Feel house 系列第十輯,
呈現的主題是「太空人」。
https://www.mixcloud.com/ken-lin/feel-house-10/
當你被丟在浩瀚的外太空,腦中會浮現出什麼弦律呢?十多年來許多的美好片段,緩緩在耳邊上演出共鳴曲。
哀愁和歡愉是一體兩面的,歡笑過後的哀傷難以避免。
埋藏在deep house裡的低吟回聲,和Billie Eilish的青春murmur意外和諧。Game of thrones主題弦律衝搭上節拍, Florence的古典歌劇唱腔更顯得前衛,在Calvin Harris的beatdrop衝出來後,看到閃光和你們的雙手時,我知道I’m Not Alone。
如果某天上太空了,我想帶著這些片段。
這是我和世界最剛好的距離。
#DJKenLin #djset #space #housemusic #dj #djing #purple
同時也有1部Youtube影片,追蹤數超過7萬的網紅24HERBS,也在其Youtube影片中提到,Show love and support: FPS/轉數快 ID: 164023863 Payme QRcode: http://bit.ly/247TalkPaymeQRcode Payme: http://bit.ly/247TalkPayme Paypal: http://bit.ly/2...
「djing game」的推薦目錄:
- 關於djing game 在 DJ Ken Lin Facebook 的最佳貼文
- 關於djing game 在 唱針在溝槽 Needle in that Groove Facebook 的精選貼文
- 關於djing game 在 DJ Mykal a.k.a.林哲儀 Facebook 的最佳貼文
- 關於djing game 在 24HERBS Youtube 的精選貼文
- 關於djing game 在 Neoanarika/LAM0: Gesture controlled DJing Game app - GitHub 的評價
- 關於djing game 在 DJ STEP - Late night hangs in Pilsen after djing the Fire Game ... 的評價
- 關於djing game 在 9 DJ's Room ideas - Pinterest 的評價
djing game 在 唱針在溝槽 Needle in that Groove Facebook 的精選貼文
[超話撈DJ Rob Swift機翻]不要讓控制器控制你!
我們站在2019年NAMM展的最先端,很難不理解DJ科技是如何隨著時間的推移而不斷發展的。昨天的DJ花了不少時間才取得進步的技能,今日DJ只需按一下按鈕就可以混音和刮碟了。擁有智慧的DJ們如Cash Money重新定位唱盤技術(對戰手法),面對唱臂與轉盤向前無法倒轉的阻礙而使DJ在手法上進行思維,這些DJ藝術正逐漸被淘汰。科技正在改變我們的思維方式,達到我們不需要思考的程度。電腦DJ軟體為我們做識別歌曲所有內容,為DJ文化發明一些簡單手法(像Iphone使用般便利),卻封閉了批判性思維。這樣的數位DJ革命性改變。DJ app和控制器反而阻止了人性思考與手工的唱盤DJ文化。
作為一個35年的老兵,我可以自信地說,數位DJ的好處是會付出代價的。如果您擁有一個控制器,但從未體驗過在唱盤上DJ的感受,現在是時候問問自己以下3個問題:
1.在開始混音之前,我是否在眼睛一直偷瞄筆電螢幕以確認兩首歌曲的bpm是否匹配?(恭喜你獲得Serato Face成就)
2.是否更喜歡用視覺而不是聽覺來完成一項基本的技術,比如說丟歌(過歌/切歌)?
3.我能在不使用數位cue點(提示點)的情况下做出beat juggle嗎?”
