身體重曝的攝影創作過去幾年一直持續進行著,產出一系列結合女性身體與植物肌理的作品,讓被拍攝者可以有不一樣的面向認識自己的身體,並更喜歡自己,是讓我想努力繼續拍攝的動力。
今年拍攝計畫開始慢慢延伸到了戶外,裸體拍攝一直不是很容易的事,除了拍攝當下環境要能讓模特兒安心的展現,拍攝後的作品呈現也會受到社會眼光的壓力,擔心受到誤解或騷擾,很感謝之前合作過的人兒,都是非常堅毅且有身體自覺意識的女性朋友。
身體重曝的攝影創作,持續募集女性人體模特兒。
希望能拍攝更多元的身體樣貌,並融合在自然場域中,呈現每一個人存在於這個世界的獨特性。
只要你對自己的身體有自信,並且喜愛山海自然,願意加入這個拍攝計畫,歡迎透過Email與我聯繫。
I’ve been working on this double and multiple exposure photography projects for a few years, and producing the series of works that combine female bodies and textures of nature, so that the subject can have a different understanding of their body and like themselves more.
This year, this project extends into the wild.
It has never been easy to shoot nudes outdoors. Considering the various obstructions and interferences, models must be able to show high tolerance to moral pressure of society. And I am very grateful to these female friends who I‘ve been working with, and they are all strongly determined and with highly body-consciousness.
I hope to shoot more diversities of female bodies and appearances in the future, and also indicate the uniqueness of themselves.
The project of multiple exposure photography continues to recruit female models. As long as you have confidence in your body and love mother nature such as mountains and seas, and are willing to collaborate with, please contact me via Email.
#unwoods #unwoodsphotography #photography #photographer #photographyart #art #artwork #nature #naturephotography #写真好きな人と繋がりたい #portrait_vision #cityports10k #cityports #colourful_space #bluesky #roadtrip #adventure #doubleexposure #doubleexpomagazine #river #riverbend #stone #rock #taiwan #nikontaiwan
double exposure photography 在 Unwoods Facebook 的精選貼文
身體重曝的攝影創作過去幾年一直持續進行著,產出一系列結合女性身體與植物肌理的作品,讓被拍攝者可以有不一樣的面向認識自己的身體,並更喜歡自己,是讓我想努力繼續拍攝的動力。
今年拍攝計畫開始慢慢延伸到了戶外,裸體拍攝一直不是很容易的事,除了拍攝當下環境要能讓模特兒安心的展現,拍攝後的作品呈現也會受到社會眼光的壓力,擔心受到誤解或騷擾,很感謝之前合作過的人兒,都是非常堅毅且有身體自覺意識的女性朋友。
身體重曝的攝影創作,持續募集女性人體模特兒。
希望能拍攝更多元的身體樣貌,並融合在自然場域中,呈現每一個人存在於這個世界的獨特性。
只要你對自己的身體有自信,並且喜愛山海自然,願意加入這個拍攝計畫,歡迎透過Email與我聯繫。
I’ve been working on this double and multiple exposure photography projects for a few years, and producing the series of works that combine female bodies and textures of nature, so that the subject can have a different understanding of their body and like themselves more.
This year, this project extends into the wild.
It has never been easy to shoot nudes outdoors. Considering the various obstructions and interferences, models must be able to show high tolerance to moral pressure of society. And I am very grateful to these female friends who I‘ve been working with, and they are all strongly determined and with highly body-consciousness.
I hope to shoot more diversities of female bodies and appearances in the future, and also indicate the uniqueness of themselves.
The project of multiple exposure photography continues to recruit female models. As long as you have confidence in your body and love mother nature such as mountains and seas, and are willing to collaborate with, please contact me via Email.
double exposure photography 在 Jeremy C. Photography Facebook 的精選貼文
Thanks Vogue Hong Kong for featuring me as one of the HK street photographers 🙏🏼
https://www.voguehk.com/en/article/art-lifestyle/best-hong-kong-photographers-instagram/
Below is the previously unreleased complete interview in which I shared about my inspirations, creative flow and philosophy, as well as some techniques. Feel free to take a look & CLS (comment, like & share) 😀
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(V: Vogue J: Jeremy)
V:
What/who inspired your photography style?
J:
When I started photography, Hong Kong’s legendary photographer Ho Fan’s work has inspired me a lot, mostly about the use of light and composition as well as the way to authentically capture the secular life of Hong Kong people. Around 6-7 years ago, I met some friends from Instagram whose double exposure film works are fascinating. They have inspired me to explore deeper in this special way of photo story-telling, which I tried to incorporate daily ordinary elements to make new interpretations of what I feel and perceive about the city. After years of experimentation, I am still enjoying the possibility double exposure brings to my creative journey.
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V:
How would you describe the Hong Kong that you present in your photos?
J:
Hong Kong is a city of varying landscapes (hills, harbours, hyper-dense urban hubs etc). My photos always try to illustrate snippets of things happening around the city, mixing the common experience with a bit of poetic imagination if possible (including openness or even ambiguity for the readers to interpret). At the same time, I always put in mind not to create something too cliche or off-the-ground. Words also play a role in my photos too, as they could add another layer (or twist) of background info or feel to the photos themselves.
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V:
In what way do you present it?
J:
Analogy with an implicit storyline is what I always aim at when I take photos. Although double exposure comprises of only a fraction of my photography work, I believe it suits my visual philosophy well in (1) recording things happening or surrounding around myself/the city in terms of both factual archives and personal-based memory, (2) freeing up the mind by letting imagination flow in (as to temporarily overlap the concrete realities into some forms of surrealism, creating as a remedy for the chaotic world). So I would say it is an aesthetically refreshing way of visual representation.
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V:
Why did you choose this photo?
J:
One of my mostly used double exposure approaches is the experimental blending of observed urban moments with on-the-spot patterns/materials (I have been using the instagram hashtag #rambler_hkdouble to collect my double exposure photos posted on IG). For this picture of Mongkok, I first captured a V-shaped pattern of bluish/greenish tiles from a nearby pedestrian underpass, then I captured the second layer on the Argyle Street footbridge which oversees the V-shape urban canyon of Mongkok. This was taken by an old Nikon film camera with a discontinued film stock called Rollei CN200. I like how the grains and tints worked together to offer a mood of ruggedness.
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V:
Is there a message that you’d like to share through your photos?
J:
I always try to capture the subtlety of a place (incl. urban fabrics and artefacts) through compositions and lighting. I hope my photos would bring a sense of resonance, reminiscence and reflection to my audience (whether HKer or not), connecting them with a place’s own history, her present reality and an extrapolation of the future.
My main channel of photo sharing is on Instagram, but I really treasure the interactions with my audience both online and offline, local and overseas, mostly through web comments, my own photo exhibitions or occasional organised photowalks. I love the moments when I try to inspire people, I got reversely inspired by them too. I hope these modes of sharing could continue in the future.
2020 Aug
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Vogue Hong Kong
Vogue