關於 clue meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

📌📍《5月35日》「庚子版」 眾籌活動
集結力量 網上演出 六四前夕 全球直播
"May 35th" Gengzi Edition - Crowd Funding
Join Forces for Global Live Online Performance on the night before June 4th.

🔇🔇「以現在的社會狀況，我們的政治氣候，我擔心這個戲未必有機會再上演﹗」導演陳曙曦說。
🔊🔊"With the forecast of the political climate now, I am very worried that this play will not be any chance to put on stage again" said Chan Chu-hei, the director.

🚨🕯️我們希望集結公民力量，
令全球所有人都可以在「六四」免費網上觀賞《5月35日》，
讓這個故事遍地開花，
讓更多人了解真相、追求公義。
🚨🕯️We target to join the force of citizen
to let us share this Online LIVE theatre production
“May 35th”globally, make this story worldwide,
and let the truth speak for itself, justice be sought after.

‼️➡️眾籌支持方法 Way of Crowdfunding：

1) 請即登入網上平台：https://goget.fund/2Wz5kO9
（暫不能用PayPal 戶口，請用"Visa/ Master" 捐款
Please DO NOT use PayPal Account, but click the icon "Visa / Master")

2) 支票捐款- 抬頭寫「六四舞台」，郵寄到
九龍旺角彌敦道618號好望角大廈8字樓（六四舞台）
By Cheque - Please make the cheque payable to "Stage 64", and mail to 8/F, Good Hope Building, 618 Nathan Road, KLN. (Stage 64)

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2019年六月，是「六四」的三十周年，六四舞台邀請了著名編劇莊梅岩創作《5月35日》。首演5場及加開的6場門票均全部售罄，一致好評，更獲本屆舞台劇獎六大提名，包括最佳劇本！經歷了大半年的社會運動，面對過暴政與暴力，「六四」對香港人多了另一重意義，在謊言與假新聞氾濫的社會，《5月35日》為悼念亦為警世！

🧐🧐為了蒐集資料，編劇莊梅岩曾到訪內地訪問當年「難屬」，亦因此被神秘人「探訪」和「關注」，令她質疑香港的創作自由可能已經岌岌可危。

🤐🤐眼下的暴政和警暴，「廿三條立法」如箭在弦，六四舞台在香港再有生存的空間嗎？

🤬🤬當網絡上充斥假新聞，官方又不斷篡改歷史事件，究竟「六四屠城」和「反送中運動」在不久的將來會變成什麼樣的故事呢？

我們不知道答案，但只要有機會，我們仍然要演下去﹗因此當社會運動仍在激烈抗爭之際，六四舞台就馬上籌組了《5月35日》（庚子版）。

📆根據中國歷法，2020年是庚子年；翻開中國歷史，庚子年往往是浩劫之年。香港經歷多個月的社會運動，「六四」對步入庚子年的香港人有何意義？六四舞台今年誠邀著名導演陳曙曦，連同全新班底，重新創作《5月35日》 的「庚子版」。

😷😷鑑於疫情持續，政府下令關閉全港劇院，令原訂5月在香港藝術中心的舞台演出被迫取消，劇團為堅守信念，破天荒決定把這個震撼人心的六四故事以網上直播形式，於2020年六四前夕向全球人士同步免費播放（粵語演出，附中英文字幕），並於6月4日全日24小時在網上分享。其錄像版本亦將會製作成電影影片，把演出搬上大銀幕，讓更多人了解真相、追求公義。🖐️🖐️🖐️🖐️🖐️

June 2019 marked the 30th anniversary of the “June Fourth Incident”. Local art group Stage 64 joined hands with renowned playwright Candace Chong Mui-ngam to create May 35th. The first 5 premieres as well as the 6 additional shows were all sold out with great acclaims, followed by 6 nominations in the subsequent Hong Kong Drama Awards, including Best Script!

The social movement in the past 6 months has made Hong Kongers no strangers to tyranny and brutality, and has transcended the meaning of "June Fourth" within us. Especially when we are living in a world full of lies and fake news, the play "May 35th" is for mourning and also a warning!

