Adler, Toots Thielemans, Asians harmonicists struggle to further their artistry without the corresponding cultural foundation. A market for harmonica music in Asia simply do not exist.
Nevertheless, Asian culture values diligence and discipline. With the competition as the highest possible way to be rewarded as we develop our artistry, countless players began working day and night towards this very, if not only, visible goal.
Up till this day, you’d be surprised if there aren’t any Asian standing on the prizing podium in the international harmonica festivals. According to a Facebook post of the renowned Taiwanese Harmonicist in 2013, Lee Hsiao-ming, ‘If you show up at a harmonica festival, you can easily be surrounded by a group of ‘World Champion’s all queuing up for that plate at the buffet.’ Be him a chord harmonica player from an ensemble, a soloist at the open category or a 10 year old kid from the youth category… all claiming to be the ‘World Champion’.
Now the question is, Is the ‘World Champion’ in 1997 still the same ‘World Champion’ now? Or are we unconsciously abusing the only system we can count on to gain qualification to ourselves?
As Gerhard, the president of the World Harmonica Festival, has also repeatedly emphasized before, champion of any event of the WHF competition should NOT claim himself / herself as the World Champion. It should properly be addressed as Champion of the " XXX event" of the World Harmonica Festival.
While varies important figures in the global harmonica community started participating in this fierce debate, I was curious about the root of this controversy.
Would anyone accused Usian Bolt of abusing his Olympic gold medals to pursue further in his career? Would anyone question Danill Trifonov’s artistry if he claim himself the winner of Chopin Piano Competition? Could Michael Jordon ever obtain a ‘fake’ NBA championship?
Obviously, there is nothing wrong about winning and taking pride off an award. The real issue instead lies in the opposite side of the question. Is the existing harmonica competition rigorous enough to qualify the winner a ‘World Champion’? Or, should a ‘World Champion’ even exist in a musical setting?
In order to understand what a truly rigorous musical competition is, we began digging into the competitions of all instruments at the highest calibre. For instance, when studying the difference of the format of the International Tchaikovsky Competition with the World Harmonica Festival, we have realised how far behind the harmonica competition is constructed. I won the Solo Championship in the World Harmonica Festival 2013 only by playing a total of 10 minute of music. While a contestant at the qualifying round at the Tchaikovsky Competition would already have to prepare up to 30 minute of music. Meanwhile, not a single competition in the classical world would claim themselves the competition of the best. It seems like the title ‘World Champion’ could only be justified when it’s within sports, where the result can be calculated and compared. We can’t calculate art.
We have came a long way since the harmonica was invented 150 years ago. And I’m extremely excited to see new generation of player arising from all around the world. Nevertheless, while festivals are taking a pause during covid, we should make the best use of this period of time and rethink about how we could contribute to the culture and further bring our instrument to the next level.
So, what’s next? 🤔
我會想念他 - 何雁詩 @honganc
Full version on YouTube (link in bio)
.
.
其實呢一首歌，我喺佢未正式出街嘅時候喺音樂節目拍攝當中聽過。真心非常之入耳，同埋就算Step嗰日有啲唔舒服 (有試過唱唱下因為咳要停止)，佢把聲嘅穿透力都令人好易感受到首歌想表達嘅感覺同意思。其實聽頭一兩次都已經想跟住個副歌唱 Haha 但係點解要係 F# Major 😖 首歌咁新好難喺網上面搵到 chord, 所以好多都要自己搵。自己搵chord搵得咁辛苦，冇理由之後轉Key唔彈嘅。呢次應該係我人生第一次用呢個Key嚟彈琴，仲要係自彈自唱 🎹 我盡咗力㗎啦 😅 The E# dim and Aug chords though...
.
.
If you think playing piano and singing at the same time is hard, try doing it while playing in F# major and having to figure out a large amount of the chords on your own (not the straightforward kind 🤯) Yeah...it's a whole new level of difficult that's new to me lol I think I levelled up after this recording 💪🏻 Keep learning and growing, then take on bigger challenges 😎
.
.
Thanks @johnnyng2004 yet again for letting me use your studio space after hours to record this cover 🙏🏻🤗
.
.
.
.
.
#我會想念他 #何雁詩 #stephanieho #牛下女高音 #片尾曲 #freeyonmusic #music #hkmusic #hksinger #cantopop #singer #cover #sonya7iii #addoil #focus #2019covers #22of26 #4more #bigprojectcomingup #繼續練琴 #繼續練唱歌 @the_voice_ent
Feel Like Makin’ Love カバー スパバンド feat ハーモニカ/タケチャン
スパバンド によるカバー動画です！アレンジをお楽しみください♪
お問い合わせはtwitterのDMへどうぞ
twitter@spaband
オススメ再生リストcoversong
https://youtube.com/playlist?list=PLu4p1cooW71-dhiG7CT6sFB0oA-ulIgSY
スパバンド は毎週月曜20:00~カバーソングを更新しています！
是非ご覧ください♪
スパバンド. スーパー
piano佐藤スパゲティ俊介
vocal anne
sax 福島プリンス哲平
guitar 中丸axnあつお
bass ダディー直樹
drum 田村胸騒ぎ賢作
ゲスト:ハーモニカタケチャン
#歌ってみた
#カバー
#cover
This is a cover video by a spa band! Please enjoy the arrangement ♪
For inquiries, please contact DM on twitter
twitter @ spaband
Spa band. Super
piano Sato Spaghetti Shunsuke
vocal anne
sax Fukushima Prince Teppei
guitar Nakamaru axn Atsoo
bass Daddy Naoki
drum Tamura Kensaku
Taiwanese pianist SLS playing "優しい彗星" (Comet) by @Ayase / YOASOBI from "BEASTARS Season 2 ED".