如果你對這些問題中的任何一個都回答“是”,你可能想重新考慮一下你想要抓住這些科技公司推給你的每一件閃亮的新玩意兒的願望。(意思是你沒有數位科技也能把DJ做的很好)
學習如何用耳朵和手去接觸混音有不可估量的好處。無論是Mista Sinista's "Catch The Beat"還是我的 "Welcome To The Terrordome",這些經典的段子都給我們帶來無與倫比的實質感,超越了Serato基本功能帶給的一切。事實上,今天我們使用的DJ軟體和花哨的混音器僅僅是一種框架把我們限制在之前DJ使用黑膠就早已創造出的DJ文化歷史技能,且讓我們無法再更進一步思考成長。
不要誤會我。我相信科技,我完全支持它,但决不會讓電腦軟體或強大混音器硬件决定我創造力的界限。
https://www.youtube.com/watch?v=YPWeyJ-F7-s
As we stand on the cusp of the 2019 NAMM Convention, it's hard not to appreciate how DJ technology continues to evolve with each passing year. Today, "DJs" can mix and scratch at the press of a button. Technical skills that took yesteryear's DJ painstaking time to advance, can be acquired in an instant. The mental resourcefulness from DJs like Cash Money to reposition a turntable (i.e. "battle mode") in order to remove it's tone arm from obstructing their hand movement towards the turntable's platter is gradually being phased out of DJ art. Technology is altering the way we think to the point we don't need to. Computer coders do the discerning for us, feeding DJ culture gizmos that discourage critical thinking. Talk about game changing. DJ apps and controllers are antiquating the turntable right before our eyes.
As a 35 year vet, I can confidently say, the perks of digital DJing do come at a cost. If you own a Controller but never experienced what it feels like to DJ on turntables, this is the time to ask yourself the following 3 questions:
1. "Am I looking at my laptop screen to confirm the bpm of two songs are matched before introducing a mix?
2. "Do I favor my sense of sight over my sense of hearing to perform a task such as basic as dropping?"
3. "Can I Beat Juggle without using cue points to reset myself at 12 O'clock?"
You might want to reconsider your desire to get hold of every shiny, new piece of gadgetry pushed upon you by these tech companies if you answered YES to even one of those questions.
Learning how to mix by ear and scratch by hand bring with it benefits that are immeasurable. Whether it's Mista Sinista's "Catch The Beat" or my "Welcome To The Terrordome", such classic routines bring with them a texture that's unrivaled by anything we've concocted since the advent of Serato. In fact, the DJ apps and fancy shmancy mixers we use today merely serve as a means for refining the skills both of us have previously attained back when we were "limited" to using vinyl.
Don't mistake me y'all. I believe in technology, I completely support it, but never to the extent that I'll let a computer coder or a mixer's firmware dictate the boundaries of my creativity.
🎥 Courtesy of Battle Sounds : Hip-Hop DJ Documentary #turntabletuesday #daoddcouple #djrobswift #mistasinista
djing game 在 DJ Mykal a.k.a.林哲儀 Facebook 的最佳貼文
情報正式解禁!!!! 2017.04.22 James Lavelle presents UNKLE Sounds x DJ Mykal 20周年 at Neo Studio
James Lavelle對我生涯影響的重要性早已無庸置疑,很榮幸可以在我20周年系列Project裡再次邀請他訪台,而且是首次以UNKLE SOUNDS名義來台演出~~
限量早鳥票明天(周三)中午KKTIX正式開賣!!!
【James Lavelle presents UNKLE Sounds x DJ Mykal 20周年】
★ 2017.03.29(三)中午12:00 限量早鳥票NT800元搶先開賣! ★
購票連結☞http://rokon2future.kktix.cc/events/422unklesoundsxdjmykal
2017.04.22 Neo Studio
傳奇廠牌Mo'Wax主腦James Lavelle
台灣潮流音樂指標 DJ Mykal a.k.a.林哲儀
聯手出擊,再創傳奇經典夜!
James Lavelle,你永遠不知道他的下一步又將如何超越世界!
身為英國著名樂團UNKLE的首腦 、Mo’Wax音樂廠牌創始人,多年來James Lavelle與DJ Shadow、Radiohead主唱Thom Yorke、DJ Krush、Mike D等世界頂尖音樂人合作發行了無數音樂作品,並建立起「Trip Hop」的不敗地位。此外,擔任知名品牌如:Nike、Converse以及日本潮流教主Nigo長期合作夥伴、邀請Futura 創作經典的Point Man圖像,James Lavelle的一舉一動永遠是全球潮流時尚的領導指標。
距前次James Lavelle訪台已有10年時間,這一次James Lavelle將首度以「UNKLE SOUNDS」派對系列登台演出,同時今年也是DJ Mykal a.k.a.林哲儀DJ生涯20周年,作為系列Project以及ROKON滾石電音首發派對,台灣英國兩地潮流音樂指標領袖,聯手轟炸、精彩可期!