🧐🧐Candance Chong Mui-ngam has visited the Mainland for screenplay research. There she met up with some interviewees, whose family members were June Fourth Massacre victims. It turned out some mysterious figures paid her a "visit" in return with "unexpected concern". She couldn't help but worrying: Is the creative freedom deprived even in Hong Kong?

🤐🤐Witnessing the escalating brutality against protestors, the eagerness of enacting Basic Law Article 23, how much longer can a play like "May 35th" be staged in Hong Kong?

🤬🤬Worse still are the tremendous fake news on the Internet and the tampering with history. Can you imagine how "June Fourth Incident" and "Anti-Extradition Bill Protest" will be interpreted in the near future?

We have no clue, but! As long as we have this opportunity to express, we will go on. Even when the protest across the city was still intense, Stage 64 started to plan for another "May 35th" , the Gengzi Edition.

📆In the Lunar calender, 2020 is called the year of the Gengzi. Historically speaking, the year of the Gengzi were always catastrophic. After months of social unrest, Stage 64 invited prominent director Chan Chu-hei, to re-create "May 35th" into Gengzi Edition with new cast and crew.

😷😷Then comes the Coronavirus pandemic and the compulsory closure of theatres by the Government. That left us no choice but to cancel the "May 35th" performance, which was originally scheduled to stage at Arts Centre in May. But what if we adhere to our beliefs? Here comes the bold decision-\-\to live stream this astonishing show, globally and for free on the night before June 4th, 2020 (Presented in Cantonese, with Chinese and English subtitles). The live version will then be shared online throughout the day on June 4th. What’s more? The performance will be filmed separately and released in cinemas. Let the truth speak for itself, justice be sought after. 🖐️🖐️🖐️🖐️✋

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

💰籌款目標💰
35萬，但50萬能讓我們做得更多
Crowding Funding Goal
HK$350,000, but we can go further if we get HK$500,000.

🆘製作一齣舞台劇的基本成本相當高，一般要靠數千張數百元的門票收入才能維持收支平衡。在疫情下失去劇院，沒有門票收入，加上題材敏感，《5月35日》要獲得商業贊助機會是「零」。因此，我們只能靠公民發揮力量，解囊相助，協助我們把舞台劇作全球網上直播及製成影片，把故事帶到更遠。

🆘A stage production costs a lot. Generally we need to sell several thousands of tickets to break-even. Considering the circumstances of coronavirus pandemic, we can no longer perform in theatres and therefore no income from box office. In addition, due to the sensitivity of the theme / topic, in spite of our best endeavours, it is impossible for May 35th (Gengzi Edition) to receive any commercial sponsorship. What we need now is everyone exert their power and generosity, elevating May 35th (Gengzi Edition) to online streaming platform and even to cinemas, bringing the story to the rest of the world.

Alumine Five of Stenheim

Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.

I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.

Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.

The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.

The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.

So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.

The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.

The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.

Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).

Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................

Price: $60,000 per pair.
Warranty: Five years parts and labor.

(Source: The Audio Beat)

Before you i didnt know the meaning of Mothers' Day... before you, i had no clue the meaning of 'unconditional' love...before u... MAN i was a brat and 1/2 to my momma.

Tq for showing me the true meaning of being a mom (mothers day or no)...tq for making me appreciate my own mother so much more...

Eventhough you have no clue what's happening (1 day i hope u will experience the sheer joy of being a mom... and all the pain/frustrations/challenges that come wth it) ..

