#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!
The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!
Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.
Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.
Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?
Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.
Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.
Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.
Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.
Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.
THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.
THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…
The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!
https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0
#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab
同時也有1部Youtube影片,追蹤數超過1萬的網紅Firdaus Wong,也在其Youtube影片中提到,Bro Firdaus Wong membentangkan topik Islamophobia di hadapan pelajar Perbandingan Agama dari Universiti Norway yang mendedahkan realiti industri Islam...
buddhism news 在 Apple Daily - English Edition Facebook 的精選貼文
#Opinion by Lau Juk 柳濁|"Indeed, it is by the grace of the CCP that the differences in history between Buddhism, Taoism, Islam, Catholicism, and Christianity in China have blurred, and their teachings have been unified into one central tenet: listening to the CCP and following the CCP. While the CCP has yet to achieve the unification of China’s territory, it has brought about the unification of religions."
Read more: https://bit.ly/3yFcEKl
"在黨的光輝照耀下,佛教、道教、伊斯蘭教、天主教、基督教在中國的歷史都已消融,教義更堪稱合一:聽黨話、跟黨走。中共百年,尚未完成國家統一,反已實現宗教一統。"
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buddhism news 在 謙預 Qianyu.sg Facebook 的最佳貼文
【天青色等煙雨,而我在等你】(English writing below)
我看著客人眼淚
滴滴答答的打在桌面上
筆記本
濕了
本子上的字
糊了
她的心酸
猶如洪泉遇到崩裂的堤壩
一波一浪的破牆而出
一個被愛情辜負的女子
看了真是心疼
我不由自覺的
想到了自己
你懂我的
像我這樣剛烈的女子
爲了愛情
我絕不退縮
祇是一個勇字
又豈能成事呢
童年
過得心驚膽顫
家裡常吵得
雞犬不寧
爸爸沒想要
把我生下
媽媽常說
要把我趕出去
我很努力讀書
我很努力做個乖孩子
我覺得我做得很好
人小小本事很大
但這些終究無法
讓我在美滿的家庭長大
多少個夜晚裡
我被媽媽打得
想奪門而出
永不再見
可是想到誰來照顧她
我又忍下來
我很恨
為何我命運不如人
第一次談戀愛時
我是多麼多麼的雀躍
內心裡的煙花
不斷地爆開
我終於等到了
不再是
沒人要的孩子了
我終於
值得有人愛了
初戀的絢麗
卻也如七彩美麗的煙花
一聲巨響後
就消失在漆黑的夜裡
他常常在我面前
提到他如何深愛著
他中學時的校花
她是如此的美好
有一次
這校花來我們的學校
他得知後
破課室的門而出
沒見到她
他哭了一整個星期
心中的不安
讓我常常與他吵架
三年零八個月裡
我不是一個好女友
服滿兵役後
他喜歡上大學迎新會
的一位混血兒
後來
我和一位校友打了幾次桌球
某夜
他在ICQ向我索吻
對他的印象
就一落千丈了
(你以為老娘在賤賣嗎?)