限量早鳥票:NT800 (不含酒水)
預售票:NT1200 with 1 Drink
現場票:NT1500 with 1 Drink
*一人一票,請攜帶證件憑票入場,票券遺失恕不補發,18歲以下不得入場
Support by
DJ Mykal a.k.a.林哲儀
OVDS(special club set)
Slamer
林貓王
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Everything James Lavelle has created and initiated has been driven by the same irrepressible sense of curiosity and an incorruptible willingness to take risks. The music released today under the banner of UNKLE is very different from early UNKLE records. The spirit is the same.
2014 was a landmark year for independent music svengali James Lavelle. Coinciding with his 40th birthday he launched Mo’ Wax21: Urban Archaeology - a mind blowing Kickstarter resourced exhibition and a lavish Rizzoli published book to celebrate the 21st birthday of Mo’ Wax records, the label he launched as a teenager. He was also the curator for Meltdown on London’ s South Bank. Joining a long list musical luminaries such as Yoko Ono, Ornette Coleman, Massive Attack, Nick Cave, John Peel, Lee ‘ Scratch’ Perry, Patti Smith, amongst others, is according to James, “one of the proudest moments of my life in music so far.”
Since the early Nineties James Lavelle has been on a global roller coaster ride. It’ s taken him from being an obsessive 18 year old indie record label boss to the heart of corporate record company darkness and back to the light with an array of dynamic visual adventures based around the collective musical experience of his UNKLE project. A child of the sampling generation, he has honed his curatorial skills while riding the tidal wave of information technology. The Nineties were hectic - an endless cycle of clubbing and unfettered creativity and his Mo’ Wax label was bold, irreverent and “Kicking More Phunk Than A Shaolin Monk”. He released a flood of hip, deftly packaged 12”singles and ventured far and wide in search of like-minded souls. He forged links with Japan’ s hip hop originals Major Force and DJ Krush but it was in Oakland California that he found the future - Josh Davis aka DJ Shadow.
In ‘ 96 Rolling Stone magazine declared Mo’ Wax as the true source of ‘ Trip Hop’ - a decision underpinned by the aural impact of DJ Shadow’ s ‘ In/Flux’ 12” single – but In reality, it was the ‘ Headz’ compilation, released in ‘ 94, complete with cover art by Massive Attack’ s 3D that took ‘ trip hop’ worldwide. What followed was DJ Shadow’ s skillfully crafted ‘ Endtroducing’ LP – a homage to his trusty Akai MPC60 and a seminal slab of vinyl that has since notch up sales in excess of a million. A label deal with A&M appeared to give James the freedom to pursue the Mo’ Wax grail and UNKLE was chosen to deliver the vision. DJ Shadow took on the producer role of ‘ Psyence Fiction’ . Meanwhile James commissioned Futura2000 to provide the artwork and succeeded in enlisting Radiohead’ s Thom Yorke and ex-Verve frontman Richard Ashcroft to the project. It was a radical venture that predictably met with the glint of sharpened critical knives. A combination of youth and boundary breaking ambition has never endeared James Lavelle to the critics. Ironically, the deal-breaker when signing to A&M records was a Jean-Michel Basquiat drawing that declared “Cowards with get rid of you, the sky is the limit”. It proved an apt warning. At the dawn of the new millennium A&M imploded andtook Mo’ Wax with it. Financial uncertainty ensued. He sold the Basquiat, reverted to his DJ career and pressed on with UNKLE.
James Lavelle loves DJing. It’ s back to basics. He describes his five year long residency at Fabric as “insane” and is happy to point out that he’ s had residencies in all of the Top 10 clubs in the world including Zouk and Womb.