Lets not say "happy mothers day"

Let's say "i wish you love"

今回は
⬇︎「MAN WITH A MISSION」さんの「FLY AGAIN 2019」（フル）をカバーしました！

「スーパーラグビーサンウルブズ 2019シーズン公式テーマソング」主題歌
フジテレビ系月9ドラマ「ラジエーションハウス～放射線科の診断レポート～」挿入歌

▶︎歌い手「HARAKEN」さん✨ &「ケイト・エヴォラ」さん✨

ご視聴お願いします♪

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⬇︎本家さま

MAN WITH A MISSION 『FLY AGAIN 2019』
https://youtu.be/KA1O3Ce46Bc

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⬇︎チャンネル登録はこちら♪
http://bit.ly/MikiFujisue

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⬇︎クレジット

・歌　　　　：HARAKEN & ケイト・エヴォラ
・音楽制作　：藤末樹
・映像編集　：藤末樹
・企画構成　：藤末樹

・Associate Art Director：Mark Kobayashi (GAIKEI)
・Executive Producer：Miki Fujisue

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⬇︎藤末樹 - Miki Fujisue（SNS）

Twitter : https://twitter.com/MikiFujisue_Tw
Instagram : https://instagram.com/miki.fujisue
Facebook Page : https://facebook.com/Miki.jpn

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⬇︎HARAKEN（SNS）
Twitter : https://twitter.com/HARAKEN75766631

⬇︎HARAKEN カバー動画集
https://www.youtube.com/playlist?list=PLZRggFcpoLzKIYvbOTEEQZZKMleoxayov

米津玄師 - 馬と鹿
https://youtu.be/aTuS0CSOlQI

折坂悠太 - 朝顔
https://youtu.be/OSSo706lQE8

手塚翔太（田中圭）- 会いたいよ
https://youtu.be/wBV6uBLRtg0

RADWIMPS - スパークル
https://youtu.be/aGhfsJnPHCM

RADWIMPS - 前前前世
https://youtu.be/Y7kDIhxsbC8

サカナクション - モス
https://youtu.be/TAMZWMDrOJc

RADWIMPS - なんでもないや
https://youtu.be/75OvfaO_UV8

山崎まさよし - One more time, One more chance
https://youtu.be/06sYj8ssdTU

BUMP OF CHICKEN/月虹
https://youtu.be/z0nVb74dHFI

MAN WITH A MISSION/FLY AGAIN 2019
https://youtu.be/4ZFDQqjiMD8

RADWIMPS feat.三浦透子/グランドエスケープ
https://youtu.be/LcULkAfuoiA

米津玄師/海の幽霊
https://youtu.be/PgEREb6Zos8

MAN WITH A MISSION/Remember Me
https://youtu.be/WmqROVgmJxQ

菅田将暉/いいんだよ、きっと
https://youtu.be/UT3nZQeNDYg

菅田将暉/まちがいさがし
https://youtu.be/expHyXp1fpQ

RADWIMPS/愛にできることはまだあるかい
https://youtu.be/BcK3fFejTnY

Aimer/STAND-ALONE
https://youtu.be/A5qZjKfC3dM

亀梨和也/Rain
https://youtu.be/EfCh3sBkRMI

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⬇︎ケイト・エヴォラ - Cato Evora（SNS）

Twitter : https://twitter.com/cato_evora
Instagram : https://instagram.com/cato_evora
YouTube : https://youtube.com/channel/UC9RlV6d0aSJIdXNYy9SrJ6w

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⬇︎歌詞

FLY AGAIN 2019 - MAN WITH A MISSION
(作曲︰Kamikaze Boy / 作詞︰Kamikaze Boy・Jean-Ken Johnny)

Searching for the meaning
Looking back what’s leaving
Falling down again you
Lose control so easy

Yet, the only reason
There goes one more season
Can’t you see what you can do?
All the thing’s that you should lose

Find what is the truth, life just seems so cruel
Winner, loser never know who’ll finally be the fool
Just release your heart
Light it on, Alert
The one and only matter that’s the story and the start

Notice that you are not alone
Yeah come with us now,
Break the wall down, yes we can

Fly Again, yeah yeah oh
Fly Again, yeah yeah oh
Fly Again, yeah yeah
Fly Again, yeah yeah ye-ye-ye-ye-yeah

Life just comes and go
Tomorrow never knows
Stand up once again to
Walk into the world for you

The feeling is so new
Believe in what you do
Don’t you ever be afraid in losing
That’s the clue

Find what is the truth, life just seems so cruel
Winner, loser never know who’ll finally be the fool
Yes you are not alone
Yeah come with us now
Let us start it on, here we can