↓↓↓ Sheet Music, Synthesia and More info down below ↓↓↓
🔔New Video and Live Every Week, Please SUBSCRIBE and turn the bell on :1
💎Join Membership to support SLSMusic
🎁Get Full Scores, Lead Sheets, MIDI Files, Live & MORE every week!
► http://www.youtube.com/slsmusic/join
💬SLS TALK
Okay since I heard this song last week from YOASOBI's performance from THE FIRST TAKE, I decided to do this song a cover. The chord progression in this song is soooo chill, love it. I didn't change too much content of it because I really love the structure of this song and I tried to recreate in the same way. But I still add a little surprise in the middle part between the first chorus and the second verse lol.
✨Synthesia Turorial of this video
► https://youtu.be/KXRXs-99ZKE
📖Sheet Music
🎼 https://gum.co/ztLta
🎼 https://www.mymusicsheet.com/slsmusic/31919
🎧Find SLSMusic on Spotify, iTunes, Apple Music, Amazon, Deezer and more
► https://li.sten.to/slsmusic
🎧Streaming Platforms
🎹Spotify ► http://bit.ly/SLSMusicSpotify
🎻iTunes ► http://bit.ly/SLSiTunes
✅SLSMusic LINE Stickers ► https://line.me/S/sticker/7239025
🎧Playlists
Official Playlists 🎥
https://www.youtube.com/playlist?list=PLqY5-xxyprjtckllGMQK4XljIu_5csx3z
ANIME 🌀
https://www.youtube.com/playlist?list=PLqY5-xxyprjvRFtzx5OPeWYIyncPC2JGi
🎤Social Media
Website ➡ https://www.slsmusic.net
Instagram ➡ https://www.instagram.com/slsmusictw
Twitter ➡ https://twitter.com/slsmusictw
Facebook ➡ https://www.facebook.com/slsmusictt
🥁DONATION
PayPal ► https://www.paypal.me/SLSMusic
歐付寶 ► https://www.bit.ly/DonateSLS
🔧Equipment
●Piano / NORD PIANO 3
●Speakers / ADAM A7X
●Audio Interface / Yamaha AG06
●Camera / Panasonic GH5
●Studio Desk / Wavebone HEADQUARTER
■──────────────────■
#YOASOBI #slsanime #Pianocover
ご視聴ありがとうございます！
English comment is after Japanese.
村下孝蔵さんの「花れん」ライブバージョンをカバーさせていただきました。
この曲は7thシングル「少女」のc/wとして収録されていた曲です。
ライブではピアノ伴奏で歌われていたのですが、それを出来るだけ雰囲気を壊さずにアコギでアレンジカバーしてみました。
お聴きいただけると嬉しいです！😀
※原曲はこちら！
花れん（ライブバージョン）
https://youtu.be/eYH3XHj_TOY
※チャプター
00:00 タイトル(Title)
00:03 イントロ(Intro)
00:23 1Aメロ(1-Verse)
00:59 1Bメロ(1-Bridge)
01:16 1サビ(1-Chorus)
01:31 間奏(Interlude)
01:47 2Aメロ(2-Verse)
02:22 2Bメロ(2-Bridge)
02:39 2サビ(2-Chorus)
02:57 3Bメロ(3-Bridge)
03:14 大サビ(Last_Chorus)
03:28 アウトロ(Ending)
*-*-*--*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*
Thank you so much for watching!
I did a cover of Murashita Kozo's "Karen(Pretty flower)".
This song is the coupling with 7th single "Shojyo(Girl)".
He had sang it by piano accompaniment at a concert, but I tried to arrange by acoustic guitar without spoiling the atmosphere of this song as much as possible.
I'd be happy if you watch.😀
Thanks my friends!
*The original song is here!
Karen (Concert version)
https://youtu.be/eYH3XHj_TOY
*-*-*--*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*
#村下孝蔵 #花れん（ライブバージョン）
NEW 2022* - Join the The Professional Piano Chord System:https://musiciansinspired.lpages.co/pianochordsystem/Learn how to play the chord ... ... <看更多>
Quick demonstration video on how to play the A Major chord on Piano and Keyboard. Played on a Casio CTK-3000. For more information on the ... ... <看更多>
a chord piano 在 How to Play A Major Chord on Piano - YouTube 的推薦與評價
... visit: http://pianoclassroom.com The A Major Chord is made up of 3 notes: A, C#, and E. To find the notes on the piano : Start with th... ... <看更多>