Obsessed with the collision of music, fashion and art James forged links with Nigo at A Bathing Ape and launched Mo' Wax Arts to translate Futura 2000’ s concepts and images into merchandise, toys and fashion. He was mates with iconoclastic London fashion genius Lee Alexander McQueen and continues to work with McQueen collaborators Warren Du Preez and Nick Thornton Jones. Daydreaming with.... James Lavelle was launched at London’ s Museum Of Mankind and has produced collaborations with celebrated artists like Jonathan Glazer, 3D, Jonas Burget, Doug Foster and Turner Prize nominee Nathan Coley.
In 2005, he set up Surrender - a clothing line and boutique record label dedicated to all things UNKLE. Over a five period they produced three UNKLE albums - ‘ War Stories’ , ‘ End Titles- Stories For Films’ , ‘ Where Did Night Fall’ and around 150 tracks. UNKLE's progression in the studio from a classic hip hop aesthetic to breakbeats-meet-house to electronica to rock has also been instrumental in UNKLE manifesting as a live band that’ s successfully toured the world.
The UNKLE crew has been populated by a bunch of serious players who have made a massive impact on the UK music scene and beyond. Tim Goldsworthy set up DFA records, Nick Huggett signed Adele, M.I.A and Dizzee Rascal, Damian Taylor is Bjork’ s right hand person, Cameron Craig is a Grammy winning engineer and Jim Abiss and Paul Epworth are both producers at the top the game – think: Adele, Kasabian, Plan B, Florence & The Machine. Another UNKLE veteran Toby Feltwell went on to run Bathing Ape and Billionaire Boys Club with Nigo and Pharrell.
Here in lies the journey of a hip hop, subway art, Massive Attack obsessed kid from Oxford. It’ s been a wild and mind expanding journey. His focus is always on the future. Watch this space.
LIMITED EARLY BIRD : NT800 with NO Drink
PRE-SALE : NT1200 with 1 Drink
AT DOOR : NT1500 with 1 Drink
VENUE: NEO STUDIO
5F., No.22, Songshou Rd., Xinyi Dist., Taipei City
djing game 在 24HERBS Youtube 的精選貼文
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24/7TALK: Episode 51 ft. DJ Lorry
Special guest: DJ Lorry
Hosts: 24Herbs
Filmed and edited: Pak Khei, Marco Mak, and Leo Chan
Produced: 24HERBS and Studio8ight
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Psyched to have our old friend DJ Lorry on this episode. Lorry had been in the DJ game in Hong Kong for more than 2 decades and still killing it. Check out this episode on how Lorry talked about his childhood growing up in HK, dancing, DJing, his hip hop group MP4 and more. Enjoy.
從膾炙人口嘅老豆咪索K到一幅幅令人過目不忘嘅反黑劇照,Dj Lorry喺每個領域都有過人之處。有請今集247Talk嘅嘉賓 Dj Lorry?
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24/7Talk is now on Spotify, Apple Podcast, Google Podcast and Google Play Music Podcast.
Podcast Links:
https://open.spotify.com/show/6YtrxuEogjz0xEMtitVeNz
https://podcasts.apple.com/hk/podcast/24-7talk/id1513852953
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djing game 在 DJ STEP - Late night hangs in Pilsen after djing the Fire Game ... 的推薦與評價
Late night hangs in Pilsen after djing the Fire Game... gonna be playing some brand new records from @dankanvis before he boards the iron bird back to... ... <看更多>
djing game 在 9 DJ's Room ideas - Pinterest 的推薦與評價
Apr 2, 2017 - Explore Diane Sanchez's board "DJ's Room", followed by 116 people on Pinterest. See more ideas about video game rooms, game room design, ... ... <看更多>
djing game 在 Neoanarika/LAM0: Gesture controlled DJing Game app - GitHub 的推薦與評價
Gesture controlled DJing Game app. Contribute to Neoanarika/LAM0 development by creating an account on GitHub. ... <看更多>