Fly Again, yeah yeah oh
Fly Again, yeah yeah oh
Fly Again, yeah yeah
Fly Again, yeah yeah ye-ye-ye-yeyeah

We know where we should go
We know where we should go
We know where we should go
We know where we should go

Falling down again
We meet again my friend
Life just comes and go
But tomorrow never knows

Searching for the meaning
Looking back what's leaving
Falling down again you
Lose control so easy」

Find what is the truth, life just seems so cruel
Winner, loser never know who’ll finally be the fool
But you are not alone we are not alone
We know what’s waiting out there
We know where we should go

Living in the world is as he said
Running like a rolling stone we go down
The riddle and the rhyme is up to you
Feel the beat and this sound
You got to know You got to seize this now
Ready when you are, we’re always here.
Off we go

Yeah…

Fly Again, yeah yeah oh
Fly Again, yeah yeah oh
Fly Again, yeah yeah
Fly Again, yeah yeah ye-ye-ye-yeyeah

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⬇︎関連リンク

MAN WITH A MISSION - 日本クラウン公式ページ
http://www.crownrecord.co.jp/artist/mwam/whats.html

MAN WITH A MISSION - ソニーミュージック公式ページ
http://www.sonymusic.co.jp/artist/manwithamission/

MAN WITH A MISSION - Ameba Blog
https://ameblo.jp/mwamjapan

MAN WITH A MISSION - Myspace
https://myspace.com/mwamjapan

MAN WITH A MISSION - Twitter
https://twitter.com/mwamjapan

MAN WITH A MISSION - Facebook
https://www.facebook.com/MWAMjapan

ラジエーションハウス～放射線科の診断レポート～ - HP
https://www.fujitv.co.jp/radiationhouse/

ラジエーションハウス～放射線科の診断レポート～ - Twitter
https://twitter.com/radiation_2019

ラジエーションハウス～放射線科の診断レポート～ - 1話60秒予告
https://youtu.be/HdgB-fH9Yis

#MANWITHAMISSION #FLYAGAIN2019 #ラジエーションハウス

今回は映画「君の名は。」主題歌「RADWIMPS」さんの「なんでもないや(英語バージョン)」フル版をカバーしました。

Voはメグ・フェアリーさん。

ご試聴お願いします！

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⬇︎クレジット

・歌（主演）　　　：メグ・フェアリー
・音楽制作　　　　：藤末樹
・映像撮影・編集　：藤末樹
・企画構成　　　　：藤末樹
・コーディネート　：Mark Kobayashi
・プロデュース　　：藤末樹

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⬇︎チャンネル登録はこちら♪

http://bit.ly/MikiFujisue

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⬇︎藤末樹 - Miki Fujisue（SNS）

Twitter : https://twitter.com/MikiFujisue_Tw
Instagram : https://instagram.com/miki.fujisue
Facebook Page : https://facebook.com/Miki.jpn

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⬇︎メグ・フェアリー - Meg Fairy（SNS）

Twitter : https://twitter.com/meg__fairy
Facebook : https://facebook.com/megfairy.artist
Instagram : https://instagram.com/meg_fairy

⬇︎メグ・フェアリー - Meg Fairy (カバー動画集)
https://www.youtube.com/playlist?list=PLZRggFcpoLzLkjBZwjfj9HJ3OucvFHadV

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⬇︎歌詞

なんでもないや(英語バージョン) - RADWIMPS
作詞・作曲︰野田洋次郎

The sorrowful gust of wind that blew right between you and me.
Where did it find the loneliness it carried on the breeze?
Looking up at the sky after shedding a stream of tears,

I could see for miles of blue… it’s never been so clear

Speeches that my father gave me would always make me despair.
Somehow I feel a warmth and comfort today
Your ever-kind heart, the way you smile, and even how you find your dreams.
I mean nothing so honestly, I’ve always copied you

Now, just a little more. Only just a little more. Let’s stay here a little longer now.
Now, just a little more. Only just a little more.
Let’s stick together just a little bit longer.

