一堂融入k-pop 與 puredata 的《基礎電腦音樂》
耗盡畢生修為寫教案。
在輔大音樂系任教的這幾年，是很幸運的。
學生與同事的討論都是深切地為教育更好而出發。
我所接觸過的輔大音樂系老師，永遠都是在關心學生，關心教學內容，真的！耳濡目染，我也常常有機會將教學訴諸文字。寫完這篇，感慨萬千。教育應當神聖，我也應當戰戰兢兢。反言之，若因此需要打其他工而繼續成就教育，不也是應當的嗎？算我天真小仙，當下如此，未來不可測也擔心不了。
這堂課看似基本，卻是我們許多任教者擺上歲月推敲，幾經開課，才孕育出的一堂課。我們親身體會，給音樂系同學真的需要的，你們真的要好好學，不要混。
我跟主任說，我也猜想有些東西大ㄧ可能有點難，但我相信我們音樂系的風氣，我們可以試試看！
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輔仁大學音樂系為台灣極早開創電腦數位音樂、應用音樂的相關課程的音樂系。在眾所音樂系中已具數位音樂教學上的知名與專業度。而科技發展日新月異，與時俱進的課程設計必須持續研究與實地應用反覆操演而調整。數位音樂發展至今，有許多線上的軟體開放大眾運用，其中有不少已可提供專業學習所需。《基礎電腦音樂》這一堂課，就是為了輔仁大學音樂系剛進大學的音樂新鮮人所設計，目標是以電腦音樂工具的應用，引導音樂系一年級新生，開始以數位方式的脈絡思考音樂創作與演奏的可能性。進而為準備好進入更進階的數位音樂課程，或是相關的學習與專業的發展。
本課程將應用實務的電腦音樂、古典音樂、流行音樂（k-pop\c-pop) 為基礎學習與作業案例，帶領學習者建立電腦音樂的基本觀念，應用工具的邏輯思考，與音樂結構本體的融合。建立音樂系的同學具備專業的電腦數位音樂基礎能力。
課程的進行，除了實際在電腦上的音樂製作，也設計提問的主題，從原因與目的來思考這門課的學習與將產出的成果。（例：進入應用電腦做音樂的世界，其實是一場數位音樂的策展。音樂系同學如何有完整的思考來完成創作，是不是“策展”這個概念可以幫助完成的？那又，何為策展？）
而因為是大一的課程，做學的方法方式傳達也更重要，通常，大一時若真心將心定好，之後大多不會太需要操心的了。
WHY DO YOU NEED TO UNDERSTAND MUSIC TECHNOLOGY? For most of you, technology has surrounded you all of your life: YouTube, Craigslist, Facebook, Wikipedia, emailing, IM’ing, texting, Googling, Skyping . . . it’s all second nature. Technology is neither your friend nor your enemy: it just is. In one writer’s term, you are “digital natives” (Prensky, 2001)—using technology is not going to be a problem for you. For some technologies, it’s OK to just use them. You don’t have to know how Facebook or Google work; there are buttons to click and places to type and everything just works. However, for technologies that you are going to use professionally, you must go beneath the surface to find the underlying concepts in order to use them effectively. To take an example from another field, you don’t have to know how a movie camera works or how CGI effects are done in order to watch a movie. But if you wanted to make movies, you would. Many DVD commentaries and extras featuring movie directors are full of technical details about camera lenses and green screen techniques. The same principle holds true for music technology: if you want to create, perform, or educate using music technology, you have to understand how it works in order to use it effectively. If using music technology effectively were just a matter of learning a piece of gear or a piece of software, the video tutorials that you can probably find on YouTube would do the job. However, to really use technology to its fullest, to grasp the software and hardware concepts when they appear in different contexts, to evaluate the impact and value of new technologies, it is necessary to discover the ideas and concepts that connect different music technologies together. When you are in command of the underlying ideas in music technology, you are in command of the technology itself. This book is dedicated to the proposition that a greater understanding of music technology can enrich your professional life and give you the tools to expand beyond your current experiences. Whether you find it intimidating, exhilarating, or just an ordinary part of the fabric of everyday life, music technology provides critical tools for the modern musician. (Dan Hosken：An Introduction to Music Technology"
https://ithelp.ithome.com.tw/articles/10243576
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