不久一位朋友告訴我
他約會的對象
不只我一個
我有一位
很好很好的朋友
我在新加坡時
他常陪我
深夜打桌球到清晨
聊佛法聊人生
一起上佛學班
一起學國標舞
從未有一個人
如此瞭解我的心
如此照顧著我
但無所不談的當兒
他也不斷告訴
這麼多年來
他如何愛念著
一個女孩
對她始終無法忘懷
我又輸給
活在記憶中的人了
我這一份單戀
長達兩年
很磨人很磨人很磨人
差一點走不出來
第二次談戀愛
他常在我面前提起
一個他追了半年追不到的女孩
他說
有一天一定要去問她
為什麼不選擇他
在家裡的毒打
並沒有隨著我成人
而停止
後來拜師學藝
卻因爲品德不良
被師父一句
「你不是我要找的人。」
斷然吃了閉門羹
那天我哭得痛徹心扉
覺得自己
好像是
個沒人要的孩子
方文山因爲
八百年前
宋徽宗皇帝御批的這句
「雨過天青雲破處」
而在周傑倫《青花瓷》裡
寫了『天青色等煙雨,而我在等你』
他說
愛情里最無力的無奈
就是「等待」
天青色得等待
不知何時會降的雨
雨停
積雲散去
朗朗晴空中
天青色才能顯現
如同我
只能被动而安静的
等待着
不知何时才会出现的妳。
慢慢的
我開始認為
我這輩子等不到了
月老應該沒幫我
綁上紅線
學佛多年後
忽然恍然大悟
一個道理
没有东西是必须拥有的
沒有它
也不代表自己的不足
愛情
是一個填不滿的慾望
所以愛情劇長紅
在2015年2月21日年初三,根本上師蓮生活佛在台灣中天綜合電視台的訪談中說:https://youtu.be/EPDxwSt6a5I (時間12:08)
「師尊本身的愛是這樣的。我既然愛她,就是要她幸福,不是要佔有她,這種愛不是佔有,其實愛不是佔有。如果愛是佔有的話,那就是屬於慾望。如果愛不是佔有,我是祝福她,雖然我愛她,她不愛我,她愛別人,我就祝福她。如果愛別人會比較幸福,我就祝福她。這種愛就不是佔有的愛。如果是佔有的愛,一定會產生痛苦。」
原來我真正在等的
是自己
自己的智慧開了
心變闊達時
才不會讓他人決定
自己幾時可以幸福
可以幸福多久
命運在我手中
怎麼走本來就是我說了算
我輕輕的拿起桌上的紙巾,遞給女客人。她一把鼻涕,一把眼淚的向我道謝。
借了師父慣用的笑話,我柔聲細語的說:「別哭,新加坡缺水,要哭要到蓄水池哭,這樣我們可以少看馬來西亞的臉色做人。」
她破涕而笑。
我再說:「我看了妳的八字,現在又看到妳真人,勸你跟我講話老實一點,要不然我幫不到妳。妳明明一直做人家的小三,還敢跟我哭沒有男人要和妳結婚?妳不也偷偷拿了他不少錢嗎?我看妳明明就是一張愛錢的臉。」
奉勸各位大俠,在我面前,若要用眼淚爲武器,請三思,因爲虛偽的,我必定拆你面具。
..........................
I looked at the teardrops of my client, pitter patter onto the table top. My client's notebook got wet. The words got muddled.
All the pains in her heart were like the angry river crushing through a broken dam, tearing down the walls as the tears flowed.
To see a lady being let down by love was indeed heart-breaking.
I couldn't help but thought of myself.
You know me. An unyielding character like mine will not shrink like a coward in the name of love. Alas, there are things in life that can't be accomplished solely with courage.
My childhood was filled with a lot of fear. There were often quarrels at home.
My dad didn't want me to be born. My mum often said she wanted to chase me out of the house.
I studied very hard. I did my utmost to be an obedient kid, and I thought I did very well as young child but I was already very capable. However, all these were not enough for me to grow up in a complete family.
So many nights, I got beaten up so badly by my mum that I wanted to just break out of the door and never to see her again. But the mere thought of nobody looking after her pulled me back.
I hated so much. Why wasn't my destiny comparable to other people?
When I first fell in love, I was so elated. The fireworks in my heart exploded non-stop. I finally found someone. I was no longer that child which nobody wanted. I was finally worthy of someone's love.
The splendour of first love, however, was as temporal as the rainbow-coloured fireworks. After a loud explosion, it vanished into the darkness of night.
He would often tell me in my face, how much he pined for and loved his secondary school crush, apparently the prettiest and most perfect girl in school.
Once, this campus belle came to our school. When he got wind of the news, he dashed out of the classroom. Failing to see her, he cried for one whole week.
My insecurity caused me to quarrel with him often. In those 3 years and 8 months, I wasn't a great girlfriend. After his NS, he got together with a girl of mixed blood at his university's Orientation camp.
I played pool with a uni mate a few times. One night over ICQ, he teased me for a kiss. My impression of him dropped like hot cakes. Did I look like I was lelong-ing myself? Later, a girl pal told me that he was dating several girls at the same time.