Oh yes we are time fliers, scaling the walls of time, climbers
Tired of playing hide and seek with time, and always coming just short!

Crying even when you’re happy, smiling even when you’re feeling lonely
It’s because a part of you has made it here before the rest has

I used to wish upon the stars; the toys that
I once adored forgotten now are rollin’ around the corners of the floor
Finally my dreams are countin’ up to a hundred today.
Someday I’ll trade them all for just a very one

A girl that I have seen in school, but I never have told, “Hello”
After class today, I waved… and said, “See you tomorrow!”

It’s not really that bad trying something new every once in a while
Especially if I can do it with you by my side

Now, just a little more. Only just a little more.
Let’s stay here a little longer now.
Now, just a little more. Only just a little more.
Let’s stick together just a little bit longer.

Oh yes we are time fliers, so and I… I knew who you were way before
Way before I even knew my own name. There’s no clue, but I’m sure! I swear!

Even if you’re not around in this wide world,
of course it surely would have some kind of meaning…
But when you’re not around in this crazy world,
it’s like the month of August without summer break

And if you’re not around in this great world,
it would be like Santa Claus without any glee
If you’re not around in this wide world…

Yes we are time fliers, scaling the walls of time, climbers
Tired of playing hide and seek with time, and always coming just short!

No, never mind that! No, never mind what I said now!
‘Cause I’m on my way to you!

Oh, we are time fliers, dashing up the steps of time now
No more playing hide and seek with you and time, and always coming just short!

You’re quite a showy crier; I wanna stop your tears, see your eyes dry up
But when I went to wipe your tears dry, you refused…
but I saw them pourin’ down your face and knew why

Cryin’ even when I’m happy, smilin’ even when I’m feeling lonely
It’s because this heart of mine has made it here before my body

-----------------------------------------------

⬇︎関連リンク

RADWIMPS - 公式ウェブサイト
http://radwimps.jp/

RADWIMPS - UNIVERSAL MUSIC JAPAN
http://www.universal-music.co.jp/radwimps/

RADWIMPS - Twitter
https://twitter.com/RADWIMPS

RADWIMPS - Instagram
https://www.instagram.com/radwimps_jp/

RADWIMPS - Facebook
https://www.facebook.com/radwimps.official

RADWIMPS - 新浪微博
https://weibo.com/u/6116796498

RADWIMPS - YouTubeチャンネル
https://www.youtube.com/user/radwimpsstaff

RADWIMPS - Google+
https://plus.google.com/117382076268173684161

RADWIMPS - Myspace
https://myspace.com/radwimps

RADWIMPS - SoundCloud
https://soundcloud.com/radwimps_official

野田洋次郎 (@YojiNoda1) - Twitter
https://twitter.com/YojiNoda1

野田洋次郎 (yoji_noda) - Instagram
https://www.instagram.com/yoji_noda/

野田洋次郎 - 新浪微博（中国語）
https://weibo.com/u/6160822141

illion - 公式ウェブサイト
http://www.illion-web.com/

illion - Warner Music Japan
https://wmg.jp/illion/

illion (@illion_official) - Twitter
https://twitter.com/illion_official

illion - Facebook
https://www.facebook.com/illion.official

illion - YouTubeチャンネル
https://www.youtube.com/user/illionofficial

#RADWIMPS #なんでもないや #君の名は

Welcome to video #10 of TradingwithRayner’s candlestick trading course!

This is a free (step by step) candlestick trading course that teaches you the essentials of candlestick trading patterns, even if you’ve never traded it before.

This course has 17 videos and it covers: useful candlestick trading patterns, advanced candlestick trading techniques, biggest mistakes to avoid when trading candlestick patterns — and candlestick trading strategies.

Now…

In this 10th video, you’ll learn:

• What is a Harami and how it looks like
• The REAL meaning of a Harami
• How the Harami gives you a BIG clue to “predict” what the market will do next…

Ready for this lesson?

Then go watch this video right now.

If you want to learn more and get a free trading education, go to https://www.tradingwithrayner.com

Thanks for watching!

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