I had a very good friend. Whenever I was in Singapore, he would accompany me to play pool till wee hours. We talked about Dharma, life, and we attended Buddhism and ballroom dancing classes together. I had never met a person who understood me and took care of me so well.
But among our endless conversations of everything and anything, he always told me how he still loved a girl from his school. He couldn't forget her.
Again, I lost to someone who lived in the memory of the guy I liked.
This one-sided love of mine burned for two years. It was very, very, very excruciating. I almost didn't make it out alive.
In my second relationship, the boyfriend would always tell me about a pretty girl whom he pursued for half a year, but failed to win her heart. He told me firmly that if he had the chance, he wanted to ask her why she did not choose him.
The abusive beating at home did not stop even after I grew up.
Later on, when I wanted to become Shifu's disciple, he turned me down flat because he didn't think I had good morals and values. He was blunt, "You are not the person I am looking for."
That night, I cried painfully hard. Suddenly, I felt like I was the kid from my childhood whom nobody wanted.
800 years ago, Emperor Huizong of Song Dynasty wrote in an imperial decree "雨過天青雲破處". It was this that inspired Vincent Fang (方文山) to write the lyrics 『天青色等煙雨,而我在等你』in Jay Chou's song 青花瓷 (Blue and white porcelain).
Vincent Fang said, the most powerless kind of helplessness in love was waiting.
The sky green colour had to wait for the rain, which it had no idea when it would arrive. After the rain stopped, the thick clouds dissipated, in the clear skies, the sky green colour would then be able to appear. This was just like how he could only passively and quietly wait, for his lady whom he had no idea when she would appear.
Gradually, I started thinking that in this lifetime, I would not be able to wait for that person to appear. Perhaps Yue Lao (the elderly celestial under the moon) did not tie the red string on me.
After many years of learning the Dharma, one day, I suddenly came to the realisation that nothing is a must to own.
Secular love is a black hole of desires. That is why romantic shows are evergreen.
On 21 February 2015, the 3rd day of the Lunar New Year, my Root Guru Living Buddha Lian-Sheng spoke in an interview with the Taiwan CTI Television Inc.: https://youtu.be/EPDxwSt6a5I (timestamp 12:08)
"My personal take on love is this. Since I love her, I will want her to be blissful, and not to possess her. Such love isn't possession. Actually love isn't possession. If love is possession, that belongs to desire. If love isn't desire, I will wish her well. Although I love her, she doesn't love me, but loves another person, so I will give her my best wishes. If loving another person brings her more happiness, I will wish her well. Such love isn't possessive love. If it is possessive love, there will surely be pain."
Then I realised, the one that I had been waiting all along for is myself. Waiting for my wisdom to develop, waiting for my heart to be more open, so that I would not place my happiness in the hands of another person, and let the person decide for me when I should be happy, for how long I can stay happy...
My destiny is in my hands. How it pans out is up to me to say.
I gently picked up a serviette from the table and passed it to my lady client. In a mush of mucus and tears, she thanked me.
Borrowing an old joke from Shifu, I gently told her, "Don't cry. Singapore lacks water. If you want to cry, you should cry at a nearby reservoir. This way, we don't have to see the colours of Malaysia in order to get more water."
She broke into a smile among her tears.
I continued, "After looking at your Bazi, and now that I have seen you in person, I advise you to be more honest with me, or else I will not be able to help you. You have all along been a mistress to other men, and you dare to come crying to me that no man wanted to marry you? Didn't you also stole some money from them? The way I see you, you obviously have a money grubber face."
My advice to all swordsmen: If you wish to use your tears as a weapon in front of me, think thrice. Because if you are a hypocrite, I will definitely rip your mask apart.
buddhism news 在 Firdaus Wong Youtube 的最讚貼文
Bro Firdaus Wong membentangkan topik Islamophobia di hadapan pelajar Perbandingan Agama dari Universiti Norway yang mendedahkan realiti industri Islamofobia adalalah satu industri Barat yang memakan belanja berbillion dolar Amerika.